Jason Richardson | Light Strings, Heavy Tones
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- Опубліковано 23 сер 2024
- We stopped by Jason Richardson's home studio for a chat about using lighter gauge Ernie Ball Cobalt and Paradigm guitar strings to get heavy tones on his signature Ernie Ball Music Man Cutlass.
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0:52 LMAO 🤣 jason rolled the volume knob up 5 times
As a guitarist, this shit is just pure muscle memory and I can't even help doing it most of the time either lmao
@@kushmintz420 I do it too, at first I didn't notice I tho lol.
Haha I do it when its not even plugged in yet or when iam playing unplugged. Such habit
Well of course, that's how you get even louder. Like having an amp that goes up to 11.
I do the same thing. Don't let me use a wah pedal my jaw won't stop wagging.
Finally, someone gets it. Thinner gauge for lower tunings gives more clarity, but it also requires better control and technique.
For metal this works and for higher gain rock this works. Billy Gibbons uses at light gauge and his tone is thick. Low gain Jazz or blues thicker strings are better. Higher gain helps to coax thick frequencies out if low gauge strings are used . Don’t you hate it when someone explains trivial shit like this that you didn’t ask to know about that could not be entirely correct. I will let myself out. 👹🤣
Yes. That’s my problem. I beat the living shit out of my strings. Love that aggressive sound.
Thinner gauges sound way better but a .58 for F# on a 25.5 is just stupid
@@jacobhalsey1393 I agree, it doesn't seem possible.
@@jfo3000 I mean it literally doesn't intonation wise. F# doesn't even intonate properly on a 27 inch scale guitar. I tried it was a .64 on a 25.5 out of curiosity and yea sure it has that nice pop sound when the string is open but fretted notes sound terrible. It feels even worse. Imagine thinking that picking like a pussy = proper technique
I cut out the middle man, and just remove all the strings on my guitar.
😂
That poor middle man
@@FunkVT he just always gets cut out of everything
Pootie tang
1:07 and the the strings behind the nut ringing :D
Kills me
That's probably more because it's an Ernie ball not the string gauge.
The Brazen atheist No, that’s because he’s not using a muter.
@@brazenatheist1676 any strings behind the nut will ring. Use use some tape or cloth and it's gone!
could also be the springs for the trem. I have a music man that has the same issue, the springs hum when you pick hard
I love his technique and his guitar
Not a fan of super heavy gauge strings for this exact reason. Tone gets way too rounded and muted on the lower strings and I don’t like how they fret either. That being said, I have no idea how he gets away with a 58 on a 25.5” scale in F#.
I imagine he adjusted his saddle on that string way back
My thoughts exactly. Ive tried setting up my majesty 7 to G (by a good luthier) and it was just too floppy with 10-64. So 58 for even lower?
I remember having an old Ibanez 7 in drop F# with a 64 (set it up by accident this way, was going for drop G#) and to my surprise it was still awesome. Intonation obviously was a hair off but the floppy feel of the strings and the snap of the attack was something I WASN'T expecting to be so satisfying and still playable.
Either super high action or intense fret buzz hidden under all the gain. I’m not with the thin gauge movement. It needs to have some tension to it but not overly much. I use 10-74 for drop A on a 26.5 scale and it sound just fine.
Meshuggah used 9-54 on 25,5" 7 strings in B♭and were still the tightest band ever.. like how?? XD
THIS! I've been experiencing exactly what jason mentions here. Thick strings just sound dead and too dry to me, while i love the attack and brightness you get from a lighter gauge.
Who heard Nasty at the end 👀
I was looking for this comment. I was so happy expecting the whole solo... :(
Paul Brendanawicz
Same! I’ve been requesting it so much on his livestreams, but he says he’s gotta relearn it and shit. It’s apparently one of the hardest solos
I have been using the heaviest gauge strings (and highest string tension possible) for Drop F tuning for the past two years. I just switched to light strings upon watching this and it's true. There is too much bass frequency in the heavy gauge strings so the DI distorts improperly. With the heavy gauge strings, maxing out the tone knob on the TS808 helps but makes the tone sound chunky instead of heavy and I always wondered why. With the lighter gauge strings, the DI distorts properly and sounds heavy.
