Several. I have a tone king imperial Mk 2. A Mesa Boogie California Tweed. I have a Ceriatone JM-50 that is my go to. Sometimes I play through my fender blues deluxe. I couch jam on my Spark-40 the most. My tube amps I run through an Ox Box into my Apollo Twin. I have a Yamaha THR-30ii that I rarely use and will likely sell. Sometimes I DI into the Apollo Twin and use their simulators. It all depends. Although the Spark and Ceriatone are used 90% of the time.
I mainly use a Joyo Atomic when I play with our church worship team. Since we run in ears, I take it directly into our sound board for that great Vox sound without dealing with mics or the weight of that thing. If I'm playing elsewhere, it's either a Carvin XV212 or a Fender Bassbreaker 45. The Carvin has one of the sweetest clean and light overdrive sounds I've ever heard. The Fender is essentially and updated Bassman circuit.
I switched from tube amps (Top Hat and a 5e3 based Frenzel) to solid state and an iPad and couldn’t be happier. My opinion on the ox box is that it’s way more useful to someone who wants high gain power amp stage tube distortion, and way less useful for clean tone players. Now I use a Quilter Superblock US and UK . My go to is the Nembrini Faceman plugin on iPad, and it’s convinced me the tube era has ended. Plus you can use all the Fabfilter, etc. effects in real-time. I mean Kajita delay plug-in would be a holy grail delay if it were in pedal form, and that’s just scratching the surface. Game has changed significantly but lots don’t seem to realize it.
What is special about music is the love of playing that is so strong that it motivates the musician to want to share it with others. What is even more special is the ability to make those listening to you feel like what you're teaching is achievable, that you too can be part of the incredible experience of making music.
Fortunately ran across your channel when your session with Adam Neely popped up in my feed. I like the consistency of your videos and how each focuses on a different aspect of guitar playing. Including a click-able table of contents makes it easier to use your videos as a study reference so thanks for that!
Hey Rotem! I am so jealous you got to see Tom Misch live! Movie has such a special place in my heart because it is the song that inspired me to pick up a guitar and ultimately brought me to your videos! Loving this video and I hope you had a great time!
@@RotemSivanGuitar Quick question! How do you feel about the duo sonic? I’ve been thinking of trying one out to possibly pickup but since the price increase I don’t know if it’s worth it.
Just bought a Hughes & Kettner Tubemeister 40…great headroom, nice clean, redbox included with speaker simulator. Thank for these videos, really inspiring!
I use a Fender Blues Deluxe Tweed for mellow jazz, blues, clean and transparent overdrive tones. For rock, I like my Vox AC10; it's plenty loud for my house and for a gig in a small room. Lovely bite and accurately projects all the edges from your playing.
I am a public high school music teacher. And I teach two levels of guitar in addition to orchestra and choir. So, the amps I use are both affordable and practical. The first amp I bought was the Boss Katana, so I could demonstrate on both electric and acoustic guitar as needed. Then, I got a Orange Micro Dark when I started getting more pedals, since it has an effects loop and my Katana 50 watt doesn’t. Then, I discovered the Spark 40, which I use solely as my travel amp when I go out of town and want to jam with my family. Recently, I decided that I love my Katana so much, I wanted the big brother version, so I bought the Katana 100 watt head version, which DOES have an effects loop. It also works great as a clean pedal platform for my growing collection of pedals. So, to put it shortly, my amps are affordable, practical, and portable. And they all sound killer! I don’t think I’ll ever have need for a tube amp, and most don’t have an effects loop, which I prefer, so for now, I’m sticking with what I have. The only other thing I might do is upgrade the cabinet for my Katana head at some point because I only have a 1x12 and it only has a 60 watt speaker, so I can’t turn it all the way up to 100 watts, but I will probably never do that, so it’s not really necessary.
Great lesson and concepts of how to connect individual notes using arpeggios to chords. As for amps I'm in love with my tube amps. I usually run a wet dry setup with two different types of amps and various pedals. I have one amp in my house that I absolutely love plugging straight into using the spring reverb and playing with the gain to get my distortion. If I go over to a solid state amp the katana has been my go-to.
I use a Marshall JCM 800 100 watt head with a Mesa 2x12 cab that I opened up in the back. I use the dirty channel exclusively at "edge of breakup with the master about 6. When I play extremely light with my pick it sounds amazing.
