Dear Massimo, I have no idea how you could do this much better. I've watched and listened to your performance at least twenty times and will do that again and again.
Very challenging. It also helps if you have something of an appreciation of Ginastera's works in unravelling Keith Emerson's construction of this work. The Spanish composer had a great influence on Keith's performing and writing. You can hear it in Massimo's performance. Brilliant playing! Keith would be really happy and delighted to see and hear this treatment of his music.
Marvelous! For some reason, the thought that comes to mind is back in the late 60s and early 70s there were reviews of ELP I think in Stereo Review magazine. The critics seemed to never acknowledge Keith Emerson and his brilliance. One adjective they never seemed to tire of was "pretentious". Emerson's work has stood the test of time and Tarkus has shown those critics to be ignorant and "pretentious".
I can understand what they mean... but there are very vfew pieces of music and more specifically prog pieces that are so expressive and full of emotion as Tarkus is. Keith's playing really was incredible. I'm more a Yes person, but Tarkus is seriously something incredible.
Yes (70s), King Crimson, and Gentle Giant are my favorites prog bands, not that I don't love the many others of that time period, that being said Emerson is my all time favorite keyboard/piano player of all time, so that says a lot.
@@Cobalt985- I used to listen to Keith and Rick. Rick did not stick. 🤷♂️ Really fun to watch these 'new' interpretation I've never known existed through the decades! Oh, Keith was DEFINITELY pretentious. But they sounded like they thought that was a 'Bad Thing.'
There is everything of Keith Emerson's art here. There is his jazzy side,there is Bach's fugato,there is Ginastera,Gershwin....one of the classic of modern music. Thank you Massimo.
I can't believe this! The mastery of not just the notes but the nuances of this man's playing is unbelievable! But his understanding of the acoustic piano and it's timbral qualities are unmatched! I can't believe it but he gets the piano to gather every bit of acoustics you would ever want to hear come from a piano. Very few people can do this! His separation of notes and registers to create an acoustic sound , that is solid whether he is running heavy atonal ostinato bass lines against lightly articulated Melody's in the right hand but his acoustics, are beyond belief! I'm thinking 12 microphones but I'm betting 3 maybe, this is not a man who would know how to Mic a piano to achieve those acoustic sounds. HE IS CREATING THE SOUND IN ONE OF THE FINEST PERFORMANCES I HAVE EVER HEARD! Heard is the key word here! Emerson's music is always visual when played, Keith crafted it as such. Keith's music is always laced with little side thoughts of musical ideas which seem to come from nowhere, but somehow fits together perfectly to the whole! This was a virtual transition to a piano piece period. Keith wrote it knowing the trio would tackle it, but I can't believe even Keith knew the harmonics so beautifully milked the piano for every possible string harmonic that sounded sympathetic vibrating overtones and had that piano fing humming! O. M. G. ! I am dumbfounded! Technique wise, and because of the brilliant Acoustic sounds this man is a better acoustic piano player then Keith. I know a little about playing the piano! Keith was never " Playing anything!" He was deadly serious! But this guy has an understanding of "Acoustics!" He made the piano literally Vibrate off the stage! He probably never could compose a piece like this. Nobody could! But his mastery of the acoustic piano was unbelievable TO HEAR! INCREDIBLE!
Yeah a few people commented on my comments. So I said let me check! I was right! I've been playing piano 40 years. I play something and the piàno will reveal things when I listen to the recording that only the piano knows. It just happened. The sound board, the body, the resonance. But I do not have a clue how it happens. It's why the piano is such a wonderful instrument. This was like a professional race car driver, drafting, clutching , braking , giving it gas, letting up, laying into turns, this was whole different ball game. I'm kinda along for the ride! Nuance and Acoustics! Unreal!
I have listened to this wonderful piece for 47 years This is the second best I have ever heard - Keith’s was obviously the best but Massimo, this is so close. RIP Keith Emerson
Tarkus pushes any pianist to their limits and is extremely difficult to perform. You do it in an admirable and exceptional way. I also like Jordan Rudess' interpretation of it. Thank you for sharing your great talent with us.
I totally agree; Massimo Bucci wonderfully captured the very essence of Keith Emerson's Music; one of the greatest ever "Progressive Rock" piece of music. Congratulations from a ELP French fan!!!