It's analogous to the difference in timbre of playing a note high up on the fretboard on a low string vs. playing that same exact pitch note in the middle of the fretboard on a high string. The note on the low string sounds rounded off and dull vs. on the high string sounds clear like a bell... because there is less bass frequency in the DI. As we know, too much bass in the signal causes muddiness and does not distort properly.
That's interesting, I'm using a light to heavy 5 string set on a 4 string bass, (for drop A) but I noticed there is way too much bass on the low notes and it is distorting kinda weirdly. Pretty sure my low A is too thicc
He played the Nasty solo at the end(:
Nasty solo there at the end ;)
Me too, previously I use 10-52 in Drop D as well as 11-56 in Drop C, now I use bit lighter gauge as well, 09-46 in Drop D as well as 10-52 in Drop C
I even use 9.5-44 for Drop D on a 24.75. Works
@@user-fy6cj8mn2r even better: 9.5 11.5 16 28 38 48 (or 49 if D'Addario) for Drop D on 24.75 inch scale (hybrid Primo Slinky top, Ultra/Power Slinky bottom gauge) to get a consistent tension as 9 11 16 26 36 46 for Drop D on 25.5 inch scale (hybrid light gauge)
@@user-fy6cj8mn2r even better if you use the following gauges:
09.5-11.5-16-28-38-48 (or 49 if you use D'Addario) for Drop D on 24.75 inch scale
To make it consistent as
09-11-16-26-36-46 for Drop D on 25.5 inch scale
@@user-fy6cj8mn2r even better 9.5-48 for consistent tension
@@user-fy6cj8mn2r what about 48?
Bout to snag a 7 and want to tune to this. Im always use to much thicker gauges strings. He made some great points for me to think about
My ideal set for 7 string with a 25.5 inch scale and standard tuning is 0.08, 0.11, 0.15, 0.24, 0.32, 0.42 and 0.52/0.54. The high E with 0.08 string makes bending easy, gives a snap and also does not pop out so much in the mix when playing a chord (less dominant). The 0.15 G is more in balance tension wise with the high B and D string and makes bending easier than a 0.16
I believe Steve Vai's UV7 uses a similar set, with a Floyd Rose style trem.
Steve always uses standard 9's and 10's@@proudbrogressive315
Nice to see a 7 string with standard frets instead of fan frets! Thought all modern pro players here fan fret users... Also good to hear about not using steel cables as strings but going for a more sane gauge and focusing on consistent technique.
@@chopholtz4950Brain dead comment
10-62 Cobalts is the way to go imo. In A# is beefy and in drop G# the clarity is still their and just enough tension to get by with proper technique
I second this! This is what I use. I’m in drop g#.
I use these all the way to drop g, on a 28.5 scale it's so nice
Ever since I saw an interview with the guitarist from power trip using 9s, I switched from 11s. Standard thing. It’s weird. Everyone wants thicker strings but I’ve been pleased 😃 with 9s
I just got my 7 string red Richardson cutlass, best instrument I’ve ever touched.
and then theres lee malia that uses a .80 for his low C string in drop C haha
damn that yuge for drop c
Hé tunes c standard they got songs in drop a# and c so he can drop it
Jesus. I've tried .60 for Drop C and even that is a bit taught and fwubby. .54 feels about right, though the .60 is nice for that AGCFAD tuning.
Well it's Gibson scale isn't it?
@@TheCleansingx yeah but its still crazy big haha
YES on the logic of lighter strings vs heavier gauge.
Light strings + baritone scale length = win
Quite possibly the best guitarist. Fucking animal
i absolutely agree, light string is a lot of note & tune and easy to play..doesn't hurt your finger
I had 11-49 in DropBb 6 years ago, at this time I thought it is too thin to control, but I liked its crispy sound.
Now I know I need more practice!
I had 10-46 in drop A# and it was so loose but still controllable enough for me to do fast chugs. I tried going down to drop A to learn some Knocked Loose songs but it was just way, way too floppy for me to control.
krimson edgelord get a 7 string with a 26.5” scale. You can go to Drop A and the tension is perfect.
@@fede.chachagua well that's not really easy to do as a middle class senior highschool student in a third world country. Maybe in the future once I've finished college and acquire the funds. For now I'll just have to rely on heavier gauge strings or whatnot. Tension has never really been much of a problem for me as long as I can still play songs and riffs fairly decently.
