This is the Auto-Yashinon-DX 50mm f/1.7 (Tomika lens) Chapter 33.
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- Опубліковано 13 сер 2023
- Yashica sounds cheap, but Yashinon, instead, sounds somewhat professional.
This small lens gives you superb color rendition plus sharpness, nice bokeh almost comparable with the Meyer lens, and "Aura" flare.
Errata: After deep research for this lens, I would like to correct the optical design, it's a "Double-Gauss type" and not "Ultron type" as said in my video.
Yashica 聽起來很廉價，但 Yashinon 聽起來卻有些專業。
這款小鏡頭可為您提供出色的色彩還原和清晰度、幾乎可與邁耶鏡頭相媲美的漂亮散景以及“Aura”光暈。
勘誤：經過對這款鏡頭的深入研究，我想修正光學設計，它是“雙高斯型”，而不是我影片中所說的“Ultron型”。
É com todo o meu orgulho e prazer poder apresentar este vídeo com legendagem em minha língua mãe e, sempre que o tempo me perdoe, esta legendagem aparecerá.
Yashica parece algo de preço barato mas, Yashinon já parece algo profissional.
Esta pequena objectiva oferece cores com boa saturação e nitidez, bokeh quase comparável a da objectiva Meyer e "Aura" flare.
Errata: Após uma pesquisa profunda para esta lente, gostaria de corrigir o design optico, é um "tipo Double-Gauss" e não "tipo Ultron" como dito no meu vídeo.
You've covered the history in great detail. Thank you for the research and presentation, it's lovely!
Thank you again.
Allow me to introduce you to the 2nd part of "The Asahi Pentax History Course (Last Chapter)" .
This chapter will help you better understand the Japanese camera industry before and after V.V.II, that "strong will" of reborn from ashes.
ua-cam.com/video/i3CMlfHNapU/v-deo.html .
thank you for another video. i'm curious to know why you chose to review the 50mm f1.7 over the 50mm f1.4?
as a side note, i was fortunate enough to acquire the p. angenieux 35mm f2.5 r1, taika super coligon 200mm f2.8, and the soligor 85mm f1.5 at auction. they are all well used and in need of CLA. the super coligon has very dry grease, but unscrewing the front optical block is easy enough to take apart for cleaning.
Good question. At the shop where I buy lenses (Japan), they told me "...50mm f/1.4 no good, has a problem...". In this scenario, I'm suspicious about the debonding of glue between the 4th group of lens. Thus, I wrote, "...models with M42 mount are hard to find a second-hand model that works fine.".
Congratulations on acquiring the Paris Angenieux. To where I live, an old city with narrow streets and alleys, a focal length of 200mm is almost impossible. I have one but is down deep in the fridge😑.
Tokina Soligor, a good alternative to the Russian KMZ 85👍
I have the ricoh auto rikenon 50mm f1.7, some say it's the same lens and indeed based on your examples the results look similar. Do you know if this is true? Will you make videos for the rikenon series ?
Hello and thank for your comment. If your lens barrel is made of steel, in hight and low relief, yes, it is. About Rikenon lenses, let me do a search.😏
@@red_code the focus ring on mine is similar to the one on your review of the SUPER-MULTI-COATED-Takumar 24mm f/3.5. Chapter 29. But shorter (1.3cm) my auto rikenon 50mm f/1.7 is a great lens but can't find many details, it seems like the f/2 xr version (Japanese summicron) gets all the glory 😁
@@PitNeex Yes, it is a Tomioka. Go to my last chapter 40. This chapter explains better. In the present chapter, I doubted if this lens was from Tomioka. Now, I'm sure.
@@red_code thank you ! That is very cool !
@@red_code that is super cool! Thanks for your answer 🙏