How did he do it Massimo? How did this brilliant kid _KNOW_ how to compose such an amazing piece without much formal training? He had a signature sound! He had _small_ hands! God blessed him ......and his generation with such a gift!! l thank God that my father was into jazz, like Oscar Peterson, and Weather Report, and all the other jazzers! When l was 14 some friends were into 'Zeppelin'' and 'Stones ...blah blah. But l found these 3 bands 'Genesis, Yes, ELP,' and from then on new friends found me! Most were guys, and all were musicians! l just wonder how one little Keith could know and play without any training, and have such a _powerful_ presence?
Haha... Stones. Stones are important to me for one reason: they were the cause of the explosive debut of King Crimson, an incredible band! Can't imagine the Rolling Stones could have ever topped anything at all KC played on that stage... they're just not even in the same universe.
@@Cobalt985 I’m not a rolling stones fan by any stretch but I wouldn’t diss them. They’re still a great band but just different to the progressive music I’m more interested in.
Nothing wrong with Zeppelin whatsoever. Great music is great music. Why down one to lift another? Both ELP and Zeppelin were/are great bands. And there was a mutual appreciation society between Page and Emerson.
Actually, Keith did have significant formal training and had studied music theory and many scores. He had both a sensitive ear and a perceptive, well-trained mind. The training wasn't wasted on him, clearly. Emerson came back with works of genius.
Keith Emerson and Greg Lake forever between us! Wonderful theme, with elements of jazz, erudite and rock! Music has the power to keep alive the presence of those who conceive a work that touches millions of hearts! As long as there are musicians who play the music of the great musicians/instrumentalists it will keep them alive forever ...
Dal 1971, Keith emerson è diventato una parte importante della mia vita di musicista. Anche grazie a lui, decisi che da grande avrei fatto il musicista. Ascoltai per la prima volta Tarkus alla radio (programma "per voi giovani") e ne fui conquistato totalmente. Da allora, chissà quante volte lo avrò riascoltato. In questi ultimi anni la mia attenzione verso la sua musica è molto cresciuta, tanto che ho aperto questo canale di You Tube principalmente per riproporla, in versione pianistica. Spero di onorare la sua memoria con questa mia esecuzione di Tarkus, per quanto imperfetta, e soprattutto con altre mie future esecuzioni. Viva la musica di Keith Emerson.
+Massimo Bucci Maestro Bucci, il suo arrangiamento porta onore a Emerson. A parer mio, è la miglior versione che finora abbia ascoltato. Anzi, è così accattivante che attira anche NON fanatici assoluti del rock progressivo come me. Così, ho deciso, pur nelle mie limitate capacità di dilettante, di studiare Eruption. Sempre su YT ho trovato lo spartito, che ho utilizzato come base, e dalla sua versione cerco di aggiungere i suoi arrangiamenti. Eng: Maestro Bucci, your arrangement brings honour to Emerson. To me, it's the best version I've ever heard. Actually, it's so charming that captures even NOT absolute fans of progressive rock like me. So I decided, though being not very skilled, to study Eruption. On YT I found the score, that I'm trying to enhance with your wonderful arrangement from your clip.
+Massimo Bucci E' stato anche il mio compagno per tutta la mia adolescenza, il mio mito e mi dispiace ancora di più che sia morto così. La tua esecuzione è una bella testimonianza di amore, complimenti. Sarebbe bello sentirti anche in un gruppo che possa risuonare gli ELP.
When I was 14 in 1970 I discovered the music of Zappa and the Mothers of Invention, their best albums were "Uncle Meat", "Weasels Ripped my Flesh", "Burnt Weeny Sandwich" and Zappa's solo album "Hot Rats" and they were released in only 2 years, 1969 & 1970. In 1971 I heard ELP's Tarkus and now I had two musical heroes, Zappa and Emerson. I learned guitar because keyboards back in those days were expensive and hard to move if you wanted to play in a band. I went to College to study music theory and would play the pianos in the practice rooms as much as I could. In 1973 Zappa published a book of musical scores of a lot of his greatest and well know pieces. I had for years wished I could get a score for Tarkus and in 1983 Keyboard Magazine delivered my wish, the score for "Eruption" from "Tarkus" was finally available. But learning it took a lot of practice. My piano playing and reading skills improved several months later and I discovered a lot of the reasons why I loved Emerson's and Zappa's music so much: the use of a lot of fourths, fifths, inversions of suspended fourth cords which is used extensively in Eruption. The opening ostinato is a series of arpeggio suspended 4th 2nd inversion cords. (3 notes with a fourth stacked over another fourth) Zappa uses this in a lot of his pieces, i.e. "Legend of the Golden Arches" from " Uncle Meat". Zappa and Emerson used what I believe is the 4th inversion of the suspended fourth cord which is stacked 5ths, e.g. C-G-D, which makes a sus. 4th cord sound more interesting. Also using staked 5ths on top of staked 5ths in another key will create a lot of harmonies that sound incredible. Emerson and Zappa were the greatest composers to come out of Rock in my opinion. From studying and learning my favorite pieces from these two Masters on piano I was able to find out why their music was so interesting. I know my explanations of their music may not all be technically correct. But I hope this helps other musicians who want to know why Zappa's and Emerson's music is so great. Thanks for reading.