I had 9-42 in Drop F and damn... That guitar sounded amazing!!!! 😍
If you use thick strings then use a tube screamer to tighten up the sound
Kudos for having that much control over the right hand. I have a very heavy hand and perfer 10-48+68 in A std 27" scale.
Trust me brother, work on getting a lighter hand.
It will let you play so much faster and more clean too, you get so much more control.
He just played the nasty solo at the end
I go 11-48 for drop B or A# and man, my leads are clear as crystal.
Agreed. I used the following for Standard E on my 7-string. 8 11 14 24 32 42 52.
Lots of attack and clarity. Just adjust your technique, play with finesse and you'll be rewarded.
Personally, for 7-string, I use 09-11-16-26-36-46-62 (or 59, or 60) for both 7-string Drop A and 7-string Drop G
Yep. I’m in Drop B and I use 12-52 and all my homies wonder why I don’t use a 60.
I use 11-56 for drop B with the 7th string .70 tuned to F#. Its 25.5 also xD
Exactly the same tuning i used for Drop B. I've been using Elixir Nanoweb heavy gauge strings for C# and Drop B and it's got the perfect amount of tension for my needs.
Colgate floss is my go to string
Ok yeah you can tune it off so it sounds right when you strike it, but if the note is held for more than half a second you're screwed
If you're jason Richardson the note usually lasts .01 milliseconds
We miss you in Born of Osiris. They don't even play Follow the Signs anymore
0:58 somethings up with the way that guitar is set up. There’s a high pitched metallic clanky sound after each chug. Odd.
There's legit a video my dad showed me proving this.
They had the same guitarists, using the same guitars, with the same production set up, with the same riff, dropping from Ernie Ball .11's to .08's..
It was wild. I've always avoided going heavy, unless it called for it. I currently have EB Ultra Slinky's (.9-.48) in drop c and they're perfect!
What's it called? Or can you link it?
@@powerhitter033 ua-cam.com/video/wGXj_NQONYM/v-deo.html
D standard or higher I like nines. Tens for drop C down to C standard. Elevens if I go any lower. Seems to keep the tension feeling the same across the tuning changes.
Personally, for Standard E and Drop D, I'd go with 09-46, for Standard D and Drop C, I'd go with 10-52
It is just awesome..!! Love it❤❤
Brilliant!
I use super light gauge strings as well
damn everywhere I look people recommend like .74's for the low string playing drop F# even on a 26.5" scale. You've got be a god at setting up the guitar to run that 58 on a 25.5" scale guitar. I really wish I was good at setting up guitars...
Me too brotha i just bought Sterling Jason Richardson 7 and i wish i knew how to set it up the way i like my other guitars because i can already tell its a great guitar I just dont knowhow to set up tremolos!
Thomas Mims looks like a great guitar I just got the Jackson ht7p, and I’m a noob on setups and my local shop does 7 day turnarounds for setups screw that!
@@zakkforchilli okay well this morning i woke up and my hand feels like it was sparta training in double gravity.... I think i have to cave in and buy a setup lol
Well its actually not about being good at setting up a guitar. Having F# on a 25.5 doesn't really work because of intonation. And with a 58 there is so little tension it only sounds good when the string is open.
No matter how good you are at setups you can't make a low note intonate properly on a scale length that is too short.
.74 is what a lot of people recommend for F# F and drop E because that is the maximum gauge you can use and it not end up sounding bass like. And even then a 27 inch scale guitar isn't enough to make F# be properly intonated all the way up to the 12.
Jacob Halsey It all makes sense, until I see people like Marc from veil of maya make F# sound good on a 25.5 6string lol others are getting it done on 26.5’s though with the .74 // maybe it is off on intonation but their songs are sounding great with them
Am i understinding this right: he is playing a 58 gauge string on the low F sharp?
Is he winding this string a whole turn around the tuner?
Weird, even with a 0.64 on a 27” scale it’s barely playable. I tend to play with low gain and compensate with harder picking so idk
He can probably bend that high e string all the way to the low e with a Drop F# tuning and string gauge.
11s tuned to C# (which is what the high six strings are tuned to) are fairly normal in tension. The B string on a set of 9s is an 11 and it's a step lower than a high C#.
