Forse non la più conosciuta delle opere di Mozart, ma i grandi cantanti ed interpreti qui presenti, nonchè la originale scenografia, hanno saputo portarne a galla lo splendore. Eric Tappy straordinario attore e cantante, insieme a Trojanos e Neblett. 🌹💯
I would have preferred Julia Varady as Vitellia. She sang this role all over Central Europe in the 1970s, and no one was inside the part like she was. Frederica von Stade, judging by her performance as Annio on the Davis recording, would have been far preferable to Anne Howells, and just about any basso one could name would have been better than Kurt Rydl. Of this line-up, only Troyanos was truly worthy of being in the cadt.
1:27:28 TITO (Solo) E pur di chi regna infelice il destino! A noi si nega ciò che a' più bassi è dato. In mezzo al bosco quel villanel mendico, a cui circonda ruvida lana il rozzo fianco, a cui e mal fido riparo dall'ingiurie del ciel tugurio informe, placido i sonni dorme, passa tranquillo i di. molto non brama: sa chi l'odia, e chi l'ama: unito o solo torna sicuro alla foresta, al monte; e vede il core ciascheduno in fronte. Noi fra tante ricchezze sempre incerti viviam; che in faccia a noi la speranza, e il timore sulla fronte d'ognun trasforma il core. Chi dall'infido amico...
Well I thought I had better listen to this as I heard a famous tenor on the radio describe this as his "favorite opera of all time". High praise, and it is Mozart, after all... I will listen to it for a few months and see..
#OTD (30 September) in 1791 the last and most successful performance of _Tito_ (‘Cries of “Bravo!” What a miracle for Bohemia! But indeed I did my very best’-W.A.M.) 💐💐💐
What pains these fine singers must have had to endure when making this bizarre film-- going out on Ancient Roman ruins in 18th century garb in the freezing late hours of night to film scenes of that almost laughable melodrama that Ponnelle preferred. Most of these singers are American natives, so they would have to deal with bad time-skips. However, the grandiosity of the production is well-executed, in my view... especially in the finales of each of the acts. I would have liked a chorus made up of, well... people, though. And ah, 1:32:00, how beautiful!
Musique splendide ,évidemment; hélas,la direction de Levine est ennuyeuse et conventionnelle, comme à peu près tout ce qu'il fait. Il y a tellement d'autres chefs plus intéressants ! Les chanteurs sont merveilleux,-voix célestes et envoûtantes.
@@germanarribas Yes it seems that all the backgrounds here are the original Roman constructions, easily recognizable by the many holes in the walls where the metal "rebar" was stripped out in post-Roman times. The arches in the first duet are mostly crumbling so look original, but at 18:00 we see one that has been neatly repaired with modern brickwork. The serapeum at the Tivoli Villas is classic Roman architecture with its characteristic "oculus". However the crowds of white statues we see at 5:04 and various other times are likely props just added for this performance..?
Помилование Тита Влюбленная в нового императора Рима Тита, Вителлия хочет отомстить ему, когда узнает, что он намерен жениться на Беренице. Затем она обращается к Секстусу, другу Тита, безумно влюбленной в нее, чтобы смонтировать заговор против императора.
Rôle Tito (Titus), empereur romain ténor Vitellia, fille de l'empereur destitué Vitellius soprano Sesto (Sextus), jeune patricien romain castrat soprano Servilia, la sœur de Sextus soprano Annio (Annius), jeune patricien romain mezzo-soprano travesti Publio (Publius), capitaine de la garde basse
This opera is better than it seems it just makes many demands on the ear and the pace is irritating. All of 18th C opera seria is like this. Eric Tappy had a rather ugly nasal voice with a pinched upper voice. That said it’s better like this versus the crooners who often sing this repertoire. His looks and stage presence were a huge part of his career and here he doesn’t disappoint bringing a tall, slim aristocratic deportment. The rest of the cast were quite strong using their voices as lyrically as they could. Troyanos however with her tremulous humane sound worked well leading the rest. She stood out in Mozart as her voice had this emotional quality to it. It works very well here. It is a opera seria so much of it is dull with the occasional melody magic that overwhelms the listener. The plot is of course ridiculous never quite going anywhere with the mezzo trouser role on the run through most of it. The finale is so sunny, beautiful soprano heavy chorus with the dignified triumphant ending to the skies.
