I have to call you on the Kirby "Jalopy" shot though. That FF issue was on a skrull world that had a 1920s gangland culture. That flying fliver was right on the money.
You can see how much JRJR's art evolved in less than 10 years, just between his original run on Iron Man and his second run in the "Armor Wars II" storyline. I always wondered if he took some inspiration for the evolution of his own art style from Frank Miller's own style.
He has always adapted his style to the times. He started out clearly trying to imitate the flawless craftsmanship of his father and John Buscema, but then took influences from Frank Miller, and later Jim Lee, and then in the post-Madureira "everything must be ridiculously cartoony" era he even started bringing that in. The video touches on how he keeps the styles and depictions of the world in his work contemporary in ways a lot of guys never managed (it mentioned Kirby, but Buscema, Perez, Byrne and many others struggled with it), but it doesn't really touch on how his art style itself has always kept up with the times while still always being recognizably his.
I think if you look at Miller's artwork in Sin City and compare it to Romita Jr's work in the late 80s through mid 90s (especially on titles like Daredevil), you can see Miller's influence pretty clearly.
Love JRJR, I will say that he draws the weirdest kids tho. Big adult heads on little bodies. I can see how people think his art quality has dipped in recent years but he is getting old so it's bound to happen. I especially loved his art on the Kick-Ass series. His recent work in asm is still good in my opinion although I think it could benefit with a good inker.
@Dcam Aag I agree with everything you said except the part about a good inker. Scott Hanna is a great inker and worked with JRJR on his original ASM run with JMS in the early 2000s, (Which I believe was when his art was the best). In fact I met him at a con, really nice guy. But other than that you're spot on, in my personal opinion :)
While JR, Jr's art has declined some in recent years as we have seen, I would not say that decline is inevitable - some artists do not decline as much ( like Art Adams or Neil Adams ).
John Romita Jr is such a formative artist to me. I don't think I would've fallen in love with Spider-Man as a character if it wasn't for his run in the early 2000s
@@BruceWayne-ri4wr I disagree. I still like his work on all star batman and his more recent work on Spider-Man as well. I don't think he was a great fit for superman but otherwise I still like him. I just think he's an acquired taste so I get why people aren't always fond of him
@@BruceWayne-ri4wr I pretty much place him in the same category as Ed McGuinness. All depends on which characters he is drawing. It's kind of weird honestly lol. Some characters he can do well, and others...not so much.
Had the opportunity to meet JRJR at Phoenix Fan Fusion. Was able to tell him how much I appreciated his art and how I’d always remembered him being my favorite comic artist interview on the Spider-Man 1 DVD. How him talking about Spider-Man inspired me to grab my first comic, Ultimate Spider-Man. (Which I asked him to sign the first issue of). He told me that my words meant the world to him. One of the sweetest guys I’ve ever had the pleasure to meet and an amazing artist.
I like when someone else gives due credit to inkers: not to take anything away from JRJR, but his Al Williamson inked stuff achieved something unique for both of their careers. A while back you already noticed that Williams is half of Jim Lee’s career. Inkers matter, a lot.
I definitely put JRJR in the top 3 Punisher artists of all time. His work on the original Punisher: War Zone is fantastic. He draws Frank as this rectangular wall of muscle with a permanent scowl. Also beefcake. So much hairy chested, broad shouldered beefcake on display which is great too, female gaze definitely wasn't too common at the time or even now really.
@@mariio5090 Yea a lot of early Punisher stuff suffers from being kind of generic with the art and writing. It's the Chuck Dixon/John Romita JR Punisher: War Zone and Carl Potts/Jim Lee Punisher: War Journal stuff that's really outstanding
Kick-Ass & his work on All Star Batman with Scott Snyder are the comics that got me into comics. I ADORE his art. Especially when he's put in a dark,gritty,street level titles. Also,his style is very blocky. And I happen to like that. He's also a damn good storyteller.
People seem to forget how important storytelling is in art. Romita Jr can tell a story super efficiently with clean, charismatic art. That is not an easy task
Chris , I just want to say that episode for episode and pound for pound your channel delivers , IMO, the most well thought out and researched content of any UA-cam channel dedicated to comics . While I'm not always familiar with the source material I always come away feeling enlightened due to the sheer amount of effort you put into each episode. Whe I'm not a real JR. JR fan, I do admire his storytelling abilities. I think he is best suited to characters like the Punisher or an original character like Kick Ass . I listened to an interview he once did , in which he seemed quite humble about his abilities, which softened me to the man himself . Sorry for running on so, just enjoy your channel so much that I thought you should know. Keep up the good work and thank you.
As much as this is an interesting overall review of JRJR's art and career, bringing up the various inkers who worked with him informs just as much if not more about his pencil work.
That's how comics were made in the old days, penciller doesn't need to fine tune every little detail, otherwise why even bother having an inker? The inker work was always to embellish and provide volume and contrast, if they are there for tracing the lineart then you don't really need them , specially with the technology improvement of being able to capture the pencils without even need for inked lines
@@Shinmsl yeah but this video is about the artist. I don't remember any videos taking time to focus on different inkers the artist has worked with to such an extant.
I started comics with JRJrs first X-Men run, and then followed him to Daredevil (with gorgeous Williamson inks!). I think his evolution to his blocky style laid the groundwork for me to fall in love with Kirby's Fourth World Era art, which struck me as extremely ugly until my late 30s/ early 40s. Now I "get" it.
JR Jr has been my personal fav artist since the 90's. Love his work! And not just because of the style, but because he is one of the best visual storytellers of all time!
I always thought my problem with JRJr. is that I don't like how he draws necks. His paneling is great tho and makes it reading fun. It's also what I do appreciate about Frank Miller's art (even when it really doesn't look appealing like in Dark Knight Strikes again) that the paneling always looks appealing. What I think is weird that his "classic" artwork looks more appealing to me, despite me seeing how his page layout improved a lot. I think it's the blockyness, which often doesn't do it for me, and inking (in certain comics)
I haven't read a ton of Bachalo's work,but from what I've seen,his design is great,like on Steampunk,but he reuses the same headshots over and over and over again,to the point of distraction for me.
