I remember this group. Shocking Blue was a Dutch rock band formed in 1967. Their 2 biggest hits were "Venus" & "Send Me A Postcard". They had some other songs such as "Long & Lonesome Road", "Mighty Joe", "Never Marry A Railroad Man" etc. The lead singer had a very powerful voice. Another famous Dutch group from that era was Golden Earring.
I remember hearing this the first time... I was walking to high school, crossing over an overpass, listening on my (new) pocket transistor, on a very blustery winter morning. This song came on, it stopped me in my tracks. I stood transfixed through the full song. The rest of the day was completely gone after that. What a song!!!!
As a 64 year old, I love Fils hair style, always did. I love others too though! And, some guys look great bald! But, Fil is a beautiful guy, inside and out! Ah all you youngsters, live it up, it goes so fast! And truly, youth really is wasted on the young. I think Mark Twain said that. But one of his better ones was 'humans are the only animals that can blush. Or need to!' Love that!🥰✌
This was a massive hit worldwide back then and years later it still makes you feel happy. As a very young boy, the opening chords coming over the radio would make me perk up. Later, when I picked up the guitar this along with House of the Rising Sunn (of course!) were the first two songs I learned to play. It's not a complex song by any means and quite easy to play, but it's very catchy and has instant recognition. Mariska had a sultry look about her and her voice was on the same lines. This is truly among the evergreens. Happy to have grown up in those times.
I was a middle school kid of around 13 or 14 yrs. old when this song came out. In fact, I had a little "Garage Band" with a couple friends and did this song at a school dance. Those were the good ole days of my youth, and the music was the best as well. Thanks Fil
The original recording absolutely wasn't done on 2-track, but in the Soundpush Studio in the Netherlands, an at the time very professional studio, where I have done some recording and mixing as well. And Cees Schrama, a famous Dutch keyboardplayer, didn't play organ, but in the studio he found a Hohner Pianet that he used. Robbie van Leeuwen uses chickenpicking in the solo, so both with a plectum and fingers. No muted notes.
AH HA! Hohner Pianet...( Who knew?..lol) I played HELL combinin waveforms on my ole trusty SQ1 when I tracked this..LOL I FINALLY got that unique timbre/texture after 3 days of messin with it. Its CLOSE to my Mellotron settings.😎 Thanks for the info!
So glad you are doing Shocking Blue reaction, they are all good musicians and Mariska,wow, what a voice, and very beautiful ❤️ more Shocking Blue please 😎 thanks 👍
Fil, It was before your time, but I recall that BANANARAMA had a big hit with this in the '80s. None of us teeny-boppers at the time had ANY idea that it was a "cover." Even @ 54 y.o. I still learn something new EVERY DAY. Thanks, my man! Benjamin
LoL I didn't know either (I'm 52 as I type) until Nirvana's cover of Love Buzz brought me to them. Then I heard the original. Been a huge fan ever since.
One of my favorite all time songs. ...and she was just so mysteriously beautiful. Probably watched the OG video over 50 times!! Thanks for covering this one Phil!! ❤️🇺🇸
Always loved this song. So nice hearing it again. I've never seen its performers! Another song I love: Roll to Me, by Del Amitri. In an unpleasant long-term relationship, I have never heard such understanding and compassion for a woman in distress as I've heard in this song. Thank you for your channel. God bless you.❤
Cool to see you you reviewing a song from my high school years. Edit to add that I heard Mariska spoke little or no English when they recorded the original version. If that's true, she did an amazing job of sounding like a native English speaker.
The guitar riff in this song was heavily inspired by a version of Tim Rose's "The Banjo Song" by The Big Three (The American group with this name featuring Mama Cass, not the British band with the same name).
This band is from the Netherlands and IIRC the singer did not speak English and had to sing phonetically. In any case I love it. Another great Dutch band from that era is Golden Earring and the song "Radar Love."
@@klausschneider1045 and, though a Dutch pop duo vs a band, Mouth and MacNeal. Their 1972 hit "How Do You Do" is simply great. Both of their voices are really beautiful.
I love watching Fil watch the video. It's obvious he loves it. His expressions say it all! And his analysis is always sooooooo interesting. He really knows his stuff!
Thanks for this! One of my favorite bands. As an American, I sometimes feel I'm the only one in this country who even knows who Shocking Blue is, outside of Venus, so it's nice to see them getting some recognition in current times. They have many great songs beyond Venus, too.