But knowing Jason, he could probably do that to any guitar in any tuning.
cool information
Holly shit ! He uses light top and heavy bottom ! I never heard that before. The earth gonna be reverse. He is Mad ! That's really gives some difficulties when playing. I'm happy with my 10-46 and 10-52. I never use 9's because they breaks so fast.
interesting take I still want to use large gauges for my 8 string I have Seymore Duncan Nazgul on the bridge which picks up a lot of mid range and high end string clarity so you can get the clarity and definition Jason is talking about while still getting the thicker note provided by the larger string gauge
Rick Beato made a video comparing string gauges where he tests across about 5 different gauge sets from light to heavy. At the end, the playback is back to back from lightest to heaviest, then switches back to the lightest afterwards, and the difference in clarity suddenly becomes heard. It’s amazing.
@@chopholtz4950 even so, if you played with strandberg-preferred strings, the F# is an 84 and it sounds horrendously muddy, whereas the Majesty 8 string comes stock with a 72 and I know from owning both that F# on a 72 sounds significantly better. At the end of the day, 72 at 24.75 sounds the same from a brightness standpoint, but feels floppy compared to 27” scale’s tightness and the 27” has better sustain.
@@thisguy2973 actually, it's .74 from 8-string Regular Slinky (lime green) set (10-13-16.5-24-32-44-58-74)
Yeah I don’t get it either. Lmao my 26.5 inch scale Schecter 7 feels floppy as hell with a .65 in Drop F#. That’s the string I gauge I use for B standard/drop A and feels just about right
Shit, I use 75-13 in drop A# and this man is even lower than that with thinner strings
God your guitar must be fucking dying.
Wow, try using a thinner pick with a thinner string gauge and maybe hit the strings lighter, 75 for a low A# sounds massive
@@definitelynotgore I haven't laughed this hard in a LONG time
DAMN thats thick for A#. I use a .65 on my low F# (8 string) and its perfect.
@@definitelynotgore don't worry mate, my old ibbo takes a beating. I'm a luthier so I know how much I can fuck with it before it rips apart
I have a 62 on a low G# on a longer scale length and the string is like a noodle. Jason is a psychopath, confirmed!
I have a 72, again on a longer scale guitar for the same tuning as Jason, still a noodle!
is it paradigm
I use 56 gauge strings for drop g, once in a while tuning up to drop a. YOU sir are the madman with strings that tight.
@@k.a.m_dh9959 you're the mad man, you're playing drop G on strings designed for drop C!
It's all about proper technique. 62 for g# isn't even that flabby. It has around 13 lbs or so. Not really that wobbly.
@@proudbrogressive315 13lbs is less tension than I have on my high e string though 😂
I use 10s with drop tuning with my Jackson and lp and sound is awesome
On my 8 string i use .09 to .64s and it is PERFECT. 28 inch scale length.
Ive always wondered why people use .80s or larger. unless your tuning to double drop D or lower. Larger strings get SUPER muddy and nasty sounding on the low strings and you start to get that "guitar fart" sound😂
Not to mention, even the higher strings.. using any thing bigger than .11s just sound dull and lifeless..
Noticed the opposite when I hit hard as shit it’ll not stay in tune unless the strings are heavy
@@dylandoge1627 well thats probably from you hitting your strings hard. I don't play with a heavy picking hand for that reason. I don't like that pitch bend you get if you pick hard on the low strings. I like the solid full "note" sound that jason talks about in this video
@@dylandoge1627 but hey, use whatever strings you want bro. What works for me might not work for you and vice versa
Cameron Herrick i like the added bass it works for if you aren’t dj0nting. Like Def Leppard and Stevie Ray play 13s because they man handle the guitar. It’s a different style. If I’m going to shred I’d play 9s. But for some breakdowns with a triple rec a 72 with drop a works
Cameron Herrick pitch doesnt move when your strings are super high broski they move when you use a 42 in drop a lol
i get his point and i agree to go as light as possible but 58 for F# on a 27 inch scale? dont know
Awesome
I agree 100%
Increase the scale length and drop the gauge down. The perfect setup I got from devin townsend who uses an open tuning was 10-52 for open c. with a 60 for the low G string on a 27 inch stephen carpenter guitar. To this day, after having to sell that guitar I haven't been able to feel that greatness again. :( I have a 8 string cort guitar now that goes up to 28inches on the lowest. I wouldnt go heavier than 74, even for drop e.
