Hey Ted, haven't had any issues when flying with film so far. I had ISO1600&3200 scanned multiple times and the shots turned out just fine. :) Just ordered 10 rolls of Acros in 120. It is simply the best b&w film stock, so sad to see it go.... :'( Hope you stocked up on Acros!
Oh man, that is so good to hear. Congrats on scoring the ACROS in 120. I was able to secure a couple bricks of 135 from B&H this morning before the listed the film as "Discontinued" again. That'll give me a total of about four bricks of 135 and twenty-five rolls of 120.
Hey Ted. Noticed you haven't uploaded in a while but I'm glad to see you've recently replied and seems like you're OK. Looking forward to your next vid!
@@TedVieira Oh that's good to hear. Don't mean to put the weight on ya but your vids are why I went Fuji. & now,,,, your the reason I dug out the lllc & my old Bessa's. The Photomic seemed lonely so it had to go for a walk,,,, with my Argus A2b! LOL. Shot a bit of film & even with my old lenses, Wow. Having even more fun using them on my Fuji's. Thanks & hope to see you back here soon.
@Abraham Gonzalez I just listened a couple of his audio blog's which can be found through his website. Most excellant he does almost daily. Iturn the on while editing.
Ted, People of the Internets need more videos from you :) - oh, and why so few with you playing the guitar? More, more :) Love your work! Greetings from Budapest, Hungary
Hello Ted how are you? Ive been watching your channel for a while and when i decided to get into medium format it was your Acros vids that got me turned on to using that film in my training. its sad Acros is going the way of the Dodo bird but I also do photo reviews and I just reviewed a budget BW film on my channel you might get a kick out of seeing as it is very close to Acros in its look. Ultrafine Xtreme, is the name and if youve never heard of it feel free to check the review on my channel and let me know what you think. you are maybe one of 6 Film channels I follow and thought this would be a good thing to share with the film community. respect bro.
You're quite welcome, man. And yeah, good advice; especially if you're going to be traveling for a long period of time. That way you can see your photos sooner, plus you won't have so many rolls to have to develop once you get home. That can be a bit overwhelming if you've got too much to develop. Thanks!
Very cool about the X-ray bag. I've heard that the scanners are much safer than they used to be. I haven't done a video on my development process, however, here's a video by Matt Day that is pretty much the exact method that I use. Only difference is a lightly agitate for 10 seconds every minute, whereas Matt agitates for 5 seconds every 30 seconds. Otherwise, exactly the same process. Hopefully this will help ua-cam.com/video/8I41UExVJWI/v-deo.html
I tend to order some rolls to my self to the hotel or the place where I’m staying or even better just take the chance to visit a store with film equipment in the country or city I’m visiting
Dude! are you still alive? I know a lot of people, including myself would love to hear what you're up to and what you think about the rapidly shifting world of mirrorless cameras. I know you're not not a Photo industry news guy, but I also know that like everybody else watching all these new cameras roll out you gotta be feeling some kind of way about it all.
I'm listening to this video while scanning film from a trip to Mexico I was hired for as a photographer and videographer. And as I look at the results from the film - which, by the way, I am getting to before I have even gotten around to checking my digital stuff - I wonder why I ever even bother with digital sometimes. The results - especially from Kodak Portra and Ultramax - simply cannot be surpassed by digital. That said, I am no Luddite or retro grouch; I own six Nikon DSLRs and four Fujifilm digital cameras, along with all sorts of video gadgets like DJI drones and gimbals, and use them on a daily basis. But when it comes down to personal preference, my vote goes to film every time. Always appreciate your beautiful videos, your soothing voice, and look forward to something new from you whenever you're ready (no rush, but you're missed)!
Hey man, I know what you mean... I'm starting to just take film cameras when traveling. (and I believe I am beginning to become a Luddite/retro-grouch ;)). Thanks man!
I put "Pushed to ISO 1600 - 3200" note in the bag with films (usually Tri-X). I don't push all of them, but I do often, and definitely don't want to take chances. Not everyone will understand what pushing means, but showing those ISO numbers written will help in my experience.
Hi Ted, there is lots of ACROS 100 (both in 35mm and 120) available online for reasonable prices. The best I found, 9 rolls of 35mm from Japan, shipped for $72, BH has lots of 120 ACROS priced similar to Kodak/Ilford/Rollei. As you know, with proper storage, bw film lasts decades. I have not shot/processed film in over 25 years. Just purchased some ACROS/TRI-X/T-MAX 100 (both 120 and 35mm), hopefully I will start putting some mileage on my film cameras soon.Looking forward for future videos.
Have travelled domestically and internationally with film since maybe ‘95 without any problems. My method is to unbox and unwrap 35mm and 120 and put it in a Film Shield bag. It’s lead lined and shows up as a big block in the x-ray. It is always flagged and checked. But, because it is all out there and fully visible, there is never any question about what it is, and I’m on my way quickly. The lead lining makes even fast films safe to travel with. On another note, always enjoy your videos and share the enthusiasm for film, Leicas, and Fujifilm simulations. The best.
Hey Ted, new to photography and starting with film. I stumbled across your channel and I’ve been going hard on your videos. Very informative and awesome shots. I’m starting with a K1000 and a roll of Ilford HP5 so we’ll see what I come up with. I wanted to ask though, how do you feel about lens filters for black and white photos? Do you use any to get that contrast? Amazing work!
Hey Ted. Been wondering... You being a BW retro guy, have you ever tried and tested vingage lenses, Minolta Rokkor, Helios’ist? Lots of them are really cheap, and I just thought it would be really great to watch you test and use them....
