Standards II Live in Tokyo, Japan 1986 Keith Jarrett - Piano Gary Peacock - Bass Jack DeJohnette - Drums For a playlist of the whole concert, go here: • Video
Listningen to Keith Jarrett, Gary Peacock and Jack De Johnette is like getting a blood transfusion, its incredibly wonderful . They are the most optimal musicians in the world Kent
Apples and oranges. Keith is not a Bill Evans clone and he comes out more from the folk and rock tradtiion within the jazz and classical tradition. Different voicings, touch, musical direction. Jack takes this trio to another level as far as his drumming, inventivenss and he swings harder than any of Bill's past drummers. Actually Jack played in one of my fave Bill Evans' LP's, Live in Montreux.
3:20 that sound is so uniquely the keith jarrett trio. 7 down to 1 diatonically, 6 diminished up, 3 min7 down, b3 minor triad down!, b7 diminished (plus eb) up, tonicize the b5 as 1 with a bebop line, play a line off b3 like its a 2 chord going to a 5 chord, but land on a actual 2 chord arpeggio (starting on 1), loop it up and resolve to 1 down. i cannot believe how much is happening here, not to mention the bass. apologies if thats confusing or wrong
yes, the b6 going to the 3 min7 augmented 2 with added 13 plus #11, then suddenly moving down to diminished 2 b13 with the added 11, passing rapidly by a Viib711, resolving in the dominant to the Neapolitan b2 with the #4 added to the BASS!!! Incredible. Apologies if I forgot the augmented 6th with the b3 on the snare drum!! That one was truly remarkable!!!
I don’t. I know, a lot of jazz pianists vocalize as they play, but with Jarrett, he does it in such a loud and bizarre way that I find it distracting. I could do without the spasmodic writhing, too. (And least I don’t have to see that if I don’t want to.)
They were definitely cooking but still love Bill Evans’ rendition, going from chords to solos and bypassing the melody at the start. Overall, just a great tune for piano trios I think
That's latter Bill Evans who rushed (or flew if you like). The best trio recordings of the tune are still the Village Vanguard takes will Scott LaFaro on bass, where Bill plays at relaxed tempo.
I like this tune from Keith. This sound pretty modern. Really modern drumming and solos. Great. Some of his stuff I don't like so much. Those melancholy stuff is a hit and miss thing for me. Although he seems to act like it's really deep, I don't really feel like how I would feel Bill Evans, Marian Mcpartland or Michel Camilo. I'm not sure if you guys know what I mean. To put it as cheesy is really too much, but it sure doesn't sound "that deep". But this one's great.
Phenomenal musician, no doubt. He's gunning it in too many songs, i.e., if you like upbeat stuff. This was written as a Cole Porter ballad, my choice anyway. Right handed chords with melody - even thirds or fourths - always sounds better..
From Bud Powell onwards, if not earlier, Jazz pianists comp with the left hand. And while the original might have been a ballad, Miles & Bill Evans, among others, played this at medium tempo, so not such a stretch to do it up tempo.
Listningen to Keith Jarrett, Gary Peacock and Jack De Johnette is like getting a blood transfusion, its incredibly wonderful . They are the most optimal musicians in the world
Kent
These men are part of
American Jazz history
3:57 That chorus, my god..
Apples and oranges. Keith is not a Bill Evans clone and he comes out more from the folk and rock tradtiion within the jazz and classical tradition. Different voicings, touch, musical direction. Jack takes this trio to another level as far as his drumming, inventivenss and he swings harder than any of Bill's past drummers. Actually Jack played in one of my fave Bill Evans' LP's, Live in Montreux.
Whoever thinks Keith is a clone of anyone has zero as far as ears.
I like the openness & freedom of KJ’s playing 🎉
Simply incredible. From all three of them. One of the very best jazz recordings ever created. Thank you, moom.
My name is Nelson Widdle and I heartily endorse this statement.😉😎
@pbaudinat I am sorry for the poor souls who are not able to see beyond the surface. There may be a valuable treasure hidden behind.