‘Sir Fil’, I loved this song. I think my older sisters used to listen to it and I learned the lyrics. What a voice Mariska had and the band-all in sync! It was ‘ a hooky riff’! Thanks for another great great analysis and your/everyone’s positivity. It’s helping me so much right now. God bless, Marianne aka Celtic Gal ❤ 7:40
I grew up late 70s-80s but my main music was 50s-60s stuff that was already considered "oldies" by the time I learned it from the radio. I've heard this song many times but had never seen the group/singer. I wish I could've been cool like this girl. And how refreshing to hear real music for a change!
pete dude i never thougt about that just yesterday i replaced the sleeve on mancinis original crown vinly think is 63 sometimes oldies channel will play and of course everyone knows art of noise friend dj played clubgoers loved it s.c.o.t.s. venerable n.c. band has played in club shows for years rick miller puts his own guitar style on the classic mary huff crunching bass dave hartmam drums crushing it may not be familiar with skids but always one the highlights of there club shows probably on youtube somewhere
Robbie van Leeuwen is a highly underrated pop genius. He wrote almost all of their songs. They never had another hit as big as this one, but there are several other gems in their catalog.
Thank you for featuring this underappreciated act ( at least in the U.S.) Mariska's voice reminded me of Grace Slick's. The flip side of the 45 called Hot Sand was great too
Hi Fil! For me one of the best songs from the late 1960s. There are songs you can hear almost any number of times, and is still as good. "Shocking Blue - Venus" is one of those songs. Thanks Fil for an interesting analysis of this masterpiece. 🎸🎤 🙂
I love that you recognized that not only was she overcome by the loud band, but her voice was probably shot from doing a lot these appearances. I always have to defend singers because they couldn’t hear themselves or are just road weary. Cool Danelectro guitar too!
Danelectro Longhorn Bass-the first bass that I ever bought. It was advertised in the newspaper as a “Norelco” and costs $80. It was strung with round wound strings which was rare in 1966.
@@ghiaman65 Do you remember Jerry Jones guitars and basses? The bassist for NRBQ played a Jerry Jones bass. They looked just like Danelectro instruments but were made with better materials and were constructed better. He has since gone out of business.
Here in the USA the Shocking Blue were consider as a one hit wounder with Venus in their hay day in the 1960's and 70's thanks to UA-cam I have discovered more of their catalogs of songs. in my opinion Mariska Veres vocals are one of Rocks female vocalist that are over look at times.
Do you know the German group "Frumpy" with Inga Rumpf as their lead singer..? Search for "Rosalie" or "Indian Rope Man" here on YT and you will see (hear)..!
I listened to this song so many times and didn't realize the lead singer was a lady! What a great voice! There isn't anything better than live music. Thanks, Fil.
I only remember the cover of this song from when I was a teen. It was a massive hit in 1986. This version is way groovier. Her voice gives me Grace Slick vibes too. Thanks for shining a light on this classic. Congrats on 301k🖤🤘!
The most extraordinary thing about this, Fil, as you picked up, is … no foldback. You’re 100% right to pick up on this, never mind the other important points. This is a huge subject: it’s not to do with the vocal ability or the expertise: it’s about being able to HEAR. I was chatting to the most decent rock musician of all time, Tich Amey, of Dave Dee, Dozy, etc., yesterday, and he was describing how he and the boys always used a four or five-part vocal harmony. The those extraordinary harmonies in their… heads. There’s a whole series here, Fil, with bands like these guys and the Tremeloes who could play a full set of the most exquisite harmonies - and they were unbelievable musicians too: Albert Lee always says that Rick Westwood of the Trems was his idol - and get it right, somehow. My old mate Chris Wynn, who did PA for countless bands and groups, including Diana Ross and the Motown bands, had always said that those bands who could hear the harmonies “in their heads” were the best, and he’s always spoken highly of Dave Dee, The Tremeloes, Marmalade, The Hollies, 10cc and Decameron, whom he calls the most talented and underrated band the UK has ever produced. Bass, cellist, guitarist and top tenor harmony Dik Cadbury went on to play with the unsurpassed Steve Hackett, again, using extraordinary harmonies and pinpoint foldback. Your channel is the best thing on UA-cam, Fil: there are so many people, even worn-out old lags like me, who really enjoy your excellent and non-judgmental analyses of so many different types of music. It’s a breath of real fresh air, and your personal contributions are very helpful. If you have time or the opportunity, please listen to “Wings” by Isobel Thatcher on UA-cam, or “Walking Down the Tracks.” Izzie has always refused to have pitch correction or autotune when recording, sometimes defiantly, and her vocals are all first take or, in extremis, second, even when working with Mike Wedgwood of Curved Air. She hasn’t two h’appenies to rub together but she has her pride of 700 live gigs and the now-defunct VocalTech, a huge mistake. “At the Hotel” live does demonstrate the essential nature of good slave amps: I can’t believe you’re the only one who’s picked up on it. So many of my friends now picking up on your page now, because you understand. It means a lot to the kids: you should be very proud. Anyway, very important and helpful, as always. Sorry I’ve been a bit quiet: unexpected spinal surgery but all ok. Very best Tom T
Always loved this song as a young kid in the 60s. It was AM radio transistor days and listening to it under the covers at night. Great days of the Beatles, Motown etc getting my mind started. Great song and they Kicked butt on this tune.