Hi Lora, thank you! Here's how I look at those two lenses... I think the 35mm is such an amazing lens for tellings stories. It can help you focus on the subject, but also bring in more context to give more information. The 50mm is more for the closeup - when you want to isolate the subject in the story even more. The 50 is my favorite focal length, and it's what I shoot with probably 80% of the time. But, if I could only have one... hmmm, because I'm so attached to the look of 50mm, I'd probably go with that and just make it work for those shots where it might be a little too tight. But for anyone else who's not as obsessed with the look of the 50, I'd probably recommend the 35. It's like the Swiss Army Knife of prime lenses. You can shoot anything with that lens. It's not a perfect portrait lens, but I've used it for portraits before. And I think it really is the best "story telling" lens. Hope this helps.
Hi Ted, just wondering if everything’s ok as you haven’t uploaded any videos in a while and I must say I really miss them. But videos and photography aside I hope you’re doing ok. Your thoughts on gear and the art of the craft were always appreciated and you’re the reason I got into Fuji about 2 years ago. The 16mm f1.4 comes with me everywhere and I’m saving up now for either the 50mm or the 56mm to try do some better portraits as well. Anyway really hope you’re doing ok and that you’re back sharing your thoughts and shots with us soon. Peace ✌🏻
I've flown with film for 30 years...Expect pushback on hand checking if its busy so get through early. Keep your cameras empty so you can pop it open and remove the lenses...and I use a lead lined bag for exposed film and have never had a problem...hope you hit Mothers for breakfast while you were there - awesome town!!
Ted, thank you. I went to Europe twice this year with film, no problems with the film going through the scanners when developed. I shoot Ilford Delta 100. I’m so happy I did, got some great shots. If you are not shooting film, why travel? Charlie
The main thing I worry about when traveling internationally with film is domestic flights out of small airports. Who knows what kind of machine they're using? Luckily, I've never been denied hand inspection. I have had to put my camera bag through an x-ray machine at train stations, and even shopping malls, though. So far, no problems (fingers crossed).
I'm flying at least 3-4 times a month and for a year now I'm only shooting film. It's either HP5+ or FP4+. Never had an issue. The great part is I just had the first overseas trip with film only and had a blast. was so much fun developing and seeing my images at home after I arrived!
Hey Ted, you should not mail undeveloped film home to yourself. It will often goes through much more powerful x-rays in the mail process than it would through the airlines, so it's better to just bring it through the airline. Just an FYI.
I never have an issue traveling with film. I travel at least 5 days a week as a member of a flight crew and have yet to have my film ruined. Just came back from shooting in Senegal and no issues.
Hey ted, I love your calm way to present passion and excitement, i love your appreciation of the calssic 35mm film Format but i have a few questions: -Do you shoot exculusively B&W? in case of "yeah", is it because developing coulourfilm is more complicated or is it beacause you just enjoy classy B&W? Do you actually recommend developing colour-films for new film-shooters? -Do you scan your own negatives, in case of "yeah", which scanner do you recommend? r -How do i estimate exposure and diaphragm? Can i approximately tranfer the data of a full-frame digital camera to a 35mm analogue (ofc with a comparable lens), to get similar results? I dont want to waste several roles of film until i get a feeling for exposure. Thank you, really enjoying your format!
Hi Lukas, thanks very much, man. Yeah, I only shoot black and white film. I really just love black and white photography, whether it's film or digital. If I do want to shoot in color I'll shoot digital. Maybe someday I'll shoot some color film and learn how to develop it, but just haven't done it yet because I'm not really interested in shooting color film. I don't have any experience with color film (developing) but I've heard that it's not any harder than b&w. To my understanding you have to be more precise with things, temps, etc... Watch Matt Day's video on developing b&w film if you're interested. It's very straight forward and Matt does a good job keeping things simple and easy to learn. And if you want to shoot and develop color film I'm sure you can find plenty of videos here on YT to show you how, so I would definitely encourage that. I use an Epson V600 flatbed scanner. I'm not sure if they actually manufacture that model anymore. I think the current version is the V850. That model has a bit of a high price tag. I think you can still find V600s for around $200 or less (USD). That might be good to start with if you're not sure how much film you'll be shooting. As far as estimating exposure, if you're shooting a camera without a meter, yes, you could check the exposure first with a digital camera, then use those settings on your film camera and you should get roughly the same results. If you're shooting outside in daylight, the sunny16 rule is very easy to learn to gage your exposure without a meter. Do a search here for "Sunny 16 Rule" and you should find plenty of videos to learn from. If you do start to use sunny 16 to estimate your exposure, you'll be surprised at how quickly you'll get used to that and be fairly accurate. Even if you're off by a step you can correct for that in post. Another thing you can do is find a light meter app for your phone. I've got one on my iPhone (but I'm sure they also make an Android version) that's just called "My Lightmeter." If I ever do need a meter, that app works fine. Hope this helps, man.
Hi Jenny, thanks so much for your comment/message. Took the summer off, but just need to get back into posting regularly again. I've got several ideas and topics I want to cover, just need to get back to it again. Hopefully soon. Thanks again, Jenny!
Hey Ted, love the video, sometime back I wrote about getting an X-T1 with the X-T2 came out (now the X-T3). At last I've got my camera bought second hand $350 mint, delighted! I'd like your opinion on my first lens, I could go zoom 18-55mm but want a prime, I know you love the 35mm f2 (50mm FF), but what about the 23mm f2 would this be more versatile ? Regards Chris
Hey! Thanks very much. Yeah, I do love the 50mm focal length (35 f2), something a little more intimate about that range. But, I would agree with you; the 35mm focal length (23 f2) is a more versatile lens. Congrats!
Great shots, Ted. Having never shot Acros film myself, how closely do you feel that Fuji's Acros simulation replicates the look and feel of the real deal? Thanks. Stay cool.
