Add another for audiophile snobs, people who look down on others with lower price tier gear. It's all about the journey of enjoying music according to what you can afford and choose to buy.
Another thing to consider and I said this in a comment on another channel. Some people are very happy with the gear they have and have no desire to have something better. One of the things I have found while upgrading equipment is that better stuff can sometimes lessen your enjoyment of music. With average or below average stuff everything kind of sounds the same. It levels the playing field. Once you start getting better stuff that can bring out the details it can show you the differences in other equipment and recordings. As in a bad recording truly sounds bad. To the point where you may not enjoy listening to your favorite piece of music anymore. When I was young we used to love listening to Dokken Tooth and Nail on cassette in the car and home on our little cheap system. Later I got the CD and played on a better system and it was horrible. To the point where I didn't want to hear it. Not that I didn't like the music the recording or transfer was just soo bad it was gross. Or with something like John Denver. I love John Denver but there are really not that many great recordings of him. Unfortunately they were just not done that well. And on a better system that really comes through and for me it detracts from the music.
If it sound good and measures good, it’s good If it sound bad and measures good, it’s bad If it sound good and measures bad, we’re measuring the wrong thing
Audiophile reviews sound suspiciously like wine reviews . " it has a hint of oak and vanilla with a saffron finish . The crimson red viscosity allows the aroma to linger on the pallet far longer than thinner wines . a slight amount of sediment was detected but not enough to show up on my lips when i was slobbering due to excessive consumption ."
As a "high-end" manufacturer of audio components, Great American sound Co. or GAS Co. was continually approached by "golden-eared audiophiles" claiming the amplifier or preamplifier they owned clearly sounded superior to any of the GAS Co. products we were producing. I would always invite these individuals into the sound room with their preferred audio component and proceed to connect it to the switching system. I would have them select a comparable GAS Co. component that I also connected to the system and then carefully adjusted both components with a precision AC voltmeter for equal levels. Before the testing commenced, I would give the audiophile the remote lanyard--a small handheld box with a toggle switch labeled A or B. I always told them that the "A" position was their piece of equipment and the "B" position was the GAS Co. equipment. After exhaustively auditioning the two components, the golden eared individual would always have a litany of subjective terms that negatively described the sound of the GAS Co. component such as: "overall dullness", "lack of transparency", "ill defined bass", "irritating midrange", "shrill highs", "lack of depth", "unstable imaging"..... ad nauseam. While the audiophile was espousing these opinions, I would bring the level of the music back up, then casually walk over to the components, switch off the power to the GAS Co. component and ask the audiophile to please toggle the lanyard switch between A and B. Unbeknownst to the audiophile, I had connected the switching system exclusively to their component only. During the test when they switched from A to B, the sound audibly dropped-out during the switching process for a few milliseconds cueing the listener that something had changed. When the audiophile realized that I had clearly demonstrated that their golden ears were not golden at all, they would quickly disconnect their component from the system, and while stomping out of the listening room, turn around, and, depending on how invested they were in believing they had golden ears, generally espouse a litany of profanities directed at me. Don't shoot the messenger! I repeated these same A/B listening tests many times with various individuals and groups and determined there was a direct correlation between audiophiles and lovers of music; audiophiles were always angered; music lovers were always enlightened, especially women! This same switching system was also utilized for loudspeakers and phono cartridges since GAS Co. was selling "Sleeping Beauty" "moving-coil" phono cartridges made by Coral Corp. in Japan. There was no need try to fool the listener as I did with electronics, switching between different loudspeakers and phono cartridges always produced easily discernible audible changes in the musical timbre characteristics. David Riddle
I've caught myself out a few times wrongly thinking I knew which DAC was connected to which input of an amplifier. It's fun not knowing. I made finding out I'm wrong something that's fun. I'm not surprised that there are plenty of people who don't feel that way! 😁
As an audio reviewer, I like the this! I don't mind derailing hype trains, but I don't aim to do so. I go in hoping all the products are awesome because it's so much easier to do a review a product I love compared to one that's just mediocre. I like being made aware when I'm wrong because it means I can stop and start being right! My #1 thing I hate is when people in this hobby/industry forget that this all supposed to be fun! None of this stuff is a need, they're all wants. Let's just have fun with it. Let's argue, but keep it fun.
"95% of "audiophiles" own budget or cheap equipment, but they read tons of articles, which made them "audiophile experts". This is what an electronics engineer and audiophile, who repairs and makes his own audio equipment, told me.
People who trash talk your purchase is the worst! I made a purchase that I enjoy , and someone just said “your purchase is over rated, you should have bought ‘X’, it’s ‘X’ or nothing”… from that point on, I will not share anymore and just keep it to myself, and enjoy on my own.
I remember wanting to get a set of audio technica headphones back then since i liked the sound and look of it when I borrowed one from my cousin so I saved money in any way i can (as someone who lives in a 3rd world country, having something like 20 bucks is already kind of a big thing), I happily posted my new headphones online bought with my hard earned money aaand all the snobs said things like it's not good enough, my purchase suck or I wasted my money, this brand and model is better, stuff like that.
Currawong, you hit the nail right on the head hear and the things you mentioned are helping to hurt the community, but unfortunately this type of mentality translates well outside of just audio and is going on in many forums.
Absolutely. I see it in many areas of life. There are particular mentalities that people have that make them behave in certain ways and attracted to certain ideas.
worst thing? using fancy ass headphones to listen to headphone reviews and not listening to your music or discovering music. Too obsessed on the motorcycle and not enough on the actual ride.
Definitely on the money. I've been in this hobby just since lockdown, coming from photography & wine tasting, and finding it confusing how polarised the community is on simple things such as cables, jitter, high-res, etc. Both my other hobbies had brand loyalties, but most photographers could be kept in check by seeing amazing photos from other brands. The difference with audiophiles is simply that human capacity for hearing is so much weaker in the sense it's more subjective, but this is no different to wine in that sense, yet the two communities could not be so different. I suspect the difference is due to audiophillia being rooted in science, because as you say this allows misinterpretations and misuse of science (via bad theory supported by equally bad measurements) that facilitates a sense of misguided righteousness that's just not here in wine, thus ensuring a mutual respect for others subjective differences in taste. I'm so glad you've raised this issue as it's been bothering me a lot recently after having bizarre discussions on UA-cam. I've since realised the science is complex (and I have two science degrees in different fields), so my response is humility in my ignorance of a subject I don't understand from first principles. Even if I figure out the science to my satisfaction, I'm not going to get involved in debates, because when people's minds are made up, then they're not for changing....why should they if they 'know' they're right? No, my plan is to just buy my gear and enjoy the music. Here's my sole contribution to the community: do you really *know* the science or do you just have a high level working model....an interpretation of the science? If you're unsure, then take one of your conclusions e.g. 'Nygquist proves high-res is BS' and research it not in audiophile forums, but from other sources - locate Nyquist's original paper and find non-audiophiles who discuss and explain it so you can understand new concepts at a high-level. Drill down on these concepts until you understand throughly the concepts behind the maths (but not necessarily the maths itself). At that point, test your understanding by not looking stupid getting tips from a physicist, then find audiophiles in forums who can discuss at your level how this all this science & its assumptions equates to the quality of sound we can hear. Please then write a paper for the rest of us, but if at any point it proves too much, then how about acting with humility in forums and elsewhere? Thanks.
P.s. the goal is to learn enough about the subject (where enough is a first principles understanding), such that you can re-examine the premises that supported your original conclusion...you need to *know* whether you’re on safe ground when asserting those ‘facts’ on forums/UA-cam and whether your champion really knows what he’s talking about or is simply talking out of his a***. If you aren’t sure then you can only be sure of one thing: that you really know nothing.
I love music. Once in a while I get involved in the whole Hifi thing and then I enter into a world where music comes second. Many "audiophiles" only listen to perfectly recorded music, endlessly tweaking and tweaking to make fewer and fewer pieces of music sound ever more wonderful. If you really love music you'll discover that many of the greatest recordings aren't in perfect sound. In my experience, the most neutral system is the one most likely to play the widest range of music. A large part of the listening experience is beyond simple science and measurement.
legrandmaitre I agree. I think they are incels. And they often have no understanding of the process of making music. They probably don’t have perfect pitch. It’s like art critics and the artist; the critic creates an entire narrative about a work of art, it is accepted as “the standard” by academia, and we are forever force fed a narrative by a single individual, that may have nothing whatsoever to do with the artist’s intention. I’m an artist, and I have perfect pitch, and I was part of academia. Hated all academics, loved the students, and no one ever got or gets it right with regard to my intention about a given work of art. I’m fine with that, it is interesting to hear other perspectives, but I’m also not presuming one will be selected to be force fed for decades, centuries to innocent victims.
Ask them if they would choose a poor recording of Caruso singing Nessun Dorma, or a perfect modern recording of me or you or some random dude doing it. I for one would go for the Bottom-Fi Caruso rather than a perfect recording of us.
Very common in any relatively niche, technical community on the internet. There's been a lot of issues with people in the visual media space as well, people reviewing TV's and bashing anyone else who reviews the same TV, getting bent out of shape because people disagree with their color calibrations, etc. In my field, you see a lot of this with Linux snobs. People who think that everyone in the world is stupid for not using linux but then gatekeep the community and treat any newcomers like dirt just for lack of experience, instead of offering good advice and leaving the condescending attitude at home. I think it comes down to pure hipster mentality. People like being experts in a small niche and they don't want it to become mainstream, because then they won't be as special any more.
Hype trains are my #1 frustration with online audiophiles. #1 frustration with in-person audiophile community is the decades I’ve lived with not been taken seriously at shops by the middle-aged men’s audio club.
It's more so how the receiving device handles jitter. Either it handles it poorly (less likely in recent times) or in re-clocking the digital signal the circuitry generates more noise which leaks into the analog circuits. Again though, these days that tends not to be an issue, but it was more prevalent 10 years ago.
More than 40 years ago my friend and I, both audio enthusiasts, were at CES. The audio snobbery that existed then was just as virulent as it is now. Most of that snobbery was expressed in print at The Absolute Sound. We made a pilgrimage to their booth. My friend thought it might be funny to introduce a new term to the lexicon of the pseudointellectuals there. We began a fake discussion of gear we had previewed at the show so all could hear us without being obvious. He invented the term "gray in the midrange" By the end of the show, it was being used everywhere the "audiophile" ventured.
There is only personal preference in this hobby, nothing's written in stone ..Seek advice by all means and experiment for yourself but stick to what you you enjoy....graphs don't lie but people do...and remember it's all about the music at the end of the day.
@@humanmale1085 No, it's about maximum enjoyment, and not being a sucker. There's way too much snake oil in the hobby, and people working to expose the bullshit are benevolent.
I’m glad you took a stance on these things. I’ve always appreciated your humble approach to reviews and unnecessary drama. I’ve seen this toxic power play play out time and time again across hobbies/fandoms. The toxic leaders usually are compensating for a lack of perceived power in the real world. It’s ironic for them to present themselves intelligent when they simply adapted the poo flinging tactics of our genetic ancestors. Keep up the great work with reviews and being a positive influence on the community.
The worse for me is when I hear something and think it sounds good, and then reading a review that points out faults I hadn't picked up on (or don't care about). I then find myself siding with the reviewer. LOL So the reviewer, essentially, destroyed my enjoyment of something. I know it's all down to me, but it happens. I used to have audiophile tendencies, but these days I go with "I like what I like", which sometimes means something that others don't like, I happen to enjoy - and it's all good.
Completely agree. I have learned a lot about headphones and amps by reading on forums such as head-fi and it has helped me through many of my purchases, yet at times I feel ashamed belonging to the "audiophile" community as for a lot of folks in this community it is all about their egos and intellectual pride. However this is not very different from other hobbies or even professions. One thing I have learned is that, reading on forums is essential if one wants to know the products, but one should have a basic idea about their own likes and dislikes and should use common sense to sort the good content from the bad, on audiophile forums. Finally, avoid extreme and purely technical opinions, leave some room for what sounds good to your ears, for the type of the music you listen to.
Interesting topic. I'd like to hear more on your opinions about MQA. I'm no fanboy, but I've been using tidal, with its built in software decoder, for about 2 years now. At first it was a bit of a trial for me; I couldn't see myself spending £20/month indefinitely to listen to music, some of which I already owned. But now I'm hooked on tidal, probably for life, unless a better option comes along for CD quality streaming Most of the tracks they host sound better to my ear than the wav equivalent I have on my SSD, played through foobar. I use a mojo as my desktop dac/amp when listening with heaphones/iems. Are tidal adding the audio equivalent of monosodium glutamate (DSP) to the music? Or am I hearing higher quality music/better masters? I don't really care either way (good sounding music is good sounding music) but I would still be interested to know. I've read up a bit on how the MQA compression algorithm works, but I'm not a scientist so I only loosely understood. Some music I used to love sounds terrible on tidal though, such as The Freestylers - We Rock Hard album. But then other tracks I would expect to sound dated and bad actually sound better than I would expect, such as Eric Prydz - Pjanoo or Daft Punk - Homework album. Is it just a recording quality issue? I'm sure We Rock Hard used to sound great on CD. I've considered tweeting The Freestylers just to see if they know how bad their album sounds on tidal, but I don't want to seem like I'm stirring up shit.
They are modifying the music itself, it's not the MQA format. Because they have done a number of things, simultaneously, to the music, they have made it complex enough to be confusing for the average person. I'm trying, at the moment, to decide how I'm going to explain it all in one video.
@@Currawong Thanks for the reply. I should also say that part of the value I see in my tidal subscription is the recommendation algorithm, or "My Mix". It's responsible for most of the new music I discover these days. I guess spotify probably has one too, but my mp3 collection is vastly bigger than my wav collection, so I'm not paying £10/month for mp3s. Maybe one day we'll get a wav/flac streaming service with a foobar plugin for £15/month. I look forward to any video you do on mqa/tidal.
Currawong, I'm not a patreon of yours, I am of course considering becoming one . But if I currently were, I have an interesting question for you, since you like to delve into science. I wonder how many audiophiles have what's called "chromesthesia" the ability to perceive color in sound. When I listen to certain songs, I can perceive colors within the music. I usually associate certain songs with specific colors. And for my next question, what do you think about a possible link between "HSPs" highly sensitive persons, and audiophiles. HSPs tend to have very sensitive hearing, I've noticed that when I let most regular people try my gear, they do react positively, but don't seem to really notice much else that's going on in the music that should now be more apparent from the higher end gear. Do certain people perhaps have a better ability to perceive detail in music. I think there was a term for it, "golden ear" I believe. I remember going to CamJam NYC and seeing how audiophiles really listen into what their listening to. I was at a booth trying a company's product and they had a set of sennheiser HD650s that I was trying out. I let a person next to me listen to a song from my DAP on them. I've never seen someone really listen to music like how an audiophile does. It's like their in another world really. That's also how I feel when I listen to my music. So are audiophiles perhaps a bit different from some or most others. And is this the reason why we have a higher appreciation for high end audio gear that allows us to get closer to our music. At the end of the day I guess we're all just a bit nerdy :).
That all may be possible... but... I just chalk it up to acquiring a finer attention to detail. We spend a lot of time focusing on the minor differences between equipment and overall SQ. Much like how a blind person's sense of hearing is clearly more tuned than a seeing person, there is obviously room for growth in the perception of sound. Intentionally or not, critical listening skills sharpen over time.
