Hey bro, I’m so grateful for you. I can’t even thank you enough... I am very new to your channel, so I don’t know all of what you have posted but what i am most interested in is your technique, tone, and gear, and maybe even your background so I can learn more about you and and where you came from, studied and what your current aspirations are. I would feel very blessed to see/hear you elaborate on these things. Thank you so kindly...
Thank you for the lesson Rotem, this is eye opening for me. I'm stuck playing same stuff over and over mostly pentatonic. But this is a whole new level, thank you 100 times Rotem!!!
Thanks for this. While no C7 I’ve been working on coming up with a lead part that has a few 7 chords in a rhythm progression I want to write over without it just being pentatonic. This gives me a good start of how to take these ideas and apply them to what I have now.
My mans. You're doing God's work. My whole life I played guitar without expression and connection to the notes. I learned all the theory. Now you are helping me so much! to connect it all to saying something on guitar
Absolutely brilliant stuff, I love how you show how these choices and tensions canbe dipped into and can create such wonderful moods. Plus love your guitar what is it?????
Cool ideas like alwayd Rotem! Few other scales comes to my mind. -mixolydian b6 = fifth of melodic minor. -phrygian dominant= fifth of harmonic minor. -minorpentatonic wit fourth lovered to major third= some call it Hendrix scale Nitpicking here, but level 7 is not mixolydian b5 but #4. I prefer to call it lydian dominant and it does the job when that C7 chord is not going to one chord. Im 100% sure you know this already😁
Such a great informative video. If you are mixing and matching all these scales, could I just play random notes around the chord tones, that way my pea brain is not on overdrive.
Very informative ! can i play all these scales/modes on all 7th chords regardless of its position in the original key ? what i mean is does this work only if the 7th chords is the 5 of the key scale ? what if this 7th chords is the 2 or the 6 ? and/or if there is no obivous key to the progression should i deal with each chord the same way you are showing here? thanks.
This was a GREAT video. Players should only think scales when in practice mode, and even then, like you've said, they should be translating these scales into lines, and sounds, that they will use to express their solo's. They should be able, eventually, to grab/form any chord, at any time while they're playing these lines. And as the student may know, the chord you grab is NOT set in stone, meaning, your choice that you grab must make harmonic sense, whether it be the original dominant or any of its alterations, or substitution. The singing that you do in your head is SO important, cause WE ALL wanna play what we're hearing in real time. We don't have to sing great, but should know what it would sound like great.. And even hearing lines in your head is great, its better in my opinion. Thx again.
Level 1: you can find these notes in F as well Me: nice, only now I start to understand that version of the scale I was playing this afternoon Level 8: let's play F# Me:☠️ Jokes aside, as a beginner in the jazz world this video is extremely helpful. I was like 'let's start first with dominants then let's find a video for dimished' and I can already see why having a decent scale vocabulary is necessary. The more I understand the complex the less scary and much funny are those 'many' scales, seen that I can now experiment them definitely on another level of consciousness. Thanks!
Do you have an videos on bebop /hard bop? I’m trying ti get closer to that sound. I though learning a million scales would help but once I get to level 7 or 8 I’m wondering if I’m taking the wrong route
I just came back from something similar with my guitar teacher and it's a great complement since until this video I failed to capture what and how "colors" could be realized by combining scales this way. I liked when you said "using some chromatic" to connect them, maybe you could develop that concept?
In a way, I can hear the loss of tonality with the string around the top of the neck.. Losing alot of natural guitar tone. But absolutely great theory 👌 and great playing. Lovely lines aswell thanks! Trying to straighten out my understanding too
Eventually you realize you can play any of the 12 notes over a dominant chord. Then you realize you can play any of the 12 notes over any chord. Then you'll realize you can play anything. Then you become ostracized by society.
Judging by the look of this guitar and fret markers, it may have been a Howard Roberts model with the oval soundhole. Looks like he's done his own customizing ,extreme.
Thanks for the lesson, only criticism is it's buried in reverb and when you give a demonstration of the scale you play too fast slow down for us numbnuts
Looking for some ideas for the next few videso - what are things you'd want me to talk about..?
Can you do a video about sus arpeggios within the melodic minor scale, or pentaton shifting ideas? I would love to practice these concepts!
Great. 🙏
What about 10 levels of passing chords ? I mean i only use diminished chords for that and i would like to see more options
How about one where you explain that wonderful guitar (contraption) you make such wonderful music with…😊
Hey bro, I’m so grateful for you. I can’t even thank you enough... I am very new to your channel, so I don’t know all of what you have posted but what i am most interested in is your technique, tone, and gear, and maybe even your background so I can learn more about you and and where you came from, studied and what your current aspirations are. I would feel very blessed to see/hear you elaborate on these things. Thank you so kindly...
Just a guitar MONSTER! So nice to see genuine guitar talent on show. Its a privilege to learn from you.
Thanks Jon!!!
So Right analyse 👍
One of the best guitar vids I've seen that lets you hear the relative difference between each of the scale choices. Well done Rotem.
❤️❤️❤️
You have single handily changed my playing , thank you
Oh man!!!
Thank you for the lesson Rotem, this is eye opening for me. I'm stuck playing same stuff over and over mostly pentatonic. But this is a whole new level, thank you 100 times Rotem!!!
Thank you for showing me this Rotem. This really will add to the palette ❤
Thanks for this. While no C7 I’ve been working on coming up with a lead part that has a few 7 chords in a rhythm progression I want to write over without it just being pentatonic. This gives me a good start of how to take these ideas and apply them to what I have now.
🙏
Awesome lesson thankks Rottem one of the best jazz lessons ive seen yet
🙏
My mans. You're doing God's work. My whole life I played guitar without expression and connection to the notes. I learned all the theory. Now you are helping me so much! to connect it all to saying something on guitar
❤️🙏
Love the augmented over it. Never really thought of that. Awesome!