Hey Jake, thank you so much, man. I think Fujifilm has done a fantastic job with their simulation. I remember the first time I shot it with my X-Pro2... man, stopped me in my tracks when I saw the jpeg files in LR. Wow, such a beautiful look. It's subjective and really depends on if you prefer a more clean digital look, but I still prefer the actual film. To me it has more of that depth in the image that film can give. To be fair though I think it also has something to do with the punch that I get from the Summicron lenses. But I will still look at jpegs using the simulation and it really is so stunning. It's not just another B&W jpeg setting, so much more... Good job Fuji. Now if they could just let us keep the film version as well.... Thank so much, Jake.
Hey Ted, just listened to your podcasts on Fuji Across yesterday and you asked for recommendations for a replacement. Like you I've tried all the same films and just found them to be lacking somewhat. I would say you definitely need to try out some of the Rollei films especially the RPX 100 and the Retro 80 S. If contrast and strong blacks are what you are looking for then both these films are great. Some say that the RPX 400 is very similar to the old Fuji Neopan 400 though I've not finished a roll yet to process. So if that is genuinely the case for these emulsions then the RPX 100 might be your best bet. I've just processed some Retro 80 S at box speed using a Rodinal semi-stand development for 1 hr and contrast and crushed blacks are sensational, maybe a bit too much. These films are well worth a try, I'm told that the RPX 400 is now outselling Tri-X in Germany as they are a lot cheaper usually too.
Thanks very much for the suggestions. I've been looking at Retro 80s and 400s. Both, especially the 80s have a very beautiful look to the film. I just did a look at some RPX 100 shots as well. I'll check all of those out. Really appreciate the suggestions, thank so much!
Man you are a great ambassador for film or what. Beautiful shots and I understand your love for that city. I often flash back through your older video's with your setups on Fuji's to simulate film on digital and the Vegas B/W Night Life.. Thanks for sharing. Keep up the good work.
Hey Rob! Yeah, I'm definitely in this world now and go deeper all the time. I'm even starting to really love instant photo... the imperfections. I ordered an SX-70 from BrooklynFilmCamera, should be hear this weekend. Still using the Fuji stuff for work though. Great system. Thanks man!
Back in the 80s and 90s I travelled with film and ran it all through airport scanners with no issues. Some of my horrible shots could have been improved with some fogging but no such luck. 😎
I was in Detroit Metro Airport, they refused to hand check my film on that day. I was nice but they told me to run it through. I didn't notice any issues. Coming back from Florida, they hand checked it for me. I am totally bumbed I didn't stock up on Acros. I am just shooting TriX at this time.
Well man, I'm so glad even though they didn't hand check the film that at least you didn't have any issues. I figure I'll always ask for a hand check. If for any reason it can't happen I'll go ahead and roll with it. I hear from more people that their film turns out fine... it's just that odd case from time to time... of course that will probably be me. ;)
What a coincidence! I’m heading to Portland tomorrow and came across your video. I had never thought about the X-ray scans and I’m so glad I ran into this video. Thank you!
Hi Jon, thanks man. I develop all of my own film and scan here at home. But, some good labs I've heard of from other people... thedarkroom.com/ www.richardphotolab.com/ and www.bluemooncamera.com/ I haven't used any of those but the all have a great reputation. If you ever want to develop your own film, I highly recommend. It's not that hard and very rewarding. Just watch a few youtube videos and you'll be up and running in no time. :)
Ted Vieira Those scans look amazing. I just assumed you must have sent them out. Very nice! I do want to develop and scan my own film at some point. Thanks for the encouragement!
Thanks so much, Richard, very cool about your Acros shipment. Yeah, I was able to order a couple bricks before the film got listed as "Discontinued" again.
Thanks very much, man. I've heard from several people since I put this video out, letting me know that most of the machines these days are pretty harmless. I'm still fine with asking for the film to be hand checked. Makes for interesting conversation if nothing else. Thanks again, have a great weekend.
Hi Ted. I really enjoy listening to your podcasts and wanted to take this opportunity to say so. On domestic flights in Thailand, I had my film hand checked but they also demanded I open my camera which had film inside. So, I opted to run it through the scanner and had no problems when developing that film afterwards.
Thank you so much, Andrew! Oh man, that's a drag that they wanted you to open the film camera. Yeah, I took my camera through empty, then put a roll in once I get passed security. But it's a drag if you've already got the film loaded. That's so great though that the film survived the scan. From everything I hear, I don't worry about it too much, but I'll always ask for the hand check whenever available. But if not, I'll take my chances with the scan. I hear too many success stories (like your own) to be too worried about it. Thanks again, man!
coincidentally just developed and now scanning a few rolls that I shot around the broadway and steel bridge. Born and raised here (grew up on upper hawthorne) but I find myself never tiring of shooting the old buildings and bridges around town. Very cool to see shots of my hood (and on ACROS! Which is my favorite bw film stock... bummer to see it go) Always love seeing your videos. Cheers from Portland!
Hi Ted, I really like your style of photography especially all your single light work. When you're shooting with your digital cameras do you set black and white in camera or do you shoot colour and convert it in post? Thanks, keep up the good work!
Hi Alex, thanks very much, man. Yeah, if I'm shooting digital gear I'll set the preview to black and white. Just helps me visualize the shots better, kind of puts me into the "spirit" of things. But I'll usually always do the post work on RAW files, just convert to b&w in Lightroom.
Well welcome back home! Going up for the Rose Fest next week. I don't know if it was open when you lived here but Blue Moon camera is a cool place. Out in St. Johns. I think they have a web site too.
Hey Ted, great vid as usual .... I'm just about to send a roll of HP5 to the lab that went through airport scanners twice while it was still in the camera....I hope its ok. Great advice, thanks again ...
