I just found this video... I studied with Joe in 1982-1983 when I was a performance major studying Trombone at Temple University in Philadelphia. Joe was the second chair at that time with the Philadelphia Orchestra when Riccardo Muti was the Maestro. Glen Dodson was the principal chair at that time. Joe knew it was going to be a long time before he would have a shot at the principal chair so when the opportunity with the NY Philharmonic presented itself in 1985 Joe auditioned and ultimately got the principal chair. I can tell you as a teacher Joe was extremely demanding and meticulous in his approach to not just playing but teaching as well. I will admit it was a little intimidating when he would play along side me or play a passage by himself if he needed me to hear it a certain way, Its been a long time since my playing career ended but finding this video brought back an wave of memories.
One of the things that amaze me the most about Joseph Alessi is that even after landing the principal job at NY (arguably the most desirable trombone job in America) he has continued to work and improve tremendously. I am not saying that this performance is bad (it is still stellar and NY Phil brass quintet worthy for sure), but he went from one of the best alive trombonists in America to UNDISPUTEDLY one of the best trombonists in the world of all time. That type of commitment and dedication is lust worthy.
Too many. It’s probably taken him decades. But, anyone if they spend enough time can play this piece, I know a guy who played this in high school. What makes this special is that he plays EVERY piece incredibly
I've played euphonium since 6th grade and then trombone in high school marching band, so I have a basic understanding of what and how he plays that horn. I've listened to the sheet music version posted on UA-cam many times and it's wonderful to actually see him perform. I'm in awe of his performance, never did I harbor any illusions of playing at his level. Practice is critical of course, but clearly he was born with a gift that I will never have. Absolutely fabulous, that you so much.
@@BobHoff I don't actually think it is in the arrangement like that. Sounds like he just decided to shove that half of the phrase up an octave. Man's incredible
Blue bells of scotland all notes : CCAFDCAFDCBBBAAAGGGFAGAGAGAGDGBDGBAGFEDCCDCCGABFEDDABCAGFECDCCGABFEDDABCAGFECBAGFFEDCBAGFCEGCEGCAFDCAFDCCEGFEBAGBFEDCBAGAFGABFEDCFDCAFDCAFAFDCAFDCCEGFEGBAGBEDCEGFEGBAGBEDCBAGFEDCDEDEDEDFEDEFCFEDCDEAABGFCFEDCDCDEEFAACBGFCAFACFDEFECDBCDEFEDCDEFAABGFCCFFACAFEDCDBDCFGABCDDDFEDCAGFEDCDCBAGFEFAFACACFCBAFEFAFACDEFEDCDAFEDDEFEGFEDCBAGFEDCEGCEGCCDEFFACAFEDCDBCFGABCDDDFEDCEGFEDCDEDCBAGFEDCEGCEGCCEDFFACAFEDCDBDCFGABCDDDFEDCCBAGFEDCBAGFCCFFEFACFEFEFDFEFCFEFACCDFEFBDFACBCDCBCGCBCDCBCFEFAFCAFCBAFEFAFACDEFEDCDAFEDDEFEGFGDFEGCECCEGCEGCCDEFFACAFFEFACFEFEFDFEFCFEFACCDFEFBDFACBCDCBCGCBCDCBCFEFAFCAFCBAFEFAFACDEFEDCDAFEDDEFEGFGDFEGCCEGCEGCCDEFFEFACFEFEFDFEFCFEFACCDFEFBDFACBCDCBCGCBCDCBCFEFAFCAFCDEABCFGADEFCCEGCEGCCBCEGCEGCBACEGCEGCACEGCEGCAACFACFACAGCEGCFDCAFACAFEDCDBDCDCBAGFEFACCDFEFBDFACFEGFEDCDEDCBAGFFGABBACCDEFDCAFACAFEDCDBDCDCBAGFEFACCDFEFBDFACFEGFEDCDEDCBAGFACFACFCAFCAFCBEFEFAFACDEFEDCDAFEDDEFBDFACFEGFEDCDEDCBAGFEDCCCCDEFDCAFACAFEDCDBDCDCBAGFEFACCDFEFBDFACFEGFEDCDEDCBAGFCDEFGABCEFFF
How about the solfege version: sol sol mi do la sol mi do la sol fa fa fa mi mi mi re re re do mi re mi re mi re mi re la re fi la re fi mi re do ti la sol sol la sol sol re mi fa do ti la la mi fa sol mi re do do ti fa mi re do ti do re do ti la sol fa mi sol la sol sol re mi fa do ti la la mi fa sol mi re do ti sol fi mi re ra do la fi re do la sol. etc.