I struggle with this opera, and with Idomeneo. There is too much recitativo secco in both, and neither manages to spark into life in the way that the Da Ponte operas do. Haven't been able to identify the thing that Tito's admirers so admire. To me, it sounds like Mozart on autopilot.
Well, one, Mozart may just not be for you. Don't mean to sound like an ass, but some people like him, some don't. But I think that if you like the Da Ponte operas, its a start. For Idomeneo, look at the way he writes for the orchestra. Especially in contrast with his child operas, the quality is unprecedented. There is amazing pathos in the music, like the Act II finale, the quartet, and others. The arias can be a bit long, but just look at their content! This was Mozart's favorite opera he wrote. For Tito, it can be harder to appreciate. I will admit, it took me years to properly appreciate it. Look at the recitative as a craft in and of itself. Hear the life and charm in the arias. _Ah Perdona al Primo_ is what made me change my mind about the work. *Take heed of the simplicity of the opera. Do not view it as a weakness, but as a great strength.* And listen to the moving finale of Act 1!
Nico: Mozart was a dying man. They poisoned him, several times, until he perished. It was an occult ritual. They are using Mozart in their spells to this day. Mozart was coxed into going a demoralising trip with his "friend", Lichnowsky, who then, just before Mozart "died", sued him for travel expenses. They were and still are so jealous and envious of the righteous Mozart, from the time he was a young boy, that they conspired against him and set him up for failure and bankruptcy before he even got started. May they rot in hell.
@@simonkawasaki4229 Thank you for your insightful comments! Very much appreciated. I will take heed of what you suggest and give both of them a fair chance.
Dopo tali capolavori come „Le nozze di Fiagaro“, „Don Giovanni“ e „Flauto magico“ alla fine della sua vita un´opera rigida, piena di vecchi schemi, un prodotto piuttosto commerciale che artistico, assolutamente non degno del genio di Mozat. Errare humanum est.
Yes and no. Some of the music is simply sensational,. Yes, the plot is preposterous and the Opera Grande style dead even in 1791. The opera builds slowly, not until "Parto, Parto" are things at the highest possible level, and by the time you leave the theater (I saw it last night) you tell yourself "My God, what a genius Mozart was". Your remark "Errare humanum est" completely unwarranted.
It's what he was commissioned and paid to write--an old-fashioned opera seria, commissioned by the Habsburg court for the coronation of the new emperor and empress as King and Queen of Bohemia. It had nothing to do with "commercialism," as it wasn't meant for anything but this occasion. Nevertheless, it became popular for several decades around Europe. He didn't choose the libretto, though he had the opportunity to work to make it less archaic. Nor are the forms those of the true opera seria, which was made up of solo da capo arias and very few ensembles.
In the Baroque period there were contemporary persons behind the antique costumes, now there are contemporary people behind the 18th century outfits. Wasn't it the artist's concept?
#OTD (30 September) in 1791 the last and most successful performance of _Tito_ (‘Cries of “Bravo!” What a miracle for Bohemia! But indeed I did my very best’-W.A.M.) 💐💐💐
![Lp. Сердце Вселенной #60 РОЖДЕНИЕ ЛОЛОЛОШКИ [Финал] • Майнкрафт](http://i.ytimg.com/vi/YoR0pAV9FVQ/mqdefault.jpg)
Forse non la più conosciuta delle opere di Mozart, ma i grandi cantanti ed interpreti qui presenti, nonchè la originale scenografia, hanno saputo portarne a galla lo splendore. Eric Tappy straordinario attore e cantante, insieme a Trojanos e Neblett. 🌹💯
Magnifique, autant pour l'interprétation et la mise en scène et surtout la grande beauté des costumes
You can't get a more expertly-cast Clemenza than this one. My God.