Your question reminds me of the Oliver Sacks books. I haven't had anyone who perceives colors in sounds, only read a little about people whose senses cross over. There's a girl IIRC who paints sounds in the colors she sees too. As for sensitivity, that can be trained. I think a lot of audiophiles or reviewers do this, essentially. Maybe I should shoot a video about my experience sensitising myself to certain sounds (not music related) and the consequences of over-doing it.
@@Currawong With certain songs I could definitely paint a picture of the colors that I am perceiving while I listen to it. For a strong example, Greig's lyric pieces book 7 Op 62 No 5 Phantom, produces a very misty darkish blue. I seem to be drawn to songs with darkish blue hues. Another song that is even darker and is what I would consider at the extreme end of dark color is Watchers from bloodborne. That piece has of the darkest colors that I have ever heard in a piece of music. I honestly don't really know If I have synesthesia though, maybe I am just perceiving tone, but I really do associate certain songs with strong colors.
An interesting thought! I believe you’re talking about three separate things: Chromesthesia, “Golden Ears,” and trained ears. All real, IMO. I was friends with a girl in college who claimed she saw colors when listening to music... she described it as similar to the “fireworks bursts of colors” most of us see when we shut our eyes. She was also very emotional and moved by music, which was cool (and possibly enviable), but she didn’t have a trained ear or perfect hearing. “Golden Ears,” at least how it used to be used ten years ago and among speaker enthusiasts, meant that they had near-perfect (or more than “perfect human”) hearing. A hearing range sensitivity from 20 Hz to 20kHz or beyond. A person who boasts “Golden Ears” (more like they were accused of boasting Golden ears by others) would also often be someone who pays a lot of attention to audio and can note very fine distinctions, however that is also partially due to having an interest in audio and spent several years pursuing and exploring HiFi audio. Thus, there is often a duality connecting people with good hearing and people with lots of training. You could argue that the average very young child will have “Golden ears,” but they may still have trouble understanding what is said to them or trouble “hearing” when their speech and pronunciation is different from an adult’s. Our ears pick up an incredible amount of information, however we have to train our brains to parse it and recognize the differences, especially subtle differences. This is especially easy to see with people that only know one language, for example the English words for Wet and Vet may sound exactly the same to someone in Asia, or how the Hindi phal and pal might sound the same to an English speaker. It was only through practice that I became more accustomed to pulling apart the tiny differences between frequency responses, impact and ringing, and I’ve even become more accustomed to headphone surround processing or binaural audio (my brain is better now at accommodating the differences between my head shape and the shape of the generic head used to model various HTRF binaural DSPs, though as a consequence I’m also better at determining the direction a sound came from in real life). This is the same as how Sommeliers train their noses. More info on the way we “learn” to hear languages correctly here: theweek.com/articles/569137/subtle-sounds-that-english-speakers-have-trouble-catching Have fun, thanks for sharing!
i think the headphone community is the worst because the gear is usually cheaper and easier to consume and collect and that is what this hobby is about for most people. collecting and consumption nothing else. they do not even care for music most of the times. we pretty much have figured out the technology by now, you can just buy objectively good stuff and leave it at that... but well then you cannot consume more now can you? people need to justify their poor spending habits and the dopamine rush that comes with it by inventing a completely nonsensical hobby. the same type of people who own countless of mechanical keyboards, guitar gear and so forth
High resolution audio is not a consumer format. The system only has certain bandwidth and most consumer systems, even very expensive ones can not reproduce the entire bandwidth. And the law says that when you exceed bandwidth you will introduce intermodulation distortion, unless the signal is filtered which it usually is just because of the way speakers work. But that part of the signal should never be amplified, so each system meant for high resolution audio should have a lopass filter in it... rendering the whole idea moot.
My ‘hi-fi’: Teac headphone amp DAC. Samson SR 850 headphones. which connects to: Audio Tecnica 120x turntable (with upgrade microline stylus). Sony bd470 blu ray player. My iPhone 8. Cables from Juicebitz. £653 in total over 15 months in 2018/19 The reason for buying this stuff was great reviews from hi-fi magazines and Amazon customers/Internet forum members all stating that these products ‘punch well above their weight’ especially the headphones. Don’t feel any need to upgrade. However I would class myself as an audiophile as these are all upgrades from very basic equipment and I was in pursuit of something better. My low level of patience means I wasn’t willing to save up for higher end gear, especially if the money I was willing to spend gave me a sound I was happy with which is the case.
Great to see many people got it. Sorry to see some people are just here to trash me. But that's the internet.... A couple of things which a few people (those here to trash me) got wrong: This video doesn't refer to a particular person, but is inspired by the actions of a number of people over many years. Every few years someone new comes along and feeds a hate-train of some form. I'm not anti-measurement. I'm against using a limited subset of measurements to make misleading, or even false, declarative statements. My comment about my experience with optical cables was over 10 years ago. Back then, even flagship DACs (such as the Marantz Project D1 I reviewed) were transport-quality sensitive and would sound terrible with a cheap optical connection. Nowadays such an experience is far less likely as even cheap DACs are far better made and will handle the high amount of jitter in optical signals without generating sound-quality degrading noise. You can still see the differences between digital input quality ... in measurements! It varies between products though. Some do a better job than others. My point was nothing to do with optical though, it was that making assumptions as I did back then (and as so many people clearly still do now) is really a reflection of ignorance. Now we know what ignorance breeds.... hate and maliciousness, even discussing audio it seems.
@@ThomasPalomas That wasn't the point of my example. The point was, you can't always take what seems logically true to be the only truth in something. It had nothing to do with optical cables other than my using that as an example of one of my early discoveries.
Just wanna say thanks for taking this subject up, and also for the way you do it here, in a respectful manner for all to learn. The toxic of this wonderful hobby, need to be addressed once in a while, as it seems it continues to pop up? I guess there is no easy way to address this, but you are taking a big chunk for us all, so thanks again for that. Btw, i couldn't agree more in what you are pointing out here. Cheers from Denmark & peace.
Good points. I saw this before in an audio related list mail forum many years ago. We had industry leaders willing to share their knowledge with us about speaker design. Unfortunately we had several idiots that would attack everyone who disagreed with their pet theories. Eventually the guys who's day job was audio left as they didn't need to subject themselves to the nonsense and waste of time. Your reviews are excellent and valuable. Thanks for the time and effort you put in.
As a long time headphone fan, even back in the day with the HD-414, I love this channel Currawong is very clear. You get a real sense of what he really likes, and more importantly, why. Great channel. Keep it up!
I remember a few years ago when i bought the Audio GD NFB 28.38 AMP/DAC and i got slandered for it when just sharing a picture of it. A barrage of people stating how it measures horrible and that you should get the THX 789 etc etc. I got both now and honestly, they both sound great.
Things I cant stand are people pushing overpriced gear/cables and claim "it sounds better" but not being able to break down and explain in technical terms or examples of why its better. Synergistic Research is notorious for this
I also am very leery of cable and room tweaks. I have bought expensive cable and I am not perfect. I ve been a audio guy for over thirty years. I ve have been to audio shows and checked out the cable guys room. During Axpona one year I happened to go into the Synergitic research room and and sat down. Ted Deany the owner of company wanted to show me his new room treatments and cables in demo I told him I am not snake oil guy and trying to sell me on your stuff would be a hard sell .I told him I would give him a chance and give him a honest opinion. Then he played the demos wow I almost fell out the chair afterwards. Very dramatic sound changes and improvements and my friend who been a audiophile for 40 years and his dad who Shure brothers as a engineer who's ears I know I can trust said the same thing about the room.So in closing I am very skeptical about cables and tweaks sometimes it better to listen and then judge by the way I use some of his products today. I had the opinion of the company too but I was wrong. Just letting you know my personal experiences.
@@davemonell9308 Did you take your cables in to A/B? Nobody says that high quality cables don't matter, just that esoteric cables are a waste if money.
Another point of frustration is that the price mostly is equivalent with quality. Most refuge the fact that there is day/ night difference where a company is actually producing it‘s gear. Is made in China worse because the people there working for little money? I don’t think so. Are prices justified because companies produce in the US, EU and or Japan? Not always I think because high prices are also a marketing tool, as these products gets the most attention.
There are a few different things going on here: Is a company selling direct or going through distributors/dealers? The latter will have a higher mark-up. Also, what market are they targeting? Is their aim to make a lot of stuff at low margin, or less stuff at higher margin? Are they selling primarily in a country that requires high margins due to the common practice of deep discounting? Does the company start with a high price, targeting early adopters, then drop it over time? Or do they prefer to keep the price steady and never have sales?
While it's "easy to manipulate science" It's far easier to manipulate an idiot into spending $1000 on an optical cable when they could get near identical performance for $50.
@@hurkamur1 there are a lot more important parts in every system than just the cables and if you're spending $1,000 on a pair of speakers you probably won't spend as much on the cables. However if you have a revealing enough system and you want to fine tune it by spending an extra on cables I don't see why not. I know cables get expensive really fast and as you go up in price the difference become less and less noticeable but value for money is subjective
I'm not really into headphones, just speakers, but I stumbled upon your video, listened, and I agree with what you said. I would say that much of that applies to people in any hobby. Woodworkers, photographers, automobile enthusiasts, all seem to have their pet brands and like to trash others. It seems like any time some folks spend a lot of money on something, they need to constantly reinforce their own choices by attacking the choices of others.
Been in the hobby since 2004. I think "flavor of the monthism" is a bad thing. Mid 2000s NOS DACs were supposedly how "real" music sounds. Then the hype train ended. Then multibit comes along and supposedly that is how "real" music sounds.
I am blissfully ignorant of this online drama. I pursue the audio hobby from a value for dollar proposition. I follow many content creators with small channels typically reviewing sub 300 dollar equipment because that's pretty much all I need or want. I still do my own research. I'm not interested in measurements, I worked a decade in industrial manufacturing, my hearing ain't going to square with a fancy grid. I want a certain quality for a certain dollar amount. And thanks to the UA-cam reviewer community I discovered ChiFi IEMs, the Koss Kph30i, the ifi Zen DAC, the Xduoo Link, and 20 dollar replacement cables that work just frigging fine. People bashing brands or disparaging other reviewers do not get views from me. I appreciate this channel for the brass tax information and while it always seems abundant, I'm not making a purchase of even 20 dollars on a solo review. I'm genuinely sorry you felt like you had to speak on this subject but I'm glad you did. Personally I've avoided HiFi forums and will continue to do so. Since I appreciate the work you do I'll be sure to drive whatever support I can your way. My incessant babbling about audio has wore many friends down to the point they want to get into it as well. I'll be sure to recommend stopping here.
It’s about opinions and when you involve the music component into the equation, emotions can really get hyperactive. Thing is people like what a product does or does not do. If it makes them happy, all the better, but I don’t see the need for the toxicity that goes on as a result. I say find what makes you happy and run with it. That is what matters. It’s your taste and your gear. The only one who has to really like it is you. The rest is just noise on the line. Enjoy your music on your gear and escape into your own paradise.
as a programmer, i have a hard time understanding why the quality of a digital cable has any effect on the quality of the sound, for me the only explanation is that a DAC that is sensitive to the cable is badly designed, a DAC should never rely on the timing of the data coming in, it should use it's own ultra precise clock, it just doesn't make any sense, any USB cable is capable of transmitting binary data perfectly, or the whole computer industry would not work !!, no USB hard drives, keyboards or mice !, please tell me DACS have their own clock ?? if not they should not be bought by anyone, it defeats the whole purpose of digital music, and it's so cheap to fix, a little RAM (yes there would be a TINY delay, a couple of milliseconds), so, NO, i don't accept that the quality of a digital cable matters, it's not acceptable, ditto CD players, i listened to a 30 000 dollar CD player for a month (Mark Levinson 30.1), i didn't get it because i just cannot accept that it would make any difference, if it does, you should talk about that instead, it's STUPID !! 10 lines of code, a clock, a little RAM !
answering my own post :) : i found that the IFI dac has it's own clock, and a little buffer, just like i described, canceling out any jitter generated by the source or digital connection, i rest my case, don't buy a DAC that cannot do that.
It's a fair query, and didn't make sense to me initially either. High frequency noise passing through the ground plane can affect the analog circuits. It's not enough to cause errors in the data. The noise comes from the power supplies, and the chips doing the processing. I noticed, for example, when I installed power filters and a power reconditioner that the differences between digital cables disappeared. Another thing to note: USB Audio doesn't transmit the same way as a regular data transfer, which has issues of its own.
All DACs have their own clock. Jitter is *mostly* a non-issue these days. I think if jitter gets too high, the DAC itself may start generating significant noise from attempting to correct it. More relevant, I think, is that good audio software gets exclusive access to USB DACs to minimize the amount of interrupts and other processing which can increase noise generated by the USB receiver.
People often have too much of their ego invested in their hobbies. Instead of simply enjoying their hobby and trying to learn as much as they can they choose to derive pleasure from proving themselves superior in social settings. Then there are UA-camrs who try to generate views by promoting conflict or disputes. Unfortunately we have too much of that today in our commercial media as well whether it’s sports talk programs or cable news. But the sad truth is that many people derive satisfaction from witnessing or seeing conflict as well which enables and rewards bad behaviour.
What is "transparent gear"? This is where the BS starts, because the usual answer you get is equipment with the lowest distortion measurements, and that simply doesn't match reality, because measurement test tones and sweeps are not music. I've only listened with one piece of equipment that could reproduce music in a way like an actual, live performance, giving me the emotional reaction I've had when I've been there, which was the Chord DAVE. So, what happens with most equipment is that you set up a system that has good synergy -- maybe a neutral/dry-sounding DAC with a tube amp, and even though you're compromising things a bit, you'll enjoy listening. With good gear, the only thing you're getting is maybe a bit of even-order harmonic distortion (and maybe a bit of 3rd order as well), but you're still getting near all the fine detail and nuances in the music. With an EQ, at least the ones I've used, with the top-of-the-line headphones I use, I can hear the loss of detail from the digital processing. Heck, even Roon's digital volume control results in loss of detail. EQ works OK with lower tier gear, and compressed, mainstream music that isn't recorded that well, where a slight loss of detail wont be noticeable. Of course, there is very high-quality EQ software out there, but a lot of it is for pro audio, and how do you bring that into your playback system? And how long are you going to spend fiddling with it to get perfect sound?
Currawong The answer isn't just equipment with lowest distortion, however distortion plays an important role. Transparency means that the signal is reproduced in a way which is completely indistinguishable from the original by a human being. A SINAD of roughly 120 dB is sufficient for this, and generally speaking, a couple dB less is already enough to cross the threshold of transparency. It is important to realize that once this point has been reached, no further improvements are possible. It's kind of like with smartphone displays. Around 400-500 pixels per inch are required for perfect sharpness at a normal viewing distance. Once you achieve this, no matter how many pixels you add, the sharpness won't increase. It doesn't matter if your screen has 1000 or 2000 pixels per inch, because you won't be able to tell the difference. And I'd argue that given that you can get a transparent dac + amp combo for less than 1K usd, it might be worth it looking into software based solutions to color the sound however you like instead of spending thousands or tens of thousands on devices such as Chord DAVE and the like.
Sorry Marian, I guess we have to disagree. SINAD ignores the timing information contained in the music, which gives it the sense of depth (and often messed up by the mastering process). I have a few DACs here in for review, which would be "transparent" by your definition, yet they don't reproduce this sense of depth of soundstage well, so I don't consider them transparent. If you listen to live music, and then a recording of the same performance, it doesn't sound the sound out of most equipment, because that information, necessary for your brain to completely reconstruct the 3D space, is missing.