I was believing that the perfection was not exist , but I see that I was wrong. Massimo you're the better successor to transmit the legacy of Keith Emerson. ( sorry my english is not perfect and my italian is worst)
Bravissimo!!! Meravigliosa!!! Tarkus è una vera e propria droga. Riesco ad ascoltarla anche 3 - 4 volte di fila e non mi annoia mai. Viva il Progressive Rock, Viva la Musica!!!
It's always great to hear people playing Emerson, Lake and Palmer. UA-camrs may also enjoy listening to Rachel Flowers playing Tarkus on piano ... blind.
Absolutely brilliant!! Thankyou Massimo - you have SUCH a talent (and you do very great honour to Keith Emerson, Greg Lake & Carl Palmer). Hopefully this silences those stupid critics who did not believe that this music has great worth, longevity and great distinction.
I most of listen to the real thing from Emerson Lake & Palmer a thousand time but I have to say that this version of Tarkus is best I heard for a long time enjoy???
Bravísimo lo tuyo Massimo!!!!, exquisito pianista, un lujo poder escuchar todas estas piezas de antología interpretadas por ti. Gracias totales, por darnos esta música tan grande de grupos excepcionales, que serán los clásicos de los años venideros, para las nuevas generaciones.
Wow! I am speechless! You my friend are a monster on the keys. The work that you must do to learn these pieces must be long and intense. I would never have the patience to do something like this. I guess I am just a different type of player more on improvising and in the style of Liz Story and George Winston but to play like the late great Keith Emerson wow!! Keep up the fantastic work.
Ho visto il video per intero un'altra volta e non posso non lasciare un altro commento. Questa performance è spettacolare in tutto, dall'arrangiamento all'esecuzione. Veramente incredibile.
Bravo!! Just finished listening to this interpretation for the first time! You are a master sir! I have been listening to this for almost 45 years, I've loved since the first listen-iconic!
Bravo, lots of skill and a appreciation of a great musician. Love watching the dexterity of 2 hands working in unison and seperately to produce a classic piece of music. Thank you ⭐⭐⭐⭐⭐
The more this video is watched and enjoyed, the greater is my desire to better play this great music. Thank You.
Tarkus I know for 40 years. And still I listen for the first time.
Thank you.
Dear Massimo, I have no idea how you could do this much better. I've watched and listened to your performance at least twenty times and will do that again and again.
I`m interested to know as a musician but not a pianist how difficult is keith emerson`s music for say classical pianists,it sounds incredibly complex
Emerson's music is quite challenging also for a classical pianist
Very challenging. It also helps if you have something of an appreciation of Ginastera's works in unravelling Keith Emerson's construction of this work. The Spanish composer had a great influence on Keith's performing and writing. You can hear it in Massimo's performance. Brilliant playing! Keith would be really happy and delighted to see and hear this treatment of his music.
I'm crying right now. Keith would love to hear this.
I'm crying too. It's unbelievable. Thank you Keith, grazie Massimo
Eyes moist with appreciation . Bravo !
I think you've captured the right mix of Classical and Jazz that is Emerson's compositional style.
Marvelous! For some reason, the thought that comes to mind is back in the late 60s and early 70s there were reviews of ELP I think in Stereo Review magazine. The critics seemed to never acknowledge Keith Emerson and his brilliance. One adjective they never seemed to tire of was "pretentious". Emerson's work has stood the test of time and Tarkus has shown those critics to be ignorant and "pretentious".