Oh yes! Memories of those little transistor radios and listening in bed on school nights. To Radio Caroline and Johnnie Walker doing his good night slow song and sounding all smoochie at 11 o'clock! Gosh those few words of yours instantly took me right back to 14yo awkward adolescence, DJ and pop star crushes and the pirate radio stations. Thanks for the memory!
Many thanks Fil and you did it again! 'Venus' ... unique vocals ... effortless vivacity ... eternal magic ... one of the great iconic songs of the late 1960s!
They are known as a one hit wonder, because Venus was their only US and English hit, but they were pretty big on the continent. If i remember it correctly, they had 5 danish top ten hits, in a few years, and Mariska Veres had a great voice, always reminded me of Grace Slick, As a young teen, i had 2 vinyl albums with them. By the way, Robbie Van Leeuwen, their songwriter, later admitted that he "borrowed" the intro from Peter Townsends guitar on Pinball Wizard🙂
@gert just jensen... If I am not mistaken Robbie van Leeuwen is the only surviving original member of the Shocking Blue and of the classic line up shown in this live performance. Here are other songs that I like of their Venus, Inkpot, Send Me A Postcard, Mighty Joe, Blossom This America, Out Of side Out Of Mind.
@@drewpall2598 I think so too, and those are great songs, I always liked Navajo Tears too, although Send Me A Postcard is probably my favourite, a simple but great rocker
I was 14 when this song came out, there were several great female singers around this time. My favourites were Carole King, Patti Smith and Joni Mitchell, I could probably have a list miles long. Thanks Fil, now I am reminiscing about a fantastic time 8n my life with all the songs I so enjoyed. Spotify here I come. Your ch{ice 9f song was great Fil, thanks again. Be well and safe 🤟
Love this song! Reminds me of roller skating at the rink in 1970. I always thought it was a guy singing it. We had lots of bubble gum music back then where the male singers had high voices. You can make out the Dutch accent.
Thanks, Fil. That was a fun watch since I've never seen a video of this song, and your commentary and guitar work are always interesting. The beat has a driving, memorable groove. The minor made it stand out from other pop songs of its day. See you at the next one!
My daughter, cousin and I were sitting around one Thanksgiving after dinner trying to figure out how to play this one. You've showed us some things that may help us revive our attempts to play this awesome song!
mariSHka vereSH , she's Hungarian , knew about twenty five English words ; that vibrato in her voice is that she sings Magyar songs in English with a three piece behind , no fiddle ; love your videos , love more your erudition , cheers !
Mariska Veres was born in The Hague, The Netherlands. Although her father was born in Hungary and was also a musician. You can say that she had more a gipsy background because of her family.
Hi Fil, This was SO Groovy!! I loved this analysis. Mariska had a very unique vocal ability and sound and it really is epic in this performance. Now she was a really cool cat! Thank you so much for the guitar technique demonstration… and I even know those chords. Very exciting as I am relearning to play guitar. I love these simple yet complex songs, reminds me of White Rabbit (which I Love). This was an awesome analysis! Absolutely one of your BEST and they are all good. Have a great night… Debbie☮️
I received my BACHELOR of SCIENCE degree from the UNIVERSITY of ILLINOIS in the twin towns of URBANA-CHAMPAIGN, IL. My sister also lived in Champaign, while she was the NEWS broadcaster of a radio station in Paxton, IL, nearby. There was a 175 yo. three (3) story mansion on the corner of Church St. & University Ave. It was divided up into apartments in the 1980's, and my sister lived in the attic apartment. In the 1970's, the rock band REO Speedwagon lived there. At that time, the spacious living, dining and parlor rooms on the first floor, provided plenty of rehearsal space. It was fun to be in that space, imagining the band working on classics like: ROLL WITH THE CHANGES, GOLDEN COUNTRY & TIME FOR ME TO FLY. Peace! 😎
So surprised to see this analysis. I love this song and had forgotten about asking you to look at it. I’m sure others have too. Thanks for sharing this with us!!
Venus was a monsterhit. Later she had a few minor hits. When Robbie van Leeuwen left the band, she quit too and went to Germany singin in German. Her father was Hungarian violist. She had a 'gypsy heart'. 💖💜
There's something compelling and wonderful about this hooky song I've remembered since I was q little kid bit its one of those cool songs that seems even better after time Great Song to analyze One of those great songs that stays fresh
This is a great dance tune. A band called QUEEN CITY PUNX played it at my HS Spring Dance. They were a psuedo-glitter act from Springfield Mo early/mid 1970s.