Love the videos Ted, gives me new ideas constantly.I the X-pro2 which I live but ironically it made me lust after film...must be retro dials. Anyway I recently purchased a Leica M6 and a Canon 50mm f1.4 ltm aka Japanese Summilux and a voigtlander 35mm f1.7 Ultron Asph Chrome, I think these two lenses will suffice to big with. Anyway one big question. Filters. As I plan to shoot acros 35 mm and ilford HP 400 what would you suggest for color filters? I know very little about filters apart from everyone seems to use/recommend yellow for B&W portraits and maybe green for landscape, but I have no practical experience with it. Do you ever use filters when shooting B&W film on your Leica? Sorry for the long winded question.
Ted I am really excited because I just ordered a film camera from KEH. I have not shot film in 20 years since I sold my Canon AE-1. I found a primo used one with 2 lenses and pulled the trigger, the first lens just arrived, more to follow ; )
I was told that wrapping film in aluminum foil before tucking it into luggage might save the film. Aluminum will attenuate the x-ray but not as good as lead obviously.
I just keep everything in a ziploc bag and ask for a manual or "hand" inspection. I never get any grief or attitude about my film. Opting out from the body scanners, on the other hand...
No close up pictures of people i.e. Shot at about 5 foot. Maybe caddish not your bag. Otherwise you are shooting architectural shots. Maybe try acros at 100 to get better tonal range. I have shot film hp5, acros at 100 and 400 and Adox superman.
Ted, is all the noise from Nikon and Canon giving you any pause? I am waiting for the X-t3. Concerns? What are your thoughts on the upcoming new cameras? Thanks
Hey you still happen to be in Portland? Im really curious about using film photography for a project and would like to hear from a skilled photographer.
Hello Ted, I have a quick question. Currently I am trying to decide which camera to get a Fujifilm x100t or s, or a x-t1. Keep in mind I will mostly be doing street photography. Also I am only able to buy one
It really depends.... (don't you hate it when people answer a question with that!?) But it really is a personal choice about which camera would suit you and your needs best. Overall the X-T1 will just give you more. Faster AF and the ability to switch lenses. The EVF is stunning... huge... brilliant. All that being said, there's a shooting experience that one gets from an X100 camera that is like no other camera. Sticking to one lens can really be a blessing for a photographer. Less choices is one of my favorite ways to go when shooting. That silent shutter is like magic. The on camera flash (for any camera for that matter) is not optimal, but at least it's there if you need it. I've taken a couple street portraits that just wouldn't have come out if I didn't have the flash. I just dial it back a couple thirds stops. The whole thing in that little package is pretty hard to beat. So, I can't tell you which one is best for you, but hopefully just comparing these points will help you decide. The good thing is... you really can't go wrong with either one.
Hi Ted, another cool video from the man with the best voice on UA-cam! I can feel myself chilling out whenever I watch your videos! I’m travelling to NYC from the UK in three weeks and planned to take my film camera, so you’re advice has eased my worries some, thanks. We’re staying in Brooklyn so I want to shoot the Bushwick street art on Portra 400 and I really don’t want to lose those shots, so the point about mailing film home is a good idea. Best wishes from Glasgow!
Hey Ted, haven't had any issues when flying with film so far. I had ISO1600&3200 scanned multiple times and the shots turned out just fine. :) Just ordered 10 rolls of Acros in 120. It is simply the best b&w film stock, so sad to see it go.... :'( Hope you stocked up on Acros!
Oh man, that is so good to hear. Congrats on scoring the ACROS in 120. I was able to secure a couple bricks of 135 from B&H this morning before the listed the film as "Discontinued" again. That'll give me a total of about four bricks of 135 and twenty-five rolls of 120.
Hey Ted. Noticed you haven't uploaded in a while but I'm glad to see you've recently replied and seems like you're OK. Looking forward to your next vid!
Thanks very much Ozias. Yeah man, I'll be back putting more content on UA-cam soon. Thanks man!
Me too@@TedVieira you got me in love with Fuji and Black and white .. Thanks man .
@@TedVieira Oh that's good to hear. Don't mean to put the weight on ya but your vids are why I went Fuji. & now,,,, your the reason I dug out the lllc & my old Bessa's. The Photomic seemed lonely so it had to go for a walk,,,, with my Argus A2b! LOL. Shot a bit of film & even with my old lenses, Wow. Having even more fun using them on my Fuji's. Thanks & hope to see you back here soon.
@Abraham Gonzalez I just listened a couple of his audio blog's which can be found through his website. Most excellant he does almost daily. Iturn the on while editing.
They recommended me your channel on reddit, pretty great stuff
Hey man, thanks very much!
Ted. How are you? We need you back man! Get off your ass and make a new video! You've got a lot of admirers and you are a great shooter. Cmon!
Ted, People of the Internets need more videos from you :) - oh, and why so few with you playing the guitar? More, more :)
Love your work! Greetings from Budapest, Hungary
Ted I miss your videos a lot. I follow you on your podcast but I would love to see more videos soon :)
Hello Ted how are you? Ive been watching your channel for a while and when i decided to get into medium format it was your Acros vids that got me turned on to using that film in my training. its sad Acros is going the way of the Dodo bird but I also do photo reviews and I just reviewed a budget BW film on my channel you might get a kick out of seeing as it is very close to Acros in its look. Ultrafine Xtreme, is the name and if youve never heard of it feel free to check the review on my channel and let me know what you think. you are maybe one of 6 Film channels I follow and thought this would be a good thing to share with the film community. respect bro.
Thank you for video. My good advice would be "develop film in a country that you're traveling, so it has less chance to be ruined by airport scanner"
You're quite welcome, man. And yeah, good advice; especially if you're going to be traveling for a long period of time. That way you can see your photos sooner, plus you won't have so many rolls to have to develop once you get home. That can be a bit overwhelming if you've got too much to develop. Thanks!
