Keith Jarrett's Trio and Stanley Kubrick's films have something in common for me: every time I come back to them, I learn something new. It never fails.
4637311 2531815 Art is timeless. If there’s a lot of materials contained like Kubrick’s work sure you will discover something new you overlooked before.
Great art is also mysterious and can't always be understood on an intellectual level like that scene in The Shining where the guy in the bear suit is giving oral to the butler 🤔.
Plenty of young musicians are so good nowaday and some are prodigious . I really enjoy watching and listening to them on Utube. But then I hit on Keith jarrett trio and it's like...the sun is rising . " Guys , step aside please , Keith Jarrett 's playing now"
devastatingly sad, indeed Don Nicholson. but KJ has overcome so many setbacks in life that I truly believe he will surprise us all with sth absolutely genious! I love Mr Jarrett with all my heart. most gorgeous piano playing ever!
@@sandraeckelhofer He can do one-handed what others dream of. I became a fan when he was with Charles Lloyd, then with Miles, then solo. Absolute genius.
The three are very best I knows no much off jazz but I like with passion off thid style, Petrucelli too Gesmonti, Peterson are so good for me.Regards from Uruguay thanks
Didn't Lexus use an exerpt of this tune on one of their commercials?It showed a car racing on a curvy mountain road in Europe.Whatever it was it fit well!
In the studio version of the Standards II CD, Keith Jarrett makes a miscalculation in the tempo of the very beginning and plays a few notes too many - caught me by surprise when I heard it. It's good tho, makes me realize he's not a god, lol, although he plays like one.....
I understand your disagreement with the original comment, I actually disagree with GSWCarr as well, but attacking him for using "ugh" as an expression has nothing to do with the statement you disagree with. By criticizing his expression like that, you make yourself a hypocrite in saying this is not an open area for criticism. I also believe this is a great place to watch, listen, and learn... but that doesn't mean you should insult someone's intelligence for differing in opinion.
If your name is Herbie Hancock, you just had your ass handed to you. If your name is Chick Corea, you just had your ass handed to you. If your name is Kenny Barron, you just had your ass handed to you. If your name is Mulgrew Miller, you just had your ass handed to you. If your name is Lyle Mays, you just had your ass chewed up and spat back out. Don't hand me this "everyone has their own thing" crap either. Jarrett is the best improvisor alive, during his or anyone else's lifetime. Period.
Jarrett is a great improviser no doubt but you’re overlooking the style and personality of titans such as Chick who is harmonically far more complex than Jarrett. Chick invented his own language drawing from jazz and early 1900’s classical composers. Have you listen to Arbour Zena all the way through? Good luck.. there are many aspects to a musician.
It’s just the sound of the amp that bothers me. Gary’s sound on the bass is beautiful in general of course! I’d just prefer to hear it in a more natural state. Just sounds too electric here in my opinion. Regardless, the playing is absolutely astounding
not really. not night and day different, like say Keith and Chick or Herbie, but no not really. Of course there's some influence in a pianist that grew up probably listening to Kinda Blue a million times, but no, the differences are much greater than the similarities. Phrasing, voicings, comping, the way he builds a solo, note choices.....Every so often there's a line that is similar, but overall, nah. vey simplistic reduction on your part.
GeoCoppens what a terribly naive statement! Keith’s solo is the most astoundingly virtuosic piece of spontaneous composition imaginable! The end of that solo with all that counter-rhythmic sequencing is incredible!
Good to hear your response that is not part of this You-Tube "praise-a-thon" for Keith Jarrett. Most comments for recording artists are nothing but gooey suck-up idol worship. I agree that this tempo on You and the Night and the Music is far too fast...a "Vegas-like" tempo, but I think it was purposeful in order to show off Keith's amazing improvisational chops. Great solo and very impressive, but the listenability of this tune ranks rather low. Most fast tempos are difficult to listen to, but even more difficult to feel. This tempo proves that vivace may be impressive but it can't create the feel of a moderate swing groove.
@@jennifer86010 It's a bop feel, a deliberate reaction to swing and the original show tune tempos (and the opposite of a lounge act/big vocalist-backing-band sound, in which the rhythmic accents would be more consistent and less sublte, and slower--see Frank Sinatra's version, ua-cam.com/video/aURH_bJORcI/v-deo.html). You must hate a lot of post-1945 jazz if you think this is too fast! Likely not chosen to show off (players usually choose ballads for that) but rather to avoid predictability, which would take away from the 'listenability.' No intention here to recreate the feel/groove of a slower tempo, I would guess (it's an odd notion that one tempo would create the feel of another).
It's the character of the song that is ruined by Jarrett. Imagine a song like "Smoke Gets In Your Eyes" in up tempo. Awful, will be the result! Jarrett is a poseur, a questionable artist.
It has nothing to do with what music it is. Certain pieces by Debussy can be played "wrong" when played too fast. Music can be played wrong in many different way, I would say, jazz or otherwise.