I've just purchased a 25.5 to 27.8 multiscale 7 and I'm tuning the same. currently have a 10 to 62 set on it. Even at the 27.8 scale for the top string, the 62 is way too loose in G. I've ordered a 74 string to try out and am looking to go down slightly on the high end to a 16, 12, 9.5 instead of the current 17, 13, 10.
Does Jason using lighter gauges only work well for him because he's using a floating trem? I would like to go lighter on my 8 and 9 string but not much. My 9 string is .008-46 then .064 .080 or .074, then .090 the tuning on this beast is adadccgg#e
And my 8 string is just the heavy bottom 8 string set. But I want to try a standard 9-54 and a .074 for drop e
Also the 9 string is 30 inch scale and the 8 string is 28.6 inch scale
This is true :)
Does Jason up the gauge as goes through the tour as his hands get stronger?
yes!!!!!
He is absolutely correct. Standard tuning or lover one - thinner strings are better. And such things like Hammet says about "my hard attack" are the bullshit. I am using 9-56 for seven-string drop A - and it sounds just great and no tuning issues, when you play correctly.
What's your scale length?? Mine was 25.5 and I'm currently using a stock strings on my guitar so I wouldn't know what gauge it is, do you think a 56 on the 7th string on drop A tuning is fine?
Try .60 gauge for drop A as well
White Misha
When he hits the low string to demonstrate his point I can’t help but hear Morris code. Must be the resonance from the Trem system sprIngs.
“Morse code”?
John Stitt yeah I heard the string noise too he needs a fret wrap which live he normally has but it’s not sexy for the interview so I guess he took it off
Is he able to use lighter strings because he has a trem bridge, or can a hardtail bridge use lighter strings as well?
honestly his guitar is set to his tastes. your average guitarist would find this tension very unsatisfactory
You can, doing a proper setup. Using different gauges is not just about installing the strings and play. You need to set them up to play correctly, especially on Floyd Rose.
I believe that with paradigm would be perfect for c# due to its hardness but with cobalt I think it would be so floppy for c#
No really, I use cobalt 11s for drop B on a 6 string, just wish there were thicker lower strings (52ish instead of 46 or 48)
There’s no variation in tension between Cobalts/Paradigms, or at least not a very significant one.
So is Jason writing an album with All That Remains?
Jason’s their new official guitarist since last year
Lee Stevens I know, that’s why I’m asking if they’re writing a new album now, or if they’re just touring
Does anyone know what the song is that Jason is playing at the very beginning of the video?
I would like to know it too
The jim root style.
why does he wrap the strings around the locking tuners? Doesn't that defeat the purpose of lokcing tuners
I hate to say it but I just saw this video some months ago and I was like -Nah, drop G# just works with .068 and baritone scale. Then the .068 was out of stock, so I tried 10 - 56 and I get used to it.
Try Mammoth Slinky. It works a bit better for that tuning.
Does thinner gauge + lower tunings work on tune o matic bridges or just with trem bridge? Cause i use light gauge and tried drop a on my guitar with tune o matic and its wobbly af
what gauge and scale length?
For drop A, unless you're ok with light tension (as I do), use Mammoth Slinky 12-62. It's light, but not flabby. Like a set of 9s in drop D or so..
Is no one going to point out his solo at the end, old polyphia type beat lol
Bruh I had 9/56 in f standard
ss1 Trunks
11-58... What does he consider light strings?
For a low F# it is pretty light. An 8-String (which usually has a 26-28 scale) from a seller generally comes stock with 70-74 and on the light end 9-12 in standard F# tuning.
How does he get the string to not flop around though? I use a 60 gauge string for drop A and it's kinda floppy
A proper setup works. Especially the action.
Cobalts are my shit
are his tunnel 10mm in size? is that what 10mm tunnel look like? im planning to get one and I heard that 10mm size can be reverted to normal. is that true?
Maybe 12! I have 10mm and yes, one week without and closed to 5mm
Which is better for the 7-string? 10-56 or 10-62?
Usially 62, since it allows you to drop A/G# with ease.
