It’s crazy though. Cause a year ago. Everything I though was basic strait up. And then you start watching movie score stuff. Modal vids. And it can be second nature after a bit. You learn the slide thing. But then the (almost like key switches) your ear will just pull you to the switch. And slide there. Just months ago non of this would of made sense. Then like (boom) a second world is opened to you. That you thought was, “no I’d never go there.” But it’s not as crazy hard as you thought. If that makes sense.
Watching you is the most fun I've ever had with my pants still on. I am and have been a Rock/metal Guitarist all of my adult life. Now at the ripe old age of 68 I am getting interested in Orchestral sounds to play my guitar against. I have no formal training of any kind, but with the Kontakt libraries you suggest and with a fairly inexpensive keyboard, I have learned so much from you and watching your workflow that I am reasonably confident I will be able to make music that I never dreamed I would be able to do. Thank you so very much for your videos. They have been very helpful.
Exactly the same, at 68! I recommend you look at The Orchestra Complete, its fantastic, I've written some orchestra stuff, following Guy's teachings, and I also signed up for his How To Write Music, which I also recommend. Good luck!
@@martynroach182 Thanks for the reply, nice to know that there's another old rocker out there doing the same stuff. I have The Orchestra and Horns of Hell as well that makes some great sounds. I'll look into the course.
Listen 👂 to Robi Draco Rosa Ricky Martin producer. Listen to this two English CDS Songbirds & Roosters, Mad Love. Plus songs like Brujería, Delirios, Vértigo & Madre Tierra. Or his old band called "Maggie's Dream".
There's so much wonder and mystery in this piece! Hearing it conjures so many images and storylines! Love this piece and all your videos. I'm not a musician, but work in film, and seeing the magic that music brings to a piece puts a smile in my face every time!
The wonderful thing about this sort of post is that takes me a few hours to get through them, in a good way. This is because I stop watching to play for a couple of hours with each idea as it's revealed and that's just too much fun. Thanks Guy. Or as we say in Bangkok ขอบคุณมาก.
I love your choice of words to describe the harmonic slide: emotional indeterminacy. It's atrociously difficult to describe theory concepts with words. When I hear "emotional indeterminacy," I feel adequately displaced. It summons accuracy. Very nice.
Thank you so much for this video! I honestly have used this for years, have been aware of it being very popular in the cinematic world but never knew the technique's name!
Guy, let me give it to you straight. You're so good at writing music and being entertaining and informative all at once that I think I just might die. Good DAY sir!
0:06 "nervous glance to the left at concerned bystanders" 😂 ... thanks for all the down to earth tutorials, appreciated, with Sunny Saturday greets back to the Homelands ✌️
For everyone who thinks the term "Neo-Reimanian Theory" is mystical or imposing....He just summed up the guts of it in about 1 minute with a 20 minute practical application of the techniques. Everything else would be formal names for the slides he is discussing and then the elaborations needed for academic analysis. Great demo as always Guy, the fun you have leaves a big smile on my face.
There was that rogue note that you scoffed at (10'38"?) and dismissed and moved on. It was the point at which the harmony lit up for me and I would have diverted that way. I have learned so much here. Thank you, Guy.
Got instant "Depeche Mode - Enjoy the Silence" vibe from the Cm -> B slide. Two last chords in the chorus. Beautiful. Same key even. (And yes, I'm quite a bit of a DM fan :P )
These kind of chord progressions are where I live. I try to write more upbeat songs and it always ends up like this. Probably from growing up loving film scores before anything else.
What I wonder is, once you have decided to go firmly outside the diatonic territory, what do you use to guide you to decide which will be the third chord after e.g. Cm - B?
Learning Neo-Riemannian harmony in theory in college right now, it is so much more relevant to a lot of the classical music I listened to that I wasn't quite able to understand using tradition harmony (bruckner, wagner etc)
Be careful of the neo riemennian stuff which somehow makes stuff more complicated than it needs to be. I was talking to a friend who is a wonderful wonderful composer and he was disdainful and pointed me at the opening of tristan and isolde which is indeed a work of genius
Hey Guy. I have no idea what you talk about, but I am amazed by the way your mind works! The way you assemble a piece of music out of thin air is nothing short of brilliant! I am always amazed at how composers/arrangers can her things in thier head and commit them to a wonderful audible experience. Your energy & enthusiasm shines! Thank you for being you!