@Cassie Miller Jesus Christ!
@Cassie Miller She didn't say Mozart!
Well, that w Teresa Berganza is gorgeous. But not on dvd, alas. What you mean perhaps.
I would have preferred Julia Varady as Vitellia. She sang this role all over Central Europe in the 1970s, and no one was inside the part like she was. Frederica von Stade, judging by her performance as Annio on the Davis recording, would have been far preferable to Anne Howells, and just about any basso one could name would have been better than Kurt Rydl. Of this line-up, only Troyanos was truly worthy of being in the cadt.
@@jasonhurd4379 - This not a competition. If you don't like it don't listen to it! :(
What a great Opera! Mozart composed it in seventeen days on a journey to Prague !!!
1:27:28
TITO (Solo)
E pur di chi regna
infelice il destino!
A noi si nega ciò
che a' più bassi è dato.
In mezzo al bosco
quel villanel mendico,
a cui circonda
ruvida lana il rozzo fianco,
a cui e mal fido riparo
dall'ingiurie del ciel
tugurio informe,
placido i sonni dorme,
passa tranquillo i di.
molto non brama:
sa chi l'odia, e chi l'ama:
unito o solo torna sicuro
alla foresta, al monte;
e vede il core ciascheduno in fronte.
Noi fra tante ricchezze
sempre incerti viviam;
che in faccia a noi la speranza, e il timore
sulla fronte d'ognun trasforma il core.
Chi dall'infido amico...
Костюмы XVII века, музыка Моцарта яркая ,
Depuis que j'écoute ça, j'ai réduit ma consommation de benzodiazépine de 95%.
Merci Mozart.
Troyanos gifted the world a Sesto like no other
Eric Tappy has style and presence, he really looks majestic.
The tenor who played Caesar is a handsome man.
Wonderful singers, conducted by the great James Levine. Would that his successor at the Met had one quarter of his talent …
un bel opera comme tous ceux de Mozart une interpretation magnifique
4:52
8:50
13:15
19:04
21:03
30:43
36:34
43:24
50:48
53:10
1:06:03
1:10:12
1:15:05
1:19:50
1:23:13
1:25:56
1:29:00
1:36:35
1:45:18
1:52:16
1:54:51
2:05:28
2:11:00
#clapping hands. you really needed to watch this for that
Magnifica puesta en escena
J'adore Mozart ...
Maria S. je suis ausii
interesting twist on a roman (almost) tragedy....outdoor staging....18th century costumes....nice!
Well I thought I had better listen to this as I heard a famous tenor on the radio describe this as his "favorite opera of all time". High praise, and it is Mozart, after all... I will listen to it for a few months and see..
The choruses are magnificent. Among his greatest.
Troyanos is magnificent!
Yes. And much missed. R.I.P.
@@mckavitt13 And also Carol Neblett R.I.P.
Прекрасное исполнение.
#OTD (30 September) in 1791 the last and most successful performance of _Tito_ (‘Cries of “Bravo!” What a miracle for Bohemia! But indeed I did my very best’-W.A.M.) 💐💐💐
BRAVISSIMI !!!!
What pains these fine singers must have had to endure when making this bizarre film-- going out on Ancient Roman ruins in 18th century garb in the freezing late hours of night to film scenes of that almost laughable melodrama that Ponnelle preferred. Most of these singers are American natives, so they would have to deal with bad time-skips. However, the grandiosity of the production is well-executed, in my view... especially in the finales of each of the acts. I would have liked a chorus made up of, well... people, though.
And ah, 1:32:00, how beautiful!
Che belli gli abiti storicamente fatti a culo *è un’opera: saranno vestiti in stile tardi settecento PERFORZAH*
Bravoooooooooooooooo!!
Awesome work...
L'ultimo capolavoro del grandissimo Mozart, che apre la strada a Cherubini,Spontini,Rossini,Bellini,Donizetti
Excelente. Gracias por subirla
La Clemencia di Tito , Mozart , is beautiful
2:11:30
Premiered #otd in 1791 🌺🌺🌺
Brava, Neblett!
