Don't Worry 'Bout Me is such an underrated standard song. There is an excellent version by Ella on UA-cam. I must say, the quality of the transcription is only surpassed by Keith's subliminal playing. He is truly a master of jazz piano. And fortunately for us fans, he recorded copiously from the American songbook.
Thanks for your comment. I'll check out Ella's version. I am grateful that he recorded many beautiful songs, but it saddens me that he can no longer play due to health problems.
This is great - fantastic!! Do you have perfect pitch or use a program like Melodyne. If possible could you do more Keith Jarret transcriptions ? (Like from Still Live and Tribute or even solo concerts. Perhaps you have done some all ready?
Thank you. I've never used Melodyne, so I don't know how accurately that kind of program can analyze complex jazz voicings. I have perfect pitch, but it took me a very long time to transcribe Keith Jarrett's music as accurately as possible. Of course I plan to do his other transcriptions later.
Melodyne can help those of us without perfect pitch - to some degree - but it will not be perfect like what you have done. Thanks for the good work. There should be made a book on “voicings and chords” of Keith Jarrett - perhaps you can contact Keith himself -even giving out a note book of 10 or 20 transcriptions with the blessing of Keith and his thoughts analytically of his play would sell - perhaps with the comments of a jazz music theorist
@@andersolavbjrkavag707 Just like someone recently published a full transcription of his album, I would like to do something like that in the future if I get a chance. Thank you for your comments.
Thanks! While listening to his performance, I recorded my transcription at the same time, and then compared it to the original recording in Logic Pro and synchronized the details.
I just guess he intentionally played B natural instead of Bb. Although that is harmonically wrong as we know, B adds more tension and sounds better to me. But only he knows the truth. Haha
We are taught from an early age that the major 3rd and perfect 4th are a no no together but this sound is great imo even if you don't resolve it lol 0:39
As stated in the description, the left channel is the original recording and the right channel is a MIDI recording of this transcription. So you're right.
It may feel that way to someone, as it was made for comparison between the original recording and transcription. Most of the transcriptions I uploaded were made in the same way.
This video is made for those who want to compare the transcription with the original recording. If you want to watch his performance only, please check the link below. Thanks! ua-cam.com/video/2AR5DIzkV70/v-deo.html
Yes his playing on ballads is beautiful. I don’t like his uptempo playing and his blues interpretations, however. You did a great job on this transcription. But take a look at the sheet music melody for this tune. It’s what the composer intended. Jarrett veers from the written melody at some crucial points and his new melody is frankly not as good as the composer’s. In addition Jarrett misses out on some difficult and more interesting harmonic possibilities. I suggest listening to Art Tatum’s version of this tune in A major no less.
Привет! Не думаю ,что это корректно - сравнивать например Бетховена с Вагнером )))! Речь о личных предпочтениях и вкусах это всегда прогулка по лезвию ножа...))
![[Transcription] Home - Michel Petrucciani](/img/n.gif)
Don't Worry 'Bout Me is such an underrated standard song. There is an excellent version by Ella on UA-cam. I must say, the quality of the transcription is only surpassed by Keith's subliminal
playing. He is truly a master of jazz piano. And fortunately for us fans, he recorded copiously from the American songbook.
Thanks for your comment. I'll check out Ella's version. I am grateful that he recorded many beautiful songs, but it saddens me that he can no longer play due to health problems.
Wonderful. Jarrett's ballad playing is truly excrutiatingly beautiful.
I agree with you!
1:15
I don’t know why but I love the C7(b9) to Fm9 so much here. So beautiful
I also love that.
Спасибо, ценная работа
Thank you!
2:44 something so pretty about this melody
Again at 1:30 in a different context rhythmically
3:14 that E melody on the Gm is nice too. Minor 11 to minor 13 over that chromatic descending chord change is nice
the amount of character, this is soo great
He is always great!
a wonderful piece of work helping to share the beauty of Keith's playing - thanks Yool!
Thank you! :)
An excellent transcription
Thank you!!!
Number 1, wonderful
Thank you!
WOW!!!!!! so good thanks...this is perfect to practise voicing/chords .
Thanks, happy practicing!
@@yoolpiano buon natale
@@mircotinacci7656 메리 크리스마스!
❤😊쟈ㅏㄹ 드렀습니다. 정신이 맑아지는기븐입니다🎉😂
감사합니다! :)
Wonderfully ienjoyed
Thank you so much!!!
This is such a wonderful performance - good on you for transcribing it, it looks very accurate.
Thanks! I tried to transcribe it as accurately as possible. It took a very long time though.
@@yoolpiano I'm not surprised :)
Спасибо Вам огромное, за великолепную работу и возможность играть это произведение по нотам. Спасибо , я Вам очень благодарна ❤👏👏👏👏👏
Thanks! I'm glad you liked it.
Genisal, extraordinaria transcripción y ejecución e interpretación.
Thank you!
좋아요
감사합니다!
Just amazing….
Thanks!
Beautiful!
Thanks!
너무 좋으네요...ㅎ
감사합니다!
Magnifique
Thank you!
최고다요 !!!
감사합니다!!
สวยงามมากมาย 🌸
ขอขอบคุณ
This is great - fantastic!! Do you have perfect pitch or use a program like Melodyne. If possible could you do more Keith Jarret transcriptions ? (Like from Still Live and Tribute or even solo concerts. Perhaps you have done some all ready?
