This is certainly one of the most touching and beautiful solos in the history of jazz: this longing for home at the beginning, the solo as the way there (4:05 an unbelievable increase over several minutes, achieved purely musically without any particular virtuosity and so perfectly shared by Anthony Jackson and Steve Gadd) and then the "arrival" in such a rapture of joy (7:45). Truly inconceivable that someone could improvise this in such a way and move one to tears, as if playing Beethoven's Les Adieux. It's very nice to see all these miracles that Petrucciani performs (that pulse in the left hand!) written down in notes.
What a genius he was. His playing is always so lyrical and takes me in a journey like very few other pianists do. One of my all time fave pianists if not THE fave. Great work on the transcription btw ❤❤❤❤❤❤❤❤❤❤❤
Rhythmically you messed something up around bar 159? Or he actually plays a 2/4 bar? 5:22 Weird I listened back and there is indeed a 2/4 bar but I think it sounds like it shifts halfway through bar 159 to A A major Seems strange that there is one random 2/4 bar here tho don't you think? And since the bass plays with him it sounds planned but yeah the way you wrote the shift seems weird because it seems like bar 159 is suspicious
How is he able to keep that comping pattern up for so long??? His right hand isn’t compromised one bit! What a genius.
The accents on the RH are awesome too
Reminds me of 'Sonora' by Hampton Hawes
This is certainly one of the most touching and beautiful solos in the history of jazz: this longing for home at the beginning, the solo as the way there (4:05 an unbelievable increase over several minutes, achieved purely musically without any particular virtuosity and so perfectly shared by Anthony Jackson and Steve Gadd) and then the "arrival" in such a rapture of joy (7:45). Truly inconceivable that someone could improvise this in such a way and move one to tears, as if playing Beethoven's Les Adieux. It's very nice to see all these miracles that Petrucciani performs (that pulse in the left hand!) written down in notes.
The solo is so dope I agree
❤
i find 4:05 ongoing very moving
learn so much from this
Here again, best piano solo ever 🎉
As I said three years ago😆
Thanks for taking the time to transcribe this. The best in 2023.
Petrucciani was a human metronome.. amazing
Brilliantly transcribed.
Section starting 4:06 is so good. Such dope swing it's how he places the RH accents I'm sure 🔥
Thank you very much for this amazing transcript 👍
Fantastic, one of the best songs ever
Wonderful transcription - thank you very much!
What a genius he was. His playing is always so lyrical and takes me in a journey like very few other pianists do. One of my all time fave pianists if not THE fave.
Great work on the transcription btw
❤❤❤❤❤❤❤❤❤❤❤
Some others I like...
Fred Hersch
Keith Jarret
Makoto Ozone
Great! Thank you very much!
What a grat transcription, amazzing job, thank you very much!
you’re welcome!
@@SoojinAndrew I bought it, and it is also very well written, and clear, great great work !
Really Nice work. Merci beaucoup.
Thank you soooo much!
Awesome!
Wow this is amazing! This must have took a lot of dedication!
Beautiful!
Thank you so much for this.
This solo is debatably better than Corey's solo on lingus
The enclosures 🤓😭😍
👍😉🙏
예전부터 진짜 치고 싶었는데 이렇게 올려주셔서 감사합니다!😃😍
혹시 backing track은 어떻게 구할 수 있는지 아시나요??
Fantasmagorique 😢
measure 121, Bass clef B should be G# or maybe just add G#?
1:09 Bar 31..
I'm not sat at the piano but this sounds like a chord more lush than just a C7?
you're right, adding the b9 definitely sounds better. Back when I was transcribing, I probably thought it was residue sound caused by sustain pedal
@@SoojinAndrew I didn't mean the b9 either. It sounds like something other than a C7b9
@@SoojinAndrew maybe at the end of 97 is why? 3:18 what is going on the left hand here as it sounds similar and defo not just a C7 or C7b9
@@nezkeys79 I think it's the 13. thanks for the correction!
@@SoojinAndrew when I played a C13 this also didn't sound right either
Rhythmically you messed something up around bar 159? Or he actually plays a 2/4 bar? 5:22
Weird I listened back and there is indeed a 2/4 bar but I think it sounds like it shifts halfway through bar 159 to A A major
Seems strange that there is one random 2/4 bar here tho don't you think? And since the bass plays with him it sounds planned but yeah the way you wrote the shift seems weird because it seems like bar 159 is suspicious
whats 2/4 ??
@@labradog05 2 beats per bar instead of 4 beats per bar
@@nezkeys79 ye and why would that change anything? Its the same thing unless use specifically right
@@labradog05 of course it changes something lol 😆 2/4 isn't 4/4
Oh, I didn't spot any mistake... Can I get a PDF copy anyway? ;-)
Hi, since you’ve gone through proof reading, I’ll send you one! please let me k now of your email address
Hi! Thank you for this transcription, can I also have a PDF in mail? I started to learn this yesterday😍
👾
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