Chris Bachalo and Humberto Ramos are two of the most recognisable modern Marvel artists because their style is so distinct. Would love to see Chris' take on them, as they seem to be just as divisive as modern JRJR.
Great video as usual, Chris! Romita Jr is one of my favourite comic book artists of all time, and I think that sometimes readers might overlook the superb storytelling because of the more angular style. I think another great book of his was his 6 issue run on Black Panther back in 2006
While I did really enjoy JRJR's early 90's X-Men run (little touches, such as his distinct 'pointy' claws for Wolverine). I was definitely one of those won over by Joe Madureira. The late 80's to 90's was such a great era for X-Men artists.
@@jawbone78 The opposite for me. There are some characters that JRJR’s blocky style really doesn’t work with IE Storm. Meanwhile Joe Mad is still one of the best artists X-Men has ever had.
@@scinnyc His art was a massive inspiration to me growing up. I'd easily put him up alongside the greats of comics: The Kuberts, John Byrne, George Perez etc I wish he still drew more frequently.
JRJR is my all time favorite Spiderman artist I especially love his ASM run with Roger Stern. One more inker who really enhanced his work is Frank Giacoia.
No one achieves anything in life completely on their own. His name absolutely 100% got his foot in the door, but his talent and his professionalism gave him his career. In an era when a lot of "top" pencillers were struggling to turn in two issues a year, he was turning in two issues a month that were as good or better.
I was waiting for the "deadline style" thing. Anyone who's worked in this understands it. Anyway, on of my fav artists. Inking him can be a callange, but in a good way. Kep up the great work!
Didn't find John Romita Jr's work until his spider man stuff, with Dusk and Identity Crisis and Morlun. That and the Sentry mini series. It was so stunningly good, he was probably the first comic book artist I noticed.
I get some of the criticism but I love his art. I have stayed away from books because of Liefeld's art and had to endure Larsen's art because I collected Spiderman. Talk about cartoony then there Humberto Ramos.
Just like you appreciate Romita's depiction of rain, I love Kirby's scenes featuring bodies of water. An ocean panel by the artist will make you FEEL the pitch and swell of the waves. His tenure at DC included many two page spreads (in Kamandi and New Gods) of roiling seas that are among the most kinetic art (of any genre) that I've ever seen.
One of the best of all time. His blocky draftsmanship ,his meticulous line work has made him one of the most unique ones artists that have ever graced mainstream consciousness👍😛😃
I’ve always loved Romita. His run on Spider-Man with strazyiski is awesome. His punisher war zone was huge and scary, with big sausage fingers firing 10mm guns. He was always a guy with a lot of guns but that was the first time I thought “This guy is a gorilla who will tear you to pieces with his bare hands”. Externals. Superman. Daredevil. Hulk. I got em all. If John is doing the artwork I’m buying it, same with Alex Ross.
I thought he was great when he was doing "house style" under Layton's Iron Man inks. I remember being disappointed with Layton's fill in pencils (#139) and happy when JRJR returned. But yeah; his DD work took some getting used to (as did Kirby's weirdness, as you mentioned). Love them both now. Thanks for deconstructing his work -- I always wondered how he came in on his dad's coattails (and with a similar style in the beginning). Great vid!
I started reading comics in 2013, so my introduction to JRJR was his run on Superman. I remember hating all the promo stuff and not understanding what people saw in this guy. I changed my mind on him when the book came out and I got to see his storytelling. He instantly won me over. I even got the Director’s Cut of Superman 32 signed by him at the first con I attended! That said, I feel like he also needs a good colorist that complements his style for his work to really pop. Awesome video. Glad you made it!
Loved this episode! Jrjr is my favorite artist! I remember distinctively copying his drawings when I was a child/teenager. He was the fist artist that I recognized the style and hoped I would see more of on the next issue!
JR Jr. Was one of my favourite artists growing up, back then I would be certain to learn the name of the artist if a comic would make an impression on me. And I distinctly remember that Daredevil comic, it was dark and moody, it wasn't exactly "pretty" but it was indeed powerful art and great storytelling. I was a huge of his run on Spider-Man on the 90s and I even remember I had an issue of X-Men that I didn't even know it was his art but you showed snippets of the art in this video so I know now it was his too( and I wasn't big on the X-Men back then but I did love the art on that book). You make a great point of saying that his work is most effective when paired with the right inker, but the same could be said with the colourist, whose work is really important specially since the 2000s to define the look of a comic. I think his cartoony style works better with simpler, mostly flatter colors, overrendering doesn't do him any favours. He is one of my all time favourites not only in doing action but also subtle character moments like those two Rogue panels you featured in this video, he can do excellent subtle emotional "performances" that make each character feel human. He's one of the best ever Spiderman artist without a shadow of a doubt, and something I think it contributes to that is he's one of the few who has been able to get that "creepy crawler" aesthetic that Steve Ditko gave him, something very distinct from any other superhero, that makes Spider-Man a bit of a scary, lonley figure in the night. The cover of that book about the Romitas is a perfect example, is probably one of the best artwork of Spider-Man ever made for me, it encapsulates the mistery and eerieness that I think he's one of the few living comicartist can create.
My uncle got a framed holographic spider man print for my brother and I when we were young with JR Jr and Stan Lee’s signatures on it as part of a numbered series, it’s one of my prized possessions still! :)
JRJR is a personal favorite. Granted, He’s a tent pole on my favorite character in Spidey but that’s inconsequential- no matter Who He’s drawing, it looks Phenomenal. He can do action AND emotional scenes incredibly well. He’s truly one The All Time Greats.
I like Rominta Jr's style. Reminisent to the artists that I grew up with: John and Sal Buscema, Ross Andru (wondered if you covered his Spider-Man run in the 70s?) Great synopsis as per usual. UK fan.👌
Grew up with the Andru/Esposito Spidey, but we can't forget about Gil Kane and his incredible Spidey work especially with John Sr inking. Gil had his style and tropes, but they were sharp and dynamic.
John Romita Jr really brings the pages of a comic book to life. His art is so profoundly wonderful, I couldn't possibly say enough about him! ❤️ Great video Chris ❤️👍🏻
My first look at JR.JR was in a popular fanzine in the early 1970s. He was a boy, under the age of ten as I recall. And I don't remember what the image was but it was a face of Beetle Bailey or Popeye or Donald Duck (or something like that). It was either in pencil or magic marker and very nice for a little boy. There is no question that he would have never gotten it published if not for his name. I didn't expect to see him years later as a very good comic book artist.
