Eugène Ysaÿe - Sonata No. 1 for Violin, Op. 27 (1923) [Score-Video]
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- Опубліковано 29 вер 2019
- Eugène Ysaÿe - Sonata No. 1 for Violin, Op. 27 (1923)
I. Grave
II. Fugato
III. Allegretto poco scherzoso
IV. Finale; Con brio
Nikolay Grabovskiy, violin
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![Eugène Ysaÿe - Sonata No. 2 for Violin, Op. 27 (1923) [Score-Video]](http://i.ytimg.com/vi/SxPGI57l-xI/mqdefault.jpg)
![Eugène Ysaÿe - Sonata No. 2 for Violin, Op. 27 (1923) [Score-Video]](/img/tr.png)
![Eugène Ysaÿe - Sonata No. 5 for Violin, Op. 27 (1923) [Score-Video]](http://i.ytimg.com/vi/2FGNcdpSUrA/mqdefault.jpg)
Man, the Fugato movement ending always gives me extreme chills - Ysaye’s incorporation of those 5-7 note chords including the very loud expressiveness with the octave and tenth at the very end of the movement has always left me not needing coffee in the morning lol
Me too
The fugato is... simply a perfect composition. It is so damn well-written. And the performer’s perfect tempo, not too fast, but not too slow. Everything is so perfect and this fugato now is one of my favourite pieces.
I. Grave 0:00
II. Fugato 4:47
III. Allegro poco scherzoso 9:43
IV. Finale; Con brio 14:09
Thanks a lot!!!!!!!!!
Just looking at some of those chords hurts my fingers.
8:20 thats the single heaviest most epic massive ending of a piece ive ever heard in my life. holy sh*t
Especially the ending chords!!!!!!!! How massive and epic ending is that fugue!!!!
@@cloud15489 that final 3 octave D to the final tenth is amazing. I cant stop listening to It, the player and the environment is perfect.
exactly!
Those two bars in the finale at the top of p.12 at 15:34, whole tone scale parallel 6ths double stops in triplet 16ths and that tempo and to make it sound that smooth.... holy $#!t! How the f!? That's insane. That was astonishing. I mean all of ti is so virtuosic,, but those tow bars in this recording... damn. Unreal.
Never been more excited for a video from this channel, I gotta admit
I'm happy to hear - the Ysaye Sonatas exist on UA-cam already, but they are separated by movements and even the same sonatas are in the same videos - it's quite confusing. I've found a few recordings that I think are excellent of 3 of them.
George N. Gianopoulos - Yeah, I know which videos you’re talking about, noticed the same thing when a friend first introduced me to these sonatas. Glad to see that you’ve at least uploaded these sonatas. I might just post the other 3 to my TheExarion account once I’m done with the Chopin-Godowsky series haha
Go for it! There is one of three already that is good...
Wow! That was just...gorgeously intense. Thanks for the post.
Movement 2 is the best especially the end🔥
I always listen to Gidon Kremer's recording, but this guy is really great, too!
dont know you feature that also, that's been one of my favourite violin pieces! Thanks
Very good!!
4:00 😱
4:50
ponticello parts make me anxious
Hi, I'm not a violinist, can someone tell me what does that dotted line above the C♯, D and C♮ mean, in the first bar of 6:37? Thanks
i might be wrong but i think it means you should Play those notes with only 1 Finger, sliding to each one of them (for example: a dotted line above C D E F G A B would sound like a scale but with only one Finger sliding from one note to another... its a different type of gliss)
It means to play those notes alone rather than with the sustained A. It's something you'll pretty much only see in Ysaye. Don't listen to bruno, he has it completely wrong.
Interesting noise at 13:26
Yes...it's the 'flick' of an Æolian "Cliquer" used in Pythagorean tuning of violins to avoid Wolf Tones during Galamian bow-holds. You're welcome....from San Agustinillo!
Stevee GALLO wow never knew
@@steveegallo3384 can you elaborate a bit on that?
@@Ickguenthrasil -- Heavens No....that WAS an Elaboration! Asking for more is like demanding a Bonus ON TOP of a Dividend. [Further Declarant Sayeth Not]
@@Ickguenthrasil I'll try... You have different tuning systems, right? Most people today use equal temperament, meaning that each semitone has the same width, at the expense of slightly lopsided thirds and fifths. Pythagorean tuning means that the fifths are perfect, at the expense of some intervals being very lopsided...those intervals are called wolf intervals, and people try to avoid them. A Galamian bow hold seems to refer to a certain way of holding the violin bow. But I'm not certain that this explanation is correct...hope I helped anyway!
someone created problems for the violinist
muito bom dislike
KKKKKKK essa vibe com Ysaye