"La regata veneziana" - Rossini 00:00 Anzonleta - Avanti La Regata 3:03 Anzonleta - Co Passa La Regata (The pianist shortened the intro). 5:06 Anzonleta - Dopo La Regata
They are three songs written in venetian dialect by an anonymous. They refere to the Regata veneziana ( venetian boats' race ). It's a feast to which the entire city partecipates. The first dates back to 1274 and takes place during the first week of September. The first song describes the beginning of the race, the second the race and the third the end of the race. In every song an anonymous lover cheeres her Mommolo ( James ) for the victory. The texts describe some details of the Regata.
I am 8 years late to the conversation haha but the poet is not anonymous and neither is the lover- the poet is Carlo Pepoli and the singer is a woman named Anzoleta (or Angelina as she would be called today). The songs are titled "Anzoleta Before the Boat Race", "Anzoleta During the Boat Race," and "Anzoleta After the Boat Race"
she really is only 24 years old at the time of that performance??!are you sure?wow,that's unbelievable!her education can't be so long ago,then,right?at least in germany it's like this)absolutely amazing singer!
I enjoyed this a lot. Bartoli is wonderful, as always. I have a live video of Aprile Millo performing this set and it's beautifully sung and charmingly acted...she's quite funny in the second and third numbers.
very good... see also the performance of soprano and mezzosoprano in the fianl of the Regata Veneziana !! by Mila Vilotijevic and Giovanna Pinardi .... delightful too !1
Certo che uno pensa alla Tebaldi visto che nei suoi concerti anche televisivi ne aveva fatto un piccolo cavallo di battaglia..... Qui la Bartoli é incomprensibile ! una serie di suoni farfuglianti ( non bellissimi ) e mi dispiace ! Perché avrebbe tutte le possibilità tecniche di far capire ogni parola ! Ma ha preso ormai questa strada....
Alguien podría ayudarme con la traducción o informarme de qué habla cada una de las canzonette. HELP !! Could somebody tell me every one of the canzonette talks about ?
Google the translation. In short, the songs are "Anzoleta before the race" where she's encouraging her boyfriend (a bit threateningly, really!) to win the race ("bring me that flag or don't come back at all"); in the second, "Anzoleta while the race passes", she's watching the race, where he's in second place, and cheering him on (and charmingly, at the end, saying, "oh, of course, it's because he saw me that he made that final spurt to win!"); and in the last, "Anzoleta after the race", she rewards him with kisses and praise.
Though I know La Regata very well, We are not discussing me but her performance. I have specified already what mistakes she made. If you REALLY followed wit the score then you would know I am right. If you failed to spot the mistakes then you obviously cant read music (incidentally do you know Venetian Dialect? Are you aware this is what it is?)
yes I am on stage all the time. That's not the point. If I wanna someone who is nervous in a recital who didnt sleep the night before and therefore sings in flawed way I go listen to a student recital. Not a reputed star hyped up by a PR system
I'm sure that was intentional. She doesn't make mistakes of that type, but with how repetitive the introduction is I don't blame them for shortening it.
...AND she messed up the words in the last song too! Well for someone who is deemed to be SOO FANTASTIC and absolutely incredible and an amazing and colorful mezzo (and all that) I would excpect more precision and accuracy, besides aspirated coloratura and disturbingly "cutsie" acting, when it is not disturbing to watch for other reasons.
You know what? (And it's the same story as with Callas). I'd rather listen all night to "flawed" singing of this sort, done with heart and soul and passion (and interpretation of what the song is really about), than some technically perfect singers who just sing the notes and don't move me at all. Yes, in an ideal world one would have both. But if I had to choose, I would not hesitate for one second.
And she IS hyped. Not an accident she harly sings on stage anymore. Except for Zurich (small house) Only recitals and recordings but no live opera. Voice is too smal and not as "perfect" live as on records. ;)
Bartolii is not just singing the songs; she is bringing them to life.
Yahoo!
A masterclass in how to interpret a song. Bartoli's intelligence and musicality are second to none.
Her control is absolutely incredible, as is her expression, ornamentation and interpretation. An amazing and colorful Mezzo to see perform.
Delightful!!! Bartoli at her best. Cannot imagine anyone singing this song-cycle with such charm and wit. Rossini wrote these songs thinking of her.
"La regata veneziana" - Rossini
00:00 Anzonleta - Avanti La Regata
3:03 Anzonleta - Co Passa La Regata (The pianist shortened the intro).
5:06 Anzonleta - Dopo La Regata
She is simply the greatest diva ever...! Love to hear her her voice and watch her performing.
CAntante ,musicista,attrice!!! Solo Lei...Auguri Ceci
Menos mal que puedo escuchar esta bellisima pieza y deleitarme, con la interpretacion de la MARAVILLOSA RENATA TEBALDI
They are three songs written in venetian dialect by an anonymous. They refere to the Regata veneziana ( venetian boats' race ). It's a feast to which the entire city partecipates. The first dates back to 1274 and takes place during the first week of September. The first song describes the beginning of the race, the second the race and the third the end of the race. In every song an anonymous lover cheeres her Mommolo ( James ) for the victory. The texts describe some details of the Regata.