Great video! Ever since I was a kid, I never really could decide whether I liked Romita Jr's art style, but I've grown quite fond of it over the years. Kick-Ass and World War Hulk have to be my favourite work from him!
I have always loved John Romita Jr art. He was the very first comic book artist I learned the name of, his art was some of every first from the medium I was exposed to and he'll always hold a position in my Top 5 comic artists of all time. His art is absolutely beautiful, deceptively simple and really drove me to try drawing comics as a kid. A true legend of the industry.
I loved his first run in Spider-Man and X-Men. His style started to change with DareDevil - which I still liked - then solidified into what it is today which can be a bit of hit and miss. I don't dislike his recent style but I do prefer his earlier work a lot more.
Jr Jr's work on Uncanny Xmen from 175-311 is phenomenal. Uncanny Xmen #207's cover, is to me at least, THE most iconic Wolverine art EVER. Juniors art simply gets the job done in the best way sequential art should be; precise, easy to read and flowing in its storytelling. One of my major influences for sure
John Romita Jr. is maybe my favorite artist and inspired me as a kid to start drawing myself. I absolutley love his art and I am so glad that you made this video.
Love Romita Jr. art.. its an adquired taste, his style would be great for a animated series.. there is a certain logic on his style that makes it recognizable..
That's because of his fundamentals. The guy understands on a deep level how to render three dimensional figures in two dimensions, which 99% of comics artists never fully grasp.
I'm not even half way done and I love this video already. I've never been a fan of JRJR. If anything I appreciate him more now for having a style but it's just never clicked for me. That said, I have mad respect for the guy, I love the persona be gives us. He presents humble and almost like a rookie. I have to respect and admire that. The guy is a legend whether you appreciate his work or not. Great video! I really appreciate this.
Loved this episode! His X-Men run was what got me to fall in love with comics (and Rogue) back in the day, so be one of my favorites. Also, short-hair, more-than-a-little psychotic Rogue = best Rogue, so there's that, too!
You said it all better than I could! 100% agree with everything here. John is my favourite artist of all time and there’s a indescribable feeling of comfort and nostalgia whenever I see his work.
This is so good. Most criticism comes from people who could only dream of his career. There is not enough appreciation for him finding his own voice and developing such a cool style. Thanks for this coverage.
So you think people who don't like Romita Jr's art are just jealous of his success? If you like his art that's cool, plenty of people do. But you can't expect everyone to. Art is subjective.
I grew up on both him and his Dad and I love how he’s so so different and dynamic. As far as facial criticism, I admit that at first I wasn’t turned on but after his run on Kick-ass, I have since took it back. That series is probably my all-time favorite! His breakdowns are incredible!
Came here to say the exact same thing. Storm debuted her punk look in UNCANNY X-MEN #173 which was drawn by Paul Smith; JRJ began his run on the book halfway through #175. (Smith in 2008: "I did a number of portraits, all quite lovely and feminine. As a joke, I included a shot of her as Mr. T. You know, the kind of shot where they HAVE to go the other way. Weezie [X-Men editor Louise Simonson]'s response? 'They’re going to hang us whichever way we go. Let's commit the murder.' I argued it was a joke and a monstrously bad idea but, given my departure following 175 was set prior to beginning my run, my vote didn’t count. So I did what I could with what I had left... So we went with the Mohawk ...But once you get into the whole leather and stud thing it was a bad joke that got way out of hand.")
Gotta respect a man of his talents. I thought his blocky style didn’t look so great when I was a younger comic fan. But when I look at it now I appreciate that he was making a unique vision. Now I prefer his younger work. Such is art.
When the time came that it was impossible to continue to collect everything that existed, I had to narrow it down somehow - and so nowadays I collect three things: Hulk, JRJr and John Byrne. Collecting those three suffice. Thanks for the amazing channel!
I had a stretch through the mid-2000s when I was almost exclusively collecting JRJR (and Chris Bachalo), as much as I also attribute that to being in my early 20s and putting my priorities elsewhere away from comics (which I had to rectify throughout my 30s).
Idk why people are complaining about you talking about the inkers..inkers. They're very important in John's legacy and evolution. And you only talked about them for less than 2 minutes. Keep up the good work Chris!
I'm actually currently reading JRJR's initial X-Men run and I definitely notice the difference inkers make on his work; there's two issues his father inked and they just look so much more old fashioned and generally not as good as the rest of the run.
Thank you for delivering on this one! I asked you a few years ago if you would ever cover JRJR, and you replied that you definitely intended to. So glad to get your take on one of my personal favorite comic artists.
JRJr is one of my favorite artist. His artwork is distinct and unique to him. Like one glance i can already tell it's his artwork. Maybe some of his other artwork are a bit meh, overall I still think that it is unique.
As someone who hates JRjr's blocky faces and sometimes has trouble getting through some story arcs because of it this video gave me other things to focus on and maybe now I can be more forgiving about the faces.
John Romita is one of the greatest legacy artists left in the business, I see a lot of people shitting on his art style these days and it pisses me off to no end, very few people has his storytelling skills
I won't deny that he can frame a panel and a story really well and draw some really dynamic stuff. But I hate the way he actually draws things I've hated it for pretty much my entire life. His eye is exceptional for literally every aspect of drawing except drawing something that looks good. I'll give an example: a few years ago I was reading some DC comic he was doing at the time. Think it was justice league related. In every single panel Superman was in he drew like a ring of individual hatch marks/lines around the outside of the face. Going in slightly towards the center of the face from the edge. They served absolutely no purpose except to add unnecessary and distracting lines to the face. They weren't indicating any kind of shading, they weren't representing contours of the face in any way (they were all pointing inwards regardless of location and with zero regard for the actual contours of the face). The lines were not only unnecessary, they actively made the art look worse for absolutely no reason. They didn't add anything visually, they were flat, they were distracting. It was an artistic choice that has utterly baffled me ever since. He's always had unnecessary and distracting lines in his work but this book was the worst I'd ever seen his art. It was like he just didn't give a shit what he was putting on the page anymore. This isn't just me hating on messier art styles though by the way. I love those when they're well done. But his doesn't even feel like that. It feels more like a guy trying to draw loosely but then somehow still being unbelievably stiff and rigid if that makes sense. And good lord he needs to ease up on fabric folds.