I honestly get that everyone is entitled to an opinion, and I know that 17 is a small, practically insignificant fraction of 17,000, but in my opinion, the 17 thumbs down folks on this are nuts, and (I'm going to say it) WRONG. OK, you'll say "there were a number of clams (missed notes) during the fast passages" and I'll say, "yeah, okay..." and you'll say "the trumpets cracked a couple times" and I'll say... "Uh... what's your point?" and maybe you'll say "the horn part was really much higher than it needed to be to make a nicely distributed sound among 4 players" and I'll probably get a headache, but honest - that's a virtuoso piece played by one of the couple best players in the world, with some of the other great players on Earth backing him up, and if all you can think of after listening is to push "thumbs down" I think you have issues, perhaps stemming from either a) not being hugged enough as a child or b) not understanding how brass instruments (especially the trombone) actually work. In essense, you are simply wrong, and should walk around with earbuds playing (bad) books on tape. On cassette tapes. Loud enough for passersby to hear what you're listening to, so they can give you thumbs down.
Alessi always feels so sharp to me... particularly here. That could just be my poor sense of intonation, but Ive heard other people comment that he tends to play sharp but he just sounds so so good that no one cares. Thoughts?
He has a bright sound and that could be why it sounds a little high but I think he is on target. I played with him in groups before he was famous but he was always a great player
Put a tuner up to Alessi and you'll see that, if anything, he plays on the bottom side of the note. That being said his intonation is exceptional even in the professional world.
I just found this video... I studied with Joe in 1982-1983 when I was a performance major studying Trombone at Temple University in Philadelphia. Joe was the second chair at that time with the Philadelphia Orchestra when Riccardo Muti was the Maestro. Glen Dodson was the principal chair at that time. Joe knew it was going to be a long time before he would have a shot at the principal chair so when the opportunity with the NY Philharmonic presented itself in 1985 Joe auditioned and ultimately got the principal chair. I can tell you as a teacher Joe was extremely demanding and meticulous in his approach to not just playing but teaching as well. I will admit it was a little intimidating when he would play along side me or play a passage by himself if he needed me to hear it a certain way, Its been a long time since my playing career ended but finding this video brought back an wave of memories.
ライブでこのクオリティというのが素晴らしすぎる
One of the things that amaze me the most about Joseph Alessi is that even after landing the principal job at NY (arguably the most desirable trombone job in America) he has continued to work and improve tremendously. I am not saying that this performance is bad (it is still stellar and NY Phil brass quintet worthy for sure), but he went from one of the best alive trombonists in America to UNDISPUTEDLY one of the best trombonists in the world of all time. That type of commitment and dedication is lust worthy.
Yea one of the best of all time...one of the 1000 best.
more like one of the top 5
@@alexjones4275 Indisputably in the top 10 of all time. Arguably the best of all time.
@@dnarbredlih Wrong. You're clueless.
@@alexjones4275 Give me your list. We'll see how it stacks up to reality.
今日生ジョセフ聴いてきました。
もう音が美しすぎる。
Kristofer Viscuso
I've heard him play live today.
The sound is too beautiful.
@Kristofer Viscuso Are you related to that guy who replied first?
ほんと憧れる。何年楽器を練習すればこんな演奏できるだろう。
Too many. It’s probably taken him decades. But, anyone if they spend enough time can play this piece, I know a guy who played this in high school. What makes this special is that he plays EVERY piece incredibly
5:41 that slur...
ikr I’ve been trying to do it but I cant
That was a god level slur
めちゃくちゃ尊敬するトロンボーン奏者の1人。一言で言ってヤバすぎる。
これ聞いた後に自分の音聞くと楽器に申し訳なくなる
“You can’t shred on trombone”
Joseph Alessi: “Hold my beer”
I've played euphonium since 6th grade and then trombone in high school marching band, so I have a basic understanding of what and how he plays that horn. I've listened to the sheet music version posted on UA-cam many times and it's wonderful to actually see him perform. I'm in awe of his performance, never did I harbor any illusions of playing at his level. Practice is critical of course, but clearly he was born with a gift that I will never have. Absolutely fabulous, that you so much.
At 1:37 I know it's not about the French horn, but give him credit. I think that his playing is amazing, I noticed it here.
Was thinking the same
Philip Myers man. The man’s a beast!
aggressive choice by the arranger but the player makes it sound easy 😮
@@BobHoff I don't actually think it is in the arrangement like that. Sounds like he just decided to shove that half of the phrase up an octave. Man's incredible
He's absolutely amazing for a guy who self admittedly never practices.
The best trombonist !!