Currawong I would respectfully suggest that you consider the possibility of yourself being factually wrong on this. A DAC with SINAD of 120 will reproduce the signal in a way that is indistinguishable from the source by a human being. This is a fact. What would it even mean for it not to be true? If the noise level is so low that you can not hear it, and the distortion is so low that you can not hear it, what else is there making the reproduced signal different from the original signal?
So, I should ignore the science related to how we perceive sound, and accept an overly simplistic view based on misleading, over-simplistic views based on a single measurement? That would be going backwards. Not going to happen.
I found your channel last year but just now stumbled onto this video. You have a very good approach to your reviews and your experience combined with that leads me to factor your opinion into gear I have not heard. I got a Bifrost 2 because of your video and it turned out so great that I bought another one for my bedroom. Measurements are nice and give a starting place, but you need to hear things for yourself and be honest about it. Thank you for your content. You are invaluable.
My issue with MQA is not the encoding. When I use Roon, I can see on the Norah Jones Come Away with Me on MQA plays at a higher rate than the HiFi option, but on Prostudiomasters site for music I can see the album is offered an even higher option. I’m concerned the HiFi option is purposefully lower than the MQA, despite a better resolution file existing.
Go you! Love how you're keeping it real. I think we all have our top fives but don't disclose them as it's not how you usually win friends. So, someone as important as you called out a large portion of the community on how you see fit. Kudos.
The science being distorted by manufacturers for the purpose of selling their products is the biggest problem and the thing I hate the most. There is one thing to understand that things *can* go wrong with digital transmissions and another to know what it would take for this to happen and what is the quality standard that makes it irrelevant. All standard USB cables are fine. Luckily you can test this yourself if you have a computer, but other subjects are not quite as accessible.
Five things I live by with audio, 1Listen to and enjoy my music every day, 2 Stick graphs and charts where the sun doesn't shine, 3 Learn to lie to the wife that you really need a new piece of HI FI, 4 Vinyl and CD, one is not better than another they just have a different tone, get over it, 5 I don't like streaming, it feels I'm just borrowing music from a library.
I generally try to stay away from toxic audiophile forums myself. I see a lot of that going on everywhere, I guess it's become a cultural phenomenon to cancel something you don't like. Then like you said the ones who are canceled just go on to make their own platform. So trying to cancel other people or companies is pretty petty and useless.
I love your channel , could you do more reviews for us working class with wives and kids , headphones under AU$1,000 and amps under AU$1,000 would love the more expensive gear but i would be divorced
It's pretty simple really: $200 for amp+DAC that are objectively well-measuring: Modi 3, Topping E30, Heresy 3, JDS Labs Atom. (There are probably others, but we have come into a real golden age when it comes to the performance of electronics for headphones. Since you're actually smart enough to care about your finances, don't climb the perpetual upgrade ladder rung by rung where you'll have wasted many hundreds of dollars for little gain.) The reason to get objectively well-measuring amp+DAC combination is that you will not be sucked into a 'system synergy' rabbit hole, and you can be sure that what you're hearing from your headphones is really how they sound to you. The headphones themselves is where you should start 'personalizing'. You can spend a lot of time reading and listening to other's opinions, but at some point you'll need to start somewhere to have a reference point. A good idea in general is to get a widely well-regarded and widely understood headphone as a starting point. I'd recommend something generally in the middle like an HD600 (super easy to find used at good prices), because then when you want to further explore your preference, you have an easy baseline to reference.
Thanks a lot for the review! Could you talk a bit more about the comparison between Utopia and Stax 009, given both driven very well, please? Only you have reviewed both on UA-cam so i am trying my luck here. Cheers!
Good stuff Currawong.."I don't have to push other people down, to boost myself up." Good stuff. Yeah, around the audiophile community, can be very toxic at times, sadly. Nice points. 💯✌🏼
You said that you have best measuring stuff that sounds bad and worse measuring stuff that sounds good. Which means that either you like the distortion that is added or it's all in your head. There is nothing wrong with enjoying some thd with your music if that makes it better. But its wrong to conveying the false notion the our ears are somehow magical and superior and measurement can't tell anything. I don't believe asr manipulated measurements purposefully. He also has good and bad measuring stuff from same manufacturer. I am not entirely dismissing the idea that he may have accidentally made some mistakes. Then again if you have proof of it ,then show it. Show the graphs and try to get some measurements that prove otherwise.
Schiit did exactly that. Check their website. The information pages for the Bifrost and Yggdrasil include formal analysis reports from Audio Precision, the company which makes Amir's test bench. Their measurements agreed with the many Amir naysayers leaving Amir as the only outlier among multiple amateur and professional analyses, including the makers of his own test bench. His answer to this was that he knows more about how the test equipment works than the people who made it and that's why his measurements are correct and everyone else are wrong. No serious engineer would make such a claim about a piece of complex electronics unless they were a raging egomaniac. I don't doubt that Amir is actually an engineer (or at least has been trained as such), so I'm left with egomaniac as the only reasonable explanation.
In general I agree with everything you’ve said in this video! Very respectable reviewer and you present information to the best of your ability which I do appreciate and admire. I will say that I see your point of view on NWAVGUY and I am mentally wrestling with the statement about -95db distortion and stuff. Just a small anecdote: I own the ODAC (both Rev. A & B) and an EL DAC and think they all sound pretty darn good, but at the same time I own an Yggdrasil Analog 2 and, in some aspects of music, I vastly prefer the Yggy 2. There are times when I wished the Yggy 2 sounded more ‘clean’ and less fatiguing like the EL DAC. Interestingly I find that ODAC is clean, but has similar fatiguing qualities to the Yggy 2 during prolonged listening sessions to which I can only attribute to (perhaps) distortion? I’m not a professional in audio or anything but I have tried digging around as to what could be causing this and thus far I have concluded it to being higher levels of harmonic distortions (specifically around -60 to -80db Even and Odd order harmonics). I’m not entirely sure though and perhaps someone could help give some further insight on this. I know -60 to -80 dB is VERY quiet (barely audible, if at all) but I can’t seem to find anything else that could be the cause.
this might be a little bit esoteric but since your father was a scientist I wonder if you think there have been any paradigm shifts in audio that cause for conflict? I am thinking of the work structure of scientific revolutions by Thomas Kuhn.
Measurements have their place but there are two (or three) problems. Firstly, manipulating the test conditions to make sure not to reveal the products weaknesses - e.g. testing a speaker or headphone at a low level, to lower the measured distortion. Secondly, presenting the measurement data in a way that makes it appear to be more ideal - e.g presenting a frequency response graph with a 100dB vertical axis instead of 40dB, or providing an excessive amount of smoothing to the plot, so it looks ruler flat and peaks and dips in the response can barely be seen. This is why measurements provided by the manufacturer of the product need to be taken with a huge grain of salt, especially if the test conditions are not well defined. Measurements are best conducted by a third party who has no vested interest in any of the products measured, and with a consistent test method. I and others have done this for speaker drivers, as it allows measurement data for many speakers to be directly compared. If two testers have data for a few of the same speakers, you can get an idea of how the test data relates and start making loose comparisons across multiple databases of measurements. An example of this in the headphone world are the measurements at InnerFidelity, Rtings and RAA. The final problem is that most users aren't sufficiently trained to interpret the data. Only a person who has looked at a lot of test data will be able to tell straight away if the data was gathered appropriately and if a product looks to be overall poor or exceptional based on a quick glance at the data, given that all speakers and headphones have deficiencies and design trade-offs and it is about judging which deficiencies will be audible and which can be discounted.
Basically I watch reviews to get an opinion or idea about a product how well its made and quality of components used and general opinion on the sound quality and so forth. Generally once I find a brand of products that I am happy with I usually stick with their products. Make a quality well made product that is priced reasonably, offer good customer service and sounds good to me for what I am looking for then I tend to not make many changes as far as brand. I really could care less what someone else thinks about my choices and I find using this criteria for my buying I guess I could be missing out on some better gear but as long as what I am choosing is checking all the boxes for my desires for me am I really missing out on anything? I am happy so that is what matters. I pretty much use the same approach to audio electronics, headphones, speakers connection cables and any thing audio related. I have some budget/value set ups and some that for me I consider end game components. As long as these mid 60"s ears are happy and what I use puts a smile on my face who cares. I feel sorry for those that never seem to find what is their comfortable sweet spot to really enjoy what they have and always seem to desire something they never seem to find. What reviewers I pay attention to are those that are able to not seem to be for or against a certain brand for reasons other than substantiated shortfalls or positive attributes within the product they are reviewing at the time. Play fanboy and that reviewer will not in my opinion give a fair and accurate review whether for or against the product and not worth my time to watch.
Hello I've got sennheiser HD599 but it sounds bloated and mega bass-heavy with my computer, and a little weak with smartphone (like it's not to it's potential). Some say it's because these are made for specifically designed dacs. Is that true? If so what dac or sound card should I get to make these sound normal and pleasant? Please help thank you!
A headphone dac/amp like the Audioquest Dragonfly Black ($99) will probably help if your sources (phone/computer) have really poor performance, but the HD599 is a consumer grade headphone with 50 ohms impedance and 106 db sound pressure. This means that it should sound as Sennheiser intended with almost anything. There are a variety of factors that can influence the sound but at the end of the day the HD599 may just not be a good match for you. You may want to try other headphones. The Meze 99 Classic ($300 on Amazon, $200 on Drop.com) may be more up your alley, buy that is just a suggestion.
If this video was made a year ago, then it's only become more relevant one year later. You're spot on in every respect. Head-Fi has really become an orgy of idiocy over the last year or so, sadly. One of the things I've noticed as part of the burgeoning toxicity in the audiophile world is an increased tendency toward "clickbait." You see it here on UA-cam both in the style of presentations and in the title of the videos themselves. They seem designed to provoke and attract viewers, and thus revenue. It's very depressing. In relation, one of things you don't mention is the almost total lack of independence in the majority of reviewers. They either work for shops, have gear sent to them, or have some kind of sponsorship deal. I can only think of perhaps one or two reviewers who buy their own gear to review. There are exceptions here and there, but most of the time it smells fishy. In any case, much appreciate you posting this and for your work more generally.
I can't say what other reviewers are doing, but I don't have to buy my own gear to review. But it's not as glorious as it sounds -- the stuff I get takes up considerable space, and in the case of anything battery powered, I spend quite a bit on keeping everything charged and organised. For me, if it helps improve reviews of future products via comparisons, then that effort is worth it. There was a problem with some reviewers on Head-Fi who got banned and blacklisted (by companies as well as by Head-Fi) for selling review samples for profit.
The early days of headfi weren't like this. It was a website that actually brought in people who wanted the biggest bang for their buck for their headphone setup. I joined headfi in late 2003 around the same time i got my first headphone amplifier creek OBH11SE . Unfortunately i was disappointed to find out it was being criticized for having cheap parts, haha. Later i got recommended by the forum to try headsave classic amp which it was cheaper and better than the creek. Now? headfi is a entirely different forum with lots of marketing , hypes , sensational advertising etc...
@@davidong9458 I too was a very old forum participant at Head-Fi before it got super popular. It went downhill fast once Jude figured out how he could monetize the popularity...compromising commitment to the community to chase a dollar, it's an age old story really.
I think you’re right on all counts, especially on “If it sounds good to you, that’s all that matters.” I like your down-to-earth style and how you point out that measurements aren’t everything. (Otherwise, tube amps and records would be gone)
Here's another "thing:" How can a UA-cam audio gear reviewer, who is obviously over 70,, dare comment + or - on high rez files from a DAC yet cannnt hear beyond 10K? (Getting old sucks, I know but ...........)
What model are the Sony's in the top left? Do you have a video for someone just getting into the hobby? I dont understanding stuff like iems being warm or stuff like v shaped vs u shaped etc. Thank you for your videos.
Original, if modded Z7s. I'm working on some Headphone 101 stuff, but it's more complex to plan and edit. Thanks for the suggestion though, I'll keep it in mind.
This isn't a link to a video but just a recommendation to consider when getting into the IEM hobby. Buy a couple of cheap chi-fi IEMs and tip roll them. You'll be amazed by the subtle differences ear tips make for comfort and sound. And just tip roll to find out what you like or dislike. The best part about this hobby is finding out what sounds best for you! I have bought IEMs that have been hyped so much and been disappointed when the sound didn't blow me away like people said it would. I now have 5 pairs of sub $50 IEMs (KZ ZSX, KZ ZS10 Pro, CCA C12, Tin T2, and Blon 03) and it has been fun testing out combinations of tips and IEMs to suit my taste.
I've not been disappointed in how gear sounds in the last 5 years or so. Things have gotten so good you can spend minimal money and get really good sound. I've tried tons of stuff in the last year and really eveything sounded really good. There are some differences in tuning and of course power but the basic sound was excellent. So, I buy on features and what suits me most of the time. I don't worry about measurements, eveything these days measures very good. Best thing is to try stuff for yourself, if YOU like how its soubds - that's all that matters.
I love your comment about science and its oversimplification by news and media. I myself am a scientist and teacher with a doctorate in environmental science and see corrupt data in audio, media, politics, all the time. Real measurments and accurate interpretation of results needs peer review and scrutiny before being published. The audiophile community needs to become more scientific in their pursuit of data.
Hello, I followed your advice on westone earbuds and I bought the W40 ( less expensive ones) and I love them. They are exactly what I was looking for: under $200, very thin extremity that goes right were is is needed and a pretty thick noise canceling eartips that are perfect to ride, away from the loud roar of my motor cycle. They provide a rich bass and treble sound. Not a 3D sound but it was not what I was looking for for this purpose . You made my day master headphones. Thank you VERY much.
Agree, and it is a very tough jungle for non audio hobbyists to navigate. Funny I got way down the rabbit hole when I first started and ended up with a ton of unused gear. It's very difficult when you jump headfirst, but then when you stop and ask the simple question *What do I want/use day to day* . I don't regret all the gear that gathers dust, may use it one day but WOW does it take some personal use to really know yourself and your own needs. Some of the cheapest stuff I have are my fantastic goto gear Hahahahaha. However now I wait a week or two after seeing a rave review to decide *Do I want that ? * Usually not when I ask *What for ?*..............
Basically, watch out for people being a-holes, places where only one kind of opinion is tolerated and not any opposing it, or criticism of the owner's opinions isn't allowed.
There isn't just one place it's progressed to a mindset unfortunately, there is a backlash starting but it's in danger of going too far the other way. Subjective interpretation of audio is In effect mainly personal, objective interpretation of audio is beyond our current understanding but their are some that think a measured narrow set of empirical values can be extrapolated into what sounds good and bad. The later objective isn't that bad a thing to use to HELP form an opinion on something but not if it's biased or presented as a complete analysis. Don't worry about what the specific sites are, just look for the behaviour mentioned here, and, remember trust should be earned not given but also everyone has a bad day. Don't write people or views off as a matter of course based on one but when those bad days seem to be the normal day for them, walk away no one is paying you to watch or take notice of them.
@@Currawong Can you explain your point about cables? I'd consider myself a bit of an audio skeptic. ie, a lot of stuff is pedaled that makes zero or near-zero difference. I'm open to learning, but cables seem like one of the worst examples of how no real measurable impact provided that they actually function properly, have the right gauge and so on. I appreciate your directness, and I'll be watching a lot more!