One can respect the man a lot, but something we can't deny is that at some point, he just decided to start drawing HORRIBLE faces. His latest Spider-man run with Wells, oh my god they don't even look human.
Great video, Chris. I think both your praise and criticism of John Romita, Jr's art was fair and well thought out. Plus, I appreciate you mentioning Tom Spurgeon's passing. I had no idea he was no longer with us. I did some work for The Comics Journal back in the day and Tom was my editor. Really cool guy and he will be missed.
I have been saving this episode for over a year in my "Back up Chris Rations Cannister" . I am about 5 minutes into it and I am glad I saved it. Chris is obviously a genius with this stuff. You can tell it brings him genuine joy 👍 You did indeed gush, Chris, but did so in an adult refined manner which my spazzy presence would have impossible "Oh my god!! Dude!! Look at the foreshortening on this panel!!! "Look at at the adorable yet frightened look on Kitty's face in this full page spread" "Dan Green's inks finally let his actual style breath!!" Blah, blah, blah...so thank you Chris, for being the grown up in the room....WHO ALSO TOTALLY LIKES MY GEEKY KID STUFF!!!😂🤣🤘🤘🤘🤘🤘🤘 PS. Nepotism. Bah! Next thing you know some pundit over in the world of rock music will attempt to suggest that Wolfgang Van Halen enjoyed the benefits of... whoops, my point seems to be getting away from me, so I will just slowly remove my fingers from this keyboard and slowly slip out of the room....
Another good video, Chris. I remember as a kid when I was steadily collecting comics and reading them, that one of the books I regularly purchased was Spider-Man when John Romita Jr. was the artist (Mr. Hyde, and all the rest). I was also an X-Men fan and when Jr took over after Paul Smith left, I was not happy at all. I liked him on Spider-Man, but not X-men. Over the years, though, his art has matured and in his prime, he could draw whatever and I'd be sure to like it. You mentioned Kirby, and one of the things I commonly notice that is left out of discussions of his artwork style, is the fact that Jack Kirby's art was forced to evolve, out of necessity, more than anything else. Few people seem to realize just how much work he produced, daily, weekly, and monthly, especially during Marvel's early years in the 1960's. Not only his regular comic book runs (Fantastic Four, Avengers, X-Men, Tales to Astonish, etc), but fill in issues, covers, pinups and ads. For a while he was Marvel's 'go-to-guy', as stated by Stan Lee, during some emergency when they were up against a deadline on a book that needed to be sent to the printer ASAP. There's just no way a person could produce all that work, while meeting deadlines and not simplify their art to some level. Reference? Who has time for reference under those situations? You need a gun in this panel? I'll draw you a generic gun from memory, dammit, I have some covers and other books to do after this!
So, I've been reading comics ever since I was a little kid in the 90s. The first time I ever saw JRJR's artwork was either in Spider-man or in X-men. And I remember, I didn't like it at the time. But over time, I have come to realize what an expertly storyteller he is. He knows how to adequately convey the story to the reader when he needs to. And he gives characters very specific mannerisms and movement. The same can't be said of other artists that are praised more critically, or that are more well known, than he is. He has certainly grown a lot as an artist, and it's a lot of fun for me now to look back at how much he has progressed over the years. He is still far from my favorite artist, but I definitely appreciate him much more now than I did when I was younger. By the way Chris, speaking personally, I love these videos where you deep dive on the artists of comics. As someone who wanted to be a comic book artist growing up as a kid, I find a certain satisfaction in listening to you talk about these artists I grew up obsessing over. Keep up the great work!
I Totally agree with JR ^2 .. I think that is why I decided to jump back into the current ASM. I think his connection to the past and future is what makes him so important with comics today.
thisreally hit the spot.. Knowledgable and insightful to many of us who began reading (and drawing sometimes) comic books from a time almost exactly concurrent with the origin of his professional career,. Of the many salient points made about JR's style, the one about how his fights always depict the utmost consequence of motion (blows, dives, etc_) are what really lit this kid's fire about his Spiderman back in the day-his fights were the best--like the big dukeroo for real almost every time. That does say something about his appeal overall in relation to most basic and essential essence of the form.
I always thought it strange when people describe jrjr as too blocky when kirby is king . I do think his man without fear was his peak with its heavy frank miller inspired chunky blocky lines. I feel the same about miller he had a peak that was great after developing his style a little bit from the house style but continued to devolve into a simpler style . Romita jr is great
I'll be totally honest,I never liked Romita,nor Kirby's artwork. I know it's pretty sacrilegious to say anything bad about Kirby,but I've never been a fan. I started collecting and reading comics in the early 80s as a kid,and John Byrne was my favorite back then,but then as a teen Jim Lee became my favorite.
It's interesting when you bring up Kirby being blocky as that's precisely when I stopped liking Kirby's art. His stuff from the 60s is top tier and clearly shows why he's "the king", but his later stuff just doesn't look good to be.
@Grant Baugh To be honest I dont have a ton of mileage with Kirbys art I guess. More of just the stan lee marvel drama unfortunately. Only actual books II own with Kirby art is a superman Jimmy Olsen with weird collage style backgrounds and an issue of Mister Miracle but I love 'em.
I think the difference is Kirby was pretty innovative back in the day, but I don't want to see Kirby's art style in 1995, 2010, or 2022, so I don't care for John Romita, Jr.'s work.
JR JR has been one of my favorites for many years. He did my two favorite cross overs ( one of which you showcased a lot) Punisher vs Batman and Batman vs Predator. This is a great look at his evolution! also, Chris, you seem so much happier and more excited in your videos lately, its awesome to see!
I don't believe John Romita Jr. has ever participated in creating a Predator limited series. 1991's Batman Versus Predator was pencilled by Andy Kubert with inks by his brother Adam. The 1994 sequel titled Bloodmatch was pencilled by Paul Gulacy with inks by Terry Austin.