E x a c t l y !
I can understand what they mean... but there are very vfew pieces of music and more specifically prog pieces that are so expressive and full of emotion as Tarkus is. Keith's playing really was incredible. I'm more a Yes person, but Tarkus is seriously something incredible.
He was so good they were jealous.
Yes (70s), King Crimson, and Gentle Giant are my favorites prog bands, not that I don't love the many others of that time period, that being said Emerson is my all time favorite keyboard/piano player of all time, so that says a lot.
@@Cobalt985- I used to listen to Keith and Rick. Rick did not stick. 🤷♂️
Really fun to watch these 'new' interpretation I've never known existed through the decades!
Oh, Keith was DEFINITELY pretentious. But they sounded like they thought that was a 'Bad Thing.'
Do your neighbors complain that you don't play often enough? This is just so awesome. I love love love it.
There is everything of Keith Emerson's art here. There is his jazzy side,there is Bach's fugato,there is Ginastera,Gershwin....one of the classic of modern music. Thank you Massimo.
I can't believe this! The mastery of not just the notes but the nuances of this man's playing is unbelievable! But his understanding of the acoustic piano and it's timbral qualities are unmatched! I can't believe it but he gets the piano to gather every bit of acoustics you would ever want to hear come from a piano. Very few people can do this! His separation of notes and registers to create an acoustic sound , that is solid whether he is running heavy atonal ostinato bass lines against lightly articulated Melody's in the right hand but his acoustics, are beyond belief! I'm thinking 12 microphones but I'm betting 3 maybe, this is not a man who would know how to Mic a piano to achieve those acoustic sounds. HE IS CREATING THE SOUND IN ONE OF THE FINEST PERFORMANCES I HAVE EVER HEARD! Heard is the key word here! Emerson's music is always visual when played, Keith crafted it as such. Keith's music is always laced with little side thoughts of musical ideas which seem to come from nowhere, but somehow fits together perfectly to the whole! This was a virtual transition to a piano piece period. Keith wrote it knowing the trio would tackle it, but I can't believe even Keith knew the harmonics so beautifully milked the piano for every possible string harmonic that sounded sympathetic vibrating overtones and had that piano fing humming!
O. M. G. ! I am dumbfounded! Technique wise, and because of the brilliant Acoustic sounds this man is a better acoustic piano player then Keith. I know a little about playing the piano! Keith was never " Playing anything!" He was deadly serious! But this guy has an understanding of "Acoustics!" He made the piano literally Vibrate off the stage! He probably never could compose a piece like this. Nobody could! But his mastery of the acoustic piano was unbelievable TO HEAR! INCREDIBLE!
Yeah a few people commented on my comments. So I said let me check! I was right! I've been playing piano 40 years. I play something and the piàno will reveal things when I listen to the recording that only the piano knows. It just happened. The sound board, the body, the resonance. But I do not have a clue how it happens. It's why the piano is such a wonderful instrument. This was like a professional race car driver, drafting, clutching , braking , giving it gas, letting up, laying into turns, this was whole different ball game. I'm kinda along for the ride! Nuance and Acoustics! Unreal!
I have listened to this wonderful piece for 47 years This is the second best I have ever heard - Keith’s was obviously the best but Massimo, this is so close. RIP Keith Emerson
Thank You Angela :-)
Thank you all for the nice comments and likes. I feel gratified, flattered and encouraged.
Gets better every time I hear it
I'm actually kinda surprided that this is possible and wondering how his arms aren't too sore to keep going. This is amazing
Tarkus pushes any pianist to their limits and is extremely difficult to perform. You do it in an admirable and exceptional way. I also like Jordan Rudess' interpretation of it. Thank you for sharing your great talent with us.
We will miss you, Keith Emerson. RIP
The greatest piece of music ever written by the genius that is Keith Emerson, and you nailed it Massimo. Spectacular
I totally agree; Massimo Bucci wonderfully captured the very essence of Keith Emerson's Music; one of the greatest ever "Progressive Rock" piece of music.
Congratulations from a ELP French fan!!!
Minh Tam this and pirates never leave my playlist
the best is subjective, but one of the pieces ever written is true
Emerson era um gênio. Este pianista vibra na mesma frequência. A beleza nos salvará.
The way you play is scary, man haha. You're a genius!
