Ethel Waters - Happiness Is Just A Thing Called Joe (From Cabin In The Sky 1943)

"Happiness Is a Thing Called Joe" is a song composed by Harold Arlen, with lyrics written by Yip Harburg, it was written for the 1943 film musical Cabin in the Sky, recorded by the MGM Studio Orchestra and sung by Ethel Waters. The song was nominated for the Academy Award for Best Original Song in 1943 but lost out to "You'll Never Know".
Ethel Waters (October 31, 1896 - September 1, 1977) was an American singer and actress. Waters frequently performed jazz, swing, and pop music on the Broadway stage and in concerts. She began her career in the 1920s singing blues. Her notable recordings include "Dinah", "Stormy Weather", "Taking a Chance on Love", "Heat Wave", "Supper Time", "Am I Blue?", "Cabin in the Sky", "I'm Coming Virginia", and her version of "His Eye Is on the Sparrow". Waters was the second African American to be nominated for an Academy Award, the first African American to star on her own television show, and the first African-American woman to be nominated for a Primetime Emmy Award. Waters was the great-aunt of the singer-songwriter Crystal Waters.
Waters was born in Chester, Pennsylvania, on October 31, 1896 (some sources incorrectly state her birth year as 1900) as a result of the rape of her teenaged African-American mother, Louise Anderson (1881-1962), by 17-year-old John Wesley (or Wesley John) Waters (1878-1901), a pianist and family acquaintance from a middle-class African-American background. Waters' family was very fair-skinned, his mother in particular. Many sources, including Ethel herself, reported for years that her mother was 12 or 13 years old at the time of the rape, 13 when Ethel was born. Stephen Bourne opens his 2007 biography, Ethel Waters: Stormy Weather, with the statement that genealogical research has shown that Louise Anderson may have been 15 or 16 years old.
According to jazz historian and archivist Rosetta Reitz, Waters's birth in the North and her peripatetic (or nomadic) life exposed her to many cultures. Waters first married in 1910 at the age of 13, but her husband was abusive, and she soon left the marriage and became a maid in a Philadelphia hotel, working for $4.75 per week. On her 17th birthday, she attended a costume party at a nightclub on Juniper Street. She was persuaded to sing two songs and impressed the audience so much that she was offered professional work at the Lincoln Theatre in Baltimore. She recalled that she earned the rich sum of $10 per week, but her managers cheated her out of the tips her admirers threw on the stage.
After her start in Baltimore, Waters toured on the black vaudeville circuit, in her words "from nine until unconscious." Despite early success, she fell on hard times and joined a carnival traveling in freight cars headed for Chicago. She enjoyed her time with the carnival and recalled, "the roustabouts and the concessionaires were the kind of people I'd grown up with, rough, tough, full of larceny towards strangers, but sentimental and loyal to their friends and co-workers." But she did not last long with them and soon headed south to Atlanta, where she worked in the same club as Bessie Smith. Smith demanded that Waters not compete in singing blues opposite her. Waters conceded and sang ballads and popular songs.
In 1933, Waters appeared in a satirical all-black film, Rufus Jones for President, which featured the child performer Sammy Davis Jr. as Rufus Jones.
She went on to star at the Cotton Club, where, according to her autobiography, she "sang 'Stormy Weather' from the depths of the private hell in which I was being crushed and suffocated." In 1933, she had a featured role in the successful Irving Berlin Broadway musical revue As Thousands Cheer with Clifton Webb, Marilyn Miller, and Helen Broderick.
She became the first black woman to integrate Broadway's theater district more than a decade after actor Charles Gilpin's critically acclaimed performances in the plays of Eugene O'Neill beginning with The Emperor Jones in 1920.
In 1939, Waters became the first African American to star in her own television show. The Ethel Waters Show, a variety special, appeared on NBC on June 14, 1939. It included a dramatic performance of the Broadway play Mamba's Daughters, based on the Gullah community of South Carolina and produced with her in mind. The play was based on the novel by DuBose Heyward.
Waters was nominated for an Academy Award for Best Supporting Actress for the film Pinky (1949) under the direction of Elia Kazan after the first director, John Ford, quit over disagreements with Waters. According to producer Darryl F. Zanuck, Ford "hated that old...woman (Waters)." Ford, Kazan stated, "didn't know how to reach Ethel Waters." Kazan later referred to Waters's "truly odd combination of old-time religiosity and free-flowing hatred."
Waters died on September 1, 1977, aged 80, from uterine cancer, kidney failure, and other ailments, in Chatsworth, California. She is buried at Forest Lawn Memorial Park (Glendale).