Alberto Nicolas Marquez Sensebe I think lionel fumeaux is better
Spencer Lininger huh?
Spencer Lininger what the fuck
Spencer Lininger what?
I don’t think so bud
驚異的に上手い！
アレッシが一番好き！
世界最高峰のトロンボーン奏者！(確信)
id fox- 同感です！あとはファブリスミリシェーさんです(๑¯ㅁ¯๑)♡
オラフオット ライエンもいいよぉ
Jorgen Van Rijenも良き
クリスチャンも忘れないで
素晴らしすぎる。。
Wow, just to be there and to listen to these legends.....
かっこよすぎる
どんだけいい楽器があってどんだけ練習してもこんなええ音出る気せんわ
神…私もうまくなりたいなあ……
beautiful sound by all of the musicians
the horn playing🔥🔥🔥🔥
Blue bells of scotland all notes : CCAFDCAFDCBBBAAAGGGFAGAGAGAGDGBDGBAGFEDCCDCCGABFEDDABCAGFECDCCGABFEDDABCAGFECBAGFFEDCBAGFCEGCEGCAFDCAFDCCEGFEBAGBFEDCBAGAFGABFEDCFDCAFDCAFAFDCAFDCCEGFEGBAGBEDCEGFEGBAGBEDCBAGFEDCDEDEDEDFEDEFCFEDCDEAABGFCFEDCDCDEEFAACBGFCAFACFDEFECDBCDEFEDCDEFAABGFCCFFACAFEDCDBDCFGABCDDDFEDCAGFEDCDCBAGFEFAFACACFCBAFEFAFACDEFEDCDAFEDDEFEGFEDCBAGFEDCEGCEGCCDEFFACAFEDCDBCFGABCDDDFEDCEGFEDCDEDCBAGFEDCEGCEGCCEDFFACAFEDCDBDCFGABCDDDFEDCCBAGFEDCBAGFCCFFEFACFEFEFDFEFCFEFACCDFEFBDFACBCDCBCGCBCDCBCFEFAFCAFCBAFEFAFACDEFEDCDAFEDDEFEGFGDFEGCECCEGCEGCCDEFFACAFFEFACFEFEFDFEFCFEFACCDFEFBDFACBCDCBCGCBCDCBCFEFAFCAFCBAFEFAFACDEFEDCDAFEDDEFEGFGDFEGCCEGCEGCCDEFFEFACFEFEFDFEFCFEFACCDFEFBDFACBCDCBCGCBCDCBCFEFAFCAFCDEABCFGADEFCCEGCEGCCBCEGCEGCBACEGCEGCACEGCEGCAACFACFACAGCEGCFDCAFACAFEDCDBDCDCBAGFEFACCDFEFBDFACFEGFEDCDEDCBAGFFGABBACCDEFDCAFACAFEDCDBDCDCBAGFEFACCDFEFBDFACFEGFEDCDEDCBAGFACFACFCAFCAFCBEFEFAFACDEFEDCDAFEDDEFBDFACFEGFEDCDEDCBAGFEDCCCCDEFDCAFACAFEDCDBDCDCBAGFEFACCDFEFBDFACFEGFEDCDEDCBAGFCDEFGABCEFFF
😂😂
this is amazing
How about the solfege version: sol sol mi do la sol mi do la sol fa fa fa mi mi mi re re re do mi re mi re mi re mi re la re fi la re fi mi re do ti la sol sol la sol sol re mi fa do ti la la mi fa sol mi re do do ti fa mi re do ti do re do ti la sol fa mi sol la sol sol re mi fa do ti la la mi fa sol mi re do ti sol fi mi re ra do la fi re do la sol. etc.
Hey. Whatever gets you through Covid.
just amazing!
Bravo!!!!!
The slide movement at 5:30 is god
AMAZING
Brilliant.....
WOW! BRAVO!!!
I'm playing this as my Piece for Solo and Ensemble. I've been practicing for five years, and it's still nowhere near as good as this performance.
What's Kraken? Imagine how long Joseph Alessi practiced for
ghsgtn ayhmd imagine if he was sight reading this :0
What's Kraken?, he has a few years on you.
Toca de mais...
super galing idol
Genius!
The horn hitting the high C at 1:42 😳
Not to be subversive or anything, but isn’t that kind of expected from horn players?
Actually the fact of nailing the note that clean is an achievement
太棒了！
阿老师是神！
美味伊勢海老！
Joseph Alessi ist der beste klassische Posaunist der Welt!
Artariastein i.Sa. Jawohl!
man the 4 of them wasnt together a lot of the times but they managed to make it work
Do you happen to have the rest of this concert?