C'è Bach e c'è Emerson e c'è Massimo Bucci che lo onora interpretandolo.
This is absolutely phenomenal, The dexterity and the complexity level of Tarkus is beyond measure!! You nailed it! Amazing Bravo!!
Great solo piano interpetation. Shows what an absolutely great composer Keith Emerson was.
How did he do it Massimo? How did this brilliant kid _KNOW_ how to compose such an amazing piece without much formal training? He had a signature sound! He had _small_ hands! God blessed him ......and his generation with such a gift!! l thank God that my father was into jazz, like Oscar Peterson, and Weather Report, and all the other jazzers! When l was 14 some friends were into 'Zeppelin'' and 'Stones ...blah blah. But l found these 3 bands 'Genesis, Yes, ELP,' and from then on new friends found me! Most were guys, and all were musicians! l just wonder how one little Keith could know and play without any training, and have such a _powerful_ presence?
Keith was a genius.
Haha... Stones. Stones are important to me for one reason: they were the cause of the explosive debut of King Crimson, an incredible band! Can't imagine the Rolling Stones could have ever topped anything at all KC played on that stage... they're just not even in the same universe.
@@Cobalt985 I’m not a rolling stones fan by any stretch but I wouldn’t diss them. They’re still a great band but just different to the progressive music I’m more interested in.
Nothing wrong with Zeppelin whatsoever. Great music is great music. Why down one to lift another? Both ELP and Zeppelin were/are great bands. And there was a mutual appreciation society between Page and Emerson.
Actually, Keith did have significant formal training and had studied music theory and many scores. He had both a sensitive ear and a perceptive, well-trained mind. The training wasn't wasted on him, clearly. Emerson came back with works of genius.
Keith Emerson and Greg Lake forever between us! Wonderful theme, with elements of jazz, erudite and rock! Music has the power to keep alive the presence of those who conceive a work that touches millions of hearts! As long as there are musicians who play the music of the great musicians/instrumentalists it will keep them alive forever ...
simply AMAZING
wow ! you need to call Palmer and Lake and tell them you wanna do a unplugged with them thank you for putting it on up here
This is one of the finest renditions of this piece.
Conosco Tarkus a memoria e questa tua versione per piano solo centra in pieno lo spirito della musica di Emerson.
Bravo Massimo!
🇮🇹イタリア語ですか。
Bravo Keith Emerson, Bravo Gregory Lake, Bravo Carl Palmer, Bravi Emerson Lake & Palmer!!!!!!!!
centra pure qualsiasi nota possiamo ricordare a mente
E' morto Keith Emerson. Sono incredulo e addolorato.
Dal 1971, Keith emerson è diventato una parte importante della mia vita di musicista. Anche grazie a lui, decisi che da grande avrei fatto il musicista.
Ascoltai per la prima volta Tarkus alla radio (programma "per voi giovani") e ne fui conquistato totalmente. Da allora, chissà quante volte lo avrò riascoltato.
In questi ultimi anni la mia attenzione verso la sua musica è molto cresciuta, tanto che ho aperto questo canale di You Tube principalmente per riproporla, in versione pianistica.
Spero di onorare la sua memoria con questa mia esecuzione di Tarkus, per quanto imperfetta, e soprattutto con altre mie future esecuzioni.
Viva la musica di Keith Emerson.
grazie per la testimonianza, io sono molto più giovane ma anche per me la sua musica ha significato tanto. E complimenti per la splendida esecuzione!
+Massimo Bucci , Iove your Playing awesome what we do with out the creators of such Great Music , Gracis Massimo!
+Massimo Bucci Maestro Bucci, il suo arrangiamento porta onore a Emerson. A parer mio, è la miglior versione che finora abbia ascoltato. Anzi, è così accattivante che attira anche NON fanatici assoluti del rock progressivo come me. Così, ho deciso, pur nelle mie limitate capacità di dilettante, di studiare Eruption. Sempre su YT ho trovato lo spartito, che ho utilizzato come base, e dalla sua versione cerco di aggiungere i suoi arrangiamenti.
Eng: Maestro Bucci, your arrangement brings honour to Emerson. To me, it's the best version I've ever heard. Actually, it's so charming that captures even NOT absolute fans of progressive rock like me. So I decided, though being not very skilled, to study Eruption. On YT I found the score, that I'm trying to enhance with your wonderful arrangement from your clip.