YOU'RE AWESOME. Thank you so much for shearing all this wonderfull content
Very helpful, thank you. And what album are you talking about available on vinyl?
Great stuff! i only thought of five until you enumerated them.
Absolutely brilliant stuff, I love how you show how these choices and tensions canbe dipped into and can create such wonderful moods. Plus love your guitar what is it?????
Howard Roberts.
Altered scale sounded the best to my ears. Colors!!!!!
Together with the diminished in my opinion!
This is great! I just was expecting to hear the tension/release by combining these levels with the root as in V-I or V-i
Oh I see
Cool ideas like alwayd Rotem!
Few other scales comes to my mind.
-mixolydian b6 = fifth of melodic minor.
-phrygian dominant= fifth of harmonic minor.
-minorpentatonic wit fourth lovered to major third= some call it Hendrix scale
Nitpicking here, but level 7 is not mixolydian b5 but #4. I prefer to call it lydian dominant and it does the job when that C7 chord is not going to one chord. Im 100% sure you know this already😁
Well thanks!
Appreciate the pdf on PATREON, Thank You 🙏
Such a great informative video. If you are mixing and matching all these scales, could I just play random notes around the chord tones, that way my pea brain is not on overdrive.
Very informative ! can i play all these scales/modes on all 7th chords regardless of its position in the original key ? what i mean is does this work only if the 7th chords is the 5 of the key scale ? what if this 7th chords is the 2 or the 6 ? and/or if there is no obivous key to the progression should i deal with each chord the same way you are showing here? thanks.
This was a GREAT video. Players should only think scales when in practice mode, and even then, like you've said, they should be translating these scales into lines, and sounds, that they will use to express their solo's. They should be able, eventually, to grab/form any chord, at any time while they're playing these lines. And as the student may know, the chord you grab is NOT set in stone, meaning, your choice that you grab must make harmonic sense, whether it be the original dominant or any of its alterations, or substitution. The singing that you do in your head is SO important, cause WE ALL wanna play what we're hearing in real time. We don't have to sing great, but should know what it would sound like great.. And even hearing lines in your head is great, its better in my opinion. Thx again.
Thanks!!
I love this video and the way he tied the guitar head neck. :D
❤️
Level 1: you can find these notes in F as well
Me: nice, only now I start to understand that version of the scale I was playing this afternoon
Level 8: let's play F#
Me:☠️
Jokes aside, as a beginner in the jazz world this video is extremely helpful. I was like 'let's start first with dominants then let's find a video for dimished' and I can already see why having a decent scale vocabulary is necessary. The more I understand the complex the less scary and much funny are those 'many' scales, seen that I can now experiment them definitely on another level of consciousness.
Thanks!
And also that 'again we can play the mixo, but with the flat 5' made me laugh like as the world it's a wonderful place😂
Ahla rotem. Always fun to see youtube guitarist that actually understand music and are not unjustly megalomaniac
Except that like any good guitarist you just couldn't stay on the scale you wanted to teach and had to flow to to other scales and add some flavour
Thanks Tom!
I like using the maj7 arpeggio a step up, resolving into the C7. So DbM7 into C7. It's a pretty out sound, but kinda sounds like sticking with the ii.
Do you have an videos on bebop /hard bop? I’m trying ti get closer to that sound. I though learning a million scales would help but once I get to level 7 or 8 I’m wondering if I’m taking the wrong route
Brilliantly presented. Thanks
💚💚💚
What's with all the red rubber bands?
What pedals/ set up do you have? Love that modern delayed tone you have
Can you share all the tabs for the scales?
I just came back from something similar with my guitar teacher and it's a great complement since until this video I failed to capture what and how "colors" could be realized by combining scales this way. I liked when you said "using some chromatic" to connect them, maybe you could develop that concept?
Since your playing fast it's not easy to spot and I wonder if I understood correctly
If you don't know gypsy jazz listen some is wonderful and full of chromatics as well
Thank you very much!
Awesome!!! Thank you
Great video!
14:43 Nice! Reminds me of John Abercrombie a bit
Thanks for very great lessons! ... how I really like your guitar ... I have to have it
How about lydian dominant?
In a way, I can hear the loss of tonality with the string around the top of the neck.. Losing alot of natural guitar tone. But absolutely great theory 👌 and great playing. Lovely lines aswell thanks! Trying to straighten out my understanding too
Another valuble lesson!
🙏🙏❤️
D harmonic minor fits very well too.
awesome lesson as always :)
Thanks Ely!
@@RotemSivanGuitar 😊🙏😊
Eventually you realize you can play any of the 12 notes over a dominant chord. Then you realize you can play any of the 12 notes over any chord. Then you'll realize you can play anything. Then you become ostracized by society.
Happened today with my guitar teacher I started doing chromatic scales everywhere.
Me: they sound goood!
The teacher: Yeeeee
i will never learn this i just look for the notes i can hear , but this guy has an amazing feel priceless and can't be taught
But can be learnt! :)
Hey rotem, what's up love your channel
Thanks Chris!!
Judging by the look of this guitar and fret markers, it may have been a Howard Roberts model with the oval soundhole. Looks like he's done his own customizing ,extreme.
Indeed
hi, good work but can you help us break this sweet scales down as beginners, it seems like you to fast.
What Kind of Effekt is this freezing Tone ?
There's a lot of Metheny in his phrases.
Yooooo
after watching this video i sell my guitar
Oh no!!!
Can't hear the lecturing over the loud wet guitar
Thanks for the lesson, only criticism is it's buried in reverb and when you give a demonstration of the scale you play too fast slow down for us numbnuts