I still have my X-ray film bag, that works great for me. Would like to know more about how you develop your film. Do you have a video on it.
Cheers
Very cool about the X-ray bag. I've heard that the scanners are much safer than they used to be. I haven't done a video on my development process, however, here's a video by Matt Day that is pretty much the exact method that I use. Only difference is a lightly agitate for 10 seconds every minute, whereas Matt agitates for 5 seconds every 30 seconds. Otherwise, exactly the same process. Hopefully this will help ua-cam.com/video/8I41UExVJWI/v-deo.html
I tend to order some rolls to my self to the hotel or the place where I’m staying or even better just take the chance to visit a store with film equipment in the country or city I’m visiting
That's a good idea, man.
Dude! are you still alive? I know a lot of people, including myself would love to hear what you're up to and what you think about the rapidly shifting world of mirrorless cameras. I know you're not not a Photo industry news guy, but I also know that like everybody else watching all these new cameras roll out you gotta be feeling some kind of way about it all.
I'm listening to this video while scanning film from a trip to Mexico I was hired for as a photographer and videographer. And as I look at the results from the film - which, by the way, I am getting to before I have even gotten around to checking my digital stuff - I wonder why I ever even bother with digital sometimes. The results - especially from Kodak Portra and Ultramax - simply cannot be surpassed by digital. That said, I am no Luddite or retro grouch; I own six Nikon DSLRs and four Fujifilm digital cameras, along with all sorts of video gadgets like DJI drones and gimbals, and use them on a daily basis. But when it comes down to personal preference, my vote goes to film every time.
Always appreciate your beautiful videos, your soothing voice, and look forward to something new from you whenever you're ready (no rush, but you're missed)!
Hey man, I know what you mean... I'm starting to just take film cameras when traveling. (and I believe I am beginning to become a Luddite/retro-grouch ;)). Thanks man!
I put "Pushed to ISO 1600 - 3200" note in the bag with films (usually Tri-X). I don't push all of them, but I do often, and definitely don't want to take chances. Not everyone will understand what pushing means, but showing those ISO numbers written will help in my experience.
Hey man. When are you going to make some new videos. We miss your content
Hey Diego, thanks for checking, man. Good timing, just uploaded a new video yesterday. ua-cam.com/video/NW65efXN7KQ/v-deo.html
Love the look of Acros and your images are beautiful. Thanks for sharing with us.
Thank you!
Hi Ted, there is lots of ACROS 100 (both in 35mm and 120) available online for reasonable prices. The best I found, 9 rolls of 35mm from Japan, shipped for $72, BH has lots of 120 ACROS priced similar to Kodak/Ilford/Rollei. As you know, with proper storage, bw film lasts decades. I have not shot/processed film in over 25 years. Just purchased some ACROS/TRI-X/T-MAX 100 (both 120 and 35mm), hopefully I will start putting some mileage on my film cameras soon.Looking forward for future videos.
Have travelled domestically and internationally with film since maybe ‘95 without any problems. My method is to unbox and unwrap 35mm and 120 and put it in a Film Shield bag. It’s lead lined and shows up as a big block in the x-ray. It is always flagged and checked. But, because it is all out there and fully visible, there is never any question about what it is, and I’m on my way quickly. The lead lining makes even fast films safe to travel with. On another note, always enjoy your videos and share the enthusiasm for film, Leicas, and Fujifilm simulations. The best.
Hey Ted, new to photography and starting with film. I stumbled across your channel and I’ve been going hard on your videos. Very informative and awesome shots.
I’m starting with a K1000 and a roll of Ilford HP5 so we’ll see what I come up with.
I wanted to ask though, how do you feel about lens filters for black and white photos? Do you use any to get that contrast? Amazing work!
Hey Ted. Been wondering... You being a BW retro guy, have you ever tried and tested vingage lenses, Minolta Rokkor, Helios’ist? Lots of them are really cheap, and I just thought it would be really great to watch you test and use them....
Hi Ted, thanks for the videos..good stuff!
I have an Leica M6 and debating between a 35mm or a 50mm lens. What's your thoughts?
Hi Lora, thank you! Here's how I look at those two lenses... I think the 35mm is such an amazing lens for tellings stories. It can help you focus on the subject, but also bring in more context to give more information. The 50mm is more for the closeup - when you want to isolate the subject in the story even more. The 50 is my favorite focal length, and it's what I shoot with probably 80% of the time.
But, if I could only have one... hmmm, because I'm so attached to the look of 50mm, I'd probably go with that and just make it work for those shots where it might be a little too tight. But for anyone else who's not as obsessed with the look of the 50, I'd probably recommend the 35. It's like the Swiss Army Knife of prime lenses. You can shoot anything with that lens. It's not a perfect portrait lens, but I've used it for portraits before. And I think it really is the best "story telling" lens. Hope this helps.
Thanks for the info, very helpful!
Tough call..decided on the 50 for now, and saving up for the 35mm.
Hope to see you back in the NW soon!
@@loraashley07 have fun with your 50, Lora. I will be back there sometime soon.
Hi Ted, just wondering if everything’s ok as you haven’t uploaded any videos in a while and I must say I really miss them. But videos and photography aside I hope you’re doing ok. Your thoughts on gear and the art of the craft were always appreciated and you’re the reason I got into Fuji about 2 years ago. The 16mm f1.4 comes with me everywhere and I’m saving up now for either the 50mm or the 56mm to try do some better portraits as well. Anyway really hope you’re doing ok and that you’re back sharing your thoughts and shots with us soon. Peace ✌🏻
I've flown with film for 30 years...Expect pushback on hand checking if its busy so get through early. Keep your cameras empty so you can pop it open and remove the lenses...and I use a lead lined bag for exposed film and have never had a problem...hope you hit Mothers for breakfast while you were there - awesome town!!