Reverb did a great series involving Warm ups from Great players such as Cory Wong, Mateus Asato, and Ariel Posen. Each of these guys had a different approach to arpeggios and scales. I would be curious to know IF you had a warm up practice video that we can follow maybe if you had 15min 30min, 45min , or an hour to practice a day
Hey I really love the way your teach guitar,those soulful talking made me stay. You’re so kind to post these videos,it saves me a lot of money to learn the guitar Cool,💦
Princeton. Clean as hell, attenuator for home playing and great breakup. Takes pedals perfectly. Get a handwired if possible. Alessandro is who did mine.
For amps, if you love great clean tones, and with tubes being an issue with the state of the world, consider a Roland Jazz Chorus. I prefer solid state amps. I use a Roland Blues Cube & I love it. It’s my primary amp & it’s great with pedals. As a back up amp, I use a Boss Nextone. It’s clean channel & built in delay are great. If you find a solid state amp you like, the advantage is they are lighter, they’re consistent, lastly, they’re maintenance free. Do a video on what you end up choosing:)
I play stereo with a 1959 Fender Concert Amp on the right, and a 1959 Fender Bassman on the left. The Bassman is awesome, because I replaced two of the four Jensen speakers by two Eminence 1024K which deeply improve the bandwidth. I plug the whole collection of Effectrode pedals (Phil Taylor made) in the G3 Gigrig guitar switch, and the sound goes stereo to the two amps. All the best.
I bought an Fender Hot Rod Deville 2x12 when I was a teenager in 2007 and love it since then. That said nowadays I would probably just buy a Line 6 HX Stomp tbh :)
For amplification, I use a VOX AC15 or a Roland Jazz Chorus. They both have an excellent clean tone that is versatile enough for any genre (I’m mainly a jazzy alternative rock guy) and they’re pretty comparable to each other. Now the VOX is obviously tube and the Roland is solid state so let me be clear: in the amp world you will run into guys who swear up and down that tube amps are the only method of quality amplification, but a lot of these purists don’t realize how far solid state has caught up! Anyways, thanks for the great video as always. Cheers:)
I use a Koch Studiotone as it's great sounding, has a built in line out with speaker simulation for silent recording and is built extremely well. Great amp.
I use a Mesa TC50. I wanted something versatile and that sounds more like a hot-roded Marshall. Also first time in my life I said F.... it, I am going to spend my hard earned money and buy something without holding back! Thank God my wife supported my decision!
Kind of the same reasons why i use the katana 100W. Also started playing gigs and a lot of different styles. The amp helps with that, as it is such a versetile piece of hardware. And also, i just think it sounds great!
love your teaching. I agree, soloing on guitar in any genre. If emotion is not conveyed wither or not you are pro level or whatever, it's just a bunch of notes strung together. The listeners want to feel something about the song, they mostly are not into how great a guitar player we are, but how can we as guitarists play on the emotion the song is asking for. That is, in my opinion reason why we play. Or am I wrong?
Thanks for this video, I’m just starting to get my head around arpeggios when playing the changes! For amps, I’m currently playing through an Orange OR15 with a Strat. With the preamp gain low and the master volume up high, you can get some beautiful clean tones with a lovely bite to it.
Nice one again, Rotem! I love the sound of my "cheap" Vintage Strat (got it used for 40 bucks then upgraded it for about 200 Euros) on my AER Alpha Plus. It's an acoustic amp but with a Strat it sounds great to me, even for dist (I use my Rat for yrs). AER Alpha Plus is a real deal but I try to navigate in between him and a Fender Twin Reverb bc I just love the aggression it gives me for other types of concerts (bigger ones).
A blonde 50th anniversary Vox AC15. I like small combo amps like that vox which deliver the goods in terms of tone without having to crank them up to jet engine decibels to do so.