Amir is one of them. Trashing schiit and praising topping… very unfair and those numbers he is talking about, I beat it is all way below human hearing. The only thing we should be lead by is musicality, enjoyment and personal preference of sound signature within price bracket we can afford
My 5 things which make me laugh about audiophilia 1) When you see folks on headphones forums having 20,000+ posts written... its clear people have gadget fetish. In most cases its ego and love for things not for MUSIC ;) 2) The science of acoustics is often totally lost. For example, the acoustic engineer Tomasz Rogala who also makes his omnidir. speakers does not even bother to advertise and cannot cope with demand, he says audio magazines are simply BS. Audio dealers are mostly full of crap, which is natural. Like medical doctors, all they care is $ALES and money not the quality of the thing they sell or how to match the customer with the product. 3) $100k speakers or $20k DACs dont enrage me:) But $2k antivibration sets, when you can DIY a similar one for $5 to $50... 4) Marketing and ideologies over FUN and science. But thats in every field now..... 5) Audio gear should absolutely reproduce as wide freq. spectrum as possible and transmit it to your listening space evenly across frequencies - this last requirement is very often NOT MET.
1) Those people have a FORUM and EGO fetish. They've not just gone past the music, they've gone past listening to gear and spend the bulk of their time typing arguments into forums and making sure no one dares disagree with them. Worse, they infect the forums of EVERY hobby. It's really too bad they won't acknowledge their hobby because both they and we would be happier if they formed an uber-meta-forum of forum haters, bullies, trolls, professed experts, and self-appointed 'guy in charge of everyone and everything' and created their own forum where they could attack each other on a professional level all-day. They could select a topic at random each day from one of their members' original forums to argue about it would still be easy for them to act confident because the subject isn't important to them. Plus, it'd be an even field because they'd all have the same level of knowledge as now: expert because google.
@@thanrl-yd9ub Not really? Even when something doesn't measure good I see people talking about how much they personally enjoy the sound of it regardless. Don't misconstrue their logic-forward approach to music as their subjective tastes.
Good points you made, measurements can be manipulated and don't tell the whole story of how something sounds. The primary reason for being involved in this hobby should be enjoyment of music at whatever level you can afford. There is no right way to assemble a good sounding stereo or Home theater. Today there are some really good products that can be had for a reasonable price. But there is also a lot of good used gear that can save you a lot of money. Keep up the good work, thanks
Very good points. I now come to visit those "toxic" reviewers every time I am buying new gears, then avoid anything they recommend, and take a good look at what they trash. Treat them like those "investment analysts" and you will get your money worth.
One thing I totally hate in audiophile community is that people very often thinks that only hi resolution audio is worth listing to. You listening to Spotifi ? Just go away king of BS. In my opinion hi res music- let say 24 bit 96 kHz can be very badly mastered/recorded while 16 bit 44 kHz music can be very well mastered/recorded. And on top of that I dare anybody to go and AB test themselves if they can spot the differences between 320 kbps MP3 and FLAC because I personally can't hear any difference whatsoever in ABX test between 16 bit/44kHz FLAC, 24 bit 96 kHz FLAC and 320 kbps MP3 all made from same 24 bit 96 kHz FLAC file. If you wonder what equipment I have then here you go DAC: Topping D10 ->AMP FiiO K5 ->HP Beyerdynamic DT880 Premium 600 Ohm so pretty resolving I would say. And my hearing is just fine.
@Mr Do 16 bit 44.1 kHz is CD-Audio standard . But people go for DACs with 32 bit 768 MHz for absolutely no reason at all. At least DSD isn't as big BS because you can actually find some music in it and because of different method of coding there is small difference in sound. I would say its better, just a bit different.
If anything, you are too charitable when it comes to measurements. The methodology behind the measurements is usually totally lacking. Thus, no one is able to verify the quality of the presented measurements. Worse still, there is no statistical control. There is zero acknowledgement of the uncertainty in the method used to perform the measurements. I miss Tyll Hertsens because he explained how much time it took him to perform headphone measurements, in part, because of the physical tweaking he had to perform to get consistent and reliable results. For example, I recall his saying that slight differences in ear cup placement and/or seal could make significant differences in his measurements. If this was true for Tyll, even with all of his experience, imagine how much greater the problem is for the average Joe at home. And, this all assumes there is no ill intent . . .
Good point. Jude pointed this out too on Head-Fi, how even a small change in positioning and clamping force on different rigs could have a very significant effect on the measurement.
My impression is Currawong was talking a lot more about electronics measurements, which are standardized when run on proper testing equipment, and not headphone frequency response. Most of the reviewers now that show frequency response graphs include the disclaimer that it is only meant to be relative to their own measurements, and are not 'absolutes'.
There have been cases where a generic Amazon cable could allow the DAC to lock on to 192k, but not an expensive one. I really wish that I had the equipment to test this kind of thing and find out what is going on.
Most available toslink receivers aren't rated to 192khz despite what dac manufacturers might claim. Toshiba was the last manufacturer to leave the toslink receiver market that sold a guaranteed 192khz optical receiver and that was about ten years ago. So in this case a cable could make a difference because its an edge case where the receiver is right on its functional limit at 192khz so a cable can make or break it
I'll just say that here in the US there is an obsession in young men to be assholes to other people online and unfortunately this behavior reaches to the very highest level of our society.
Hello, I see these funny tube rings around the tube itself in the background. It's not the first time I see this, how does it change the sound? Just curious. Sorry if this has been asked before.
@@DBSTH0R Currawong is too polite to say so specifically but he's largly talking about Amir at Audio Science Review and he's extremely sloppy measurements of Schiit products.
@@Farengast I get the politeness. And have read a review or two of Schiit products on Amir's site / forums. I got what I needed from his site, and many other reviewers like Currawong and am thus forming my own oppinion. I was simply asking for an example of mentioned measurement manipulation. Be it from Amir's site or elsewhere.
@@DBSTH0R There's many examples but the best is to simply compare the official Audio Precision reports which Schiit posts on their information pages for their bifrost and Yggdrasil DACs to what Amir posts in his reviews on ASR. This is keeping in mind that Amir's test bench equipment is made by Audio Precision. Also worth mentioning that it's not a matter of professionals getting better results than an amateur as lots of other amateurs got results similar to AP on their own test benches. The only outlier is Amir, and his reasoning for this (not even joking here) is that he knows how the AP test bench works better than the people who built it do. The guys on SBAF certainly couldn't be confused for being mature and sober-minded about everything, but they take issue with Amir's shady process and post lots of examples of chart manipulation or testing errors that Amir does (seeming only to Schiit products) whilst generally doing the opposite for Topping (i.e. omiting unflattering results). But like I said, you don't have to trust a different set of randos on the internet in SBAF, you can check the AP reports on Schiit website.
This was a welcomed honest take on some of the things I have noticed at places like headfi and audioscience forum. By and large headfi is a terrifc cummiunity with a lots of great helpful people. It's supposed to be a nice resource for some of us potentially interested in a new amp, dac, headphone etc. Sometimes when i go researching on a piece and you get to reading page after page wondering if some folks have other agendas. You sometimes see some great respected gear sorta ripped on. So anymore I just use that as one of many things to consider for future purchases. Guessing your rant is at aipudioscience forum. I made the mistake of reading on gear I was interested in only to be ripped on. The if it don't measure good, it's not a good sounding or piece of gear. I have seen more than one reference to them using fancy expensive measuring equipment and misleading folks with those measurements. And this was brought up by folks that do this for a living....not a hobby. I say leave the measurements to the experts ! I have seen those toxic folks that only believe in what they want and can't be shown or proven otherwise. Some folks with very closed minded thinking. Opinions are fine in this subjective hobby but folks like this don't do our tiny nitch hobby any favours if we're trying to grow it. Can you imagine a newbie walking into something like this trying to learn something? It's easy to say and do this stuff from behind a smartphone. Makes you wonder if they care or even aware of the damage they do.
Did you ever find out what was wrong with that cheap optical cable that sounded worse than the more expensive one? I find this topic interesting and frustrating because the theory does tell us that for digital signal transmission the only concern is signal reliability (it gets to the destination or not) but not signal degradation like in the analog realm. Coax optical cables are vulnerable to interference given their materials, but Toslink ones don't have such issues (their only downside is not allowing longer runs as efficiently as coax). Perhaps problems are more due to quality control issues of individual cables rather than merits of more expensive construction.
@@Tesseract9630 I pinned a comment on it, since a bunch of people asked. Back then, 10 years or more ago, DACs were poor at dealing with jitter, and optical connections have extremely high jitter. It's not an issue now. That was not the point though. The point was not to assume anything out of ignorance of how the technology works.
@@Tesseract9630 The facts are pretty clear here. Signal jitter does effect DAC performance in measurable ways. Toslink has more jitter than any other common consumer digital audio specifications. Older DACs especially did not handle jitter well. Compared to glass fiber cables as used for fiber optic networking, toslink plastic cables are FAR more prone to signal degradation over even short distances. Basically jitter doesn't matter much until it reaches a certain threshold and older DACs and toslink connections basically lived close to that threshold at baseline so a crappy cable could make a big difference. Modern DACs and toslink hardware is better. Also worth noting that pretty much the opposite is true of USB, the cable has virtually zero impact on jitter and even on older hardware the cable doesn't matter at all unless it's a dollar store product that doesn't meet USB spec. USB can have jitter problems also but the source or DAC hardware is usually the problem and not the cable. I also used to assume that digital signals were largely immune to cable interference, the big take away for me was essentially how bad toslink cables are. People think of them in the same way as fiber optic cables running thousands of miles under the ocean and they are not even in the same league. It's the main reason that toslink is largely fading away in modern computer and home theater use.
@@Currawong Toslink and coaxial RCA use the SPDIF format to transmit data, which only uses one signal. In order to keep the receiver in sync with the transmitter, SPDIF uses a encoding technique that combines the audio data with the clock into one signal. The receiver then recovers the clock from this signal. So you see the jitter you are talking about is dependent on dac or you transmitter but not the cable.
@@Tesseract9630 Yes but if you have a baseline high jitter and throw in significant signal attenuation then you can see bits getting flipped. The problem is the entire toslink spec, cables and hardware. It's not a modern digital spec and should be expected to have performance problems of the sort Currawong describes. Just because snake oil companies use jitter as a blanked excuse for all their overpriced trash doesn't mean it isn't real even if it's much less of a problem now. The problem I see is the blanket assumption that optical digital is the gold standard for data transmission therefore this is all nonsense. Toslink is FAR FAR from the gold standard for data transmission due to spec, lack of error correction, and just plain crappy optical cables. It's not magic.
I assume you’re referring to Amir v. Schiit, but he recently gave a great “review” to the Modius. I’m inclined to agree that Amir is sloppy in terms of which measurements he presents, but I’m not convinced there’s any deliberate malice behind it. I think it’s great that someone in the audio press is even attempting independent measurements.
It all started with NwAvGuy and the Asgard incident and ever since people have made it their job to make Schiit look bad this was almost 10 years ago now and people still won't let it go.
Anyways, the modius measures much better than the yggy. But schiit engineers and anyone with several schiit dacs will probably tell you the yggy sounds better?
Regarding schiit, I understand also they had poor wiring that could be potentially dangerous. This was called out by asr, which I don't think is a bad thing. The upside, all the new schiit gear measures pretty good to great. I'm not 100% about measurements but some objective quantifiers are important. What's the consenous about audio gd once the measurements came out bad?
manish maharjan Measurements are a guide for engineers but don’t tell whole story - just because a DAC measures “well” does not mean it sounds better. I remember reading an article of somebody criticizing a DAC because it measures “poorly” but didn’t bother to listen to it😳. More than one respected developers in the industry have confirmed that measurements does not mean sound quality.
The two best pieces music that I have for discerning the quality of any audio gear is music from phantasy star universe and the halo soundtracks, The halo soundtracks will really test your systems dynamic expression and ability to portray colour. Phantasy star universes soundtracks have a special place in my heart. And I yearn to find a piece of audio gear that can truly bring out the best from these pieces of music. Listening to music from phantasy star universe and the series itself is actually what propelled me into wanting to get high end audio gear to listen to my music.
Audiophiliac recently posted a small cache of free music that is mastered well and intended for good listening conditions. I didn't actually like any of the music, but definitely mastered well :)
On the same boat here. Getting bored with some forums and reviews (actually not even missing watching some of them), because of the defenders and attackers of "this file format v. streaming", "why buy multi thousand $ gear to use with streaming", "this product is the best of the world, the other are sht."(but some times, when asked if they even have or tried the product, they never did, is just about graphs and others impressions). What is important is have fun on different ways, try by oneself and find the flaws and goods of different products, what I like, what makes my songs and experience better.
For the most part, I attempt to avoid the very type of forum members and reviewers fitting your descriptions. I loathe some of the advice I've received from the toxic types. I enjoy those who, like you, attempt to provide a more relative comparison to other products and allow the individual to make a choice which suits their needs as everyone's needs (and ears) are different. I respect those who may have their personal preference but understand why another may chose differently.
Add another for audiophile snobs, people who look down on others with lower price tier gear. It's all about the journey of enjoying music according to what you can afford and choose to buy.
Agreed, and this can also work the other way where people berate people who have more pricey gear.
Seconded. There are some reviewers that do this as well.
@@humm6155 What headphones do you have?
Another thing to consider and I said this in a comment on another channel. Some people are very happy with the gear they have and have no desire to have something better. One of the things I have found while upgrading equipment is that better stuff can sometimes lessen your enjoyment of music. With average or below average stuff everything kind of sounds the same. It levels the playing field. Once you start getting better stuff that can bring out the details it can show you the differences in other equipment and recordings. As in a bad recording truly sounds bad. To the point where you may not enjoy listening to your favorite piece of music anymore. When I was young we used to love listening to Dokken Tooth and Nail on cassette in the car and home on our little cheap system. Later I got the CD and played on a better system and it was horrible. To the point where I didn't want to hear it. Not that I didn't like the music the recording or transfer was just soo bad it was gross. Or with something like John Denver. I love John Denver but there are really not that many great recordings of him. Unfortunately they were just not done that well. And on a better system that really comes through and for me it detracts from the music.
Yeh I'm really pissed off with the audiophile snob.
If it sound good and measures good, it’s good
If it sound bad and measures good, it’s bad
If it sound good and measures bad, we’re measuring the wrong thing
@@En_Joshi-Godrez Audio Pseudo Science Review ...
If you like it it's good for you
@@En_Joshi-Godrez lol, when has anyone ever said that ? Sounds like you're just as bad, like some kind of anti-science religious zealot.
Audiophile reviews sound suspiciously like wine reviews .
" it has a hint of oak and vanilla with a saffron finish . The crimson red viscosity allows the aroma to linger on the pallet far longer than thinner wines . a slight amount of sediment was detected but not enough to show up on my lips when i was slobbering due to excessive consumption ."
LMAO This is spot on!
As a "high-end" manufacturer of audio components, Great American sound Co. or GAS Co. was continually approached by "golden-eared audiophiles" claiming the amplifier or preamplifier they owned clearly sounded superior to any of the GAS Co. products we were producing. I would always invite these individuals into the sound room with their preferred audio component and proceed to connect it to the switching system. I would have them select a comparable GAS Co. component that I also connected to the system and then carefully adjusted both components with a precision AC voltmeter for equal levels. Before the testing commenced, I would give the audiophile the remote lanyard--a small handheld box with a toggle switch labeled A or B. I always told them that the "A" position was their piece of equipment and the "B" position was the GAS Co. equipment. After exhaustively auditioning the two components, the golden eared individual would always have a litany of subjective terms that negatively described the sound of the GAS Co. component such as: "overall dullness", "lack of transparency", "ill defined bass", "irritating midrange", "shrill highs", "lack of depth", "unstable imaging"..... ad nauseam. While the audiophile was espousing these opinions, I would bring the level of the music back up, then casually walk over to the components, switch off the power to the GAS Co. component and ask the audiophile to please toggle the lanyard switch between A and B.