Guy did a survey asking for our favorite content in the channel and this video has three of my most beloved topics: harmony tips, live composing illustrating them and a sample library review! I've been related to music for a long time and it's been a year and a half since I'm scoring for audiobooks. I've learn trully a lot with these videos and the connection with Guy's channel it's been sort of magical. I'm working on Dr. Jekyll and Mr. Hyde right now (we do mostly classics), guess what kind of harmonies I've been working on? Thank you a lot!
So many memories evoked from playing 'Tomb Raider' on the PS1. It also explains the creepiness of the 'Nightmare on Elm Street' theme. It's always a pleasure to see your videos and expand my knowledge.
Fun watching you put this together. The Hollies "He ain't heavy, he's my brother" used this device. I heard it as a kid and went, "What was that?" I wish more songs used it.
perfect example of how this is used in the series 'Tales from the Loop' on amazon prime.. I never watch your videos without learning something, excellent again
This was very interesting and great to watch. I also think it's good to see such a natural performance even though some mistakes where made. Very enjoyable to watch. Thanks
Inspired once again for a weekend of composing - thanks Guy! The only slight disappointment was the lack of fireworks illuminating the night sky on your final play through! :)
00:10. A dislocated right hand little finger after careering down a slide in reverse with the aid of one too many at the boat club. Took a while to get that octave plus span back with a few wayward miss hits and bum notes along the way. However, I do love them moody musical segways into another world. PS - 6:30. What? Egh? Where? Are we allowed to hear it, Guy, or is it rather...hush hush?
This is a once in lifetime opportunity to see you producing the ORIGINAL music masterpiece! Great EXPERIENCE! The final PRODUCTION speaks about your obsession to producing the ORIGINAL MUSIC. I have no words to describe this moment. Thank YOU so much! Suggestion: I am seeing the blurry images of your studio and you in this video. I am using Alienware with RTX 3080. You may use 4K settings instead of 1080P. UA-cam allow you to go up to 2160 p HD. Please watch Color Grading videos by "Darren Mostyn" and check settings. I am talking about the same video settings for your future videos.
Guy, your instructive videos like this are very inspiring! Thank you for this as it helps me see how a certain emotional atmosphere is evoked!! Cheers!!!
many thanks as always another excellent video something else for me to try out, i am still using VSL opus 1 and 2 brought many years ago still very good look forward to your next video all the best
1:39 Isn't it the case that the movement from C minor to B major could be understood in such a way that B major represents a flattened sub-mediant chord in major form - if we then see Eb major as the true or "hidden" tonic? Thank you very much for your video and best regards.
I loved this but I have no clue what's going on. There are three sets of slides here, for lack of better term. Whenever he slides, is he going to a different chord in the same key, is he borrowing or is he modulating? When he goes to the next set of slides, he is modulating to a different key, right? How does he chooses wich key to go? Thanks for the attention!
Awesome video, very informative and interesting and love the midi keyboard on screen so I can follow the lesson and what your playing... Very cool feature!
And here we have a peek into an alternate universe where Guy was hired to write the score for Harry Potter. All jokes aside, absolutely lovely little piece. Well done.
Watching you working on the demo of harmonic slides reminded me of an issue I have when composing at the DAW. There is no onscreen way, other than interpreting the notes of a chord, to quickly tell what chord has been entered. I sometimes take a scrap of paper and write the chords and the number of measure for each as a cheat sheet to refer to. It would be helpful to have the ability to superimpose notes (with variable font size) over, e.g., the piano roll pane. That would allow the chord progressions to be immediately displayed as one works through the piece. For that matter, I can see that there is other information in text form that might also be useful to have clearly visible on screen as the user works.
@@mesientogut6701 Individual tracks can be different colors and the notes on the piano roll pane are the selected color of the track. That doesn't help in text notation of the hundreds of possible chords to remind the user what is going on.
Pivot note modulation via an enharmonically changed pivot note. I’m sure I first came across this in one of William Lovelock’s books on harmony. A bit old school after all perhaps. In your example you could have treated the B major chord as chord v in E minor, or a chromatically altered chord iv in F# minor, which you kind of did, but dispensed with the dominant. It’s certainly seems to be a trick that can be used to get you back home quickly from whichever far flung harmonic outpost one finds oneself stranded in. Keep on posting, all good stuff. If you have any tips on how to take the harshness out of sample pack violins so as to sound rich and warm please do share.