Thanks. Gary Peacock. RIP
May 12, 1935 - September 4, 2020
Un'altra cosetta per cui vale la pena nascere.
I literally fall down on my knees thanking God for such a beauty
RIP Gary, Keith will never sound the same with any other contrabass player on the earth
In a trio you cannot touch a single musician without changing everything.
The best trio ever, man they just burn. Incredible musicians
Keith Jarrett's Trio and Stanley Kubrick's films have something in common for me: every time I come back to them, I learn something new. It never fails.
i agree. doctor strangerlove my favorite
4637311 2531815 Art is timeless. If there’s a lot of materials contained like Kubrick’s work sure you will discover something new you overlooked before.
Great art is also mysterious and can't always be understood on an intellectual level like that scene in The Shining where the guy in the bear suit is giving oral to the butler 🤔.
It just NEVER ceases to amaze me how much music only 3 people can produce..!!
Gary PEACOCK!! énorme!! super walking, quel tempo....3 très grands musiciens. un vrai régal!
Plenty of young musicians are so good nowaday and some are prodigious . I really enjoy watching and listening to them on Utube. But then I hit on Keith jarrett trio and it's like...the sun is rising . " Guys , step aside please , Keith Jarrett 's playing now"
frederic orsi, you're soooo right my friend! 👏👏👏
Yes!🙏❤
My parents named me after Jarrett, what an honor
Keith is really in the zone on this one. Incredible mastery and flow.
Well, that's just amazing. Just found out about Keith's strokes. So devastatingly sad. He's coming back with his right hand only, they say. Wow.
devastatingly sad, indeed Don Nicholson. but KJ has overcome so many setbacks in life that I truly believe he will surprise us all with sth absolutely genious! I love Mr Jarrett with all my heart. most gorgeous piano playing ever!
@@sandraeckelhofer He can do one-handed what others dream of. I became a fan when he was with Charles Lloyd, then with Miles, then solo. Absolute genius.
@@donnicholson3200 absolute genius, indeed. he will certainly do with his right hand more than most can do using both hands. beloved Mr Jarrett!
One of a kind, awesome grove
the best jazz trio ever, genious
Carlos Braga try bill evans trio
@@mjutteau no
@@bigPianist99 ok
ベースのソロ大好き！
Keith Jarrett jest fenomenalny. Tylko żeby nie kwiczał, pobazgrał piękno muzyki kwiczeniem, ale mu wybaczamy. Jest geniuszem
i was studying for a test but at a certain point this piece and arrangment got me so good i had to stop and listen all of it before continuing
Good idea, never let school get in the way of your education.
Incredible...My favorite from Standards 11.
Simply great!
This trio can cook. They snap those changes like someone chewing gum. Fantastic.
+bvolat Tighter than a fat kid in spandex.
OH HELL YEAH!!!!!!!!!!!!!!!!!!! BETTY GREEN
le meilleur trio du monde
Beautiful!
what? dude, Gary's sound is great!
they don't like the buzz. i gotta say it kinda bugs me too. UNTIL I STOP BEING so Farrrrking LAZY AND PUT ON MY HEADPHONES. then it's fine. ha ha.
Genius
Awesome ! Gary is impossible :D Keith as always like living piano.
Incredible!
Million Thanks!
The three are very best I knows no much off jazz but I like with passion off thid style, Petrucelli too Gesmonti, Peterson are so good for me.Regards from Uruguay thanks
Veri very fine !
Thankk you a lot
YES! I've been looking for this vid for a while. He tears this piece up.
That bass was shredding that night
waow, j'avais un chapeau sur la tête...je vous jure qu'il ne reste plus rien dessus mais même pas les cheveux! lol
Seemingly effortless mastery. Superb.
Assolutamente bello!!
KJ3 in their PRIME. Transcendental.
🤘😝🤘
Super !!!!!!!!!!!!!!!!!!!!!!
Sin palabras
It's Summer Music, I just thought and played now. And I think I was right.
"You and I both know I'm not that smart"
Best start to an argument ever.
RIP Gary Peacock
ITS SO SCARY HOW THEY MAKE IT FEEL SOOOO EASY
Yes, I wonder what Keith is thinking about when he's playing,if he is thinking at all.
and Jack De Jonette at drums
+Giovanna Magliaretta RIGHT!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! BETTY GREEN
+Dick McLamore HOW MANY YEARS?????????????????????? BETTY GREEN
so freeking hot!
4:19 😯
🌈💐🎇💛💚💜💙❤️🌈
que grande artie ziff
Didn't Lexus use an exerpt of this tune on one of their commercials?It showed a car racing on a curvy mountain road in Europe.Whatever it was it fit well!
no, you're wrong, each of them is precious because each plays differently
草
好き
Aaaaaaaaaaaaaaaaaaahhhhhhhhhhhhhhhhhhhhhhh!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
SHIT YEAH!!!!!!!!!!! NO MO' BLUES!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! BETTY GREEN
Swangin'
4:48
2:42, 4:14
hip
In the studio version of the Standards II CD, Keith Jarrett makes a miscalculation in the tempo of the very beginning and plays a few notes too many - caught me by surprise when I heard it. It's good tho, makes me realize he's not a god, lol, although he plays like one.....