The missing instrument is not an organ but an electric piano, or according to the Dutch Wikipedia, a special sounding Clavinet that was found in the studio.
Yeah, baby, she’s got it! Fantastic to hear this song, again. The guitar and vocals are both so good! She’s got a strong voice. You’re so right, Fil, it’s so CATCHY!! I enjoyed you playing, too, to demonstrate the guitar sounds we’re hearing. You’re very kind and positive in all your videos, which is always appreciated.
Fil your knack for picking out songs is unreal. Mariska Veres died in 2006 . However this song will live on forever. She kind of has the female version of Rod Stewart vocal to my ears. Very Husky voice . Thanks Fil
Oh man. My age is showing here. When I saw the title Venus, I was all happy that it was going to be Frankie Avalon's romantic version in the 50's. But I remember this well too. But oh the romantic ballad is so sweet! 😊
Robbie was also a sitar player as I am! That's where the down bends come from. He got his inspiration from a old folksong (Oh Susana) that was redone by Tim Rose for The Big 3 called 'The banjo song'. The solo reflects his C&W influence.
Thanks Fil! I never heard this version. I love it. It has more of the "snarl-factor" than the more pop oriented studio version. I think it's the prominence of the bass that lifts this version to a more urgent, dangerous sound.
I love your Header to your Shocking Blue analysis, straight to the point that said it all. (It's a SHOCKING 60's classic that's simplistically... complicated!) 👍
I thought I'd never live to see the day where a live recording of Shocking Blue playing Venus would see the light of day. Fabulous!
yep , cream rises to the top , sooner or later
Yeah indeed im from the netherlands and i never heard this live
I remember this group. Shocking Blue was a Dutch rock band formed in 1967. Their 2 biggest hits were "Venus" & "Send Me A Postcard". They had some other songs such as "Long & Lonesome Road", "Mighty Joe", "Never Marry A Railroad Man" etc. The lead singer had a very powerful voice. Another famous Dutch group from that era was Golden Earring.
Saw Golden Earring live when I was 14. They were great
And The TEA SET...
I remember those 60s bands well !
Golden Earing were great.
They could be surprisingly heavy at times. "Send Me A Postcard" stands easily to Black Sabbath - riffs of the era.
I remember hearing this the first time... I was walking to high school, crossing over an overpass, listening on my (new) pocket transistor, on a very blustery winter morning. This song came on, it stopped me in my tracks. I stood transfixed through the full song. The rest of the day was completely gone after that. What a song!!!!
Love the rawness of this cut.
With Fil’s talent and his hair he’d have fit right in with a rock oriented 60s band.
Yeah, Fil would have enjoyed going through the 60s and 70s. He would have fit in perfectly! 💜💚
As a 64 year old, I love Fils hair style, always did. I love others too though! And, some guys look great bald! But, Fil is a beautiful guy, inside and out! Ah all you youngsters, live it up, it goes so fast! And truly, youth really is wasted on the young. I think Mark Twain said that. But one of his better ones was 'humans are the only animals that can blush. Or need to!' Love that!🥰✌
@@suemilkbone4868 Maybe he did! -- He is young enough to be reborn.
@@r1p2m32 That explains everything! 😊
Absolutely! Fil can play anything!
Nirvana’s first single was a cover of Shocking Blue’s ‘Love Buzz’.
Krist Novoselic rated SB’s bassist Klaasje van der Wal a bass god.
This is a terrific pop single. It catches you attention right off the bat and keeps you interested thoughout. Very good live performance.
Great music and great analysis. Thanks.
What a surprise to hear this live. Loved it! It was driving, heavy and had a totally different feel from the studio version. Both are great…
i love the enthusiasm and insight of this series...thanks!
This was a massive hit worldwide back then and years later it still makes you feel happy. As a very young boy, the opening chords coming over the radio would make me perk up. Later, when I picked up the guitar this along with House of the Rising Sunn (of course!) were the first two songs I learned to play. It's not a complex song by any means and quite easy to play, but it's very catchy and has instant recognition. Mariska had a sultry look about her and her voice was on the same lines. This is truly among the evergreens. Happy to have grown up in those times.
I was a middle school kid of around 13 or 14 yrs. old when this song came out. In fact, I had a little "Garage Band" with a couple friends and
did this song at a school dance.
Those were the good ole days of my youth, and the music was the best as well.
Thanks Fil
The original recording absolutely wasn't done on 2-track, but in the Soundpush Studio in the Netherlands, an at the time very professional studio, where I have done some recording and mixing as well. And Cees Schrama, a famous Dutch keyboardplayer, didn't play organ, but in the studio he found a Hohner Pianet that he used.
Robbie van Leeuwen uses chickenpicking in the solo, so both with a plectum and fingers. No muted notes.