Sublime!
クラリネットが印象的。重度の高い演奏で、このオペラに新しい魅力を感じた。
Musique splendide ,évidemment; hélas,la direction de Levine est ennuyeuse et conventionnelle,
comme à peu près tout ce qu'il fait.
Il y a tellement d'autres chefs plus intéressants !
Les chanteurs sont merveilleux,-voix célestes et envoûtantes.
Premiered #otd in 1791 🌹🌹🌹
Where was this masterpiece filmed? ... rather curious about whether it's a real place or just staging. Thank you.
Arch of Titus, Baths of Caracalla and Villa Adriana, Tivoli, in Rome.
@@germanarribas Yes it seems that all the backgrounds here are the original Roman constructions, easily recognizable by the many holes in the walls where the metal "rebar" was stripped out in post-Roman times. The arches in the first duet are mostly crumbling so look original, but at 18:00 we see one that has been neatly repaired with modern brickwork. The serapeum at the Tivoli Villas is classic Roman architecture with its characteristic "oculus". However the crowds of white statues we see at 5:04 and various other times are likely props just added for this performance..?
Beautiful
1:52:17S'altro che lagrime
💞🇻🇦🌿✝️🌿🇻🇦💞DIEU ACCUEILLEZ DANS VOTRE PARADIS🌿💮🌸💮🌿 L'ÂME IMMENSÉMENT CATHOLIQUE DE VOTRE ENFANT💐💞💐, WOLFGANG AMADEUS MOZART💐🌸💞✝️💞🥰💒🌿💐🙋♂️ !!!
Superb!
Des parties du texte ont été retranchées, c'est dommage.
Mozart 👏🔥
37.22Tito (Titus), empereur romain, ténor
Vitellia, fille de l'empereur destitué Vitellius, soprano
Sesto (Sextus), jeune patricien romain, soprano castrat
Servilia, sa sœur, soprano
Annio (Annius), jeune patricien romain, soprano travesti
Publio (Publius), capitaine de la garde, basse
모차르트 - [티토의 자비]
오페라 세리아 개혁
극적 줄거리에 의한 음악적 흐름을 우선시하여 작품 전체가 친근하고 쉽게 이해되도록 함
43:24
Thank you!
Помилование Тита
Влюбленная в нового императора Рима Тита, Вителлия хочет отомстить ему, когда узнает, что он намерен жениться на Беренице. Затем она обращается к Секстусу, другу Тита, безумно влюбленной в нее, чтобы смонтировать заговор против императора.
30:45
Oh yeeeees thank you ive been searching for thisssss♡♡
23:19, tolgasi adesso
40:38, p. 94
1:18:45
1:19:19
42:10
Rôle
Tito (Titus), empereur romain ténor
Vitellia, fille de l'empereur destitué Vitellius soprano
Sesto (Sextus), jeune patricien romain castrat soprano
Servilia, la sœur de Sextus soprano
Annio (Annius), jeune patricien romain mezzo-soprano travesti
Publio (Publius), capitaine de la garde basse
1:52:00
This opera is better than it seems it just makes many demands on the ear and the pace is irritating. All of 18th C opera seria is like this. Eric Tappy had a rather ugly nasal voice with a pinched upper voice. That said it’s better like this versus the crooners who often sing this repertoire. His looks and stage presence were a huge part of his career and here he doesn’t disappoint bringing a tall, slim aristocratic deportment. The rest of the cast were quite strong using their voices as lyrically as they could. Troyanos however with her tremulous humane sound worked well leading the rest. She stood out in Mozart as her voice had this emotional quality to it. It works very well here. It is a opera seria so much of it is dull with the occasional melody magic that overwhelms the listener. The plot is of course ridiculous never quite going anywhere with the mezzo trouser role on the run through most of it. The finale is so sunny, beautiful soprano heavy chorus with the dignified triumphant ending to the skies.