Actually I worked with slides since ages, not knowing, that this is an existing "technique". I just did it because it sounds cool. But thank you for this, which is encouraing me to keep it.
This is absolutely gorgeous, I love it. The second you brought the subtle highs in I was captivated Instantly brought to a fairy tale. Don't tell at me but...at little harry potter ?😄
![How to Write Music with Some Amazing New Samples [Logic Pro X]](http://i.ytimg.com/vi/ao10yKjBD5g/mqdefault.jpg)
![How to Write Music with Some Amazing New Samples [Logic Pro X]](/img/tr.png)
![Victory Amps MK Clean & OD [With Martin Kidd & Lee Anderton]](http://i.ytimg.com/vi/PgKHBpHKQ-g/mqdefault.jpg)
I'm so happy to be able to live in a world where someone like you creates videos and shares information so generously. Thank you, mr Michelmore!
Seconded
@@davidmackie8552 Third-ed.
Not boring. The figuring it out part (uncut) is the coolest part. No one else lets us into. And it makes it make more sense in a sense.
It’s crazy though. Cause a year ago. Everything I though was basic strait up. And then you start watching movie score stuff. Modal vids. And it can be second nature after a bit. You learn the slide thing. But then the (almost like key switches) your ear will just pull you to the switch. And slide there. Just months ago non of this would of made sense. Then like (boom) a second world is opened to you. That you thought was, “no I’d never go there.” But it’s not as crazy hard as you thought. If that makes sense.
Watching you is the most fun I've ever had with my pants still on. I am and have been a Rock/metal Guitarist all of my adult life. Now at the ripe old age of 68 I am getting interested in Orchestral sounds to play my guitar against. I have no formal training of any kind, but with the Kontakt libraries you suggest and with a fairly inexpensive keyboard, I have learned so much from you and watching your workflow that I am reasonably confident I will be able to make music that I never dreamed I would be able to do. Thank you so very much for your videos. They have been very helpful.
Exactly the same, at 68! I recommend you look at The Orchestra Complete, its fantastic, I've written some orchestra stuff, following Guy's teachings, and I also signed up for his How To Write Music, which I also recommend. Good luck!
@@martynroach182 Thanks for the reply, nice to know that there's another old rocker out there doing the same stuff. I have The Orchestra and Horns of Hell as well that makes some great sounds. I'll look into the course.
Listen 👂 to Robi Draco Rosa Ricky Martin producer. Listen to this two English CDS Songbirds & Roosters, Mad Love. Plus songs like Brujería, Delirios, Vértigo & Madre Tierra. Or his old band called "Maggie's Dream".
Check out Spitfire Audio sounds.. they have amazing libraries!
Have you tried watching these videos with your pants off? Highly recommend.
The beginning of this video is the most Guy Michelmore's beginning one can imagine. Amazing! :)
Have you seen the one where he gets a new keyboard and jumps into the pool with it👀👀👀
@@thevoidanswerswithjazz2215 no, but sounds intriguing and pretty realistic for Guy
Thanks, I have to watch this :)
Absolutely true even if there was no relevant training content, it would be so fantastic to watch Guys videos!!!!!!! 😊
Alternative title: crazy composer scares little children in the play area where he's supposed NOT to be ;)
@@thevoidanswerswithjazz2215 That's still unbeatable to me. I know he can surprise us, though...
love to watch this stuff uncut, seeing every decision that goes into it
I love that too, I feel less lonely.
same here. a gift for us
I love guy but he damn near buss himself up on that slide
I can't stop watching his videos, I love him already
Guy, there are so many wonderful comments made below that I can only echo with a hardy "You can say that gain!" Thanks so much for posting!
33 minutes. I feel as though I've just been plugged into the matrix and force fed all the good stuff. Wonderful, Sir. So very much appreciated here.
There's so much wonder and mystery in this piece! Hearing it conjures so many images and storylines! Love this piece and all your videos. I'm not a musician, but work in film, and seeing the magic that music brings to a piece puts a smile in my face every time!