AH HA! Hohner Pianet...( Who knew?..lol) I played HELL combinin waveforms on my ole trusty SQ1 when I tracked this..LOL I FINALLY got that unique timbre/texture after 3 days of messin with it. Its CLOSE to my Mellotron settings.😎 Thanks for the info!
It looks like straightforward fingerstyle without a plectrum, certainly sounds like it.
This is one of those songs you recognize less than one second in. The moment he starts strumming that B7sus4 it is unmistakable.
Great tune...always loved that.
Great video,i remember this song and still have my 45 from way back, thanks FIL
So glad you are doing Shocking Blue reaction, they are all good musicians and Mariska,wow, what a voice, and very beautiful ❤️ more Shocking Blue please 😎 thanks 👍
This song is an iconic, yet quirky, heavy representation of the 60's.
A lovely voice, and sang with real verve. She's also lovely. The guitars had great rhythm.
Fil,
It was before your time, but I recall that BANANARAMA had a big hit with this in the '80s. None of us teeny-boppers at the time had ANY idea that it was a "cover." Even @ 54 y.o. I still learn something new EVERY DAY.
Thanks, my man!
Benjamin
LoL I didn't know either (I'm 52 as I type) until Nirvana's cover of Love Buzz brought me to them. Then I heard the original. Been a huge fan ever since.
I remember listening to that on my tiny transistor radio as a little kid. Loved it!
I like the older version better than the Bananarama version and I loved learning gthe chords, thanks!
Banarama is terrible on this "version "
One of my favorite all time songs. ...and she was just so mysteriously beautiful. Probably watched the OG video over 50 times!! Thanks for covering this one Phil!! ❤️🇺🇸
And Mariska Veres' stoic beauty really sealed the delivery. Oh the years of white lipstick!
Always loved this song. So nice hearing it again. I've never seen its performers! Another song I love: Roll to Me, by Del Amitri. In an unpleasant long-term relationship, I have never heard such understanding and compassion for a woman in distress as I've heard in this song. Thank you for your channel. God bless you.❤
Cool to see you you reviewing a song from my high school years.
Edit to add that I heard Mariska spoke little or no English when they recorded the original version. If that's true, she did an amazing job of sounding like a native English speaker.
True - that 's why on the single recording she says godness (instead of 'goddess'). She was doing it phonetically.
This is a fantastic version of this song. It’s got a sort of rough-edged punk-rock swagger to it.
Phenomenal performance
The guitar riff in this song was heavily inspired by a version of Tim Rose's "The Banjo Song" by The Big Three (The American group with this name featuring Mama Cass, not the British band with the same name).
This band is from the Netherlands and IIRC the singer did not speak English and had to sing phonetically. In any case I love it. Another great Dutch band from that era is Golden Earring and the song "Radar Love."
ha ha yes! I mentioned radar love by Golden Earring in my comment too. Lol.
Great song.
@@daisywrabbit It really is.
The Number of great Dutch bands is simply legion. Shocking Blue, Golden Earring, Focus, Ekseption, Pussycat (with a terrific singer, Toni Willé), ...
@@klausschneider1045 I have not heard of the others but will definitely check them out. Thank you!
@@klausschneider1045 and, though a Dutch pop duo vs a band, Mouth and MacNeal. Their 1972 hit "How Do You Do" is simply great. Both of their voices are really beautiful.
Great song, review and analysis. Mariska was a beauty.
Crush worthy
Wow! This is a blast from the past.
I love watching Fil watch the video. It's obvious he loves it. His expressions say it all! And his analysis is always sooooooo interesting. He really knows his stuff!
Loved this song back in ‘69-‘70 when it first came out. Still love it.
Thanks for this! One of my favorite bands. As an American, I sometimes feel I'm the only one in this country who even knows who Shocking Blue is, outside of Venus, so it's nice to see them getting some recognition in current times. They have many great songs beyond Venus, too.
I was 12 years old and lived in Southern California and had this song on a 45 and loved it.
Henry Mancinis Peter Gunn theme twist. It was the rage to play back in the 60s folks.
Marvelous song and singer. Thanks for bringing this live version.
‘Sir Fil’, I loved this song. I think my older sisters used to listen to it and I learned the lyrics. What a voice Mariska had and the band-all in sync! It was ‘ a hooky riff’! Thanks for another great great analysis and your/everyone’s positivity. It’s helping me so much right now. God bless, Marianne aka Celtic Gal ❤ 7:40
You can't tell how good her voice is from this song you can tell from long and lonesome road and Harley Davidson and I'm a woman etc....
I’ve never heard this live before.I like this better than the studio version!
I grew up late 70s-80s but my main music was 50s-60s stuff that was already considered "oldies" by the time I learned it from the radio. I've heard this song many times but had never seen the group/singer. I wish I could've been cool like this girl. And how refreshing to hear real music for a change!