JR Jr really got me to appreciate comic book art and sent me down a rabbit hole of finding out more about the artist themselves and that led me to your channel 😄
I was just about to tweet last night that I need a new Comic Tropes episode. Instead, I watched an episode I hadn't seen. Now today there's a new episode. Yaaaay!!!!!!!
When I was younger and drawn (pun intended) more towards the "hip" style of Joe Mad and the Image guys, I didn't like JRJR's art all that much. As I grew older, though, I began to appreciate his style more and more. I see JRJR the same way I see PAD among writers: They have a a very, VERY good grasp of the fundamentals of their respective crafts. They allow for stylistics every now and then, but nothing that's too flashy that would, in the long run, serve to outdate them severely. Mostly, they lean more towards the basics--and bring them up to 11.
I was enthralled with Joe Mad when he broke onto the scene in the mid-90s. I was fully convinced at that time that he was a GOAT just a year into his career. I look back on those X-Men issues now (I still come back to Age of Apocalypse every couple of years, mostly out of nostalgia), and his art makes me cringe. JRJR was great then, and great now. His work holds up.
I absolutely loved Star Brand. I would read and re read my comics over and over and over and over. I think Starbrand by JRJR was an incredible series and the character Starbrand is forever one of my all time favorites.
Yeeeeeeeeeeeees. I always say his Spider-man is my mind's eye Spider-man and Spider-man is my favourite character. I'm not as familiar with his earliest work but I know his 80s work a little more. I was recently tracking down the Kid who collects Spider-man story that he did the lead in story of Spidey fighting Thunderball from the Wrecking crew comes to mind as it had such fantastic readable action. Everything fits into place and makes sense. I started reading comics in the 90s during the clone saga. I always thought it was funny how he drew Peter and maybe Ben Reilly more so with jackets and long flowing manes of hair. Until recently when I saw a picture of John from around this time and he had the very same style. My absolute favourite COMIC TROPE is employed by John a lot especially with Spider-man and larger characters, is conveying Spidey's speed by showing him multiple times in the same panel with the one 'stationary' image of his bigger foe. You show it here in the great Juggernaut story. I remember a particularly good example of it in a one off of Spidey fighting the Hulk around the time Mary Jane was preseumed dead. There's an alternate version of this that's used a lot in the Straczynski run, especially when he's fighting Morlun (which you showed here too). Where the fight is shown in numerous images across the two pages to convey its overall speed and intensity. Very good point about comparing his blockiness to Kirby's. I never heard that before. I get the criticism of his faces as of late. I don't think they all look off but the difference in Peter's face now and his Michael J Straczynski's run is not an evolution I can say I appreciate. Not all of it but sometimes Peter and other characters faces have lines around the noses that just seem off to me. All the costume stuff still looks great though. Thanks for this Chris. Honestly, not being hyperbolic, I'll be returning to this video for the rest of my life.
Romita JR is on my top 5 favorite Spider-Man artists list. His work can sometime look odd? But I can never say I hate his work as I love his blocky art style.
i remember JRJ's runs on Spidey and Xmen in the 80's. I didn't really follow him after that until i picked up Punisher War Journal No.1 in the 90's....i was really amazed by how much his style had changed. And i absolutely loved it.
Star Brand's slightly 'cartoony' style is great! My favourite JRJR is the Daredevil run with Ann Nocenti, but he continues to produce fantastic work. The recent variant cover of Daredevil #1 by JRJR inked by John Romita is fantastic!
JRJR is one of my top 5 favorite artist, I love that his art work changes and is not the same old same old. I too love that he stays up to date on clothes on the characters, nothing worse than seeing a character in 2022 dressed like it's 1985 but some artist don't have an eye for those little details but John is always watching out for the little details and it's one of the things I appreciate about his work.
One of my very favorite. I had a lot of his work from when I was a kid but it wasn't until I was sick at 12 that Uncanny 300 came out and I made a point to know his name. And like you, Man Without Fear has kept me on board ever since. I know some of his DC stuff got messy, but if the new Amazing stuff is the sign of him going forward than I'm happy to see it. Great piece. Makes me want to finally go back and read that Nocenti/JRJr run.
Thanks for discussing John Romita Jr., who’s my all time favorite penciler (with Alex Toth being my all time favorite comic book artist, who inked much of his own work). JRJR’s storytelling is second to none, and while I do like his drawing ability, and style, I can understand some of the criticisms of his faces, which as you note, might be more of a current aspect of his art. But the fact that he works as much as he does, and delivers on time, and is producing two issues of The Amazing Spider-Man every month (those days are not long gone, CT) should get him a little more respect than he currently gets, because when I see people trashing his work, as if it’s the worst, I think they’re dishonest. Whatever flaws he may have should be outweighed by all of his virtues, which are many. Thanks again for a good, honest take on the work of an all time great.
I mistakenly showed Paul Smith’s Storm and credited JR JR with inventing that outfit. He drew jt a lot but that’s a mistake.
I was wondering, I'm glad you caught it. Any chance of you doing a look at Paul Smith? To me, he's one of the most underrated artists in the industry
Please also make one about Travis Charest and or those creators artists popular back then ages ago kinda like :"Where are they now?"
I just came here to correct you 😁
I have to call you on the Kirby "Jalopy" shot though. That FF issue was on a skrull world that had a 1920s gangland culture. That flying fliver was right on the money.
That'll be thirty lashes for you, Chris.
(Just kidding.)
You can see how much JRJR's art evolved in less than 10 years, just between his original run on Iron Man and his second run in the "Armor Wars II" storyline. I always wondered if he took some inspiration for the evolution of his own art style from Frank Miller's own style.
He has always adapted his style to the times. He started out clearly trying to imitate the flawless craftsmanship of his father and John Buscema, but then took influences from Frank Miller, and later Jim Lee, and then in the post-Madureira "everything must be ridiculously cartoony" era he even started bringing that in.
The video touches on how he keeps the styles and depictions of the world in his work contemporary in ways a lot of guys never managed (it mentioned Kirby, but Buscema, Perez, Byrne and many others struggled with it), but it doesn't really touch on how his art style itself has always kept up with the times while still always being recognizably his.
