What a result, quite beautiful, loved it. At first I thought you were taking an unnecessary amount of time in the set up but then I began to realise what was happening and understood the work that you put in, the image turned out great. Thank you, I learned a lot from this👍😁
Would it have been easier to do the last fine tuning of the amount of light by changing the camera diaphragm instead, in steps of 1/3, the influence on DOP is small
The white base layer in Photoshop just adds a little more control. In this case, with a white background, it is possible to do without it. Thanks for watching.
When you measure the luminosity of the channels in Capture One, you are measuring eight bits per channel. Your camera is probably recording 14 bits per channel, it's these extra bits that enable you to "recover lost detail." 255 is the maximum you can record in eight bits (the other value, 0, is "nothing visible.") With six more bits, you have 16384 values of "something visible." You can go a little further than 255,255,255. In Ps, you can work in 16 bits/channel and I think) 32 bits/channel. My BenQ monitor supports 10 bits/channel (your billion colours), but my video card does not, so I can see about 24 million colours. I am confident that you can set the three channels all the 255 with no bad consequences. But barely, one step above 254 in each channel. If capture One displayed 14 bit colour, 16383 would be your maximum. At export time, you're back to 255,255,255 in anything displayable on the internet.
Thank you so much for this tutorial. You are an excellent teacher and I appreciate you very much!
Thanks for watching!
Very clever!! I am going to have to give this a try! Thank you so much!!
You are so welcome!
Thank you ! That was very useful !
Glad it was helpful!
Thanks for sharing.
Thanks for watching!
What a result, quite beautiful, loved it. At first I thought you were taking an unnecessary amount of time in the set up but then I began to realise what was happening and understood the work that you put in, the image turned out great. Thank you, I learned a lot from this👍😁
Thank you! Cheers!
Amazing videos, I'm learning tons about lighting and it has helpmed me with my 3D rendering work tremendously!
Great to hear!
Thank you so much for all of your videos!
Glad you like them!
Great show once again Prof
Thank you.
best channel
Thank you
Exzellent! Thank you
Glad you liked it!
Thank you. I love it !!
I'm glad you like it
Amazing video! Is are there some cheaper equivalents to the B1X + 4 foot softbox combo you would recommend?
You could try Godox studio flash and Photax modifiers, let me know how you get on.
@@CameraClubLive Thank you
Great job!
Thank you! Cheers!
Thanks againnn .. help me a lot.
Happy to help
👍
Nice tutorial.
Many many thanks
Would it be possible to use continuous lighting
Yes, the principle is the same whether you use continuous, flash or even daylight.
Would it have been easier to do the last fine tuning of the amount of light by changing the camera diaphragm instead, in steps of 1/3, the influence on DOP is small
I just find it simple to change the flash.
The flowers were photographed on a white background. I don't understand the need for the extra white base layer.
The white base layer in Photoshop just adds a little more control. In this case, with a white background, it is possible to do without it. Thanks for watching.
When you measure the luminosity of the channels in Capture One, you are measuring eight bits per channel. Your camera is probably recording 14 bits per channel, it's these extra bits that enable you to "recover lost detail."
255 is the maximum you can record in eight bits (the other value, 0, is "nothing visible.") With six more bits, you have 16384 values of "something visible." You can go a little further than 255,255,255.
In Ps, you can work in 16 bits/channel and I think) 32 bits/channel.
My BenQ monitor supports 10 bits/channel (your billion colours), but my video card does not, so I can see about 24 million colours.
I am confident that you can set the three channels all the 255 with no bad consequences. But barely, one step above 254 in each channel.
If capture One displayed 14 bit colour, 16383 would be your maximum.
At export time, you're back to 255,255,255 in anything displayable on the internet.
Thank you for your comments. All comments help to grow my channel. Thanks for watching.