Ted, thank you. I went to Europe twice this year with film, no problems with the film going through the scanners when developed. I shoot Ilford Delta 100. I’m so happy I did, got some great shots. If you are not shooting film, why travel? Charlie
The main thing I worry about when traveling internationally with film is domestic flights out of small airports. Who knows what kind of machine they're using? Luckily, I've never been denied hand inspection. I have had to put my camera bag through an x-ray machine at train stations, and even shopping malls, though. So far, no problems (fingers crossed).
I'm flying at least 3-4 times a month and for a year now I'm only shooting film. It's either HP5+ or FP4+. Never had an issue. The great part is I just had the first overseas trip with film only and had a blast. was so much fun developing and seeing my images at home after I arrived!
Hey Ted, watched your video again ref set-up X-T1 which is now C1 pride of place.. Do you have set-up ideas for Classic Chrome ? Regards Chris
Hey Ted, you should not mail undeveloped film home to yourself. It will often goes through much more powerful x-rays in the mail process than it would through the airlines, so it's better to just bring it through the airline. Just an FYI.
I never have an issue traveling with film. I travel at least 5 days a week as a member of a flight crew and have yet to have my film ruined. Just came back from shooting in Senegal and no issues.
Hey ted,
I love your calm way to present passion and excitement, i love your appreciation of the calssic 35mm film Format but i have a few questions:
-Do you shoot exculusively B&W? in case of "yeah", is it because developing coulourfilm is more complicated or is it beacause you just enjoy classy B&W? Do you actually recommend developing colour-films for new film-shooters?
-Do you scan your own negatives, in case of "yeah", which scanner do you recommend? r
-How do i estimate exposure and diaphragm? Can i approximately tranfer the data of a full-frame digital camera to a 35mm analogue (ofc with a comparable lens), to get similar results? I dont want to waste several roles of film until i get a feeling for exposure.
Thank you, really enjoying your format!
Hi Lukas, thanks very much, man. Yeah, I only shoot black and white film. I really just love black and white photography, whether it's film or digital. If I do want to shoot in color I'll shoot digital. Maybe someday I'll shoot some color film and learn how to develop it, but just haven't done it yet because I'm not really interested in shooting color film. I don't have any experience with color film (developing) but I've heard that it's not any harder than b&w. To my understanding you have to be more precise with things, temps, etc...
Watch Matt Day's video on developing b&w film if you're interested. It's very straight forward and Matt does a good job keeping things simple and easy to learn. And if you want to shoot and develop color film I'm sure you can find plenty of videos here on YT to show you how, so I would definitely encourage that.
I use an Epson V600 flatbed scanner. I'm not sure if they actually manufacture that model anymore. I think the current version is the V850. That model has a bit of a high price tag. I think you can still find V600s for around $200 or less (USD). That might be good to start with if you're not sure how much film you'll be shooting.
As far as estimating exposure, if you're shooting a camera without a meter, yes, you could check the exposure first with a digital camera, then use those settings on your film camera and you should get roughly the same results. If you're shooting outside in daylight, the sunny16 rule is very easy to learn to gage your exposure without a meter. Do a search here for "Sunny 16 Rule" and you should find plenty of videos to learn from. If you do start to use sunny 16 to estimate your exposure, you'll be surprised at how quickly you'll get used to that and be fairly accurate. Even if you're off by a step you can correct for that in post. Another thing you can do is find a light meter app for your phone. I've got one on my iPhone (but I'm sure they also make an Android version) that's just called "My Lightmeter." If I ever do need a meter, that app works fine. Hope this helps, man.
Wow, thank you for taking your time, that helps a lot!
Thank you very much for your time and great tips. I have to say I love your voice! (With all due respect).
Thank you so much, Miriam :)
5 months! Hope you're ok and that you haven't quit your channel?
Hi Jenny, thanks so much for your comment/message. Took the summer off, but just need to get back into posting regularly again. I've got several ideas and topics I want to cover, just need to get back to it again. Hopefully soon. Thanks again, Jenny!
@@TedVieira awesome, so glad we're going to hear from you soon. Hope all is good with you!
Where in Vegas would suggest for getting film developed? Really enjoy your channel
Ted I thoroughly enjoy your videos. This one was very very useful thanks!.
Why do you shoot film.....usually asked by someone that never has.
Hey Ted, love the video, sometime back I wrote about getting an X-T1 with the X-T2 came out (now the X-T3). At last I've got my camera bought second hand $350 mint, delighted! I'd like your opinion on my first lens, I could go zoom 18-55mm but want a prime, I know you love the 35mm f2 (50mm FF), but what about the 23mm f2 would this be more versatile ? Regards Chris
Hey! Thanks very much. Yeah, I do love the 50mm focal length (35 f2), something a little more intimate about that range. But, I would agree with you; the 35mm focal length (23 f2) is a more versatile lens. Congrats!
Great shots, Ted. Having never shot Acros film myself, how closely do you feel that Fuji's Acros simulation replicates the look and feel of the real deal? Thanks. Stay cool.
Hey Jake, thank you so much, man. I think Fujifilm has done a fantastic job with their simulation. I remember the first time I shot it with my X-Pro2... man, stopped me in my tracks when I saw the jpeg files in LR. Wow, such a beautiful look. It's subjective and really depends on if you prefer a more clean digital look, but I still prefer the actual film. To me it has more of that depth in the image that film can give. To be fair though I think it also has something to do with the punch that I get from the Summicron lenses. But I will still look at jpegs using the simulation and it really is so stunning. It's not just another B&W jpeg setting, so much more... Good job Fuji. Now if they could just let us keep the film version as well.... Thank so much, Jake.