The hard-rocking, bass-heavy sound in this performance is reminiscent of the Peter Gunn theme song. I *LIKE* it!
pete dude i never thougt about that just yesterday i replaced the sleeve on mancinis original crown vinly think is 63 sometimes oldies channel will play and of course everyone knows art of noise friend dj played clubgoers loved it s.c.o.t.s. venerable n.c. band has played in club shows for years rick miller puts his own guitar style on the classic mary huff crunching bass dave hartmam drums crushing it may not be familiar with skids but always one the highlights of there club shows probably on youtube somewhere
The groove created by the guitars, bass and organ is utterly compelling - genius. This track never gets old. Thanks Fil.
One of the grooviest pop songs ever! The ahead of beat rhythm guitar upstrokes on the studio version are killer.
Great song. Well before Fil’s time. Thanks as always for the analysis.
Robbie van Leeuwen is a highly underrated pop genius. He wrote almost all of their songs. They never had another hit as big as this one, but there are several other gems in their catalog.
Thank you for featuring this underappreciated act ( at least in the U.S.) Mariska's voice reminded me of Grace Slick's. The flip side of the 45 called Hot Sand was great too
I love the music from that era.❤
When this first came out I thought this was the heaviest coolest song ever
Hi Fil! For me one of the best songs from the late 1960s. There are songs you can hear almost any
number of times, and is still as good. "Shocking Blue - Venus" is one of those songs. Thanks Fil for
an interesting analysis of this masterpiece. 🎸🎤 🙂
I love that you recognized that not only was she overcome by the loud band, but her voice was probably shot from doing a lot these appearances. I always have to defend singers because they couldn’t hear themselves or are just road weary. Cool Danelectro guitar too!
Danelectro Longhorn Bass-the first bass that I ever bought. It was advertised in the newspaper as a “Norelco” and costs $80. It was strung with round wound strings which was rare in 1966.
Very cool! I played a late 90s re-issue, but it sure was sweet and fun to play.
@@ghiaman65 Do you remember Jerry Jones guitars and basses? The bassist for NRBQ played a Jerry Jones bass. They looked just like Danelectro instruments but were made with better materials and were constructed better. He has since gone out of business.
Here in the USA the Shocking Blue were consider as a one hit wounder with Venus in their hay day in the 1960's and 70's thanks to UA-cam I have discovered more of their catalogs of songs. in my opinion Mariska Veres vocals are one of Rocks female vocalist that are over look at times.
I concur 😎
They had many great songs.
Do you know the German group "Frumpy" with Inga Rumpf as their lead singer..?
Search for "Rosalie" or "Indian Rope Man" here on YT and you will see (hear)..!
I listened to this song so many times and didn't realize the lead singer was a lady! What a great voice! There isn't anything better than live music. Thanks, Fil.
I always loved the strident rhythm guitar, and the double stops, distinctive sound!
Oh, that was my favorite song at the time!
I graduated from high school in 1967 and this was a big hit, definitely brings back wonderful memories
I was in JR High
I only remember the cover of this song from when I was a teen. It was a massive hit in 1986. This version is way groovier. Her voice gives me Grace Slick vibes too. Thanks for shining a light on this classic. Congrats on 301k🖤🤘!
Thanks!
The most extraordinary thing about this, Fil, as you picked up, is … no foldback. You’re 100% right to pick up on this, never mind the other important points.
This is a huge subject: it’s not to do with the vocal ability or the expertise: it’s about being able to HEAR.
I was chatting to the most decent rock musician of all time, Tich Amey, of Dave Dee, Dozy, etc., yesterday, and he was describing how he and the boys always used a four or five-part vocal harmony.
The those extraordinary harmonies in their… heads. There’s a whole series here, Fil, with bands like these guys and the Tremeloes who could play a full set of the most exquisite harmonies - and they were unbelievable musicians too: Albert Lee always says that Rick Westwood of the Trems was his idol - and get it right, somehow.
My old mate Chris Wynn, who did PA for countless bands and groups, including Diana Ross and the Motown bands, had always said that those bands who could hear the harmonies “in their heads” were the best, and he’s always spoken highly of Dave Dee, The Tremeloes, Marmalade, The Hollies, 10cc and Decameron, whom he calls the most talented and underrated band the UK has ever produced. Bass, cellist, guitarist and top tenor harmony Dik Cadbury went on to play with the unsurpassed Steve Hackett, again, using extraordinary harmonies and pinpoint foldback.
Your channel is the best thing on UA-cam, Fil: there are so many people, even worn-out old lags like me, who really enjoy your excellent and non-judgmental analyses of so many different types of music. It’s a breath of real fresh air, and your personal contributions are very helpful.