No idea how he can have a low F# with a 58. I've got a guitar with a 56 for an A# and it's a bit noodly to me. My 27" scale 7 string is in has a low G# with a 64 and it's jusssst about alright
the guy who use light strings gets the chicks
No guitarist is getting girls in 2020
@@finnancahill2644 said the man with a slayer logo as pic profile
C# standard tuning with F# on lowest string? What kind of tuning is that? So its (from low to high) F#(super low) F# B E G# C#??? Cant be right?
No it's just c# standard with a low f#. So its 7 string drop #f tuning.
#f c# f# b e g# c# low to high
It's 7-string Drop Gb tuning, Gb-Db-Gb-B-E-Ab-Db
It's drop F#.
I have a question few days ago I lost my guitar and I can’t live without a guitar but for now I can afford to buy a new one so my question is if there is a possibility to exchange or sell a Yamaha piano montage 7 synth at guitar center ? It’s used
That’s something you’d want to call about. There’s about a 1% chance they’d respond to a comment here
Drop a/b standard on 11-54 over here, just need to play a little lighter.
Drop g#?
I've done G# with 11-54, indeed. It's light, but with proper technique it's doable. And a proper setup of course.
Maybe if we all played a little bit more and cared a little bit less about strings and shit MAYBE we would be enjoying our instrument and not wasting our time
I disagree with that statement
nah it doesn't work like that
What tunning is this??
Drop F#. Or C# Standard across the high 6 strings with an F# on the 7th, which is dropped from what would normally be G#
Did you even watch the video?
Yeah but what gauges
He said it on the video: 11-58.
Yes I allways got shit for playing lighter gauge strings
That lick at the end was pretty nasty
well played
I tune half an octave higher than that and still use thicker strings 😂
But what about the intonation? I thought it would be horrible when tuning that low with light gauge strings
Intonation isn't about gauge it's about scale length. F# won't even intonate properly to the 12th on a 27 inch scale guitar. Increasing gauge will reduce the amount note wavers out of tune when you pick it.
But I'm willing to bet only his first and second fret are even somewhat in tune on that lowest string and besides as you can hear it goes way out of tune
@@jacobhalsey1393 the low F# on my 25.5" Ibanez is in tune all the way up the neck, I'm using the same size string. Mine sounds better actually because there's no ringing behind the nut. Is my tuner wrong or what are you saying?
@@jacobhalsey1393 That's not true. Scale length doesn't affect intonation. It's about string tension.
@@UniteAndAttack you kids hurt my brain
@@jacobhalsey1393 No I'm serious. Take a set of Ernie Ball Slinkies 9-42 (the pink packaging) and tune it to E standard and you can intonate that on any scale length guitar (25.5 or 26 or 26.5) just fine. Now take those same strings on that same scale length and tune it to B standard. It won't work because the strings are super loose like noodles and you therefore can't intonate. It has everything to do with string tension, not the guitars scale length.
You can use lower gauge strings on longer scale length to tune lower because of string tension. You should read up old man.
Am I the only one here who uses standard tuning??
Nah
Maybe he is right in some point, I understand 11-48 to C# it is okay, but 58 for F# maaaaaaan, i tried 64 for G and i think it was sloppy as fuck, I can't imagine how is 58 working for F# for him...
It's how you set the guitar up. I'm sure if you move the string saddle back a bit and raise the bridge it'll feel fine. Watching Jason play, it doesn't look like the string is flopping around too much.
@@joshyjoshyjosh you cant just adjust the saddle back willy nilly to make the scale length longer that's for adjusting intonation.
Tehhhehehehe
Just goes to show that the scale length and string gauge nazis that are on all of the extended range guitar forums and Facebook groups are full of themselves. Just because you like heavier strings and 26.5” scale or more does not in fact make for a better playing experience for everyone.
Lol let them have their fun, they are much more knowledgeable then us.
11s are standard for C# but ok
But he is using 11-58 with a low F# as a 58.... the C# is probably a 48, that's thin af
So THAT is how you djent!
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First!
11s? That's like male porn star gauge for me. I use 9s on 7 string A standard. xD
Periphery use huge string and their guitars sing just saying it’s playing style that all. I use a 11-64 on my baritone seven string 😂