Thrilling Scales for the ii-V-i progression in MINOR
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- Опубліковано 28 чер 2024
- We'll learn what scales to use on what chords when playing the ii-V-i progression in MINOR. And by the end we will have created a very useful and complete SCALE CHART for jazz improvisation.
In this other jazz lesson we also build up a similar scale chart - but over the chords from the ii-V-I progression in MAJOR.
• Thrilling Scales for t...
Here we have the two scale charts (MINOR and MAJOR) as PDF
newjazz.dk/Compendiums/Scale_...
In the video I refer to this other NewJazz Lesson learning how we can make a perfect systematic arrangement of all scales
• SYSTEMATIC OVERVIEW of...
Translations of the English subtitles to Spanish, Portuguese, Italian and French by Edgardo Solano from Colombia. Thank you so much Edgardo!!! You can turn on the subtitles and choose a language in the video settings.
All NewJazz lessons are free, public and for everybody. I have no sponsors and I sell no merchandise. I'm just little me trying to make Music the EPIC CENTER of everything! If you want to help me keep going you are so much welcome to make a small voluntary donation at either
/ newjazz or
www.paypal.me/newjazz
You can also just give me a nice like - moral support is also great support!!! Thank you so much :) :) :)
Many warm regards from Oliver Prehn
University Master degree in Music & Multimedia
www.newjazz.dk
Index
00:00 Introduction
02:01 Scales for the "D minor 7 b5" chord
07:51 Scales for the "G Dominant 7 b9" chord
11:48 Scales for the "C minor Maj7" chord
16:21 Ex.1) D Super Locrian - G Phrygian b4 - C Harmonic minor
17:19 Ex.2) D Dorian b5 - G Phrygian Dominant - C Melodic minor
18:36 Ex.3) D Locrian - G Phrygian b4 - C Harmonic minor
19:47 Ex.4) D Locrian #6 - G Inverted Diminished - C Lydian b3
20:15 Ex.5) D Locrian - G Phrygian Dominant - C Melodic minor
20:43 Ex.6) D Super Locrian - G Inverted Diminished - C Augmented
21:07 Ex.7) D Half Diminished - G Phrygian b4 - C Harmonic minor
21:35 Ex.8) D Locrian #6 - G Mixolydian b2 - C Augmented
I have to express all my gratitude on this comment, your channel is a bright light in the middle of the abysm. You are a great musician. A great man.
You are a truly AMAZING teacher.
Man, just your voice makes me watch your videos and improve. But you really reeeeallly know how to explain things, love your channel keep it up g, grateful for you.
Thank you! Best regards from Argentina
I like how you played the examples slowly - i'm beginning to hear some beautiful differences in the scales..
Another excellent lesson that gives us the opportunity to improvise jazz music more professionally. Congratulations to you Maestro Oliver Prehn!
Oliver this is a wonderful lesson with almost unlimited possibilities for exploring improvisation and composition. Thank you.
I've logged in only to give you the Like because you deserve a lot
This is a fantastic lesson. Another fantastic lesson. You are the best.
I started with acoustic guitar 1st of March 2023 at age 55. My idea was to compose music to my poems. Later I found that, the starting idea couldn't hold. Nor could motivation as I have with study and practice Tibetan Buddhism, keep me going. ------ The only thing that can make me keep practicing, is the fun and the exploration, just like a child discovering an interesting toy. There is no motivation. I simply have so much fun with the music, that I can't stay away. Furthermore, I compose my own practice material things as I move on and get better. ----------- I don't play other peoples songs and haven't even used 1, yes, one hour practicing other peoples music. I simply got bored after few minutes, indeed very bored! 😂😂😂 It us so easy to make a melody for me, so why bother with other peoples ideas. All I need is to learn the technique and the sounds I luv and I make my own music. ------------- What I learn from your lessons, @Oliver Prehn, is totally gold for me.!!! Thnx so much. ❤🙏 Btw. From Djursland in Denmark. It's where the swing come from ;) (PS) Got an Arturia MKII 61, Reaper and stuff. So cool to make music. Even after one year byuing my first music instrument and fumbling around. Things can go fast if having fun and luv to explore :) 🤩😎 maybe being a little nerdy too, might help a bit ;) 🤓🤓
Great video, thank you
Love it thank you again for these indepth lessons they help a ton 💜👍💯✨️👌👽🔥💪🤖
Thanks a lot :) :) :)
Hi Oliver, thanks for another great lesson. I was wondering if you instead of doing this randomly could talk about the different levels of tension in the scales, and thereby create a tension curve or an inverted tension curve with the scales?
Hi and thanks a lot :) Great suggestion! But I have so many requests - I hope that you understand... but I'll have it in mind for sure :) Thanks a lot for your input and feedback. Cheers from Oliver
Hello Oliver, thank you very much for your videos.
I like how you clarify the structure to see which route follow so I can improvize ;)
I have a question, I hope you answer me:
In the Dmi7 b5 chord, we get all the potentiel scales that matches this chord.
For example, the first locrian, it fits, the super locrian also.
But why when you came to play the super locrian, you didn't stay on the Dmi7 b5 chord and alternated it to the first chord of the D locrian? (3:41)
Thank you again for the contribution you bring to all of the jazz piano students!
Regards,
Julio
Hi and thanks a lot :) And that's a really good question. I make an expanded left hand chord for sure. For educational reasons I should have stayed on the straight path but I just forgot when recording the lesson, I'm so sorry. But anyway, we still hear the Dmi7 b5 chord flavor, because all the chord notes are represented (when adding the right hand improvisation notes as well). In many cases the mi7 b5 chord can be expanded in the left hand like I do in the video.
Many regards from Oliver
@@NewJazz Thank you very much for your answer!
I feel privileged to directly hear from you :)
Now I go back to practice practice!
So Mixolydian b9 , b13 the same notes phrigian dominant ?
Correct!
Hi, Oliver. In your previous classes you used upper triad based on 4th and 5th grade of a melodic minor scale. Now I’m wondering if we could do the same closing the 2-5-1 in minor with modality like Lydian b3 which, being derived from harmonic major scales, could have any upper triad fitting itself. Thanks.
Hi and a really good question. Yes, indeed you can use triads on Lydian b3. On the Harmonic Major Modes 3 Major triads fit. On for example C Lydian b3 (same keys as G harmonic major) c-d-eb-f#-g-a-b we have the G, B and D triad included. It sounds really great. Actually I use these 3 triads on Lydian b3 at 20:02 in the video ;)
Cheers from Oliver
I have to correct my posting on the "Avoid.." Vid. It is not a Circle, its a Spiral that goes like the Universe.. that never ends as long your looking for.
hello, please tell the piano SOUND software your using
Hi :) I use this VST from Native Instruments: www.native-instruments.com/en/products/komplete/keys/the-grandeur/
Cheers from Oliver
First comment! Wow, it's very dark. 😱
This is better than chocolate
have I been missing posts?
cause my first thought is, "where you been?!" haha
Haha - It's only about every 2nd month a NewJazz video is published. I know that it’s not very often. But NewJazz embodies only ‘little me’ - and I really try to make high quality videos and to push Music over the edge (not that I always succeed). So each video takes some time to produce… I surely hope that you have patience with me :)
@@NewJazz that explains it. thank you for your dedication!
Out of the 13 scales, I've only ever know of 5 🤣 FANTASTIC lesson yet again.