I understand your disagreement with the original comment, I actually disagree with GSWCarr as well, but attacking him for using "ugh" as an expression has nothing to do with the statement you disagree with. By criticizing his expression like that, you make yourself a hypocrite in saying this is not an open area for criticism. I also believe this is a great place to watch, listen, and learn... but that doesn't mean you should insult someone's intelligence for differing in opinion.
This is not night?
3:14 WAF
Whahahaha!! Start the video at 2:10 XD
Meanwhile the bassist performs a solo, Keith Jarreth dries himself with a towel. Ha ha ha!
really his passage is fast, but don't,,,,,!
what?
If your name is Herbie Hancock, you just had your ass handed to you.
If your name is Chick Corea, you just had your ass handed to you.
If your name is Kenny Barron, you just had your ass handed to you.
If your name is Mulgrew Miller, you just had your ass handed to you.
If your name is Lyle Mays, you just had your ass chewed up and spat back out.
Don't hand me this "everyone has their own thing" crap either. Jarrett is the best improvisor alive, during his or anyone else's lifetime. Period.
Jarrett is a great improviser no doubt but you’re overlooking the style and personality of titans such as Chick who is harmonically far more complex than Jarrett. Chick invented his own language drawing from jazz and early 1900’s classical composers. Have you listen to Arbour Zena all the way through? Good luck.. there are many aspects to a musician.
ugh, unfortunately the 70's and 80's were not good decades for double bass sound.
What don't you like about his sound,too amplified sounding, not warm enough?
It’s just the sound of the amp that bothers me. Gary’s sound on the bass is beautiful in general of course! I’d just prefer to hear it in a more natural state. Just sounds too electric here in my opinion. Regardless, the playing is absolutely astounding
jarrett once offered me ten dollars for a hand job but i refused. he was really really drunk. it was sad
WTF?
@@moritzschutz5561 It's definitely the "WTF" comment of the decade.
TWO WORDS: BILL EVANS
not really. not night and day different, like say Keith and Chick or Herbie, but no not really. Of course there's some influence in a pianist that grew up
probably listening to Kinda Blue a million times, but no, the differences are much greater than the similarities. Phrasing, voicings, comping,
the way he builds a solo, note choices.....Every so often there's a line that is similar, but overall, nah. vey simplistic reduction on your part.
Not at all. Evans broke the ice, I give him that but Jarrett is elsewhere.
No bias here whatsoever, just a little slanted and opinionated. Somebody should have gagged this guy when he first started fingering a keyboard.
Ugly rubbery bass sound! From Gary Peacock no less! Too fast tempo for this beautiful composition. All in all: an undistinguished rendition!
GeoCoppens what a terribly naive statement! Keith’s solo is the most astoundingly virtuosic piece of spontaneous composition imaginable! The end of that solo with all that counter-rhythmic sequencing is incredible!
Good to hear your response that is not part of this You-Tube "praise-a-thon" for Keith Jarrett. Most comments for recording artists are nothing but gooey suck-up idol worship. I agree that this tempo on You and the Night and the Music is far too fast...a "Vegas-like" tempo, but I think it was purposeful in order to show off Keith's amazing improvisational chops. Great solo and very impressive, but the listenability of this tune ranks rather low. Most fast tempos are difficult to listen to, but even more difficult to feel. This tempo proves that vivace may be impressive but it can't create the feel of a moderate swing groove.
@@jennifer86010 It's a bop feel, a deliberate reaction to swing and the original show tune tempos (and the opposite of a lounge act/big vocalist-backing-band sound, in which the rhythmic accents would be more consistent and less sublte, and slower--see Frank Sinatra's version, ua-cam.com/video/aURH_bJORcI/v-deo.html). You must hate a lot of post-1945 jazz if you think this is too fast! Likely not chosen to show off (players usually choose ballads for that) but rather to avoid predictability, which would take away from the 'listenability.' No intention here to recreate the feel/groove of a slower tempo, I would guess (it's an odd notion that one tempo would create the feel of another).
Stupid comment ever.
Wrong tempo!
if a song is good enough, it can be played at any reasonable tempo and sound just as good, imo
It's the character of the song that is ruined by Jarrett. Imagine a song like "Smoke Gets In Your Eyes" in up tempo. Awful, will be the result! Jarrett is a poseur, a questionable artist.
I wouldn't say he's questionable, per se, but this is jazz... not classical music.
It has nothing to do with what music it is. Certain pieces by Debussy can be played "wrong" when played too fast. Music can be played wrong in many different way, I would say, jazz or otherwise.
Man this is not wrong, its just a different interpretation. It is perhaps a very free one, but that is what Jazz is all about.
4:20
8:06