Unbeknownst to the audiophile, I had connected the switching system exclusively to their component only. During the test when they switched from A to B, the sound audibly dropped-out during the switching process for a few milliseconds cueing the listener that something had changed. When the audiophile realized that I had clearly demonstrated that their golden ears were not golden at all, they would quickly disconnect their component from the system, and while stomping out of the listening room, turn around, and, depending on how invested they were in believing they had golden ears, generally espouse a litany of profanities directed at me. Don't shoot the messenger! I repeated these same A/B listening tests many times with various individuals and groups and determined there was a direct correlation between audiophiles and lovers of music; audiophiles were always angered; music lovers were always enlightened, especially women! This same switching system was also utilized for loudspeakers and phono cartridges since GAS Co. was selling "Sleeping Beauty" "moving-coil" phono cartridges made by Coral Corp. in Japan. There was no need try to fool the listener as I did with electronics, switching between different loudspeakers and phono cartridges always produced easily discernible audible changes in the musical timbre characteristics. David Riddle
I've caught myself out a few times wrongly thinking I knew which DAC was connected to which input of an amplifier. It's fun not knowing. I made finding out I'm wrong something that's fun. I'm not surprised that there are plenty of people who don't feel that way! 😁
As an audio reviewer, I like the this!
I don't mind derailing hype trains, but I don't aim to do so. I go in hoping all the products are awesome because it's so much easier to do a review a product I love compared to one that's just mediocre.
I like being made aware when I'm wrong because it means I can stop and start being right!
My #1 thing I hate is when people in this hobby/industry forget that this all supposed to be fun! None of this stuff is a need, they're all wants. Let's just have fun with it. Let's argue, but keep it fun.
"95% of "audiophiles" own budget or cheap equipment, but they read tons of articles, which made them "audiophile experts".
This is what an electronics engineer and audiophile, who repairs and makes his own audio equipment, told me.
People who trash talk your purchase is the worst! I made a purchase that I enjoy , and someone just said “your purchase is over rated, you should have bought ‘X’, it’s ‘X’ or nothing”… from that point on, I will not share anymore and just keep it to myself, and enjoy on my own.
That's stupid. People buy what they like and that's it. As I said, arguing what sound better is arguing what colour is better.
I remember wanting to get a set of audio technica headphones back then since i liked the sound and look of it when I borrowed one from my cousin so I saved money in any way i can (as someone who lives in a 3rd world country, having something like 20 bucks is already kind of a big thing), I happily posted my new headphones online bought with my hard earned money aaand all the snobs said things like it's not good enough, my purchase suck or I wasted my money, this brand and model is better, stuff like that.
Currawong, you hit the nail right on the head hear and the things you mentioned are helping to hurt the community, but unfortunately this type of mentality translates well outside of just audio and is going on in many forums.
Absolutely. I see it in many areas of life. There are particular mentalities that people have that make them behave in certain ways and attracted to certain ideas.
worst thing? using fancy ass headphones to listen to headphone reviews and not listening to your music or discovering music. Too obsessed on the motorcycle and not enough on the actual ride.
Slightly ironic
Definitely on the money. I've been in this hobby just since lockdown, coming from photography & wine tasting, and finding it confusing how polarised the community is on simple things such as cables, jitter, high-res, etc.
Both my other hobbies had brand loyalties, but most photographers could be kept in check by seeing amazing photos from other brands. The difference with audiophiles is simply that human capacity for hearing is so much weaker in the sense it's more subjective, but this is no different to wine in that sense, yet the two communities could not be so different.
I suspect the difference is due to audiophillia being rooted in science, because as you say this allows misinterpretations and misuse of science (via bad theory supported by equally bad measurements) that facilitates a sense of misguided righteousness that's just not here in wine, thus ensuring a mutual respect for others subjective differences in taste.
I'm so glad you've raised this issue as it's been bothering me a lot recently after having bizarre discussions on UA-cam. I've since realised the science is complex (and I have two science degrees in different fields), so my response is humility in my ignorance of a subject I don't understand from first principles.
Even if I figure out the science to my satisfaction, I'm not going to get involved in debates, because when people's minds are made up, then they're not for changing....why should they if they 'know' they're right?
No, my plan is to just buy my gear and enjoy the music.
Here's my sole contribution to the community:
do you really *know* the science or do you just have a high level working model....an interpretation of the science? If you're unsure, then take one of your conclusions e.g. 'Nygquist proves high-res is BS' and research it not in audiophile forums, but from other sources - locate Nyquist's original paper and find non-audiophiles who discuss and explain it so you can understand new concepts at a high-level. Drill down on these concepts until you understand throughly the concepts behind the maths (but not necessarily the maths itself). At that point, test your understanding by not looking stupid getting tips from a physicist, then find audiophiles in forums who can discuss at your level how this all this science & its assumptions equates to the quality of sound we can hear. Please then write a paper for the rest of us, but if at any point it proves too much, then how about acting with humility in forums and elsewhere? Thanks.
P.s. the goal is to learn enough about the subject (where enough is a first principles understanding), such that you can re-examine the premises that supported your original conclusion...you need to *know* whether you’re on safe ground when asserting those ‘facts’ on forums/UA-cam and whether your champion really knows what he’s talking about or is simply talking out of his a***. If you aren’t sure then you can only be sure of one thing: that you really know nothing.
I love music. Once in a while I get involved in the whole Hifi thing and then I enter into a world where music comes second.
Many "audiophiles" only listen to perfectly recorded music, endlessly tweaking and tweaking to make fewer and fewer pieces of music sound ever more wonderful.
If you really love music you'll discover that many of the greatest recordings aren't in perfect sound. In my experience, the most neutral system is the one most likely to play the widest range of music.
A large part of the listening experience is beyond simple science and measurement.
legrandmaitre I agree. I think they are incels. And they often have no understanding of the process of making music. They probably don’t have perfect pitch. It’s like art critics and the artist; the critic creates an entire narrative about a work of art, it is accepted as “the standard” by academia, and we are forever force fed a narrative by a single individual, that may have nothing whatsoever to do with the artist’s intention. I’m an artist, and I have perfect pitch, and I was part of academia. Hated all academics, loved the students, and no one ever got or gets it right with regard to my intention about a given work of art. I’m fine with that, it is interesting to hear other perspectives, but I’m also not presuming one will be selected to be force fed for decades, centuries to innocent victims.
Ask them if they would choose a poor recording of Caruso singing Nessun Dorma, or a perfect modern recording of me or you or some random dude doing it. I for one would go for the Bottom-Fi Caruso rather than a perfect recording of us.
Very common in any relatively niche, technical community on the internet. There's been a lot of issues with people in the visual media space as well, people reviewing TV's and bashing anyone else who reviews the same TV, getting bent out of shape because people disagree with their color calibrations, etc.
In my field, you see a lot of this with Linux snobs. People who think that everyone in the world is stupid for not using linux but then gatekeep the community and treat any newcomers like dirt just for lack of experience, instead of offering good advice and leaving the condescending attitude at home.
I think it comes down to pure hipster mentality. People like being experts in a small niche and they don't want it to become mainstream, because then they won't be as special any more.
Hype trains are my #1 frustration with online audiophiles. #1 frustration with in-person audiophile community is the decades I’ve lived with not been taken seriously at shops by the middle-aged men’s audio club.
The internet and especially social media brings out the worst in people.
How does an optical cable sound different from another?
I'm genuinely asking, I would love to learn the science behind different optical cables
I was gonna ask this exact question
It's more so how the receiving device handles jitter. Either it handles it poorly (less likely in recent times) or in re-clocking the digital signal the circuitry generates more noise which leaks into the analog circuits. Again though, these days that tends not to be an issue, but it was more prevalent 10 years ago.
@@Currawong cool, thanks for taking the time out to explain it
More than 40 years ago my friend and I, both audio enthusiasts, were at CES. The audio snobbery that existed then was just as virulent as it is now. Most of that snobbery was expressed in print at The Absolute Sound. We made a pilgrimage to their booth. My friend thought it might be funny to introduce a new term to the lexicon of the pseudointellectuals there. We began a fake discussion of gear we had previewed at the show so all could hear us without being obvious. He invented the term "gray in the midrange" By the end of the show, it was being used everywhere the "audiophile" ventured.
There is only personal preference in this hobby, nothing's written in stone ..Seek advice by all means and experiment for yourself but stick to what you you enjoy....graphs don't lie but people do...and remember it's all about the music at the end of the day.
This comment deserves more likes
Agreed, its all about the music! Although for some its all about the gears specs and that's a shame.
@@humanmale1085 No, it's about maximum enjoyment, and not being a sucker. There's way too much snake oil in the hobby, and people working to expose the bullshit are benevolent.
I’m glad you took a stance on these things. I’ve always appreciated your humble approach to reviews and unnecessary drama.
I’ve seen this toxic power play play out time and time again across hobbies/fandoms. The toxic leaders usually are compensating for a lack of perceived power in the real world. It’s ironic for them to present themselves intelligent when they simply adapted the poo flinging tactics of our genetic ancestors.
Keep up the great work with reviews and being a positive influence on the community.
The worse for me is when I hear something and think it sounds good, and then reading a review that points out faults I hadn't picked up on (or don't care about). I then find myself siding with the reviewer. LOL So the reviewer, essentially, destroyed my enjoyment of something. I know it's all down to me, but it happens. I used to have audiophile tendencies, but these days I go with "I like what I like", which sometimes means something that others don't like, I happen to enjoy - and it's all good.
At the end of the day its about enjoying the music. Moving closer to this is good, moving further is bad. Everything else is just noise
Completely agree. I have learned a lot about headphones and amps by reading on forums such as head-fi and it has helped me through many of my purchases, yet at times I feel ashamed belonging to the "audiophile" community as for a lot of folks in this community it is all about their egos and intellectual pride. However this is not very different from other hobbies or even professions.
One thing I have learned is that, reading on forums is essential if one wants to know the products, but one should have a basic idea about their own likes and dislikes and should use common sense to sort the good content from the bad, on audiophile forums. Finally, avoid extreme and purely technical opinions, leave some room for what sounds good to your ears, for the type of the music you listen to.
Interesting topic. I'd like to hear more on your opinions about MQA. I'm no fanboy, but I've been using tidal, with its built in software decoder, for about 2 years now. At first it was a bit of a trial for me; I couldn't see myself spending £20/month indefinitely to listen to music, some of which I already owned. But now I'm hooked on tidal, probably for life, unless a better option comes along for CD quality streaming
Most of the tracks they host sound better to my ear than the wav equivalent I have on my SSD, played through foobar. I use a mojo as my desktop dac/amp when listening with heaphones/iems. Are tidal adding the audio equivalent of monosodium glutamate (DSP) to the music? Or am I hearing higher quality music/better masters? I don't really care either way (good sounding music is good sounding music) but I would still be interested to know. I've read up a bit on how the MQA compression algorithm works, but I'm not a scientist so I only loosely understood.
Some music I used to love sounds terrible on tidal though, such as The Freestylers - We Rock Hard album. But then other tracks I would expect to sound dated and bad actually sound better than I would expect, such as Eric Prydz - Pjanoo or Daft Punk - Homework album. Is it just a recording quality issue? I'm sure We Rock Hard used to sound great on CD. I've considered tweeting The Freestylers just to see if they know how bad their album sounds on tidal, but I don't want to seem like I'm stirring up shit.
They are modifying the music itself, it's not the MQA format. Because they have done a number of things, simultaneously, to the music, they have made it complex enough to be confusing for the average person. I'm trying, at the moment, to decide how I'm going to explain it all in one video.
@@Currawong Thanks for the reply. I should also say that part of the value I see in my tidal subscription is the recommendation algorithm, or "My Mix". It's responsible for most of the new music I discover these days. I guess spotify probably has one too, but my mp3 collection is vastly bigger than my wav collection, so I'm not paying £10/month for mp3s. Maybe one day we'll get a wav/flac streaming service with a foobar plugin for £15/month. I look forward to any video you do on mqa/tidal.
Spot on. I prefer your in-depth approach. Keep doing a wonderful job.
Currawong, I'm not a patreon of yours, I am of course considering becoming one . But if I currently were, I have an interesting question for you, since you like to delve into science. I wonder how many audiophiles have what's called "chromesthesia" the ability to perceive color in sound. When I listen to certain songs, I can perceive colors within the music. I usually associate certain songs with specific colors. And for my next question, what do you think about a possible link between "HSPs" highly sensitive persons, and audiophiles. HSPs tend to have very sensitive hearing, I've noticed that when I let most regular people try my gear, they do react positively, but don't seem to really notice much else that's going on in the music that should now be more apparent from the higher end gear. Do certain people perhaps have a better ability to perceive detail in music. I think there was a term for it, "golden ear" I believe. I remember going to CamJam NYC and seeing how audiophiles really listen into what their listening to. I was at a booth trying a company's product and they had a set of sennheiser HD650s that I was trying out. I let a person next to me listen to a song from my DAP on them. I've never seen someone really listen to music like how an audiophile does. It's like their in another world really. That's also how I feel when I listen to my music. So are audiophiles perhaps a bit different from some or most others. And is this the reason why we have a higher appreciation for high end audio gear that allows us to get closer to our music. At the end of the day I guess we're all just a bit nerdy :).
That all may be possible... but...
I just chalk it up to acquiring a finer attention to detail. We spend a lot of time focusing on the minor differences between equipment and overall SQ.
Much like how a blind person's sense of hearing is clearly more tuned than a seeing person, there is obviously room for growth in the perception of sound.
Intentionally or not, critical listening skills sharpen over time.
Your question reminds me of the Oliver Sacks books. I haven't had anyone who perceives colors in sounds, only read a little about people whose senses cross over. There's a girl IIRC who paints sounds in the colors she sees too. As for sensitivity, that can be trained. I think a lot of audiophiles or reviewers do this, essentially. Maybe I should shoot a video about my experience sensitising myself to certain sounds (not music related) and the consequences of over-doing it.
@@Currawong With certain songs I could definitely paint a picture of the colors that I am perceiving while I listen to it. For a strong example, Greig's lyric pieces book 7 Op 62 No 5 Phantom, produces a very misty darkish blue. I seem to be drawn to songs with darkish blue hues. Another song that is even darker and is what I would consider at the extreme end of dark color is Watchers from bloodborne. That piece has of the darkest colors that I have ever heard in a piece of music. I honestly don't really know If I have synesthesia though, maybe I am just perceiving tone, but I really do associate certain songs with strong colors.
An interesting thought! I believe you’re talking about three separate things: Chromesthesia, “Golden Ears,” and trained ears. All real, IMO.
I was friends with a girl in college who claimed she saw colors when listening to music... she described it as similar to the “fireworks bursts of colors” most of us see when we shut our eyes. She was also very emotional and moved by music, which was cool (and possibly enviable), but she didn’t have a trained ear or perfect hearing.