I don’t use a traditional amp most of the time, I have a roland street cube but I prefer using an iRig to run an amp sim off my phone and then play over a Bluetooth speaker. Sounds great, incredibly portable, totally rechargeable. Got the idea from Tom Nechville
Rotem, thanks so much for this video... and for all your videos! Little by little i'm starting to move away from playing just 'one scale fits all' and incorporating the chords arpeggios, linking things, chromatic licks etc... it's so much more satisfying! For amps sometimes I use 2 simultaneously in stereo, a JC40 and a Fender Bassbreaker, combining the clean tone from the JC with the more creamy-gritty tone from the Bassbreaker. For small gigs, if I can get away with it, I will not bring my amps and use a Line 6 Podgo instead, direct in to the PA also in stereo...the tones are pretty decent! Congratulations for your album on Vinyl!! :)
Man You are excellent player Specially like your solo with Peter Bernstein and many others. Regarding the amp only tube amps. That is only way you can express your dynamics the best. For jazz probably Deluxe Reverb or Princeton Reverb. Thank you for your hard work.
hey man, great video and good thing You're in this world! i am using 2 "fame" tube amps a smaller one and a 100W one. its a niche brand from germany which used to offer quality/ price relation. they sound like marshalls, but can also do a fender like sound, but most importantly great amps to put my boss multi effects through (clean amp). i have a top amp - the Hugh & Kettner Switchblade tsc 100. to this day one of the best amps i have ever played, versatile through any genre. considering Your sound, Rotem, please give Hugh & Kettner a try. even if all these things mentioned come from my rock blues rock metal influence i find their tone for jazz always pleasing because even on lower volume levels these things give a room filled, warm tone whith their 4 tubes.
Hey Rotem! i think one of the most difficult things on the jazz guitar is to play duo with a piano player. recently i was playing with a pianist who literally played like Bill Evans, very harmonically rich, very sophisticated, yet calm and comprehensive i terms of rythm. i was using an acoustic guitar and i played it like Django to match the volume. yet it felt like the most difficult accompaniment i ever had to do. i was able to supply a bassline or with an electric i could solo like a horn player. but apart from that - harmonically - what can i really do? highlight harmonic tones? 6,7,9? it would be so cool to see You in a duo with a pianist. i will search Your content maybe You already did it.
don't get it wrong, but @3:30 the voice is singing 'Sol' - 'Si' - 'La' - 'Sol', and the guitar goes G B D G. 'La' is A and 'Re' is D, right? and it's not fair just to point fingers. that's a great lesson by the way...
Question. How did you achieved that pad sound in background? You play chord, you step on pedal(what pedal ?) and there is beautiful pad sound. Or is it just very short loop ?
That's a beautiful chord progression to start with. I'd like to know what is the theory behind the chord choice, i'd just love to recreate such a soothing mood in my own compositions
I think voice leading is one of the reasons why it's so smooth - you have the chords voiced in a way that allows minimal movement , the bass goes G,F#,F,E - smallest possible movement. Upper extensions also contribute eg. F# in Gmaj7 introduces the note F# that we're going to next in the bass. Fmaj7 introduces the E we are heading towards in the E chord and the A in Esus wants to resolve to G
Kemper and a Boss katana through an es175 from 1978. I want to buy a polytone because....175 and polytone seems like a good pair. The katana sounds great tho
You've probably heard it a lot before but you look very much like Jesse Tyler Ferguson from Modern Family 🙃 I discovered you via Paul Davids by the way and I am very impressed by your teaching videos, but the promotions in between the levels kinda threw me off a little, but how can I complain with literally free lessons ✌
I’m sorry I give up, I’ve tried to understand the way you play but I can’t get it. No matter what I do I will never get it. You , jeans Larsen and whit smith are all top guitar players and I just keep thrashing out my power chords. Just your inversion of d/f# I’m a four year old compared to an adult. Thanks for your posts I’ll keep on torturing myself by watching them and then sobbing.
Rotem you offer great information and have a nice teaching style however when you switch in the middle of teaching to ‘Patreon, ‘what amp do you use’, ‘so if you like this by the way subscribe” It’s a bit irritating honestly. Please consider doing that in the beginning or the end. Teaching is teaching and selling is selling. Do the two have to be mixed together?
@@RotemSivanGuitar Thank you so much! that is very important! Yeah, good question... I am typing this comment to the all new videos that appear in my subscriptions and you're the only one who responded so warmly! I think that it is important to discuss Ukraine issue constantly so that politicians from developed western countries felt pressure, because otherwise they'll easily forget this. Everyone should ask himself this question, how to help... for example David Beckham handed over his social accounts to Ukrainian doctor... Arnold Schwarzenegger applied via the video to Russians... I'm doing these little things on youtube ))
What amp do you use? please drop a comment!
Several.
I have a tone king imperial Mk 2. A Mesa Boogie California Tweed.
I have a Ceriatone JM-50 that is my go to.