I think if you look at Miller's artwork in Sin City and compare it to Romita Jr's work in the late 80s through mid 90s (especially on titles like Daredevil), you can see Miller's influence pretty clearly.
Love JRJR, I will say that he draws the weirdest kids tho. Big adult heads on little bodies. I can see how people think his art quality has dipped in recent years but he is getting old so it's bound to happen. I especially loved his art on the Kick-Ass series. His recent work in asm is still good in my opinion although I think it could benefit with a good inker.
Agreed!
@Dcam Aag I agree with everything you said except the part about a good inker. Scott Hanna is a great inker and worked with JRJR on his original ASM run with JMS in the early 2000s, (Which I believe was when his art was the best). In fact I met him at a con, really nice guy. But other than that you're spot on, in my personal opinion :)
His art has been terrible since 93 when he was back on Uncanny. It’s weird bc his earlier run was SO MUCH better than just 5-10 years later.
While JR, Jr's art has declined some in recent years as we have seen, I would not say that decline is inevitable - some artists do not decline as much ( like Art Adams or Neil Adams ).
His art quality hasn't dipped though.Its his art style that has changed.
John Romita Jr is such a formative artist to me. I don't think I would've fallen in love with Spider-Man as a character if it wasn't for his run in the early 2000s
Completely agree!
Same here, most of the issues I read in my teens was drawn by him
@@BruceWayne-ri4wr I disagree. I still like his work on all star batman and his more recent work on Spider-Man as well. I don't think he was a great fit for superman but otherwise I still like him. I just think he's an acquired taste so I get why people aren't always fond of him
It’s the same for me, though I was partial to his 90s work on Spider-Man.
@@BruceWayne-ri4wr I pretty much place him in the same category as Ed McGuinness. All depends on which characters he is drawing. It's kind of weird honestly lol. Some characters he can do well, and others...not so much.
Had the opportunity to meet JRJR at Phoenix Fan Fusion. Was able to tell him how much I appreciated his art and how I’d always remembered him being my
favorite comic artist interview on the Spider-Man 1 DVD. How him talking about Spider-Man inspired me to grab my first comic, Ultimate Spider-Man. (Which I asked him to sign the first issue of). He told me that my words meant the world to him. One of the sweetest guys I’ve ever had the pleasure to meet and an amazing artist.
You could tell he really needed that lie. Good for you man I bet he really needed that!
Loved his art on Nocenti's Daredevil run. Seemed like the right balance between Marvel's house style and his later, blocky potato-people.
Potato people wtf 😂
I agree wholeheartedly
This is his best work alone with x-men
Yea it's before he went full blocky.
Never go full blocky. lol
I like when someone else gives due credit to inkers: not to take anything away from JRJR, but his Al Williamson inked stuff achieved something unique for both of their careers. A while back you already noticed that Williams is half of Jim Lee’s career. Inkers matter, a lot.
I definitely put JRJR in the top 3 Punisher artists of all time. His work on the original Punisher: War Zone is fantastic. He draws Frank as this rectangular wall of muscle with a permanent scowl. Also beefcake. So much hairy chested, broad shouldered beefcake on display which is great too, female gaze definitely wasn't too common at the time or even now really.
I will always remember the popsicle scene.
@@mariio5090 Yup. Mickie I believe his name was.
@@mariio5090 Yea a lot of early Punisher stuff suffers from being kind of generic with the art and writing. It's the Chuck Dixon/John Romita JR Punisher: War Zone and Carl Potts/Jim Lee Punisher: War Journal stuff that's really outstanding
He made him too Italian lol His Punisher looked better when he drew him during his DD run. But I liked that Chuck Dixon story.
Kick-Ass & his work on All Star Batman with Scott Snyder are the comics that got me into comics. I ADORE his art. Especially when he's put in a dark,gritty,street level titles. Also,his style is very blocky. And I happen to like that. He's also a damn good storyteller.
People seem to forget how important storytelling is in art. Romita Jr can tell a story super efficiently with clean, charismatic art. That is not an easy task
Chris , I just want to say that episode for episode and pound for pound your channel delivers , IMO, the most well thought out and researched content of any UA-cam channel dedicated to comics .
While I'm not always familiar with the source material I always come away feeling enlightened due to the sheer amount of effort you put into each episode.
Whe I'm not a real JR. JR fan, I do admire his storytelling abilities. I think he is best suited to characters like the Punisher or an original character like Kick Ass .
I listened to an interview he once did , in which he seemed quite humble about his abilities, which softened me to the man himself .
Sorry for running on so, just enjoy your channel so much that I thought you should know.
Keep up the good work and thank you.
I totally agree. I know that any video I watch of his will be a fun one and that I’ll enjoy it. Always new and interesting trivia to learn.😊
OMG !! One of the comments from my Reddit post was used for this video , I’m so hyped haha !! Great content as always , JRJR is my favorite artist !
As much as this is an interesting overall review of JRJR's art and career, bringing up the various inkers who worked with him informs just as much if not more about his pencil work.
That's how comics were made in the old days, penciller doesn't need to fine tune every little detail, otherwise why even bother having an inker? The inker work was always to embellish and provide volume and contrast, if they are there for tracing the lineart then you don't really need them , specially with the technology improvement of being able to capture the pencils without even need for inked lines
@@Shinmsl yeah but this video is about the artist. I don't remember any videos taking time to focus on different inkers the artist has worked with to such an extant.
@@ItsOver9000ProductionsJim Lee was one which he did
I started comics with JRJrs first X-Men run, and then followed him to Daredevil (with gorgeous Williamson inks!). I think his evolution to his blocky style laid the groundwork for me to fall in love with Kirby's Fourth World Era art, which struck me as extremely ugly until my late 30s/ early 40s. Now I "get" it.
JR Jr has been my personal fav artist since the 90's. Love his work! And not just because of the style, but because he is one of the best visual storytellers of all time!
Excellent work. I’ve been waiting years for a deep dive into JRJR by a commentator with an trained eye. Thx, Chris.
I always thought my problem with JRJr. is that I don't like how he draws necks.
His paneling is great tho and makes it reading fun. It's also what I do appreciate about Frank Miller's art (even when it really doesn't look appealing like in Dark Knight Strikes again) that the paneling always looks appealing.