Wonderful cadenza arrangement I was impressed
1:51 防災無線w
頑張るか…
1:42ホルン、ハイF！？
bone3 そうだと思います
??????
bone3 めっちゃサラッと出したな
バストロおじさん Gどこ出ててきましたっけ？？
y- gram
1:23ぐらいだと思いますよ！
今更ですいませんm(_ _)m
I honestly get that everyone is entitled to an opinion, and I know that 17 is a small, practically insignificant fraction of 17,000, but in my opinion, the 17 thumbs down folks on this are nuts, and (I'm going to say it) WRONG. OK, you'll say "there were a number of clams (missed notes) during the fast passages" and I'll say, "yeah, okay..." and you'll say "the trumpets cracked a couple times" and I'll say... "Uh... what's your point?" and maybe you'll say "the horn part was really much higher than it needed to be to make a nicely distributed sound among 4 players" and I'll probably get a headache, but honest - that's a virtuoso piece played by one of the couple best players in the world, with some of the other great players on Earth backing him up, and if all you can think of after listening is to push "thumbs down" I think you have issues, perhaps stemming from either a) not being hugged enough as a child or b) not understanding how brass instruments (especially the trombone) actually work. In essense, you are simply wrong, and should walk around with earbuds playing (bad) books on tape. On cassette tapes. Loud enough for passersby to hear what you're listening to, so they can give you thumbs down.
Raymond Fallon shut up
Yes it was a good piece of music. Move on
この曲はもう古いと思う結構長いし上手すぎる。
1:39
自分用
自分用だお
低音 4:54
高音 0:14
Congratulations. I wrote 2 trombon concerto edited by IMD Arpèges at Paris
what year is this?
О!!!
Круто!!! Низа шикарные, понять бы, как он их извлекает...
👍💯😍😍🌹🥀🌷🌻
もはや病的な巧さ😍
长号届的标杆啊，是我一生的目标！
阿老师和Phil是我的两位偶像！
町の12時の鐘の音これです
ua-cam.com/video/fFpSaQne_kc/v-deo.html ←BALANCeの曲のサビに使われてる曲
4:54
EdwardS
橿原神宮前到着前の特急のメロディ
With what mouthpiece played here Alessi?
Why have 2 trumpets when you can replace one of them with a cornet/ flugelhorn? Or better yet, euphonium?
because it’s a brass quintet
@@jagnit9390 I’m aware. I’m saying that why don’t brass quintets have a euphonium/ flugelhorn instead of a 2nd trumpet to add variety of tone color?
@@bobcat24 Many do depending on the repertoire, but it isn't appropriate for a lot of other repertoire.
bravíssimo
6.04
thibaud gomes 6:04
Il migliore..e il corno? Grandi
大学のチャイムこれやった
Alessi always feels so sharp to me... particularly here. That could just be my poor sense of intonation, but Ive heard other people comment that he tends to play sharp but he just sounds so so good that no one cares. Thoughts?
He has a bright sound and that could be why it sounds a little high but I think he is on target. I played with him in groups before he was famous but he was always a great player
Put a tuner up to Alessi and you'll see that, if anything, he plays on the bottom side of the note. That being said his intonation is exceptional even in the professional world.
Better sharp, than out of tune..
初っ端でc-ハイc………
せんせぬこーちゃん そ、そうなんですか(汗)頑張ってみようかな笑
High C出ないとCのアルペジオ2オクターブとかざらに来るからキッついキッついw
橿原神宮前
Anyone know the name of this piece?
E Grantham Blue Bells of Scotland
FHornRyan Thank you!
by Arthur pryor
이것은 한국예술종합학교의 테너 곡입니다
巨人の肩に乗ってのフレーズがある？
最高音域どこなんだろ
ハイC
最後のアドリブはhighF
HighGとか冒頭一瞬出てた
草
私もトロンボーンやってるんですごく上手だと思います
十六夜咲夜 プロに上手って言うのは失礼なんだぞ
十六夜咲夜 何で上から目線なんだお前はw
@@user-ks7dz6ts4o コメ主の年齢はわかりませんが目上の方を評価すること自体失礼だからですよ。
まあどちらにせよアレッシに上手ってすごいこと言うわ
@@user-ks7dz6ts4o まぁそうですね。ですが、アーティストは世間の顔があるので怒らずに喜んでくれます。(本当に嬉しい場合もある) なので言うなとは言いませんが社会に出たときに目上の方を評価して言うことが失礼だって覚えておいてほしいです
遊びすぎｗｗｗ
めちゃくちゃ上手いけども