Sometimes I play through my fender blues deluxe.
I couch jam on my Spark-40 the most.
My tube amps I run through an Ox Box into my Apollo Twin.
I have a Yamaha THR-30ii that I rarely use and will likely sell.
Sometimes I DI into the Apollo Twin and use their simulators.
It all depends. Although the Spark and Ceriatone are used 90% of the time.
@@michaelvarney. dig that very much. the Ox is something I'm thinking of.. do you think it's worth it ?
I mainly use a Joyo Atomic when I play with our church worship team. Since we run in ears, I take it directly into our sound board for that great Vox sound without dealing with mics or the weight of that thing. If I'm playing elsewhere, it's either a Carvin XV212 or a Fender Bassbreaker 45. The Carvin has one of the sweetest clean and light overdrive sounds I've ever heard. The Fender is essentially and updated Bassman circuit.
I switched from tube amps (Top Hat and a 5e3 based Frenzel) to solid state and an iPad and couldn’t be happier. My opinion on the ox box is that it’s way more useful to someone who wants high gain power amp stage tube distortion, and way less useful for clean tone players. Now I use a Quilter Superblock US and UK . My go to is the Nembrini Faceman plugin on iPad, and it’s convinced me the tube era has ended. Plus you can use all the Fabfilter, etc. effects in real-time. I mean Kajita delay plug-in would be a holy grail delay if it were in pedal form, and that’s just scratching the surface. Game has changed significantly but lots don’t seem to realize it.
HX Stomp and other pedals for effects. But the DLX Simplifier is my amp modeller headed out to studio monitors.
What is special about music is the love of playing that is so strong that it motivates the musician to want to share it with others. What is even more special is the ability to make those listening to you feel like what you're teaching is achievable, that you too can be part of the incredible experience of making music.
Fortunately ran across your channel when your session with Adam Neely popped up in my feed. I like the consistency of your videos and how each focuses on a different aspect of guitar playing. Including a click-able table of contents makes it easier to use your videos as a study reference so thanks for that!
Hey Rotem! I am so jealous you got to see Tom Misch live! Movie has such a special place in my heart because it is the song that inspired me to pick up a guitar and ultimately brought me to your videos! Loving this video and I hope you had a great time!
Oh wow! So cool!!
@@RotemSivanGuitar Quick question! How do you feel about the duo sonic? I’ve been thinking of trying one out to possibly pickup but since the price increase I don’t know if it’s worth it.
Just bought a Hughes & Kettner Tubemeister 40…great headroom, nice clean, redbox included with speaker simulator.
Thank for these videos, really inspiring!
Super sound, chill vibes, good work !!
I use a Fender Blues Deluxe Tweed for mellow jazz, blues, clean and transparent overdrive tones. For rock, I like my Vox AC10; it's plenty loud for my house and for a gig in a small room. Lovely bite and accurately projects all the edges from your playing.
I am a public high school music teacher. And I teach two levels of guitar in addition to orchestra and choir. So, the amps I use are both affordable and practical. The first amp I bought was the Boss Katana, so I could demonstrate on both electric and acoustic guitar as needed. Then, I got a Orange Micro Dark when I started getting more pedals, since it has an effects loop and my Katana 50 watt doesn’t. Then, I discovered the Spark 40, which I use solely as my travel amp when I go out of town and want to jam with my family. Recently, I decided that I love my Katana so much, I wanted the big brother version, so I bought the Katana 100 watt head version, which DOES have an effects loop. It also works great as a clean pedal platform for my growing collection of pedals. So, to put it shortly, my amps are affordable, practical, and portable. And they all sound killer! I don’t think I’ll ever have need for a tube amp, and most don’t have an effects loop, which I prefer, so for now, I’m sticking with what I have. The only other thing I might do is upgrade the cabinet for my Katana head at some point because I only have a 1x12 and it only has a 60 watt speaker, so I can’t turn it all the way up to 100 watts, but I will probably never do that, so it’s not really necessary.
I was at that concert too! Guy absolutely killed it.
Great lesson and concepts of how to connect individual notes using arpeggios to chords. As for amps I'm in love with my tube amps. I usually run a wet dry setup with two different types of amps and various pedals. I have one amp in my house that I absolutely love plugging straight into using the spring reverb and playing with the gain to get my distortion. If I go over to a solid state amp the katana has been my go-to.