“Golden Ears,” at least how it used to be used ten years ago and among speaker enthusiasts, meant that they had near-perfect (or more than “perfect human”) hearing. A hearing range sensitivity from 20 Hz to 20kHz or beyond. A person who boasts “Golden Ears” (more like they were accused of boasting Golden ears by others) would also often be someone who pays a lot of attention to audio and can note very fine distinctions, however that is also partially due to having an interest in audio and spent several years pursuing and exploring HiFi audio. Thus, there is often a duality connecting people with good hearing and people with lots of training.
You could argue that the average very young child will have “Golden ears,” but they may still have trouble understanding what is said to them or trouble “hearing” when their speech and pronunciation is different from an adult’s. Our ears pick up an incredible amount of information, however we have to train our brains to parse it and recognize the differences, especially subtle differences. This is especially easy to see with people that only know one language, for example the English words for Wet and Vet may sound exactly the same to someone in Asia, or how the Hindi phal and pal might sound the same to an English speaker. It was only through practice that I became more accustomed to pulling apart the tiny differences between frequency responses, impact and ringing, and I’ve even become more accustomed to headphone surround processing or binaural audio (my brain is better now at accommodating the differences between my head shape and the shape of the generic head used to model various HTRF binaural DSPs, though as a consequence I’m also better at determining the direction a sound came from in real life). This is the same as how Sommeliers train their noses.
More info on the way we “learn” to hear languages correctly here: theweek.com/articles/569137/subtle-sounds-that-english-speakers-have-trouble-catching
Have fun, thanks for sharing!
i think the headphone community is the worst because the gear is usually cheaper and easier to consume and collect and that is what this hobby is about for most people. collecting and consumption nothing else. they do not even care for music most of the times. we pretty much have figured out the technology by now, you can just buy objectively good stuff and leave it at that... but well then you cannot consume more now can you? people need to justify their poor spending habits and the dopamine rush that comes with it by inventing a completely nonsensical hobby. the same type of people who own countless of mechanical keyboards, guitar gear and so forth
High resolution audio is not a consumer format. The system only has certain bandwidth and most consumer systems, even very expensive ones can not reproduce the entire bandwidth. And the law says that when you exceed bandwidth you will introduce intermodulation distortion, unless the signal is filtered which it usually is just because of the way speakers work. But that part of the signal should never be amplified, so each system meant for high resolution audio should have a lopass filter in it... rendering the whole idea moot.
My ‘hi-fi’: Teac headphone amp DAC. Samson SR 850 headphones.
which connects to:
Audio Tecnica 120x turntable (with upgrade microline stylus). Sony bd470 blu ray player. My iPhone 8. Cables from Juicebitz. £653 in total over 15 months in 2018/19
The reason for buying this stuff was great reviews from hi-fi magazines and Amazon customers/Internet forum members all stating that these products ‘punch well above their weight’ especially the headphones. Don’t feel any need to upgrade. However I would class myself as an audiophile as these are all upgrades from very basic equipment and I was in pursuit of something better. My low level of patience means I wasn’t willing to save up for higher end gear, especially if the money I was willing to spend gave me a sound I was happy with which is the case.
same! I love the samson sr850s
The answer to "Are you a god?", and "Should I post this?" - is always YES!
ordinary audiophile: gear for listening music.
so-called "audiophile": music for listening gear.
Great to see many people got it. Sorry to see some people are just here to trash me. But that's the internet....
A couple of things which a few people (those here to trash me) got wrong:
This video doesn't refer to a particular person, but is inspired by the actions of a number of people over many years. Every few years someone new comes along and feeds a hate-train of some form.
I'm not anti-measurement. I'm against using a limited subset of measurements to make misleading, or even false, declarative statements.
My comment about my experience with optical cables was over 10 years ago. Back then, even flagship DACs (such as the Marantz Project D1 I reviewed) were transport-quality sensitive and would sound terrible with a cheap optical connection. Nowadays such an experience is far less likely as even cheap DACs are far better made and will handle the high amount of jitter in optical signals without generating sound-quality degrading noise. You can still see the differences between digital input quality ... in measurements! It varies between products though. Some do a better job than others.
My point was nothing to do with optical though, it was that making assumptions as I did back then (and as so many people clearly still do now) is really a reflection of ignorance. Now we know what ignorance breeds.... hate and maliciousness, even discussing audio it seems.
@@ThomasPalomas That wasn't the point of my example. The point was, you can't always take what seems logically true to be the only truth in something. It had nothing to do with optical cables other than my using that as an example of one of my early discoveries.
The level of bile in the responses to this video is an indication of the accuracy of your points! Bravo.
Just wanna say thanks for taking this subject up, and also for the way you do it here, in a respectful manner for all to learn. The toxic of this wonderful hobby, need to be addressed once in a while, as it seems it continues to pop up? I guess there is no easy way to address this, but you are taking a big chunk for us all, so thanks again for that. Btw, i couldn't agree more in what you are pointing out here. Cheers from Denmark & peace.
Good points. I saw this before in an audio related list mail forum many years ago. We had industry leaders willing to share their knowledge with us about speaker design. Unfortunately we had several idiots that would attack everyone who disagreed with their pet theories. Eventually the guys who's day job was audio left as they didn't need to subject themselves to the nonsense and waste of time.
Your reviews are excellent and valuable. Thanks for the time and effort you put in.
I work in the Porn industry and we have a lot of the same issues.
Good shit
except there the measurements really do matter 😆
🗣
As a long time headphone fan, even back in the day with the HD-414, I love this channel Currawong is very clear. You get a real sense of what he really likes, and more importantly, why. Great channel. Keep it up!
I remember a few years ago when i bought the Audio GD NFB 28.38 AMP/DAC and i got slandered for it when just sharing a picture of it. A barrage of people stating how it measures horrible and that you should get the THX 789 etc etc. I got both now and honestly, they both sound great.
Things I cant stand are people pushing overpriced gear/cables and claim "it sounds better" but not being able to break down and explain in technical terms or examples of why its better. Synergistic Research is notorious for this
I also am very leery of cable and room tweaks. I have bought expensive cable and I am not perfect. I ve been a audio guy for over thirty years. I ve have been to audio shows and checked out the cable guys room. During Axpona one year I happened to go into the Synergitic research room and and sat down. Ted Deany the owner of company wanted to show me his new room treatments and cables in demo I told him I am not snake oil guy and trying to sell me on your stuff would be a hard sell .I told him I would give him a chance and give him a honest opinion. Then he played the demos wow I almost fell out the chair afterwards. Very dramatic sound changes and improvements and my friend who been a audiophile for 40 years and his dad who Shure brothers as a engineer who's ears I know I can trust said the same thing about the room.So in closing I am very skeptical about cables and tweaks sometimes it better to listen and then judge by the way I use some of his products today. I had the opinion of the company too but I was wrong. Just letting you know my personal experiences.
@@davemonell9308 Did you take your cables in to A/B? Nobody says that high quality cables don't matter, just that esoteric cables are a waste if money.
I don't see myself using a lossy format like MQA when I can have the flac files offline. Storage is getting cheaper and cheaper.
Flac files however aren't.
Another point of frustration is that the price mostly is equivalent with quality. Most refuge the fact that there is day/ night difference where a company is actually producing it‘s gear. Is made in China worse because the people there working for little money? I don’t think so. Are prices justified because companies produce in the US, EU and or Japan? Not always I think because high prices are also a marketing tool, as these products gets the most attention.
There are a few different things going on here: Is a company selling direct or going through distributors/dealers? The latter will have a higher mark-up. Also, what market are they targeting? Is their aim to make a lot of stuff at low margin, or less stuff at higher margin? Are they selling primarily in a country that requires high margins due to the common practice of deep discounting? Does the company start with a high price, targeting early adopters, then drop it over time? Or do they prefer to keep the price steady and never have sales?
Nothing wrong with keeping it simple and trusting your ears!
While it's "easy to manipulate science" It's far easier to manipulate an idiot into spending $1000 on an optical cable when they could get near identical performance for $50.
@@hurkamur1 there are a lot more important parts in every system than just the cables and if you're spending $1,000 on a pair of speakers you probably won't spend as much on the cables. However if you have a revealing enough system and you want to fine tune it by spending an extra on cables I don't see why not. I know cables get expensive really fast and as you go up in price the difference become less and less noticeable but value for money is subjective
@@malek8736 You miss the point.
I'm not really into headphones, just speakers, but I stumbled upon your video, listened, and I agree with what you said. I would say that much of that applies to people in any hobby. Woodworkers, photographers, automobile enthusiasts, all seem to have their pet brands and like to trash others. It seems like any time some folks spend a lot of money on something, they need to constantly reinforce their own choices by attacking the choices of others.
4:30, I wonder who he is talking about.
Been in the hobby since 2004. I think "flavor of the monthism" is a bad thing. Mid 2000s NOS DACs were supposedly how "real" music sounds. Then the hype train ended. Then multibit comes along and supposedly that is how "real" music sounds.
I am blissfully ignorant of this online drama. I pursue the audio hobby from a value for dollar proposition. I follow many content creators with small channels typically reviewing sub 300 dollar equipment because that's pretty much all I need or want. I still do my own research. I'm not interested in measurements, I worked a decade in industrial manufacturing, my hearing ain't going to square with a fancy grid. I want a certain quality for a certain dollar amount. And thanks to the UA-cam reviewer community I discovered ChiFi IEMs, the Koss Kph30i, the ifi Zen DAC, the Xduoo Link, and 20 dollar replacement cables that work just frigging fine. People bashing brands or disparaging other reviewers do not get views from me. I appreciate this channel for the brass tax information and while it always seems abundant, I'm not making a purchase of even 20 dollars on a solo review.
I'm genuinely sorry you felt like you had to speak on this subject but I'm glad you did. Personally I've avoided HiFi forums and will continue to do so. Since I appreciate the work you do I'll be sure to drive whatever support I can your way. My incessant babbling about audio has wore many friends down to the point they want to get into it as well. I'll be sure to recommend stopping here.
It’s about opinions and when you involve the music component into the equation, emotions can really get hyperactive. Thing is people like what a product does or does not do. If it makes them happy, all the better, but I don’t see the need for the toxicity that goes on as a result. I say find what makes you happy and run with it. That is what matters. It’s your taste and your gear. The only one who has to really like it is you. The rest is just noise on the line. Enjoy your music on your gear and escape into your own paradise.
as a programmer, i have a hard time understanding why the quality of a digital cable has any effect on the quality of the sound, for me the only explanation is that a DAC that is sensitive to the cable is badly designed, a DAC should never rely on the timing of the data coming in, it should use it's own ultra precise clock, it just doesn't make any sense, any USB cable is capable of transmitting binary data perfectly, or the whole computer industry would not work !!, no USB hard drives, keyboards or mice !, please tell me DACS have their own clock ?? if not they should not be bought by anyone, it defeats the whole purpose of digital music, and it's so cheap to fix, a little RAM (yes there would be a TINY delay, a couple of milliseconds), so, NO, i don't accept that the quality of a digital cable matters, it's not acceptable, ditto CD players, i listened to a 30 000 dollar CD player for a month (Mark Levinson 30.1), i didn't get it because i just cannot accept that it would make any difference, if it does, you should talk about that instead, it's STUPID !! 10 lines of code, a clock, a little RAM !
answering my own post :) : i found that the IFI dac has it's own clock, and a little buffer, just like i described, canceling out any jitter generated by the source or digital connection, i rest my case, don't buy a DAC that cannot do that.
It's a fair query, and didn't make sense to me initially either. High frequency noise passing through the ground plane can affect the analog circuits. It's not enough to cause errors in the data. The noise comes from the power supplies, and the chips doing the processing. I noticed, for example, when I installed power filters and a power reconditioner that the differences between digital cables disappeared. Another thing to note: USB Audio doesn't transmit the same way as a regular data transfer, which has issues of its own.
All DACs have their own clock. Jitter is *mostly* a non-issue these days. I think if jitter gets too high, the DAC itself may start generating significant noise from attempting to correct it. More relevant, I think, is that good audio software gets exclusive access to USB DACs to minimize the amount of interrupts and other processing which can increase noise generated by the USB receiver.
it's because in reality, nothing is really digital
People often have too much of their ego invested in their hobbies. Instead of simply enjoying their hobby and trying to learn as much as they can they choose to derive pleasure from proving themselves superior in social settings. Then there are UA-camrs who try to generate views by promoting conflict or disputes. Unfortunately we have too much of that today in our commercial media as well whether it’s sports talk programs or cable news. But the sad truth is that many people derive satisfaction from witnessing or seeing conflict as well which enables and rewards bad behaviour.
Isn't it better to strive for transparent gear and color the sound with eq/dsp?
What is "transparent gear"? This is where the BS starts, because the usual answer you get is equipment with the lowest distortion measurements, and that simply doesn't match reality, because measurement test tones and sweeps are not music. I've only listened with one piece of equipment that could reproduce music in a way like an actual, live performance, giving me the emotional reaction I've had when I've been there, which was the Chord DAVE.
So, what happens with most equipment is that you set up a system that has good synergy -- maybe a neutral/dry-sounding DAC with a tube amp, and even though you're compromising things a bit, you'll enjoy listening. With good gear, the only thing you're getting is maybe a bit of even-order harmonic distortion (and maybe a bit of 3rd order as well), but you're still getting near all the fine detail and nuances in the music.
With an EQ, at least the ones I've used, with the top-of-the-line headphones I use, I can hear the loss of detail from the digital processing. Heck, even Roon's digital volume control results in loss of detail. EQ works OK with lower tier gear, and compressed, mainstream music that isn't recorded that well, where a slight loss of detail wont be noticeable. Of course, there is very high-quality EQ software out there, but a lot of it is for pro audio, and how do you bring that into your playback system? And how long are you going to spend fiddling with it to get perfect sound?
Currawong The answer isn't just equipment with lowest distortion, however distortion plays an important role. Transparency means that the signal is reproduced in a way which is completely indistinguishable from the original by a human being. A SINAD of roughly 120 dB is sufficient for this, and generally speaking, a couple dB less is already enough to cross the threshold of transparency. It is important to realize that once this point has been reached, no further improvements are possible. It's kind of like with smartphone displays. Around 400-500 pixels per inch are required for perfect sharpness at a normal viewing distance. Once you achieve this, no matter how many pixels you add, the sharpness won't increase. It doesn't matter if your screen has 1000 or 2000 pixels per inch, because you won't be able to tell the difference. And I'd argue that given that you can get a transparent dac + amp combo for less than 1K usd, it might be worth it looking into software based solutions to color the sound however you like instead of spending thousands or tens of thousands on devices such as Chord DAVE and the like.
Sorry Marian, I guess we have to disagree. SINAD ignores the timing information contained in the music, which gives it the sense of depth (and often messed up by the mastering process). I have a few DACs here in for review, which would be "transparent" by your definition, yet they don't reproduce this sense of depth of soundstage well, so I don't consider them transparent. If you listen to live music, and then a recording of the same performance, it doesn't sound the sound out of most equipment, because that information, necessary for your brain to completely reconstruct the 3D space, is missing.
Currawong I would respectfully suggest that you consider the possibility of yourself being factually wrong on this. A DAC with SINAD of 120 will reproduce the signal in a way that is indistinguishable from the source by a human being. This is a fact. What would it even mean for it not to be true? If the noise level is so low that you can not hear it, and the distortion is so low that you can not hear it, what else is there making the reproduced signal different from the original signal?
So, I should ignore the science related to how we perceive sound, and accept an overly simplistic view based on misleading, over-simplistic views based on a single measurement? That would be going backwards. Not going to happen.