Hey Ted, just listened to your podcasts on Fuji Across yesterday and you asked for recommendations for a replacement. Like you I've tried all the same films and just found them to be lacking somewhat. I would say you definitely need to try out some of the Rollei films especially the RPX 100 and the Retro 80 S. If contrast and strong blacks are what you are looking for then both these films are great. Some say that the RPX 400 is very similar to the old Fuji Neopan 400 though I've not finished a roll yet to process. So if that is genuinely the case for these emulsions then the RPX 100 might be your best bet.
I've just processed some Retro 80 S at box speed using a Rodinal semi-stand development for 1 hr and contrast and crushed blacks are sensational, maybe a bit too much. These films are well worth a try, I'm told that the RPX 400 is now outselling Tri-X in Germany as they are a lot cheaper usually too.
Thanks very much for the suggestions. I've been looking at Retro 80s and 400s. Both, especially the 80s have a very beautiful look to the film. I just did a look at some RPX 100 shots as well. I'll check all of those out. Really appreciate the suggestions, thank so much!
Man you are a great ambassador for film or what. Beautiful shots and I understand your love for that city. I often flash back through your older video's with your setups on Fuji's to simulate film on digital and the Vegas B/W Night Life.. Thanks for sharing. Keep up the good work.
Hey Rob! Yeah, I'm definitely in this world now and go deeper all the time. I'm even starting to really love instant photo... the imperfections. I ordered an SX-70 from BrooklynFilmCamera, should be hear this weekend. Still using the Fuji stuff for work though. Great system. Thanks man!
RS I just ordered a used film camera and 2 lenses to get started, have not done it in 20 years, but looking forward to rekindling the experience
Back in the 80s and 90s I travelled with film and ran it all through airport scanners with no issues. Some of my horrible shots could have been improved with some fogging but no such luck. 😎
Oh man, that's good to hear, Tom. Ha! That's funny. Yeah, I can think a few of my images that might've been improved with some fogging as well. :)
I was in Detroit Metro Airport, they refused to hand check my film on that day. I was nice but they told me to run it through. I didn't notice any issues. Coming back from Florida, they hand checked it for me. I am totally bumbed I didn't stock up on Acros. I am just shooting TriX at this time.
Well man, I'm so glad even though they didn't hand check the film that at least you didn't have any issues. I figure I'll always ask for a hand check. If for any reason it can't happen I'll go ahead and roll with it. I hear from more people that their film turns out fine... it's just that odd case from time to time... of course that will probably be me. ;)
What a coincidence! I’m heading to Portland tomorrow and came across your video. I had never thought about the X-ray scans and I’m so glad I ran into this video. Thank you!
Oh man, I wish I was heading back to Portland tomorrow! Have a great time. :)
Great video, Ted. Out of curiosity, do you send your film to be processed and scanned? If so, who do you use?
Hi Jon, thanks man. I develop all of my own film and scan here at home. But, some good labs I've heard of from other people... thedarkroom.com/ www.richardphotolab.com/ and www.bluemooncamera.com/
I haven't used any of those but the all have a great reputation. If you ever want to develop your own film, I highly recommend. It's not that hard and very rewarding. Just watch a few youtube videos and you'll be up and running in no time. :)
Ted Vieira Those scans look amazing. I just assumed you must have sent them out. Very nice! I do want to develop and scan my own film at some point. Thanks for the encouragement!
Happy I found your channel, I was just thinking "this guy has a perfect voice for radio" and then I found you have a podcast, subscribed!
Hey man, thank you very much!
Very helpful, Ted - thanks. Shots are fantastic. Ah, Acros. B&H just shipped my backorder as well.
Thanks so much, Richard, very cool about your Acros shipment. Yeah, I was able to order a couple bricks before the film got listed as "Discontinued" again.
Cool advice Ted!
Thanks very much, man. I've heard from several people since I put this video out, letting me know that most of the machines these days are pretty harmless. I'm still fine with asking for the film to be hand checked. Makes for interesting conversation if nothing else. Thanks again, have a great weekend.
Hi Ted. I really enjoy listening to your podcasts and wanted to take this opportunity to say so. On domestic flights in Thailand, I had my film hand checked but they also demanded I open my camera which had film inside. So, I opted to run it through the scanner and had no problems when developing that film afterwards.
Thank you so much, Andrew! Oh man, that's a drag that they wanted you to open the film camera. Yeah, I took my camera through empty, then put a roll in once I get passed security. But it's a drag if you've already got the film loaded. That's so great though that the film survived the scan. From everything I hear, I don't worry about it too much, but I'll always ask for the hand check whenever available. But if not, I'll take my chances with the scan. I hear too many success stories (like your own) to be too worried about it. Thanks again, man!
coincidentally just developed and now scanning a few rolls that I shot around the broadway and steel bridge. Born and raised here (grew up on upper hawthorne) but I find myself never tiring of shooting the old buildings and bridges around town. Very cool to see shots of my hood (and on ACROS! Which is my favorite bw film stock... bummer to see it go)
Always love seeing your videos. Cheers from Portland!
ps. 1000 new people likely just moved here after seeing your photos! :)
Thanks for the tips (and great pics) Ted. I've got a trip to visit family in Grants Pass coming up soon, so the timing was perfect for me.
Oh man, I love Grants Pass, such a beautiful town, beautiful area.
Hi Ted, I really like your style of photography especially all your single light work. When you're shooting with your digital cameras do you set black and white in camera or do you shoot colour and convert it in post? Thanks, keep up the good work!
Hi Alex, thanks very much, man. Yeah, if I'm shooting digital gear I'll set the preview to black and white. Just helps me visualize the shots better, kind of puts me into the "spirit" of things. But I'll usually always do the post work on RAW files, just convert to b&w in Lightroom.
Ah ok good tip, thanks very much for the advice!