I use a Marshall JCM 800 100 watt head with a Mesa 2x12 cab that I opened up in the back. I use the dirty channel exclusively at "edge of breakup with the master about 6. When I play extremely light with my pick it sounds amazing.
Thanks for being so kind!
I dig your approach of conveying the info to the listener.
Reverb did a great series involving Warm ups from Great players such as Cory Wong, Mateus Asato, and Ariel Posen. Each of these guys had a different approach to arpeggios and scales. I would be curious to know IF you had a warm up practice video that we can follow maybe if you had 15min 30min, 45min , or an hour to practice a day
Look at Ben Eunson’s arpeggio video as well he lays out a great warmup that I use when I practice and can be applied to major/minor/mixolydian etc
Hey I really love the way your teach guitar,those soulful talking made me stay.
You’re so kind to post these videos,it saves me a lot of money to learn the guitar
Cool,💦
You're an incredibly gifted Musician and Tutor Rotem. The amount of information you can deliver in even a lick is incredible. Keep it up!
Princeton. Clean as hell, attenuator for home playing and great breakup. Takes pedals perfectly. Get a handwired if possible. Alessandro is who did mine.
For amps, if you love great clean tones, and with tubes being an issue with the state of the world, consider a Roland Jazz Chorus. I prefer solid state amps. I use a Roland Blues Cube & I love it. It’s my primary amp & it’s great with pedals. As a back up amp, I use a Boss Nextone. It’s clean channel & built in delay are great. If you find a solid state amp you like, the advantage is they are lighter, they’re consistent, lastly, they’re maintenance free. Do a video on what you end up choosing:)
Very cool! Thanks!
I love my jazz chorus, but it is a brighter voiced amp which gave me some trouble finding the jazz tone I was after. It’s a great amp tho all around.
Great learning, great teacher!
Thank you
1:38 levles hahaha. Nice video btw, i love when u explain this stuff, keep it up dude!
Beautifuly explained❤
I have a Micro Cube from Roland, I use that one because most of the time I’m playing in my bedroom.
Thanks! As always - super clear!
🙏🙏
Great lesson Rotem. Added bonus is I really like the tones you get from your playing, very inspiring. Thanks
I play stereo with a 1959 Fender Concert Amp on the right, and a 1959 Fender Bassman on the left. The Bassman is awesome, because I replaced two of the four Jensen speakers by two Eminence 1024K which deeply improve the bandwidth. I plug the whole collection of Effectrode pedals (Phil Taylor made) in the G3 Gigrig guitar switch, and the sound goes stereo to the two amps. All the best.
Mesa Mark V combo when I'm on bigger gigs! Quilter Aviator Cub for club gigs or when I don't want to break my back! 🤘🏾
Nice!!!
Took me a lifetime of playing to realize what you summarized in a few minutes here :-)
❤️❤️❤️
I bought an Fender Hot Rod Deville 2x12 when I was a teenager in 2007 and love it since then.
That said nowadays I would probably just buy a Line 6 HX Stomp tbh :)
Yeah great lesson! Thanks 😊
Mesa boogie tweed. All tube amp. Amazing amp.
I have that exact duo sonic and, although I love mine, I have no idea how you make it sound so great!
For amplification, I use a VOX AC15 or a Roland Jazz Chorus. They both have an excellent clean tone that is versatile enough for any genre (I’m mainly a jazzy alternative rock guy) and they’re pretty comparable to each other. Now the VOX is obviously tube and the Roland is solid state so let me be clear: in the amp world you will run into guys who swear up and down that tube amps are the only method of quality amplification, but a lot of these purists don’t realize how far solid state has caught up! Anyways, thanks for the great video as always. Cheers:)
GREAT lesson ! And thank you for the pdf on PATREON. So helpful 🙏
Amp. I used to have a Boss Katana, but I found an old-ish second hand Hughes & Kettner Blonde Edition tube amp in a Junkshop so that's my amp now.
very nice lesson! appreciate what you do for a long time. Greetings from Germany :)
I use a Koch Studiotone as it's great sounding, has a built in line out with speaker simulation for silent recording and is built extremely well. Great amp.
I use a Mesa TC50. I wanted something versatile and that sounds more like a hot-roded Marshall.
Also first time in my life I said F.... it, I am going to spend my hard earned money and buy something without holding back! Thank God my wife supported my decision!