Thank you. I've never used Melodyne, so I don't know how accurately that kind of program can analyze complex jazz voicings. I have perfect pitch, but it took me a very long time to transcribe Keith Jarrett's music as accurately as possible. Of course I plan to do his other transcriptions later.
Melodyne can help those of us without perfect pitch - to some degree - but it will not be perfect like what you have done. Thanks for the good work. There should be made a book on “voicings and chords” of Keith Jarrett - perhaps you can contact Keith himself -even giving out a note book of 10 or 20 transcriptions with the blessing of Keith and his thoughts analytically of his play would sell - perhaps with the comments of a jazz music theorist
@@andersolavbjrkavag707 Just like someone recently published a full transcription of his album, I would like to do something like that in the future if I get a chance. Thank you for your comments.
Amazing accurate transcription! May I ask how were you able to sync the notation tempo to fit so accurate with Keith free tempo (metronomless)?
Thanks! While listening to his performance, I recorded my transcription at the same time, and then compared it to the original recording in Logic Pro and synchronized the details.
@@yoolpiano Thank you so much! I wish you will continue making this great stuff. All the best!
Amazing you did this!! ❤
Thanks!
I just wonder how this syncronization was possible with the original recording Amazing!!!!!
I recorded my transcription while listening to his playing and then synchronized the details later.
Pretty incredible you got this! 🙏
Thank you!
Восхитительно-задумчиво.....!
Thank you!
Great-thanks!
Thanks!
Great!!
Thanks!
Gracias!
De nada!
Genial !
Muchas Gracias !
Gracias!
❤😂🎉
😊
Very nice indeed. Is it possible to get the transcription by any chance?
The pdf file is available for purchase. Please email me at yoolpiano@gmail.com if you are interested. Thank you!
INCREDIBLE WORK. kudos to you. Perhaps the 7 8 bar could have been two triplets :)
Thank you! Since he played it with rubato, everyone's interpretation may be different. :)
4:56 do you think he meant to play Bb or C instead of B natural?
I just guess he intentionally played B natural instead of Bb. Although that is harmonically wrong as we know, B adds more tension and sounds better to me. But only he knows the truth. Haha
@@yoolpiano i think its a mistake tbh lol 😆
Maybe... haha
Great transcription but that b natural wasn’t on purpose, i’m pretty sure of that :D rather c oder Bb instead
종률아 미쳣네 ㅎㅎㅎ 너무 좋다 악보 어디서 구입하니 ㅎㅎ
카톡으로 문의해 주세요! ㅋㅋ
Is it possible to please get a copy of the transcription? Thanks
The pdf file is available for purchase. Please email me at yoolpiano@gmail.com if you are interested. Thank you!
❤❤❤🎉
Thanks!
Спасибо, огромное! Мечта осуществилась.
Hope you enjoyed!
1:40 2:35
👍
Hello, I've tried to email you to purchase the transcription. Pls let me know. Tx. Gab
Hi, I am so sorry, your email was in my spam folder(I don't know why) and I recently found it. Just sent you a reply. Thanks!
Juan 1996 night and day intro, Vermont concert part 2 where it starts in Eb major and builds up. Can you do those? Thanks
For customized transcription order, please email me at yoolpiano@gmail.com. Thank you!
지린다
😁
1:33 is a nice unexpected change at bar 33
Yeah, unexpected but very natural
Hi~can you share for me the wonderful song’s pdf
Thank you!
Hi, the pdf file of this transcription is available for purchase. Please email me at yoolpiano@gmail.com. Thank you! :)
Thanks how much for the pdf and midi file or musicxml ?
Hi, please email me at yoolpiano@gmail.com.
Very nice! Do you mind me asking what app you use fot the onscreen keyboard?
Thanks! It's MIDIculous.
@@yoolpiano thank you! great job
We are taught from an early age that the major 3rd and perfect 4th are a no no together but this sound is great imo even if you don't resolve it lol
0:39
That's exactly what I thought when I transcribed this. Since Keith Jarrett broke the rule, the jazz theory must be revised. Lol
@@yoolpiano C F Bb E 💖
I mean its sort of a quartal but the top note is a semitone higher
Why does it sound like there is a midi recording playing over the original?
As stated in the description, the left channel is the original recording and the right channel is a MIDI recording of this transcription. So you're right.
@@yoolpiano oh. It's kind of off putting
It may feel that way to someone, as it was made for comparison between the original recording and transcription. Most of the transcriptions I uploaded were made in the same way.
Just let HIM play alone. But anyway thanks for the great transcription!
This video is made for those who want to compare the transcription with the original recording. If you want to watch his performance only, please check the link below. Thanks!
ua-cam.com/video/2AR5DIzkV70/v-deo.html
Cole porter "vibe"
🙂
Yes his playing on ballads is beautiful. I don’t like his uptempo playing and his blues interpretations, however. You did a great job on this transcription. But take a look at the sheet music melody for this tune. It’s what the composer intended. Jarrett veers from the written melody at some crucial points and his new melody is frankly not as good as the composer’s. In addition Jarrett misses out on some difficult and more interesting harmonic possibilities. I suggest listening to Art Tatum’s version of this tune in A major no less.
Thank you for your in-depth comment. I'll check out Art Tatum's version you mentioned.
Привет! Не думаю ,что это корректно - сравнивать например Бетховена с Вагнером )))! Речь о личных предпочтениях и вкусах это всегда прогулка по лезвию ножа...))