I agree, it's beautiful!!
The wonderful thing about this sort of post is that takes me a few hours to get through them, in a good way. This is because I stop watching to play for a couple of hours with each idea as it's revealed and that's just too much fun.
Thanks Guy.
Or as we say in Bangkok ขอบคุณมาก.
This is great. Neo Riemannian Harmony - had a professor state that harmony is a result of counterpoint. At a deep level this is true.
That sounds amazing ! I feel like I'm about to embark on a strange journey to some magical place where anything could happen.
I love your choice of words to describe the harmonic slide: emotional indeterminacy. It's atrociously difficult to describe theory concepts with words. When I hear "emotional indeterminacy," I feel adequately displaced. It summons accuracy. Very nice.
Você usa as palavras muito bem, counterpoint1014
Thank you so much for this video! I honestly have used this for years, have been aware of it being very popular in the cinematic world but never knew the technique's name!
Love building textures and letting them suggest possible directions.
Guy, let me give it to you straight.
You're so good at writing music and being entertaining and informative all at once that I think I just might die.
Good DAY sir!
0:06 "nervous glance to the left at concerned bystanders" 😂 ... thanks for all the down to earth tutorials, appreciated, with Sunny Saturday greets back to the Homelands ✌️
As the brass began to come in towards the end I heard Sir Ian McKellen: “ We must keep this course west of the mountains for forty days…”
5:27 piano part
12:30 flute part
14:38 cello part
26:00 slide
In 20 minutes you did what it would take me 2 all days. VERY nice!
For everyone who thinks the term "Neo-Reimanian Theory" is mystical or imposing....He just summed up the guts of it in about 1 minute with a 20 minute practical application of the techniques. Everything else would be formal names for the slides he is discussing and then the elaborations needed for academic analysis.
Great demo as always Guy, the fun you have leaves a big smile on my face.
Please keep making more videos like this to make music theory more fun and interesting at the same time easy to digest . Thanks Guy.
I loved discovering this chord stuff as a kid just by sitting on the floor at my grandma's house playing with a casio
We share the same memorys, it could be a yamaha but I think it was a casio as well
I've only just watched up to 10:39, and already I feel like I'm in an imaginary fantasy world. You're a great composer and a great teacher.
There was that rogue note that you scoffed at (10'38"?) and dismissed and moved on. It was the point at which the harmony lit up for me and I would have diverted that way. I have learned so much here. Thank you, Guy.
Nice one! I agree the VSL woodwinds in the special edition are stunning. Especially the clarinet. I can play it for hours.
It´s great! We need more techinques like this! Big small resources for composing, which only provides the experience. Thanks for that.
Got instant "Depeche Mode - Enjoy the Silence" vibe from the Cm -> B slide. Two last chords in the chorus. Beautiful. Same key even. (And yes, I'm quite a bit of a DM fan :P )
I thought exactly the same!
These kind of chord progressions are where I live. I try to write more upbeat songs and it always ends up like this.
Probably from growing up loving film scores before anything else.
What I wonder is, once you have decided to go firmly outside the diatonic territory, what do you use to guide you to decide which will be the third chord after e.g. Cm - B?
Great vid, shows the importance of orchestration, the harmonic idea itself is extremely simple, it’s the orchestration that makes it cool.
Learning Neo-Riemannian harmony in theory in college right now, it is so much more relevant to a lot of the classical music I listened to that I wasn't quite able to understand using tradition harmony (bruckner, wagner etc)
Be careful of the neo riemennian stuff which somehow makes stuff more complicated than it needs to be. I was talking to a friend who is a wonderful wonderful composer and he was disdainful and pointed me at the opening of tristan and isolde which is indeed a work of genius
Impressive you fit inside the slide. Respect!
Hey Guy. I have no idea what you talk about, but I am amazed by the way your mind works! The way you assemble a piece of music out of thin air is nothing short of brilliant!
I am always amazed at how composers/arrangers can her things in thier head and commit them to a wonderful audible experience.
Your energy & enthusiasm shines!
Thank you for being you!
Thank you for sharing this little creation of orchestral music. I'm learning by watching and trying to repeat what I see you do.
Delightfully fun as ever, Guy! Cheers!
Thank you!