Thx for the lesson!
Rotem! Thank you for whqt you do!
You're rally helping me improove my playing and understanding of guitar.
Happy to help man!
I use a Boss Katana 50W. It's affordable and covers the needs of a house amplifier with small gig capability.
Kind of the same reasons why i use the katana 100W. Also started playing gigs and a lot of different styles. The amp helps with that, as it is such a versetile piece of hardware. And also, i just think it sounds great!
love your teaching. I agree, soloing on guitar in any genre. If emotion is not conveyed wither or not you are pro level or whatever, it's just a bunch of notes strung together. The listeners want to feel something about the song, they mostly are not into how great a guitar player we are, but how can we as guitarists play on the emotion the song is asking for. That is, in my opinion reason why we play. Or am I wrong?
You must do the most amazing Peter Lorre impressions. If you don't , you should.
Thanks for this video, I’m just starting to get my head around arpeggios when playing the changes! For amps, I’m currently playing through an Orange OR15 with a Strat. With the preamp gain low and the master volume up high, you can get some beautiful clean tones with a lovely bite to it.
Nice one again, Rotem! I love the sound of my "cheap" Vintage Strat (got it used for 40 bucks then upgraded it for about 200 Euros) on my AER Alpha Plus. It's an acoustic amp but with a Strat it sounds great to me, even for dist (I use my Rat for yrs). AER Alpha Plus is a real deal but I try to navigate in between him and a Fender Twin Reverb bc I just love the aggression it gives me for other types of concerts (bigger ones).
Matchless.
A blonde 50th anniversary Vox AC15. I like small combo amps like that vox which deliver the goods in terms of tone without having to crank them up to jet engine decibels to do so.
I don’t use a traditional amp most of the time, I have a roland street cube but I prefer using an iRig to run an amp sim off my phone and then play over a Bluetooth speaker. Sounds great, incredibly portable, totally rechargeable. Got the idea from Tom Nechville
This video is totally cool! 😎
Rotem, thanks so much for this video... and for all your videos! Little by little i'm starting to move away from playing just 'one scale fits all' and incorporating the chords arpeggios, linking things, chromatic licks etc... it's so much more satisfying! For amps sometimes I use 2 simultaneously in stereo, a JC40 and a Fender Bassbreaker, combining the clean tone from the JC with the more creamy-gritty tone from the Bassbreaker. For small gigs, if I can get away with it, I will not bring my amps and use a Line 6 Podgo instead, direct in to the PA also in stereo...the tones are pretty decent! Congratulations for your album on Vinyl!! :)
Hey Rotem, I love this guitar, it is paring nicely with your 7th arp :)
Gotta check out the Boss Katana Artist... A very nice sweet sounding pro level amp.
Man
You are excellent player
Specially like your solo with Peter Bernstein and many others.
Regarding the amp only tube amps.
That is only way you can express your dynamics the best.
For jazz probably Deluxe Reverb or Princeton Reverb.
Thank you for your hard work.
hughes and kettner blackspirit no tubes but total tube sound. very light to
Great stuff, thank you sir
Thanks Craig!!
Hi Rotem, I love your videos! Off topic but can you make a video about Ethiopian Jazz on guitar? Would be amazing
U start playing Spiritual love by the Urban Species, and he put some different lyrics on it... nice.
90 Fender Red Knob Twin and Late 70's Musicman 210
hey man, great video and good thing You're in this world! i am using 2 "fame" tube amps a smaller one and a 100W one. its a niche brand from germany which used to offer quality/ price relation. they sound like marshalls, but can also do a fender like sound, but most importantly great amps to put my boss multi effects through (clean amp).
i have a top amp - the Hugh & Kettner Switchblade tsc 100. to this day one of the best amps i have ever played, versatile through any genre. considering Your sound, Rotem, please give Hugh & Kettner a try. even if all these things mentioned come from my rock blues rock metal influence i find their tone for jazz always pleasing because even on lower volume levels these things give a room filled, warm tone whith their 4 tubes.
Hey Rotem! i think one of the most difficult things on the jazz guitar is to play duo with a piano player. recently i was playing with a pianist who literally played like Bill Evans, very harmonically rich, very sophisticated, yet calm and comprehensive i terms of rythm. i was using an acoustic guitar and i played it like Django to match the volume. yet it felt like the most difficult accompaniment i ever had to do. i was able to supply a bassline or with an electric i could solo like a horn player. but apart from that - harmonically - what can i really do? highlight harmonic tones? 6,7,9? it would be so cool to see You in a duo with a pianist. i will search Your content maybe You already did it.