I am 8 years late to the conversation haha but the poet is not anonymous and neither is the lover- the poet is Carlo Pepoli and the singer is a woman named Anzoleta (or Angelina as she would be called today). The songs are titled "Anzoleta Before the Boat Race", "Anzoleta During the Boat Race," and "Anzoleta After the Boat Race"
@@sexygaywizard I'm accompanying a singer, and it's very to know the background of this piece. Thank you very much!
She looks so fresh, young and beautiful here... Those earrings are perfect for her curls.
3 words = she is perfect
she really is only 24 years old at the time of that performance??!are you sure?wow,that's unbelievable!her education can't be so long ago,then,right?at least in germany it's like this)absolutely amazing singer!
beautiful ❤she is an adorable
Maravillosa!
Thanks for the great post!
MARAVILLOSA
i have to watch this because of music class
Bravissimo!
I enjoyed this a lot. Bartoli is wonderful, as always. I have a live video of Aprile Millo performing this set and it's beautifully sung and charmingly acted...she's quite funny in the second and third numbers.
When do you know this concert to be performed?
pazzesca!!!!
@dukesunshinerfw She modified it for the performance! Cecilia Bartoli doesn't mess up..... like that!
Here we are speechless. Nothing to say.
very good... see also the performance of soprano and mezzosoprano in the fianl of the Regata Veneziana !! by Mila Vilotijevic and Giovanna Pinardi .... delightful too !1
There are no awards for not making mistakes. Bartoli is rich and famous for her miraculous expression, not for her correctness.
Ceciliaaaaa. Stahhhppppp looking into the cameraaaaaa. JK LOVE YOU.
Bravo, Cecilia, gesticula que no es estatua!
se le dico: la regata veneziana........ a cosa pensa!?
RENATA TEBALDI ;-)
Certo che uno pensa alla Tebaldi visto che nei suoi concerti anche televisivi ne aveva fatto un piccolo cavallo di battaglia..... Qui la Bartoli é incomprensibile ! una serie di suoni farfuglianti ( non bellissimi ) e mi dispiace ! Perché avrebbe tutte le possibilità tecniche di far capire ogni parola ! Ma ha preso ormai questa strada....
Alguien podría ayudarme con la traducción o informarme de qué habla cada una de las canzonette. HELP !! Could somebody tell me every one of the canzonette talks about ?
Google the translation. In short, the songs are "Anzoleta before the race" where she's encouraging her boyfriend (a bit threateningly, really!) to win the race ("bring me that flag or don't come back at all"); in the second, "Anzoleta while the race passes", she's watching the race, where he's in second place, and cheering him on (and charmingly, at the end, saying, "oh, of course, it's because he saw me that he made that final spurt to win!"); and in the last, "Anzoleta after the race", she rewards him with kisses and praise.
@bakvarnyu Do it then, and post it! Because I would LOVE to see an even better performance than the GODDESS OF THIS PIECE!
que gesticulaciones? Escucha...
@bakvarnyu Well, you show us and leave the judging to us then, how about that?
bene! in questo caso metti il tuo video qui :) ti ascolteremmo e vedremmo chi canta meglio!
Though I know La Regata very well, We are not discussing me but her performance. I have specified already what mistakes she made. If you REALLY followed wit the score then you would know I am right. If you failed to spot the mistakes then you obviously cant read music (incidentally do you know Venetian Dialect? Are you aware this is what it is?)
Non si capisce una sola sillaba!!!
yes I am on stage all the time. That's not the point. If I wanna someone who is nervous in a recital who didnt sleep the night before and therefore sings in flawed way I go listen to a student recital. Not a reputed star hyped up by a PR system
there is no ornamentation in this. Every note in the score of "La Regata", unless yours is a multi-purpose comment to apply to all her clips!.
And she messed up the entry to the second song. Good on Gyorgy Fischer to have caught up so seamlessly and not show her up! Great accompanist
I'm sure that was intentional. She doesn't make mistakes of that type, but with how repetitive the introduction is I don't blame them for shortening it.
...AND she messed up the words in the last song too!
Well for someone who is deemed to be SOO FANTASTIC and absolutely incredible and an amazing and colorful mezzo (and all that) I would excpect more precision and accuracy, besides aspirated coloratura and disturbingly "cutsie" acting, when it is not disturbing to watch for other reasons.
You know what? (And it's the same story as with Callas). I'd rather listen all night to "flawed" singing of this sort, done with heart and soul and passion (and interpretation of what the song is really about), than some technically perfect singers who just sing the notes and don't move me at all. Yes, in an ideal world one would have both. But if I had to choose, I would not hesitate for one second.
And she IS hyped. Not an accident she harly sings on stage anymore. Except for Zurich (small house) Only recitals and recordings but no live opera. Voice is too smal and not as "perfect" live as on records. ;)
one of the very few boring pieces from Rossini
i could sing it better