If you have time or the opportunity, please listen to “Wings” by Isobel Thatcher on UA-cam, or “Walking Down the Tracks.” Izzie has always refused to have pitch correction or autotune when recording, sometimes defiantly, and her vocals are all first take or, in extremis, second, even when working with Mike Wedgwood of Curved Air. She hasn’t two h’appenies to rub together but she has her pride of 700 live gigs and the now-defunct VocalTech, a huge mistake. “At the Hotel” live does demonstrate the essential nature of good slave amps: I can’t believe you’re the only one who’s picked up on it.
So many of my friends now picking up on your page now, because you understand. It means a lot to the kids: you should be very proud.
Anyway, very important and helpful, as always. Sorry I’ve been a bit quiet: unexpected spinal surgery but all ok. Very best Tom T
Hope your be recovering well there. Warm water dipping must be invigorating they say. 🤽♀️🙏
Always loved this song as a young kid in the 60s. It was AM radio transistor days and listening to it under the covers at night. Great days of the Beatles, Motown etc getting my mind started. Great song and they Kicked butt on this tune.
Oh yes! Memories of those little transistor radios and listening in bed on school nights. To Radio Caroline and Johnnie Walker doing his good night slow song and sounding all smoochie at 11 o'clock! Gosh those few words of yours instantly took me right back to 14yo awkward adolescence, DJ and pop star crushes and the pirate radio stations. Thanks for the memory!
I remember this song from the 80's but also great to hear the live original version. Great analysis Fil!
Bananarama covered it in the 80s.
I love the "Venus" ❤
Yes, of course, and Mariskas unique voice
Many thanks Fil and you did it again! 'Venus' ... unique vocals ... effortless vivacity ... eternal magic ... one of the great iconic songs of the late 1960s!
They are known as a one hit wonder, because Venus was their only US and English hit, but they were pretty big on the continent. If i remember it correctly, they had 5 danish top ten hits, in a few years, and Mariska Veres had a great voice, always reminded me of Grace Slick, As a young teen, i had 2 vinyl albums with them. By the way, Robbie Van Leeuwen, their songwriter, later admitted that he "borrowed" the intro from Peter Townsends guitar on Pinball Wizard🙂
@gert just jensen... If I am not mistaken Robbie van Leeuwen is the only surviving original member of the Shocking Blue and of the classic line up shown in this live performance. Here are other songs that I like of their Venus, Inkpot, Send Me A Postcard, Mighty Joe, Blossom This America, Out Of side Out Of Mind.
@@drewpall2598 I think so too, and those are great songs, I always liked Navajo Tears too, although Send Me A Postcard is probably my favourite, a simple but great rocker
Funny you should mention Grace Slick. Mariska covered "white rabbit" on a live show. It's here on youtube.
Pinball Wizard, with a little Peter Gunn Theme mixed in
@@JohnnySplattWadd Didn`t know that, i`ll look it up
I did not like this song whan it came out.
I LOVED it.
What a great analysis, as usual, Fil. Merci.
I was 14 when this song came out, there were several great female singers around this time. My favourites were Carole King, Patti Smith and Joni Mitchell, I could probably have a list miles long. Thanks Fil, now I am reminiscing about a fantastic time 8n my life with all the songs I so enjoyed. Spotify here I come. Your ch{ice 9f song was great Fil, thanks again. Be well and safe 🤟
Yay!! Shocking Blue is so underrated, imo!
Wow, nice trip down memory lane. I always loved it.Thanks Fil
The guitar solo in this song is amazing! Clear and bluesy.
Thank you for explaining.
Thought about it only a couple of days ago.
A blast from my past! Thank you Fil. Love your analysis and your demonstration on your guitar. Am grateful for your analysis of a song from this era.
I'm very proud of this band, originating from my home country.
The singer’s voice reminds me of Grace Slick.
Mariska is better
Love this song! Reminds me of roller skating at the rink in 1970. I always thought it was a guy singing it. We had lots of bubble gum music back then where the male singers had high voices. You can make out the Dutch accent.
"Send Me A Postcard" was a lesser-known, but a great fuzzed-up 60s rocker by The Shocking Blue. Thanks, FIL!
Thanks, Fil. That was a fun watch since I've never seen a video of this song, and your commentary and guitar work are always interesting. The beat has a driving, memorable groove. The minor made it stand out from other pop songs of its day. See you at the next one!
Oh I love this song. Thank you for the great analysis.
Loved every aspect of the analysis you did on this. I really liked this song when it came out back in the day. Thank you again Fil.
My daughter, cousin and I were sitting around one Thanksgiving after dinner trying to figure out how to play this one. You've showed us some things that may help us revive our attempts to play this awesome song!