Does anyone know if this is the 2016 duo sonic? I love the arctic white colorway , really looking for something similar.
Yes!
cool vid
great video
Thank mate!
I wonder what string gauge you use, it does sound kind of thick
This guitar is beautiful. Is it a mustang or a jaguar? I wish there was something like that for lefties 😇
Its a duo sonic
Thanks 😊 what guitar is that?
Amps: VHT special 6 ultra (low power, sounds great & inexpensive), Roland Micro cube. Both are perfect for home use.
Great lessons
Cool vibes
Please keep up the great work,Rotem,Cheers Mate!
P.s.,..... fender frontman 15!
Hate it!
Thanks man! I'll try
don't get it wrong, but @3:30 the voice is singing 'Sol' - 'Si' - 'La' - 'Sol', and the guitar goes G B D G. 'La' is A and 'Re' is D, right?
and it's not fair just to point fingers. that's a great lesson by the way...
Please share what that awesome guitar is
Duo sonic
Question. How did you achieved that pad sound in background? You play chord, you step on pedal(what pedal ?) and there is beautiful pad sound.
Or is it just very short loop ?
What is the guitar he is playing
Fender musicmaster
No its a fender duo sonic
That's a beautiful chord progression to start with. I'd like to know what is the theory behind the chord choice, i'd just love to recreate such a soothing mood in my own compositions
This is a tom misch song! Called movie
@@RotemSivanGuitar Oh i know...still i'm sure he didn't fumble around when he wrote it
I think voice leading is one of the reasons why it's so smooth - you have the chords voiced in a way that allows minimal movement , the bass goes G,F#,F,E - smallest possible movement.
Upper extensions also contribute eg. F# in Gmaj7 introduces the note F# that we're going to next in the bass. Fmaj7 introduces the E we are heading towards in the E chord and the A in Esus wants to resolve to G
Kemper and a Boss katana through an es175 from 1978. I want to buy a polytone because....175 and polytone seems like a good pair. The katana sounds great tho
I'll check the katana
You've probably heard it a lot before but you look very much like Jesse Tyler Ferguson from Modern Family 🙃 I discovered you via Paul Davids by the way and I am very impressed by your teaching videos, but the promotions in between the levels kinda threw me off a little, but how can I complain with literally free lessons ✌
I’m sorry I give up, I’ve tried to understand the way you play but I can’t get it. No matter what I do I will never get it. You , jeans Larsen and whit smith are all top guitar players and I just keep thrashing out my power chords. Just your inversion of d/f# I’m a four year old compared to an adult. Thanks for your posts I’ll keep on torturing myself by watching them and then sobbing.
Perfect timing for this post!
I’m just starting in on arpeggios!
P.S. what camera(s) are you recording with?
great!! i use the sony A7III
Cool guitar, mustang?
7 Levles! 💕🤣
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❤️🙏❤️
i don't know anything about amp, i just use a little bugera with lamp because i don't have lot of money yet
cause i'm still young
still poor
Amplitube 5
Ya Esusminir sure
🧚♀️
Rotem you offer great information and have a nice teaching style however when you switch in the middle of teaching to ‘Patreon, ‘what amp do you use’, ‘so if you like this by the way subscribe” It’s a bit irritating honestly. Please consider doing that in the beginning or the end. Teaching is teaching and selling is selling. Do the two have to be mixed together?
7 LEVLES ?!
yas
I'm at 7.30 will he be selling his underwear at lvl 7?
SOS UKRAINE!
How can I help? I donated but it's hard to know what to do
@@RotemSivanGuitar Thank you so much! that is very important! Yeah, good question... I am typing this comment to the all new videos that appear in my subscriptions and you're the only one who responded so warmly! I think that it is important to discuss Ukraine issue constantly so that politicians from developed western countries felt pressure, because otherwise they'll easily forget this. Everyone should ask himself this question, how to help... for example David Beckham handed over his social accounts to Ukrainian doctor... Arnold Schwarzenegger applied via the video to Russians... I'm doing these little things on youtube ))
Excessive talking and excessive advertisement and no content. Ppppppffff.forget about subscribing don't deserve even like
Boring !