What I think is weird that his "classic" artwork looks more appealing to me, despite me seeing how his page layout improved a lot. I think it's the blockyness, which often doesn't do it for me, and inking (in certain comics)
Would love to see a video on Chris Bachalo's art one of my all time favourite comic book artist with such a distinct style
I haven't read a ton of Bachalo's work,but from what I've seen,his design is great,like on Steampunk,but he reuses the same headshots over and over and over again,to the point of distraction for me.
Chris Bachalo and Humberto Ramos are two of the most recognisable modern Marvel artists because their style is so distinct. Would love to see Chris' take on them, as they seem to be just as divisive as modern JRJR.
Great video as usual, Chris! Romita Jr is one of my favourite comic book artists of all time, and I think that sometimes readers might overlook the superb storytelling because of the more angular style. I think another great book of his was his 6 issue run on Black Panther back in 2006
He was the artist on X-Men when I fell in love with the book, during the mid 80s. Still one of my favorite artists.
Hell yeah! I’m on a JRJR binge rn! His run with JMS was how I started reading Marvel back in the day!
While I did really enjoy JRJR's early 90's X-Men run (little touches, such as his distinct 'pointy' claws for Wolverine). I was definitely one of those won over by Joe Madureira. The late 80's to 90's was such a great era for X-Men artists.
I was a fan of Joe Mad in his X-Men days, but when I look back on those issues now I just cringe. JRJR's stuff holds up.
I hated his xmen run, it was a huge turn off for me at that time.
@@jawbone78 The opposite for me. There are some characters that JRJR’s blocky style really doesn’t work with IE Storm. Meanwhile Joe Mad is still one of the best artists X-Men has ever had.
I never liked JRJR personally. But Joe Mad was one of my main influences as an artist myself. His art still looks better than most artists today.
@@scinnyc His art was a massive inspiration to me growing up. I'd easily put him up alongside the greats of comics: The Kuberts, John Byrne, George Perez etc
I wish he still drew more frequently.
JRJR is my all time favorite Spiderman artist I especially love his ASM run with Roger Stern. One more inker who really enhanced his work is Frank Giacoia.
I see your points against the nepotism convo, but his name is still Romita; my guy benefited off it regardless
No one achieves anything in life completely on their own. His name absolutely 100% got his foot in the door, but his talent and his professionalism gave him his career. In an era when a lot of "top" pencillers were struggling to turn in two issues a year, he was turning in two issues a month that were as good or better.
@@jawbone78 nothing in my comment discredited his talents. One can both be talented and a product of nepotism.
I was waiting for the "deadline style" thing. Anyone who's worked in this understands it.
Anyway, on of my fav artists. Inking him can be a callange, but in a good way.
Kep up the great work!
the only thing I didn't like about this video is that it was too short!! LOVE your take Chris. Thank you for this
Didn't find John Romita Jr's work until his spider man stuff, with Dusk and Identity Crisis and Morlun. That and the Sentry mini series. It was so stunningly good, he was probably the first comic book artist I noticed.
I get some of the criticism but I love his art. I have stayed away from books because of Liefeld's art and had to endure Larsen's art because I collected Spiderman. Talk about cartoony then there Humberto Ramos.
Just like you appreciate Romita's depiction of rain, I love Kirby's scenes featuring bodies of water. An ocean panel by the artist will make you FEEL the pitch and swell of the waves. His tenure at DC included many two page spreads (in Kamandi and New Gods) of roiling seas that are among the most kinetic art (of any genre) that I've ever seen.
One of the best of all time. His blocky draftsmanship ,his meticulous line work has made him one of the most unique ones artists that have ever graced mainstream consciousness👍😛😃
I’ve always loved Romita. His run on Spider-Man with strazyiski is awesome. His punisher war zone was huge and scary, with big sausage fingers firing 10mm guns. He was always a guy with a lot of guns but that was the first time I thought “This guy is a gorilla who will tear you to pieces with his bare hands”. Externals. Superman. Daredevil. Hulk. I got em all. If John is doing the artwork I’m buying it, same with Alex Ross.
I thought he was great when he was doing "house style" under Layton's Iron Man inks. I remember being disappointed with Layton's fill in pencils (#139) and happy when JRJR returned.
But yeah; his DD work took some getting used to (as did Kirby's weirdness, as you mentioned). Love them both now. Thanks for deconstructing his work -- I always wondered how he came in on his dad's coattails (and with a similar style in the beginning). Great vid!
I started reading comics in 2013, so my introduction to JRJR was his run on Superman. I remember hating all the promo stuff and not understanding what people saw in this guy. I changed my mind on him when the book came out and I got to see his storytelling. He instantly won me over. I even got the Director’s Cut of Superman 32 signed by him at the first con I attended! That said, I feel like he also needs a good colorist that complements his style for his work to really pop.
Awesome video. Glad you made it!
Loved this episode! Jrjr is my favorite artist! I remember distinctively copying his drawings when I was a child/teenager. He was the fist artist that I recognized the style and hoped I would see more of on the next issue!
Been watching far longer than I thought I have been, just want to say thank you for the knowledge and entertainment ❤️
JR Jr. Was one of my favourite artists growing up, back then I would be certain to learn the name of the artist if a comic would make an impression on me. And I distinctly remember that Daredevil comic, it was dark and moody, it wasn't exactly "pretty" but it was indeed powerful art and great storytelling.
I was a huge of his run on Spider-Man on the 90s and I even remember I had an issue of X-Men that I didn't even know it was his art but you showed snippets of the art in this video so I know now it was his too( and I wasn't big on the X-Men back then but I did love the art on that book).
You make a great point of saying that his work is most effective when paired with the right inker, but the same could be said with the colourist, whose work is really important specially since the 2000s to define the look of a comic. I think his cartoony style works better with simpler, mostly flatter colors, overrendering doesn't do him any favours.
He is one of my all time favourites not only in doing action but also subtle character moments like those two Rogue panels you featured in this video, he can do excellent subtle emotional "performances" that make each character feel human.