I mentally can't get tired of coming back to your channel Guy. Thanks for all your wisdom!
great stuff guy! That initial chord change at the beginning of the video - very Shine On You Crazy Diamond.
I just played around with these slides on my vibraphone; I love it! Brilliant vehicle for improvisations....
I'm learning more from you than some of the paid courses I've bought.
Thanks Guy! Demonstrating these composition techniques is brilliant for us beginners out there! Very kind of you!
Guy did a survey asking for our favorite content in the channel and this video has three of my most beloved topics: harmony tips, live composing illustrating them and a sample library review! I've been related to music for a long time and it's been a year and a half since I'm scoring for audiobooks. I've learn trully a lot with these videos and the connection with Guy's channel it's been sort of magical. I'm working on Dr. Jekyll and Mr. Hyde right now (we do mostly classics), guess what kind of harmonies I've been working on? Thank you a lot!
So many memories evoked from playing 'Tomb Raider' on the PS1. It also explains the creepiness of the 'Nightmare on Elm Street' theme.
It's always a pleasure to see your videos and expand my knowledge.
This piece is just amazing. Felt a tingle in my spine with the bass coming in there. Would be great to hear in a movie theatre. Inspirational
2:38 - Project IGI Nuclear Power Plant stage has music with this chord progression. ❤️ Even Inception seems to have something similar.
"Do I want to QuAnTiZe?!?!!?" LOL. Some of us truly feel your pain Guy!
Thanks for the reminder! At about 8 minutes in the video, you reminded me to watch the city of lost children movie again.
Pure dreamscape, Guy. Thank you for sharing yet another amazing voyage and lesson into the realms of sound.
This Gave me inspiration and ideas to work on. Thank you
Great work!! You're EXTREMELY talented!! Thanks for the inspiration!! Cheers from New Orleans!
Absolutely gorgeous stuff, Guy!! Loving the incredibly bright celeste sound, too. Listening to this whilst doing late night admin has really helped.
This guy is legend
32:12 Cradle of Filth comes to mind.
Yeah. That sort of rock / metal music.
Great info on sliding chords. Love them! So moody.
brilliant, love yer vids, great energy, keep them coming. :-)
Fun watching you put this together. The Hollies "He ain't heavy, he's my brother" used this device. I heard it as a kid and went, "What was that?" I wish more songs used it.
Thanks for the introduction to the Slide! Impressive composition.
Thank you very much for all your teachings
I love when you like you by fitting what you are looking for
Great video Guy..
Definitely will be adding slides into my music
Cheers from HudsonBay 🇨🇦
Those strings at nine minutes in sound like Bernard Herrmann, I love that.
I always learn something from you Guy. Thanks
I love seeing the process
Bought VSL Special Editions Vol. 1 a couple days ago on BF.
Thank you for this video!!
VSL is awesome, the usb key is a pain though
@@mazetoeden9334 it is and it is
perfect example of how this is used in the series 'Tales from the Loop' on amazon prime.. I never watch your videos without learning something, excellent again
This was very interesting and great to watch. I also think it's good to see such a natural performance even though some mistakes where made. Very enjoyable to watch. Thanks
I learn so much from you... You're always so inspiring...Thank you
Always a pleasure to watch your videos Guy :)
great weather for November!
Yes you should definitely go for the concortiiiino sustaaaaaaiin! 🤌🤌🤌
Inspired once again for a weekend of composing - thanks Guy! The only slight disappointment was the lack of fireworks illuminating the night sky on your final play through! :)
Fantastic - thank you Guy
00:10. A dislocated right hand little finger after careering down a slide in reverse with the aid of one too many at the boat club. Took a while to get that octave plus span back with a few wayward miss hits and bum notes along the way. However, I do love them moody musical segways into another world. PS - 6:30. What? Egh? Where? Are we allowed to hear it, Guy, or is it rather...hush hush?
yayyy new guy video to watch on my break
Great video as always Guy, and also a big thank you for your shout out to Tokyo, my current home.
This is a once in lifetime opportunity to see you producing the ORIGINAL music masterpiece! Great EXPERIENCE! The final PRODUCTION speaks about your obsession to producing the ORIGINAL MUSIC. I have no words to describe this moment. Thank YOU so much!