I found your channel last year but just now stumbled onto this video. You have a very good approach to your reviews and your experience combined with that leads me to factor your opinion into gear I have not heard. I got a Bifrost 2 because of your video and it turned out so great that I bought another one for my bedroom. Measurements are nice and give a starting place, but you need to hear things for yourself and be honest about it.
Thank you for your content. You are invaluable.
I can think of this bald guy that often trashes Sennheiser with measurements that fits perfectly within the profile of your critique...
Who's that?
My issue with MQA is not the encoding. When I use Roon, I can see on the Norah Jones Come Away with Me on MQA plays at a higher rate than the HiFi option, but on Prostudiomasters site for music I can see the album is offered an even higher option. I’m concerned the HiFi option is purposefully lower than the MQA, despite a better resolution file existing.
TIDAL HiFi only goes up to 44.1. To get high-res streaming, you have to use Qoboz. MQA goes up to a pseudo-88.2 or 96.
@@Currawong Ah, I did not know this. Thanks for the insight. It's unfortunate in Qoboz is not in Canada as I would then switch over.
@@Currawong MQA goes to a pseudo higher than 88.2 or 96 if you use an MQA dac. Not that it matters.
Bravo Curawong!
Brave video
I agree with you about the bad science in measurements and obsessions.
Go you! Love how you're keeping it real. I think we all have our top fives but don't disclose them as it's not how you usually win friends. So, someone as important as you called out a large portion of the community on how you see fit. Kudos.
I hate it when reviewers piggy back off each other. Don't be afraid to have your opinions. Your viewers will thank you for it.
4:25 Does anyone know who he is referring to that may be manipulating measurements of audio equipment?
To be honest could be several people on head-fi. Stay away from ASR and founder's measurements.
ASR does this a lot, often ignoring / not showing measurements that dont conform to the story they want to tell, be it good or bad.
@@_--_--_ can you show an example?
How is someone get ban from headfi is toxic ? That does not make sense.
The science being distorted by manufacturers for the purpose of selling their products is the biggest problem and the thing I hate the most.
There is one thing to understand that things *can* go wrong with digital transmissions and another to know what it would take for this to happen and what is the quality standard that makes it irrelevant. All standard USB cables are fine. Luckily you can test this yourself if you have a computer, but other subjects are not quite as accessible.
Five things I live by with audio, 1Listen to and enjoy my music every day, 2 Stick graphs and charts where the sun doesn't shine, 3 Learn to lie to the wife that you really need a new piece of HI FI, 4 Vinyl and CD, one is not better than another they just have a different tone, get over it, 5 I don't like streaming, it feels I'm just borrowing music from a library.
exactly how I feel about it ...:)
I generally try to stay away from toxic audiophile forums myself. I see a lot of that going on everywhere, I guess it's become a cultural phenomenon to cancel something you don't like. Then like you said the ones who are canceled just go on to make their own platform. So trying to cancel other people or companies is pretty petty and useless.
Thank you for your honesty, integrity, and knowledge. We’ll put together.
I love your channel , could you do more reviews for us working class with wives and kids , headphones under AU$1,000 and amps under AU$1,000
would love the more expensive gear but i would be divorced
I have a
John McCaig You are not alone 😂
It's pretty simple really: $200 for amp+DAC that are objectively well-measuring: Modi 3, Topping E30, Heresy 3, JDS Labs Atom. (There are probably others, but we have come into a real golden age when it comes to the performance of electronics for headphones. Since you're actually smart enough to care about your finances, don't climb the perpetual upgrade ladder rung by rung where you'll have wasted many hundreds of dollars for little gain.) The reason to get objectively well-measuring amp+DAC combination is that you will not be sucked into a 'system synergy' rabbit hole, and you can be sure that what you're hearing from your headphones is really how they sound to you.
The headphones themselves is where you should start 'personalizing'. You can spend a lot of time reading and listening to other's opinions, but at some point you'll need to start somewhere to have a reference point. A good idea in general is to get a widely well-regarded and widely understood headphone as a starting point. I'd recommend something generally in the middle like an HD600 (super easy to find used at good prices), because then when you want to further explore your preference, you have an easy baseline to reference.
If you can afford a wife plus kids you’re doing well.
Thanks a lot for the review!
Could you talk a bit more about the comparison between Utopia and Stax 009, given both driven very well, please?
Only you have reviewed both on UA-cam so i am trying my luck here.
Cheers!
Good stuff Currawong.."I don't have to push other people down, to boost myself up." Good stuff. Yeah, around the audiophile community, can be very toxic at times, sadly. Nice points. 💯✌🏼
You said that you have best measuring stuff that sounds bad and worse measuring stuff that sounds good. Which means that either you like the distortion that is added or it's all in your head. There is nothing wrong with enjoying some thd with your music if that makes it better. But its wrong to conveying the false notion the our ears are somehow magical and superior and measurement can't tell anything.
I don't believe asr manipulated measurements purposefully. He also has good and bad measuring stuff from same manufacturer. I am not entirely dismissing the idea that he may have accidentally made some mistakes. Then again if you have proof of it ,then show it. Show the graphs and try to get some measurements that prove otherwise.
Schiit did exactly that. Check their website. The information pages for the Bifrost and Yggdrasil include formal analysis reports from Audio Precision, the company which makes Amir's test bench. Their measurements agreed with the many Amir naysayers leaving Amir as the only outlier among multiple amateur and professional analyses, including the makers of his own test bench. His answer to this was that he knows more about how the test equipment works than the people who made it and that's why his measurements are correct and everyone else are wrong. No serious engineer would make such a claim about a piece of complex electronics unless they were a raging egomaniac. I don't doubt that Amir is actually an engineer (or at least has been trained as such), so I'm left with egomaniac as the only reasonable explanation.
"You said that you have best measuring stuff that sounds bad and worse measuring stuff that sounds good." -- No, I didn't say that.
In general I agree with everything you’ve said in this video! Very respectable reviewer and you present information to the best of your ability which I do appreciate and admire. I will say that I see your point of view on NWAVGUY and I am mentally wrestling with the statement about -95db distortion and stuff. Just a small anecdote: I own the ODAC (both Rev. A & B) and an EL DAC and think they all sound pretty darn good, but at the same time I own an Yggdrasil Analog 2 and, in some aspects of music, I vastly prefer the Yggy 2. There are times when I wished the Yggy 2 sounded more ‘clean’ and less fatiguing like the EL DAC. Interestingly I find that ODAC is clean, but has similar fatiguing qualities to the Yggy 2 during prolonged listening sessions to which I can only attribute to (perhaps) distortion? I’m not a professional in audio or anything but I have tried digging around as to what could be causing this and thus far I have concluded it to being higher levels of harmonic distortions (specifically around -60 to -80db Even and Odd order harmonics). I’m not entirely sure though and perhaps someone could help give some further insight on this. I know -60 to -80 dB is VERY quiet (barely audible, if at all) but I can’t seem to find anything else that could be the cause.
this might be a little bit esoteric but since your father was a scientist I wonder if you think there have been any paradigm shifts in audio that cause for conflict? I am thinking of the work structure of scientific revolutions by Thomas Kuhn.
Paul Feyerabend might be a more likely candidate.
I think it's more the need of some people to attach themselves to a belief system or cause. The fanaticism that results does a lot of damage.
I'm confused who was he talking about when he was mentioning altered measurements
Measurements have their place but there are two (or three) problems. Firstly, manipulating the test conditions to make sure not to reveal the products weaknesses - e.g. testing a speaker or headphone at a low level, to lower the measured distortion. Secondly, presenting the measurement data in a way that makes it appear to be more ideal - e.g presenting a frequency response graph with a 100dB vertical axis instead of 40dB, or providing an excessive amount of smoothing to the plot, so it looks ruler flat and peaks and dips in the response can barely be seen. This is why measurements provided by the manufacturer of the product need to be taken with a huge grain of salt, especially if the test conditions are not well defined.
Measurements are best conducted by a third party who has no vested interest in any of the products measured, and with a consistent test method. I and others have done this for speaker drivers, as it allows measurement data for many speakers to be directly compared. If two testers have data for a few of the same speakers, you can get an idea of how the test data relates and start making loose comparisons across multiple databases of measurements. An example of this in the headphone world are the measurements at InnerFidelity, Rtings and RAA.
The final problem is that most users aren't sufficiently trained to interpret the data. Only a person who has looked at a lot of test data will be able to tell straight away if the data was gathered appropriately and if a product looks to be overall poor or exceptional based on a quick glance at the data, given that all speakers and headphones have deficiencies and design trade-offs and it is about judging which deficiencies will be audible and which can be discounted.
Basically I watch reviews to get an opinion or idea about a product how well its made and quality of components used and general opinion on the sound quality and so forth.
Generally once I find a brand of products that I am happy with I usually stick with their products.
Make a quality well made product that is priced reasonably, offer good customer service and sounds good to me for what I am looking for then I tend to not make many changes as far as brand.
I really could care less what someone else thinks about my choices and I find using this criteria for my buying I guess I could be missing out on some better gear but as long as what I am choosing is checking all the boxes for my desires for me am I really missing out on anything? I am happy so that is what matters.
I pretty much use the same approach to audio electronics, headphones, speakers connection cables and any thing audio related.
I have some budget/value set ups and some that for me I consider end game components. As long as these mid 60"s ears are happy and what I use puts a smile on my face who cares.
I feel sorry for those that never seem to find what is their comfortable sweet spot to really enjoy what they have and always seem to desire something they never seem to find.
What reviewers I pay attention to are those that are able to not seem to be for or against a certain brand for reasons other than substantiated shortfalls or positive attributes within the product they are reviewing at the time. Play fanboy and that reviewer will not in my opinion give a fair and accurate review whether for or against the product and not worth my time to watch.
Hello I've got sennheiser HD599 but it sounds bloated and mega bass-heavy with my computer, and a little weak with smartphone (like it's not to it's potential). Some say it's because these are made for specifically designed dacs. Is that true? If so what dac or sound card should I get to make these sound normal and pleasant? Please help thank you!
A headphone dac/amp like the Audioquest Dragonfly Black ($99) will probably help if your sources (phone/computer) have really poor performance, but the HD599 is a consumer grade headphone with 50 ohms impedance and 106 db sound pressure. This means that it should sound as Sennheiser intended with almost anything. There are a variety of factors that can influence the sound but at the end of the day the HD599 may just not be a good match for you. You may want to try other headphones. The Meze 99 Classic ($300 on Amazon, $200 on Drop.com) may be more up your alley, buy that is just a suggestion.
If this video was made a year ago, then it's only become more relevant one year later. You're spot on in every respect. Head-Fi has really become an orgy of idiocy over the last year or so, sadly. One of the things I've noticed as part of the burgeoning toxicity in the audiophile world is an increased tendency toward "clickbait." You see it here on UA-cam both in the style of presentations and in the title of the videos themselves. They seem designed to provoke and attract viewers, and thus revenue. It's very depressing. In relation, one of things you don't mention is the almost total lack of independence in the majority of reviewers. They either work for shops, have gear sent to them, or have some kind of sponsorship deal. I can only think of perhaps one or two reviewers who buy their own gear to review. There are exceptions here and there, but most of the time it smells fishy. In any case, much appreciate you posting this and for your work more generally.
I can't say what other reviewers are doing, but I don't have to buy my own gear to review. But it's not as glorious as it sounds -- the stuff I get takes up considerable space, and in the case of anything battery powered, I spend quite a bit on keeping everything charged and organised. For me, if it helps improve reviews of future products via comparisons, then that effort is worth it. There was a problem with some reviewers on Head-Fi who got banned and blacklisted (by companies as well as by Head-Fi) for selling review samples for profit.
The early days of headfi weren't like this. It was a website that actually brought in people who wanted the biggest bang for their buck for their headphone setup. I joined headfi in late 2003 around the same time i got my first headphone amplifier creek OBH11SE . Unfortunately i was disappointed to find out it was being criticized for having cheap parts, haha. Later i got recommended by the forum to try headsave classic amp which it was cheaper and better than the creek. Now? headfi is a entirely different forum with lots of marketing , hypes , sensational advertising etc...
@@davidong9458 I too was a very old forum participant at Head-Fi before it got super popular. It went downhill fast once Jude figured out how he could monetize the popularity...compromising commitment to the community to chase a dollar, it's an age old story really.
You've rustled some jimmies man that means you're doing something right
Within reason I agree.
I think you’re right on all counts, especially on “If it sounds good to you, that’s all that matters.”
I like your down-to-earth style and how you point out that measurements aren’t everything. (Otherwise, tube amps and records would be gone)
What headphone amp would you recommend for the hd660s for $500.00 or under.
Here's another "thing:" How can a UA-cam audio gear reviewer, who is obviously over 70,, dare comment + or - on high rez files from a DAC yet cannnt hear beyond 10K? (Getting old sucks, I know but ...........)
What model are the Sony's in the top left? Do you have a video for someone just getting into the hobby? I dont understanding stuff like iems being warm or stuff like v shaped vs u shaped etc. Thank you for your videos.
Those look like sony z7
Original, if modded Z7s. I'm working on some Headphone 101 stuff, but it's more complex to plan and edit. Thanks for the suggestion though, I'll keep it in mind.
This isn't a link to a video but just a recommendation to consider when getting into the IEM hobby.
Buy a couple of cheap chi-fi IEMs and tip roll them. You'll be amazed by the subtle differences ear tips make for comfort and sound. And just tip roll to find out what you like or dislike. The best part about this hobby is finding out what sounds best for you!
I have bought IEMs that have been hyped so much and been disappointed when the sound didn't blow me away like people said it would. I now have 5 pairs of sub $50 IEMs (KZ ZSX, KZ ZS10 Pro, CCA C12, Tin T2, and Blon 03) and it has been fun testing out combinations of tips and IEMs to suit my taste.
I've not been disappointed in how gear sounds in the last 5 years or so. Things have gotten so good you can spend minimal money and get really good sound. I've tried tons of stuff in the last year and really eveything sounded really good. There are some differences in tuning and of course power but the basic sound was excellent.
So, I buy on features and what suits me most of the time. I don't worry about measurements, eveything these days measures very good. Best thing is to try stuff for yourself, if YOU like how its soubds - that's all that matters.
I love your comment about science and its oversimplification by news and media. I myself am a scientist and teacher with a doctorate in environmental science and see corrupt data in audio, media, politics, all the time. Real measurments and accurate interpretation of results needs peer review and scrutiny before being published. The audiophile community needs to become more scientific in their pursuit of data.
I'm an electronic technician, and I agree with you 100%.
Hello, I followed your advice on westone earbuds and I bought the W40 ( less expensive ones) and I love them. They are exactly what I was looking for: under $200, very thin extremity that goes right were is is needed and a pretty thick noise canceling eartips that are perfect to ride, away from the loud roar of my motor cycle. They provide a rich bass and treble sound. Not a 3D sound but it was not what I was looking for for this purpose . You made my day master headphones. Thank you VERY much.
Agree, and it is a very tough jungle for non audio hobbyists to navigate. Funny I got way down the rabbit hole when I first started and ended up with a ton of unused gear. It's very difficult when you jump headfirst, but then when you stop and ask the simple question *What do I want/use day to day* . I don't regret all the gear that gathers dust, may use it one day but WOW does it take some personal use to really know yourself and your own needs. Some of the cheapest stuff I have are my fantastic goto gear Hahahahaha. However now I wait a week or two after seeing a rave review to decide *Do I want that ? * Usually not when I ask *What for ?*..............
I wish people would mention the names or link to that place is because I don't know who to watch out for.
