Vocal Coach REACTION & ANALYSIS 🎧 Tori Amos 🎙️ Precious Things (LIVE) 🎶
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- Опубліковано 17 чер 2024
- In this vocal analysis, Dr Dan delves into the artistry of Tori Amos, particularly her live performance of "Precious Things" from 1998, highlighting her unique approach to music and vocal technique. He praises Amos's ability to use her voice as a tool for artistic expression, akin to a painter with their canvas, especially noting her skilful blend of clean, focused sounds and nasalized twang that has become her signature. Dr Dan also touches upon the extended musical introduction of the performance, emphasizing the creation of a soundscape that sets the stage for Amos's vocal entry.
He remarks on the unconventional use of audible breath in Amos's singing, which, while typically discouraged in traditional vocal training, serves as a deliberate choice to enhance emotional intensity and authenticity in her performance. Finally, Dr Dan appreciates Amos's rejection of vocal orthodoxy, showcasing her as a quintessential artistic singer-songwriter whose work challenges conventional definitions of great singing, underscoring the diversity of vocal expressions beyond mere technical prowess.
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⚠️ As a singing voice specialist, I fully acknowledge that each live performance is a snapshot in time and does not encapsulate the entire spectrum of an artist's work, nor can it predict their future evolution. I understand that a myriad of factors, both positive and negative, can influence the delivery of a live performance. I strive to appreciate and critique each live rendition for its own merits, independent of the artist's past or potential future performances. Recognising the ebb and flow of live music, I value its spontaneity, novelty, and individuality and strive to give it the thoughtful consideration it deserves.
⏰ TIMECODES ⏰
0:00 Introduction to Tori Amos's Vocal Analysis
2:41 Full Vocal Analysis & Reaction
17:43 Dr Dan's Final Analysis and Insights
📺 Video Reference 📺
• Tori Amos - Precious T...
📝 Fair Use Notice 📝
This is my scholarly critique, deconstruction, and interpretive assessment of the singer and their performance. I wish to emphasise that my intention is not to infringe upon copyright laws, and my analysis should not be considered a substitute for experiencing the song in its original form, aligning with the principles of Fair Use Copyright law.
#toriamos | #VocalCoachReaction | #DrDanVocalAnalysis | #preciousthings | #LivePerformance
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I love her precisely because of how she uses her voice. She's just magical, imo.
This performance is soooo good. Classic
Longtime fan of her but I love watching these kind of technical analysis 🙏
She was expelled from the Peabody for “musical insubordination.” if you’re going to be expelled, that’s a pretty epic reason.
Thank you for doing this one. I LOVE TORI SO MUCH. This is a great reminder to not put all my self worth as a singer into achieving perfection.
Glad you enjoyed it!
The piano godess, a good witch.And a poet. In the same way Loreena Mckennitt is,although in a different way.❤
Love her Music so much, like Boys for Pele of Under the Pink. It’s extraordinary. She never fails to surprise you with her stuff.
Thank you!
Welcome!
Thank you, Dr Dan, for sharing so much in your videos!
Could I ask you something about one technique issue?
Could you, please, clarify something for me about twang? Does twang always presupposes lifting the larynx or is it possible to use twang while singing with a neutral or low larynx too?
Twang can be achieved with a neutral larynx, but will often be associated with a lifted laryngeal position.
Tori Amos' whole schtick is to reject the normal, the orthodox. Good to listen to different styles of singers anyhow!
shiddiest word choice while describing tori amos' music ever "schtick".
unfortunately she has already lost her voice, that incredible and inimitable beautiful voice.
To be fair, she’s in her 60s and has been performing for nearly her entire life. She’s made 16 albums, tours extensively, and has dealt with severe TMJ from a bone deformity since she was 15, which gives her severe nerve pain, spasms, and even causes some paralysis of her neck and shoulder at times. Given all of that, the fact she can still sing AT ALL, let alone continue to record music and tour is pretty amazing. Many singers who have been performing as long as Tori has start to lose their voice by 50 or 60. It’s sad but it’s understandable.
@@meghangerhart643 Well actually Tori's problems with her voice go back to the 00's. She has abused her voice a lot. it's not a question of age. There are singers even in their seventies who have their voice almost intact, look at Lorena McKennitt. I think that at this point Tori should stop touring because she will definitely lose her voice and dedicate herself to things for which she has enough talent like composing soundtracks or musicals.
@@r.j4449 I think it’s a combination of things including age, genetics, her health issues, excessive touring, and non stop intense performing for the majority of her life. It’s from things she can’t help and things she can. Age does play a factor. Some people, like Loreena McKennitt and Tony Bennett can sing beautifully into old age, others start to naturally lose their vocals, or struggle with their vocals, by middle age, especially if they’ve been performing as long as Tori has. However, I agree with you. I think she needs to stop touring for a while, get a vocal coach (apparently she refuses to use one, which is unfortunate), give her jaw a rest, and focus on sustainability and strengthening her voice. I’d rather get an album from her every 5+ years and have her back to sounding healthy and beautiful, than an album every 2 years and hear her struggling.