Well welcome back home! Going up for the Rose Fest next week. I don't know if it was open when you lived here but Blue Moon camera is a cool place. Out in St. Johns. I think they have a web site too.
Hey Ted, great vid as usual .... I'm just about to send a roll of HP5 to the lab that went through airport scanners twice while it was still in the camera....I hope its ok. Great advice, thanks again ...
Thanks very much, Tim. I wouldn't worry about your film, it will probably be fine. Let me know if you have any issues though, I'm curious.
Hey Ted how are you mate ? ... film was perfect, no issues at all.
extra fixer time for the fogging till she is clear
great casual photos in portland. about to give your podcast a listen. thanks man.
Thanks very much, Wayne, I appreciate it, man.
I really liked the bridge shots
Great shots man, great tones and mood too. it really is such a shame about Acros 100 as its the best black & white film I've ever shot
Are you going to buy the XT3?
Which lens Ted?
Love the videos Ted, gives me new ideas constantly.I the X-pro2 which I live but ironically it made me lust after film...must be retro dials. Anyway I recently purchased a Leica M6 and a Canon 50mm f1.4 ltm aka Japanese Summilux and a voigtlander 35mm f1.7 Ultron Asph Chrome, I think these two lenses will suffice to big with. Anyway one big question. Filters. As I plan to shoot acros 35 mm and ilford HP 400 what would you suggest for color filters?
I know very little about filters apart from everyone seems to use/recommend yellow for B&W portraits and maybe green for landscape, but I have no practical experience with it. Do you ever use filters when shooting B&W film on your Leica? Sorry for the long winded question.
Ted I am really excited because I just ordered a film camera from KEH. I have not shot film in 20 years since I sold my Canon AE-1. I found a primo used one with 2 lenses and pulled the trigger, the first lens just arrived, more to follow ; )
Yoo hooo! Ted! We need you back. We miss you. I know editing is a lot of work (but that's your problem).
hahahah, you`re great, man!
I was told that wrapping film in aluminum foil before tucking it into luggage might save the film. Aluminum will attenuate the x-ray but not as good as lead obviously.
That's interesting, I hadn't heard that. Thanks!
I just keep everything in a ziploc bag and ask for a manual or "hand" inspection. I never get any grief or attitude about my film. Opting out from the body scanners, on the other hand...
No close up pictures of people i.e. Shot at about 5 foot. Maybe caddish not your bag. Otherwise you are shooting architectural shots. Maybe try acros at 100 to get better tonal range. I have shot film hp5, acros at 100 and 400 and Adox superman.
john douglass?
yes.
Great tips Ted! Thank you. Loved the photos.
Thanks so much, man. I appreciate that, Marcus.
Ted, is all the noise from Nikon and Canon giving you any pause? I am waiting for the X-t3. Concerns?
What are your thoughts on the upcoming new cameras?
Thanks
Hey you still happen to be in Portland? Im really curious about using film photography for a project and would like to hear from a skilled photographer.
I love your work Ted
I just bought my first film camera (Canon A-1) because of you man ! thanks for the cool videos and awesome photos you make :)
Hi Ted, great advice! Very nice pics in B&W - Portland looks interesting :) Thx! Anthony
Great shots, Ted. Enjoyed your video, cheers. That's a really cool place to shoot.
Hope all's good with you. J.
Cool city. It sounds like an awesome photo travel destination. Really enjoying the podcast as well. Thanks Ted!
Hello Ted, I have a quick question. Currently I am trying to decide which camera to get a Fujifilm x100t or s, or a x-t1. Keep in mind I will mostly be doing street photography. Also I am only able to buy one
Also if you would recommend any other camera
It really depends.... (don't you hate it when people answer a question with that!?) But it really is a personal choice about which camera would suit you and your needs best. Overall the X-T1 will just give you more. Faster AF and the ability to switch lenses. The EVF is stunning... huge... brilliant. All that being said, there's a shooting experience that one gets from an X100 camera that is like no other camera. Sticking to one lens can really be a blessing for a photographer. Less choices is one of my favorite ways to go when shooting. That silent shutter is like magic. The on camera flash (for any camera for that matter) is not optimal, but at least it's there if you need it. I've taken a couple street portraits that just wouldn't have come out if I didn't have the flash. I just dial it back a couple thirds stops. The whole thing in that little package is pretty hard to beat. So, I can't tell you which one is best for you, but hopefully just comparing these points will help you decide. The good thing is... you really can't go wrong with either one.
If you could afford for the X100F, I would say go for that.
I just picked up the X100F last weekend and I am loving this amazing little camera! I would agree with Ted, go for the X100F.
Hi Ted, another cool video from the man with the best voice on UA-cam! I can feel myself chilling out whenever I watch your videos!
I’m travelling to NYC from the UK in three weeks and planned to take my film camera, so you’re advice has eased my worries some, thanks. We’re staying in Brooklyn so I want to shoot the Bushwick street art on Portra 400 and I really don’t want to lose those shots, so the point about mailing film home is a good idea.
Best wishes from Glasgow!
New Videos? 😎
Thanks Ted. Going to ATL with film later this month. I always panic. lol
Love your work!
Thank you so much, Juan.
Great information Ted. Thanks for the advice.
Awesome work Ted, inspires me to shoot more film!
Thanks man. Yeah, shoot more film! :)
cool voice bro, nice photo bro, nice content bro
Ha! Thanks man. Yeah, Jerry taught me everything! ;)
Couldn't have done it without you, man. Thanks Jerry! ;)
great images
Thanks Sami, I appreciate it, man.
Great advice! Always look forward to your videos. Keep up the great work!
Thank you Spencer, I appreciate it, man.
Very Grimm!
Another great video Ted! Makes me lust after film again!
Thanks! Yeah man, I just love this stuff more everyday. Slowly getting drawn into instant film as well.