1:57:23
I struggle with this opera, and with Idomeneo. There is too much recitativo secco in both, and neither manages to spark into life in the way that the Da Ponte operas do. Haven't been able to identify the thing that Tito's admirers so admire. To me, it sounds like Mozart on autopilot.
Well, one, Mozart may just not be for you. Don't mean to sound like an ass, but some people like him, some don't. But I think that if you like the Da Ponte operas, its a start.
For Idomeneo, look at the way he writes for the orchestra. Especially in contrast with his child operas, the quality is unprecedented. There is amazing pathos in the music, like the Act II finale, the quartet, and others. The arias can be a bit long, but just look at their content! This was Mozart's favorite opera he wrote.
For Tito, it can be harder to appreciate. I will admit, it took me years to properly appreciate it. Look at the recitative as a craft in and of itself. Hear the life and charm in the arias. _Ah Perdona al Primo_ is what made me change my mind about the work. *Take heed of the simplicity of the opera. Do not view it as a weakness, but as a great strength.* And listen to the moving finale of Act 1!
Idomeneo is ravishing. You must listen to it.
Nico: Mozart was a dying man. They poisoned him, several times, until he perished. It was an occult ritual. They are using Mozart in their spells to this day. Mozart was coxed into going a demoralising trip with his "friend", Lichnowsky, who then, just before Mozart "died", sued him for travel expenses. They were and still are so jealous and envious of the righteous Mozart, from the time he was a young boy, that they conspired against him and set him up for failure and bankruptcy before he even got started. May they rot in hell.
@@simonkawasaki4229 Thank you for your insightful comments! Very much appreciated. I will take heed of what you suggest and give both of them a fair chance.
@@psalm2764 I will.
-1:04:25
Mozart & Metastasio & Mazzolá
Emperor Napoleon witnessed this epic early in his brief reign.
Napoléon ? Titus est un empereur romain
Il s'agit de l'empereur Titus, un romain du 1er siècle
Dopo tali capolavori come „Le nozze di Fiagaro“, „Don Giovanni“ e „Flauto magico“ alla fine della sua vita un´opera rigida, piena di vecchi schemi, un prodotto piuttosto commerciale che artistico, assolutamente non degno del genio di Mozat. Errare humanum est.
Yes and no. Some of the music is simply sensational,. Yes, the plot is preposterous and the Opera Grande style dead even in 1791. The opera builds slowly, not until "Parto, Parto" are things at the highest possible level, and by the time you leave the theater (I saw it last night) you tell yourself "My God, what a genius Mozart was". Your remark "Errare humanum est" completely unwarranted.
La piú bella musica del genio di Mozart è qui. Ascolta meglio.
It's what he was commissioned and paid to write--an old-fashioned opera seria, commissioned by the Habsburg court for the coronation of the new emperor and empress as King and Queen of Bohemia. It had nothing to do with "commercialism," as it wasn't meant for anything but this occasion. Nevertheless, it became popular for several decades around Europe. He didn't choose the libretto, though he had the opportunity to work to make it less archaic. Nor are the forms those of the true opera seria, which was made up of solo da capo arias and very few ensembles.
Caro Victor ti invito a riascoltare attentamente quest'opera
Terrible direction, acting and camera work. And yet the opera survives. That's genius for you.
Fortunately Mozart didn't know what a camera was when he wrote this..
@@alanc3134 Well, the "camera obscura" was already known to Aristotle and perhaps long before in the neolithic age. But I know what you mean :-)
Couldn´t agree more. Ponnelle vulgarizes everything he touches.
Came here by that slavoj zikeks essay about pity. Pity gonzalez ya salí pronto
The singing, glorious .... the 18th century outfits, pathetic.
In the Baroque period there were contemporary persons behind the antique costumes, now there are contemporary people behind the 18th century outfits. Wasn't it the artist's concept?
#OTD (30 September) in 1791 the last and most successful performance of _Tito_ (‘Cries of “Bravo!” What a miracle for Bohemia! But indeed I did my very best’-W.A.M.) 💐💐💐