Suggestion: I am seeing the blurry images of your studio and you in this video. I am using Alienware with RTX 3080. You may use 4K settings instead of 1080P. UA-cam allow you to go up to 2160 p HD. Please watch Color Grading videos by "Darren Mostyn" and check settings. I am talking about the same video settings for your future videos.
Thanks Guy very nicely done 🎶👍
it sounds incredible! a little masterpiece!
Hi Guy, great video thanks! If you hold Ctrl while dragging events you temporarily disable grid snap - can save lots of time.
Really good explanations and beautiful music, mate!
Guy, your instructive videos like this are very inspiring! Thank you for this as it helps me see how a certain emotional atmosphere is evoked!! Cheers!!!
I got fully invested once I saw him sliding down that little slide
"JUST LIKE ME"🤣🤣❤️
many thanks as always another excellent video something else for me to try out, i am still using VSL opus 1 and 2 brought many years ago still very good look forward to your next video all the best
Love your video's. Keep up the good work.
1:39 Isn't it the case that the movement from C minor to B major could be understood in such a way that B major represents a flattened sub-mediant chord in major form - if we then see Eb major as the true or "hidden" tonic? Thank you very much for your video and best regards.
A delight as usual, and informative. Thank you!
I loved this but I have no clue what's going on. There are three sets of slides here, for lack of better term. Whenever he slides, is he going to a different chord in the same key, is he borrowing or is he modulating? When he goes to the next set of slides, he is modulating to a different key, right? How does he chooses wich key to go?
Thanks for the attention!
Awesome video, very informative and interesting and love the midi keyboard on screen so I can follow the lesson and what your playing... Very cool feature!
Have used that a lot and never knew it was called a slide. Thanks Guy! :)
I've enjoyed this magnificently. Thank you for sharing!
And here we have a peek into an alternate universe where Guy was hired to write the score for Harry Potter.
All jokes aside, absolutely lovely little piece. Well done.
Watching you working on the demo of harmonic slides reminded me of an issue I have when composing at the DAW. There is no onscreen way, other than interpreting the notes of a chord, to quickly tell what chord has been entered. I sometimes take a scrap of paper and write the chords and the number of measure for each as a cheat sheet to refer to. It would be helpful to have the ability to superimpose notes (with variable font size) over, e.g., the piano roll pane. That would allow the chord progressions to be immediately displayed as one works through the piece. For that matter, I can see that there is other information in text form that might also be useful to have clearly visible on screen as the user works.
Do some DAWs allow for coloring the notes on the piano roll?
@@mesientogut6701 Individual tracks can be different colors and the notes on the piano roll pane are the selected color of the track. That doesn't help in text notation of the hundreds of possible chords to remind the user what is going on.
That's a missing UX feature, then! The developers need to get on that
I use studio one and occasionally make use of the arranger track for this purpose. your choice of daw likely has a similar feature
I have a Edward ScissorsHands vibe going in my mind. Great work.
Aww, have to watch that film again
thank you for the great and awesome tutorial
Educational and entertaining. As usual. Thank you Guy
Yupp I’m totally doing this!!! 🔥🙌🔥🔥🙌 it reminds me of the type of tension you feel when you drop the maj4th to a minor 4th. 🔥🙌🔥🙌🔥🔥
Pivot note modulation via an enharmonically changed pivot note. I’m sure I first came across this in one of William Lovelock’s books on harmony. A bit old school after all perhaps. In your example you could have treated the B major chord as chord v in E minor, or a chromatically altered chord iv in F# minor, which you kind of did, but dispensed with the dominant. It’s certainly seems to be a trick that can be used to get you back home quickly from whichever far flung harmonic outpost one finds oneself stranded in. Keep on posting, all good stuff. If you have any tips on how to take the harshness out of sample pack violins so as to sound rich and warm please do share.
Entertainingly educational, you are probably the best music teacher ever, and Im so old Im not teachable, but Ive learned this
Actually I worked with slides since ages, not knowing, that this is an existing "technique". I just did it because it sounds cool. But thank you for this, which is encouraing me to keep it.
Brilliant....it is a real majestic sound you came up. It is like a Lord of the rings type thing...in a good way
This is absolutely gorgeous, I love it. The second you brought the subtle highs in I was captivated Instantly brought to a fairy tale. Don't tell at me but...at little harry potter ?😄