Thanks for mentioning the opening lyric being "A godness"...had a tough time with that one for years! lol 😁♥
Such a technical video this time. It was great to watch. You have such a good ear for minute details. Fabulous. Well done.
mariSHka vereSH , she's Hungarian , knew about twenty five English words ; that vibrato in her voice is that she sings Magyar songs in English with a three piece behind , no fiddle ; love your videos , love more your erudition , cheers !
Mariska Veres was born in The Hague, The Netherlands. Although her father was born in Hungary and was also a musician. You can say that she had more a gipsy background because of her family.
Hi Fil,
This was SO Groovy!! I loved this analysis. Mariska had a very unique vocal ability and sound and it really is epic in this performance. Now she was a really cool cat! Thank you so much for the guitar technique demonstration… and I even know those chords. Very exciting as I am relearning to play guitar. I love these simple yet complex songs, reminds me of White Rabbit (which I Love). This was an awesome analysis! Absolutely one of your BEST and they are all good. Have a great night… Debbie☮️
Nice choice here, Fil. I’d never seen the actual live version (faux live only). It’s also understated sexy 😍
EDIT: You play that SO well 👏🏻
I received my BACHELOR of SCIENCE degree from the UNIVERSITY of ILLINOIS in the twin towns of URBANA-CHAMPAIGN, IL. My sister also lived in Champaign, while she was the NEWS broadcaster of a radio station in Paxton, IL, nearby.
There was a 175 yo. three (3) story mansion on the corner of Church St. & University Ave. It was divided up into apartments in the 1980's, and my sister lived in the attic apartment.
In the 1970's, the rock band REO Speedwagon lived there. At that time, the spacious living, dining and parlor rooms on the first floor, provided plenty of rehearsal space. It was fun to be in that space, imagining the band working on classics like: ROLL WITH THE CHANGES, GOLDEN COUNTRY & TIME FOR ME TO FLY.
Peace! 😎
So surprised to see this analysis. I love this song and had forgotten about asking you to look at it. I’m sure others have too. Thanks for sharing this with us!!
Venus was a monsterhit.
Later she had a few minor hits.
When Robbie van Leeuwen left the band, she quit too and went to Germany singin in German.
Her father was Hungarian violist.
She had a 'gypsy heart'.
💖💜
Oh I knew a couple girls like that who broke my heart! Beware of gypsy girls!
It has one of the classic, Top Ten level, bass rifts in modern music. Used to be required for all bass players to master.
Mariska looks very gypsy and may she rest in peace.
I love this song i grow up in the 60,s and 70,s
There's something compelling and wonderful about this hooky song
I've remembered since I was q little kid bit its one of those cool songs that seems even better after time
Great Song to analyze
One of those great songs that stays fresh
This is a great dance tune. A band called QUEEN CITY PUNX played it at my HS Spring Dance. They were a psuedo-glitter act from Springfield Mo early/mid 1970s.
The missing instrument is not an organ but an electric piano, or according to the Dutch Wikipedia, a special sounding Clavinet that was found in the studio.
And it was played by Cees Schrama (Casey) who was an important session musician at that time.
Yeah, baby, she’s got it! Fantastic to hear this song, again. The guitar and vocals are both so good! She’s got a strong voice. You’re so right, Fil, it’s so CATCHY!! I enjoyed you playing, too, to demonstrate the guitar sounds we’re hearing. You’re very kind and positive in all your videos, which is always appreciated.
Fil your knack for picking out songs is unreal. Mariska Veres died in 2006 . However this song will live on forever. She kind of has the female version of Rod Stewart vocal to my ears. Very Husky voice . Thanks Fil
Simple but definitely inviting with a killer voice (not quite Grace Slick's style) but she holds her own. A fave of mine in highschool.
Mariska is better
Fantastic song and band. Thanks for the analysis, Fil 🖤🤘🏽
Oh man. My age is showing here. When I saw the title Venus, I was all happy that it was going to be Frankie Avalon's romantic version in the 50's. But I remember this well too. But oh the romantic ballad is so sweet! 😊
I thought it was going to be about the Frankie Avalon hit as well, LOL
We must be about the same age@@RosaKay55! I'm 75. So fun remembering those days! 😊💜
I'm with you in remembering that song
Your analysis revealed all the elements of a classic rock 'earworm'.
Great song and band !
Robbie was also a sitar player as I am! That's where the down bends come from. He got his inspiration from a old folksong (Oh Susana) that was redone by Tim Rose for The Big 3 called 'The banjo song'. The solo reflects his C&W influence.
Thanks Fil! I never heard this version. I love it. It has more of the "snarl-factor" than the more pop oriented studio version. I think it's the prominence of the bass that lifts this version to a more urgent, dangerous sound.
I love your Header to your Shocking Blue analysis, straight to the point that said it all. (It's a SHOCKING 60's classic that's simplistically... complicated!) 👍
Thanks always to Fil. So much to glean from his analysis...All of them worthwhile.