+Massimo Bucci E' stato anche il mio compagno per tutta la mia adolescenza, il mio mito e mi dispiace ancora di più che sia morto così. La tua esecuzione è una bella testimonianza di amore, complimenti. Sarebbe bello sentirti anche in un gruppo che possa risuonare gli ELP.
When I was 14 in 1970 I discovered the music of Zappa and the Mothers of Invention, their best albums were "Uncle Meat", "Weasels Ripped my Flesh", "Burnt Weeny Sandwich" and Zappa's solo album "Hot Rats" and they were released in only 2 years, 1969 & 1970. In 1971 I heard ELP's Tarkus and now I had two musical heroes, Zappa and Emerson. I learned guitar because keyboards back in those days were expensive and hard to move if you wanted to play in a band. I went to College to study music theory and would play the pianos in the practice rooms as much as I could. In 1973 Zappa published a book of musical scores of a lot of his greatest and well know pieces. I had for years wished I could get a score for Tarkus and in 1983 Keyboard Magazine delivered my wish, the score for "Eruption" from "Tarkus" was finally available. But learning it took a lot of practice. My piano playing and reading skills improved several months later and I discovered a lot of the reasons why I loved Emerson's and Zappa's music so much: the use of a lot of fourths, fifths, inversions of suspended fourth cords which is used extensively in Eruption. The opening ostinato is a series of arpeggio suspended 4th 2nd inversion cords. (3 notes with a fourth stacked over another fourth) Zappa uses this in a lot of his pieces, i.e. "Legend of the Golden Arches" from
" Uncle Meat". Zappa and Emerson used what I believe is the 4th inversion of the suspended fourth cord which is stacked 5ths, e.g. C-G-D, which makes a sus. 4th cord sound more interesting. Also using staked 5ths on top of staked 5ths in another key will create a lot of harmonies that sound incredible. Emerson and Zappa were the greatest composers to come out of Rock in my opinion. From studying and learning my favorite pieces from these two Masters on piano I was able to find out why their music was so interesting. I know my explanations of their music may not all be technically correct. But I hope this helps other musicians who want to know why Zappa's and Emerson's music is so great. Thanks for reading.
I was believing that the perfection was not exist , but I see that I was wrong. Massimo you're the better successor to transmit the legacy of Keith Emerson. ( sorry my english is not perfect and my italian is worst)
Bravo!
Per me è musica che potrebbe andare anche in concerti sinfonici come per altro fanno in Giappone. Semplicemente grandioso!
Meraviglia
This has got to rank as one of the hardest pieces of music to play on piano. Really talented pianist. I take my hat off to you
beautiful piano version of Tarkus. The original spirit of the full song has been widely saved
Mon dieu quel talent !!!!!
Keith Emerson SORS DE CE CORP !!!!
😄
Bravissimo!!! Meravigliosa!!! Tarkus è una vera e propria droga. Riesco ad ascoltarla anche 3 - 4 volte di fila e non mi annoia mai. Viva il Progressive Rock, Viva la Musica!!!
Anche io....
Astoundingly beautiful - mister E (of ELP) is sorely missed.
Самый мой любимый концерт. Музыка на века
Fantastic Massimo Keith would have been proud of you!
Massimo sei un grande !!! Keith Emerson sarà contento dal cielo ascoltando questo capolavoro da te, grazie per condividere un lavoro cosi prezioso.
bravo.. we are all lucky men to have covered Keith's stuff
Amazing skill and talent. Bravo! To think Emerson actually wrote this is remarkable. It is genius.
It's always great to hear people playing Emerson, Lake and Palmer.
UA-camrs may also enjoy listening to Rachel Flowers playing Tarkus on piano ... blind.
As a lover of this piece and of ELP I say...magnificent! Thank you for sharing your gift with the world.
Absolutely brilliant!! Thankyou Massimo - you have SUCH a talent (and you do very great honour to Keith Emerson, Greg Lake & Carl Palmer). Hopefully this silences those stupid critics who did not believe that this music has great worth, longevity and great distinction.
I most of listen to the real thing from Emerson Lake & Palmer a thousand time but I have to say that this version of Tarkus is best I heard for a long time enjoy???
Thank You!
i miei vivissimi complimenti. Emerson sarà onorato di avere esecutori interpreti così "con le palle quadrate".