Basically, watch out for people being a-holes, places where only one kind of opinion is tolerated and not any opposing it, or criticism of the owner's opinions isn't allowed.
There isn't just one place it's progressed to a mindset unfortunately, there is a backlash starting but it's in danger of going too far the other way. Subjective interpretation of audio is In effect mainly personal, objective interpretation of audio is beyond our current understanding but their are some that think a measured narrow set of empirical values can be extrapolated into what sounds good and bad. The later objective isn't that bad a thing to use to HELP form an opinion on something but not if it's biased or presented as a complete analysis. Don't worry about what the specific sites are, just look for the behaviour mentioned here, and, remember trust should be earned not given but also everyone has a bad day. Don't write people or views off as a matter of course based on one but when those bad days seem to be the normal day for them, walk away no one is paying you to watch or take notice of them.
Amir from Audio Science Review seems like one of the people he was referring to.
@@Currawong Can you explain your point about cables?
I'd consider myself a bit of an audio skeptic. ie, a lot of stuff is pedaled that makes zero or near-zero difference. I'm open to learning, but cables seem like one of the worst examples of how no real measurable impact provided that they actually function properly, have the right gauge and so on.
I appreciate your directness, and I'll be watching a lot more!
Amir is one of them. Trashing schiit and praising topping… very unfair and those numbers he is talking about, I beat it is all way below human hearing. The only thing we should be lead by is musicality, enjoyment and personal preference of sound signature within price bracket we can afford
My 5 things which make me laugh about audiophilia
1) When you see folks on headphones forums having 20,000+ posts written... its clear people have gadget fetish. In most cases its ego and love for things not for MUSIC ;)
2) The science of acoustics is often totally lost. For example, the acoustic engineer Tomasz Rogala who also makes his omnidir. speakers does not even bother to advertise and cannot cope with demand, he says audio magazines are simply BS. Audio dealers are mostly full of crap, which is natural. Like medical doctors, all they care is $ALES and money not the quality of the thing they sell or how to match the customer with the product.
3) $100k speakers or $20k DACs dont enrage me:) But $2k antivibration sets, when you can DIY a similar one for $5 to $50...
4) Marketing and ideologies over FUN and science. But thats in every field now.....
5) Audio gear should absolutely reproduce as wide freq. spectrum as possible and transmit it to your listening space evenly across frequencies - this last requirement is very often NOT MET.
1) Those people have a FORUM and EGO fetish. They've not just gone past the music, they've gone past listening to gear and spend the bulk of their time typing arguments into forums and making sure no one dares disagree with them. Worse, they infect the forums of EVERY hobby.
It's really too bad they won't acknowledge their hobby because both they and we would be happier if they formed an uber-meta-forum of forum haters, bullies, trolls, professed experts, and self-appointed 'guy in charge of everyone and everything' and created their own forum where they could attack each other on a professional level all-day. They could select a topic at random each day from one of their members' original forums to argue about it would still be easy for them to act confident because the subject isn't important to them. Plus, it'd be an even field because they'd all have the same level of knowledge as now: expert because google.
Audio Science Review is one of the most narrow minded forums ime
How so ?
@@nicktan4530 It's the only audio forum on which people strive to be the first to claim that they can't hear a difference.
@@thanrl-yd9ub Not really? Even when something doesn't measure good I see people talking about how much they personally enjoy the sound of it regardless. Don't misconstrue their logic-forward approach to music as their subjective tastes.
@@HiLoMusic That's literally not what I said
Good points you made, measurements can be manipulated and don't tell the whole story of how something sounds. The primary reason for being involved in this hobby should be enjoyment of music at whatever level you can afford. There is no right way to assemble a good sounding stereo or Home theater. Today there are some really good products that can be had for a reasonable price. But there is also a lot of good used gear that can save you a lot of money. Keep up the good work, thanks
Very good points. I now come to visit those "toxic" reviewers every time I am buying new gears, then avoid anything they recommend, and take a good look at what they trash. Treat them like those "investment analysts" and you will get your money worth.
One thing I totally hate in audiophile community is that people very often thinks that only hi resolution audio is worth listing to. You listening to Spotifi ? Just go away king of BS.
In my opinion hi res music- let say 24 bit 96 kHz can be very badly mastered/recorded while 16 bit 44 kHz music can be very well mastered/recorded. And on top of that I dare anybody to go and AB test themselves if they can spot the differences between 320 kbps MP3 and FLAC because I personally can't hear any difference whatsoever in ABX test between 16 bit/44kHz FLAC, 24 bit 96 kHz FLAC and 320 kbps MP3 all made from same 24 bit 96 kHz FLAC file.
If you wonder what equipment I have then here you go DAC: Topping D10 ->AMP FiiO K5 ->HP Beyerdynamic DT880 Premium 600 Ohm so pretty resolving I would say. And my hearing is just fine.
@Mr Do 16 bit 44.1 kHz is CD-Audio standard . But people go for DACs with 32 bit 768 MHz for absolutely no reason at all. At least DSD isn't as big BS because you can actually find some music in it and because of different method of coding there is small difference in sound. I would say its better, just a bit different.
If anything, you are too charitable when it comes to measurements. The methodology behind the measurements is usually totally lacking. Thus, no one is able to verify the quality of the presented measurements. Worse still, there is no statistical control. There is zero acknowledgement of the uncertainty in the method used to perform the measurements. I miss Tyll Hertsens because he explained how much time it took him to perform headphone measurements, in part, because of the physical tweaking he had to perform to get consistent and reliable results. For example, I recall his saying that slight differences in ear cup placement and/or seal could make significant differences in his measurements. If this was true for Tyll, even with all of his experience, imagine how much greater the problem is for the average Joe at home. And, this all assumes there is no ill intent . . .
Good point. Jude pointed this out too on Head-Fi, how even a small change in positioning and clamping force on different rigs could have a very significant effect on the measurement.
I am hugely missing Tyll.
My impression is Currawong was talking a lot more about electronics measurements, which are standardized when run on proper testing equipment, and not headphone frequency response. Most of the reviewers now that show frequency response graphs include the disclaimer that it is only meant to be relative to their own measurements, and are not 'absolutes'.
So could a more expensive optical cable change the sound?
There have been cases where a generic Amazon cable could allow the DAC to lock on to 192k, but not an expensive one. I really wish that I had the equipment to test this kind of thing and find out what is going on.
@@Currawong odd. But at least that's feasible I guess.
Most available toslink receivers aren't rated to 192khz despite what dac manufacturers might claim. Toshiba was the last manufacturer to leave the toslink receiver market that sold a guaranteed 192khz optical receiver and that was about ten years ago. So in this case a cable could make a difference because its an edge case where the receiver is right on its functional limit at 192khz so a cable can make or break it
I'll just say that here in the US there is an obsession in young men to be assholes to other people online and unfortunately this behavior reaches to the very highest level of our society.
Hello, I see these funny tube rings around the tube itself in the background. It's not the first time I see this, how does it change the sound? Just curious. Sorry if this has been asked before.
They absorb micro vibrations. With some amps they can improve the sound, but it isn't consistent.
@@Currawong the bigger the tube the most obvious the effect I would widely guess. thanks for the update
Interested in more info about point 3. Especially with false measurements.
Atomicbob wrote about it. Search for "Lies, Damn Lies and USB DAC technical measurements"
@@Currawong Thanks. Any actual examples of such manipulation in practice?
@@DBSTH0R Currawong is too polite to say so specifically but he's largly talking about Amir at Audio Science Review and he's extremely sloppy measurements of Schiit products.
@@Farengast I get the politeness. And have read a review or two of Schiit products on Amir's site / forums. I got what I needed from his site, and many other reviewers like Currawong and am thus forming my own oppinion.
I was simply asking for an example of mentioned measurement manipulation. Be it from Amir's site or elsewhere.
@@DBSTH0R There's many examples but the best is to simply compare the official Audio Precision reports which Schiit posts on their information pages for their bifrost and Yggdrasil DACs to what Amir posts in his reviews on ASR. This is keeping in mind that Amir's test bench equipment is made by Audio Precision. Also worth mentioning that it's not a matter of professionals getting better results than an amateur as lots of other amateurs got results similar to AP on their own test benches. The only outlier is Amir, and his reasoning for this (not even joking here) is that he knows how the AP test bench works better than the people who built it do. The guys on SBAF certainly couldn't be confused for being mature and sober-minded about everything, but they take issue with Amir's shady process and post lots of examples of chart manipulation or testing errors that Amir does (seeming only to Schiit products) whilst generally doing the opposite for Topping (i.e. omiting unflattering results). But like I said, you don't have to trust a different set of randos on the internet in SBAF, you can check the AP reports on Schiit website.
This was a welcomed honest take on some of the things I have noticed at places like headfi and audioscience forum. By and large headfi is a terrifc cummiunity with a lots of great helpful people. It's supposed to be a nice resource for some of us potentially interested in a new amp, dac, headphone etc. Sometimes when i go researching on a piece and you get to reading page after page wondering if some folks have other agendas. You sometimes see some great respected gear sorta ripped on. So anymore I just use that as one of many things to consider for future purchases. Guessing your rant is at aipudioscience forum. I made the mistake of reading on gear I was interested in only to be ripped on. The if it don't measure good, it's not a good sounding or piece of gear. I have seen more than one reference to them using fancy expensive measuring equipment and misleading folks with those measurements. And this was brought up by folks that do this for a living....not a hobby. I say leave the measurements to the experts ! I have seen those toxic folks that only believe in what they want and can't be shown or proven otherwise. Some folks with very closed minded thinking. Opinions are fine in this subjective hobby but folks like this don't do our tiny nitch hobby any favours if we're trying to grow it. Can you imagine a newbie walking into something like this trying to learn something? It's easy to say and do this stuff from behind a smartphone. Makes you wonder if they care or even aware of the damage they do.
aipudioscience forum ? Typo?
One of the best videos I've seen for promoting our hobby. This should be required viewing for all newcomers.
Arguing what sound better is like arguing what colour is better. It depends on personal taste.
Not really, there are standardized, physical reasons why one might lean towards one versus another.
Are you for real? Blue is the best
Did you ever find out what was wrong with that cheap optical cable that sounded worse than the more expensive one? I find this topic interesting and frustrating because the theory does tell us that for digital signal transmission the only concern is signal reliability (it gets to the destination or not) but not signal degradation like in the analog realm. Coax optical cables are vulnerable to interference given their materials, but Toslink ones don't have such issues (their only downside is not allowing longer runs as efficiently as coax). Perhaps problems are more due to quality control issues of individual cables rather than merits of more expensive construction.
There is absolutely undoubtedly no difference between the toslink ones. He is crazy.
@@Tesseract9630 I pinned a comment on it, since a bunch of people asked. Back then, 10 years or more ago, DACs were poor at dealing with jitter, and optical connections have extremely high jitter. It's not an issue now. That was not the point though. The point was not to assume anything out of ignorance of how the technology works.
@@Tesseract9630 The facts are pretty clear here. Signal jitter does effect DAC performance in measurable ways. Toslink has more jitter than any other common consumer digital audio specifications. Older DACs especially did not handle jitter well. Compared to glass fiber cables as used for fiber optic networking, toslink plastic cables are FAR more prone to signal degradation over even short distances. Basically jitter doesn't matter much until it reaches a certain threshold and older DACs and toslink connections basically lived close to that threshold at baseline so a crappy cable could make a big difference. Modern DACs and toslink hardware is better. Also worth noting that pretty much the opposite is true of USB, the cable has virtually zero impact on jitter and even on older hardware the cable doesn't matter at all unless it's a dollar store product that doesn't meet USB spec. USB can have jitter problems also but the source or DAC hardware is usually the problem and not the cable. I also used to assume that digital signals were largely immune to cable interference, the big take away for me was essentially how bad toslink cables are. People think of them in the same way as fiber optic cables running thousands of miles under the ocean and they are not even in the same league. It's the main reason that toslink is largely fading away in modern computer and home theater use.
@@Currawong Toslink and coaxial RCA use the SPDIF format to transmit data, which only uses one signal. In order to keep the receiver in sync with the transmitter, SPDIF uses a encoding technique that combines the audio data with the clock into one signal. The receiver then recovers the clock from this signal. So you see the jitter you are talking about is dependent on dac or you transmitter but not the cable.
@@Tesseract9630 Yes but if you have a baseline high jitter and throw in significant signal attenuation then you can see bits getting flipped. The problem is the entire toslink spec, cables and hardware. It's not a modern digital spec and should be expected to have performance problems of the sort Currawong describes. Just because snake oil companies use jitter as a blanked excuse for all their overpriced trash doesn't mean it isn't real even if it's much less of a problem now. The problem I see is the blanket assumption that optical digital is the gold standard for data transmission therefore this is all nonsense. Toslink is FAR FAR from the gold standard for data transmission due to spec, lack of error correction, and just plain crappy optical cables. It's not magic.
I assume you’re referring to Amir v. Schiit, but he recently gave a great “review” to the Modius. I’m inclined to agree that Amir is sloppy in terms of which measurements he presents, but I’m not convinced there’s any deliberate malice behind it. I think it’s great that someone in the audio press is even attempting independent measurements.
It all started with NwAvGuy and the Asgard incident and ever since people have made it their job to make Schiit look bad this was almost 10 years ago now and people still won't let it go.
This video was inspired by the actions of a number of people, not just one.
Anyways, the modius measures much better than the yggy. But schiit engineers and anyone with several schiit dacs will probably tell you the yggy sounds better?
Regarding schiit, I understand also they had poor wiring that could be potentially dangerous. This was called out by asr, which I don't think is a bad thing. The upside, all the new schiit gear measures pretty good to great. I'm not 100% about measurements but some objective quantifiers are important.
What's the consenous about audio gd once the measurements came out bad?
manish maharjan Measurements are a guide for engineers but don’t tell whole story - just because a DAC measures “well” does not mean it sounds better. I remember reading an article of somebody criticizing a DAC because it measures “poorly” but didn’t bother to listen to it😳. More than one respected developers in the industry have confirmed that measurements does not mean sound quality.
Do you have any well-mastered music recommendations?
Sorry this is very off-topic.
The two best pieces music that I have for discerning the quality of any audio gear is music from phantasy star universe and the halo soundtracks, The halo soundtracks will really test your systems dynamic expression and ability to portray colour. Phantasy star universes soundtracks have a special place in my heart. And I yearn to find a piece of audio gear that can truly bring out the best from these pieces of music. Listening to music from phantasy star universe and the series itself is actually what propelled me into wanting to get high end audio gear to listen to my music.
Audiophiliac recently posted a small cache of free music that is mastered well and intended for good listening conditions. I didn't actually like any of the music, but definitely mastered well :)
This is a Internet Societal issue to me -- too many poison pills out there.
On the same boat here. Getting bored with some forums and reviews (actually not even missing watching some of them), because of the defenders and attackers of "this file format v. streaming", "why buy multi thousand $ gear to use with streaming", "this product is the best of the world, the other are sht."(but some times, when asked if they even have or tried the product, they never did, is just about graphs and others impressions).
What is important is have fun on different ways, try by oneself and find the flaws and goods of different products, what I like, what makes my songs and experience better.
For the most part, I attempt to avoid the very type of forum members and reviewers fitting your descriptions. I loathe some of the advice I've received from the toxic types. I enjoy those who, like you, attempt to provide a more relative comparison to other products and allow the individual to make a choice which suits their needs as everyone's needs (and ears) are different. I respect those who may have their personal preference but understand why another may chose differently.