Good Lord have mercy!! What a joy...
Hey there . this is jazz and i'm from brazil the country of bossa nova. Really thanks for more this track
3:20 that sound is so uniquely the keith jarrett trio. 7 down to 1 diatonically, 6 diminished up, 3 min7 down, b3 minor triad down!, b7 diminished (plus eb) up, tonicize the b5 as 1 with a bebop line, play a line off b3 like its a 2 chord going to a 5 chord, but land on a actual 2 chord arpeggio (starting on 1), loop it up and resolve to 1 down. i cannot believe how much is happening here, not to mention the bass. apologies if thats confusing or wrong
Can you elaborate? I’m a bit confused haha
yes, the b6 going to the 3 min7 augmented 2 with added 13 plus #11, then suddenly moving down to diminished 2 b13 with the added 11, passing rapidly by a Viib711, resolving in the dominant to the Neapolitan b2 with the #4 added to the BASS!!! Incredible. Apologies if I forgot the augmented 6th with the b3 on the snare drum!! That one was truly remarkable!!!
Keith the greatest of all time
I’m an atheist, but I gotta say: this trio was a f*ing miracle. They give me goosebumps every time. Just otherworldly playing.
Uno dei più importanti trii della storia del jazz!
I love his humming along! xD
I don’t. I know, a lot of jazz pianists vocalize as they play, but with Jarrett, he does it in such a loud and bizarre way that I find it distracting. I could do without the spasmodic writhing, too. (And least I don’t have to see that if I don’t want to.)
If they swung any harder the Earth may have tilted off axis…….
Musica de VERDAD!!!!!!!!!!!!
Il Genio.
Does it get any better than this? I think not!!!!
good job
ADOROOOO !! delicia de TRIO , delicia esse baixo e que batera é esse?? . Super D+++++++
Keith wow
"modern" or "non-modern" - who cares, asshl... this is pure jazz
They were definitely cooking but still love Bill Evans’ rendition, going from chords to solos and bypassing the melody at the start. Overall, just a great tune for piano trios I think
I need to buy that "whisper not" record
so good .... mmmmmmmmm :)
😀💙🌾🌱
😊💚🍎🥀
💙🌺🌱🙄
Except Keith doesn't rush like Bill did.....;-0
Jarrett FLYS - like GOD! Evan's is DODO!
That's latter Bill Evans who rushed (or flew if you like). The best trio recordings of the tune are still the Village Vanguard takes will Scott LaFaro on bass, where Bill plays at relaxed tempo.
gross, keith is the man
I like this tune from Keith. This sound pretty modern. Really modern drumming and solos. Great.
Some of his stuff I don't like so much. Those melancholy stuff is a hit and miss thing for me. Although he seems to act like it's really deep, I don't really feel like how I would feel Bill Evans, Marian Mcpartland or Michel Camilo. I'm not sure if you guys know what I mean. To put it as cheesy is really too much, but it sure doesn't sound "that deep".
But this one's great.
Bro zooming on the Reeboks for too long
dude...
Shut up, everyone! More importantly, is Jack wearing leather pants?
Voll der Glöckner irgendwie...
even if they don't realise, those genius are directly inspired, in all the music they do, by jesus Christ
Phenomenal musician, no doubt. He's gunning it in too many songs, i.e., if you like upbeat stuff. This was written as a Cole Porter ballad, my choice anyway. Right handed chords with melody - even thirds or fourths - always sounds better..
From Bud Powell onwards, if not earlier, Jazz pianists comp with the left hand. And while the original might have been a ballad, Miles & Bill Evans, among others, played this at medium tempo, so not such a stretch to do it up tempo.
"of me"
yikes
Please!!!
Someone tell Keith Jarret not "sing"
He ruins his great music
Yikes! Overrated stuff! Ugky bass sound too!
+GeoCoppens doens't match André Rieu, that's for sure
You guys are idiots. And deaf
Ok boomer