This will be, oned day, and one day soon, classical music. Brilliant!
IS
The best interpretation of Tarkus I've ever heard. What a talented man!
Just wanted to watch eruption but I had to watch the whole 18 and a half minutes. Absolutely amazing.
Today we lost your Hero !and mine Emerson Rest in Peace ! Long live your music , I would go to see you! Massimo Bucci! Awesome display of talent too!
Bravísimo lo tuyo Massimo!!!!, exquisito pianista, un lujo poder escuchar todas estas piezas de antología interpretadas por ti. Gracias totales, por darnos esta música tan grande de grupos excepcionales, que serán los clásicos de los años venideros, para las nuevas generaciones.
Yo tengo 12 años y escucho esto y tienes razón es un clásico y muy bueno por cierto
Mille grazie. Sei fantastico
This is not another cover. Great version. Bravo Massimo.
Uno dei pezzi più belli del grande genio che è stato Keith Emerson. Bravissimo, per suonarlo ci vogliono le palle.
All I can say is WOWWWWWWWWW!!!!! ;) Keith is smiling on you right now!
Wow! I am speechless! You my friend are a monster on the keys. The work that you must do to learn these pieces must be long and intense. I would never have the patience to do something like this. I guess I am just a different type of player more on improvising and in the style of Liz Story and George Winston but to play like the late great Keith Emerson wow!! Keep up the fantastic work.
masterfully done Mr. Bucci.
Rare ! Bravo ! RIP Keith and Greg.
Fresh and fluent. Beautiful interpretation Massimo.
Utterly incredible!
Absolutely incredible - thank you
Whenever I click on this video just to watch the start I end up watching the whole rest of the video, it's too good!
Fantastic is an understatement. Bravo Maestro!
BRAVO! This was incredible thank you.
Just loved it...thank-you so much !!
Absolutely amazing! Great!
perfect. enjoyed listening to this
Brilliant and awsome. This is one of my favorite pieces by ELP. Your intepreteation allows my to discover new things into it.
Thanks.!
Simply majestic!! Thank you!!
Utter brilliant. thanks for posting this.
espectacularmente hermoso!!!
I'm marveled. Great playing
Bloody Marvelous!
¡wow!, simplemente sensacional.
Incredible playing and arrangement of incredible music. Bravo Massimo!
This video starts out 18 minutes and 35 seconds but time stands still while watching Mr Bucci play. Thank you for posting this.
Wow, just Wow!
Thank you! You are completely amazing! Perfect performance of this great great and difficult to play music creation!
Bravo!!! Clean, clear, and faithful to the original in such a way that the genius of Emerson is self-evident.
Absolutely beautiful, loved every bit!!
Ive been watch this video every few days for weeks now. Never tire of the composition, and LOVE the pianist’s style!
you deserve far more recognition - this is a beautiful rendition of a timeless classic!
Ho visto il video per intero un'altra volta e non posso non lasciare un altro commento. Questa performance è spettacolare in tutto, dall'arrangiamento all'esecuzione. Veramente incredibile.
Absolute amazing!!
Magnificent, dynamic range, rhythmic control, everything! Bucci brings out those booming fourths like alien church bells ....
Bravo!! Just finished listening to this interpretation for the first time! You are a master sir! I have been listening to this for almost 45 years, I've loved since the first listen-iconic!
Fantastico, complimenti! Bravissimo
Love it, Love it, Loveit !!
I LOVE THIS, THANK YOU SO MUCH FOR MAKING THIS!
Your playing is just a joy. Thanks for your devotion to putting out such classics to enjoy and inspire.
Thank You Paul
Astounding. You are a master at piano.
BRAVO ! Perfect and so joyful ; )
Absolutely brilliant!
Wow! Really extraordinary and impressive. So surprised to listen to this complete work.
A great progressive rock hit converted in a very difficult piano masterpice.
Bravo, lots of skill and a appreciation of a great musician. Love watching the dexterity of 2 hands working in unison and seperately to produce a classic piece of music. Thank you ⭐⭐⭐⭐⭐
Sustained excellence and perfect execution throughout. Thank you very much.
Very well done sir.. You are extremely talented.. Thanks for posting this.. Cheers...
Massimo, you are a piano god my friend! So much passion and nuance, your playing is insane.
takes me back dude!!
well done
Absolutely stellar!! Bravo!