He's one of the best ever Spiderman artist without a shadow of a doubt, and something I think it contributes to that is he's one of the few who has been able to get that "creepy crawler" aesthetic that Steve Ditko gave him, something very distinct from any other superhero, that makes Spider-Man a bit of a scary, lonley figure in the night. The cover of that book about the Romitas is a perfect example, is probably one of the best artwork of Spider-Man ever made for me, it encapsulates the mistery and eerieness that I think he's one of the few living comicartist can create.
My uncle got a framed holographic spider man print for my brother and I when we were young with JR Jr and Stan Lee’s signatures on it as part of a numbered series, it’s one of my prized possessions still! :)
JRJR is a personal favorite. Granted, He’s a tent pole on my favorite character in Spidey but that’s inconsequential- no matter Who He’s drawing, it looks Phenomenal. He can do action AND emotional scenes incredibly well. He’s truly one The All Time Greats.
I like Rominta Jr's style. Reminisent to the artists that I grew up with: John and Sal Buscema, Ross Andru (wondered if you covered his Spider-Man run in the 70s?) Great synopsis as per usual. UK fan.👌
I second the petition for a Ross Andru video, one of the greatest of the 70s and it's criminally underrated
Mike Zeck always stood out too, in that same league.
I’m glad you mentioned Ross Andru’s
His art run on ASM
is by far my favorite 👍🏻
Grew up with the Andru/Esposito Spidey, but we can't forget about Gil Kane and his incredible Spidey work especially with John Sr inking. Gil had his style and tropes, but they were sharp and dynamic.
John Romita Jr really brings the pages of a comic book to life. His art is so profoundly wonderful, I couldn't possibly say enough about him! ❤️
Great video Chris ❤️👍🏻
My first look at JR.JR was in a popular fanzine in the early 1970s. He was a boy, under the age of ten as I recall. And I don't remember what the image was but it was a face of Beetle Bailey or Popeye or Donald Duck (or something like that). It was either in pencil or magic marker and very nice for a little boy. There is no question that he would have never gotten it published if not for his name. I didn't expect to see him years later as a very good comic book artist.
Great video! Ever since I was a kid, I never really could decide whether I liked Romita Jr's art style, but I've grown quite fond of it over the years. Kick-Ass and World War Hulk have to be my favourite work from him!
I too took a little while to appreciate Kirby’s brilliance. Great video!
I have always loved John Romita Jr art. He was the very first comic book artist I learned the name of, his art was some of every first from the medium I was exposed to and he'll always hold a position in my Top 5 comic artists of all time. His art is absolutely beautiful, deceptively simple and really drove me to try drawing comics as a kid. A true legend of the industry.
I loved his first run in Spider-Man and X-Men. His style started to change with DareDevil - which I still liked - then solidified into what it is today which can be a bit of hit and miss.
I don't dislike his recent style but I do prefer his earlier work a lot more.
Awesome! John Romita , Jr. Is my favorite comic artist of all time!
Jr Jr's work on Uncanny Xmen from 175-311 is phenomenal. Uncanny Xmen #207's cover, is to me at least, THE most iconic Wolverine art EVER. Juniors art simply gets the job done in the best way sequential art should be; precise, easy to read and flowing in its storytelling. One of my major influences for sure
John Romita Jr. is maybe my favorite artist and inspired me as a kid to start drawing myself. I absolutley love his art and I am so glad that you made this video.
Love Romita Jr. art.. its an adquired taste, his style would be great for a animated series.. there is a certain logic on his style that makes it recognizable..
Always thought the same
That's because of his fundamentals. The guy understands on a deep level how to render three dimensional figures in two dimensions, which 99% of comics artists never fully grasp.
Clothing folds, noses, and mouths. If I see those a certian way than I know its Romita.
Great point.
I'm not even half way done and I love this video already. I've never been a fan of JRJR. If anything I appreciate him more now for having a style but it's just never clicked for me. That said, I have mad respect for the guy, I love the persona be gives us. He presents humble and almost like a rookie. I have to respect and admire that. The guy is a legend whether you appreciate his work or not.
Great video! I really appreciate this.
Sundays are my comic tropes day
Loved this episode! His X-Men run was what got me to fall in love with comics (and Rogue) back in the day, so be one of my favorites. Also, short-hair, more-than-a-little psychotic Rogue = best Rogue, so there's that, too!
You said it all better than I could! 100% agree with everything here. John is my favourite artist of all time and there’s a indescribable feeling of comfort and nostalgia whenever I see his work.
This is so good. Most criticism comes from people who could only dream of his career. There is not enough appreciation for him finding his own voice and developing such a cool style. Thanks for this coverage.
So you think people who don't like Romita Jr's art are just jealous of his success? If you like his art that's cool, plenty of people do. But you can't expect everyone to. Art is subjective.
Almost all criticism in all of art come from people who couldn't do it themselves. That's how performers and audiences work, genius.
JRjr was always one of my favourites. His Thor and Hulk runs showed power and energy on the page not seen since Kirby.
I grew up on both him and his Dad and I love how he’s so so different and dynamic. As far as facial criticism, I admit that at first I wasn’t turned on but after his run on Kick-ass, I have since took it back. That series is probably my all-time favorite! His breakdowns are incredible!
I ABSOLUTELY LOVE JR JR's artwork, he's one of my very favorites!
Great video! However, I believe Storm's "punk-style" look was originally created by Paul Smith, not JRJR.
Came here to say the exact same thing. Storm debuted her punk look in UNCANNY X-MEN #173 which was drawn by Paul Smith; JRJ began his run on the book halfway through #175. (Smith in 2008: "I did a number of portraits, all quite lovely and feminine. As a joke, I included a shot of her as Mr. T. You know, the kind of shot where they HAVE to go the other way. Weezie [X-Men editor Louise Simonson]'s response? 'They’re going to hang us whichever way we go. Let's commit the murder.' I argued it was a joke and a monstrously bad idea but, given my departure following 175 was set prior to beginning my run, my vote didn’t count. So I did what I could with what I had left... So we went with the Mohawk ...But once you get into the whole leather and stud thing it was a bad joke that got way out of hand.")
@@DNF81 It's interesting how a joke became one of Storm's most iconic look. Heck, she even has elements of that look right now.
@@truefanforum3273 It's a great look and it meshed perfectly with where Chris Claremont was taking the character psychologically.
Thank you for continuing our Master Class in comic book history. Great episode, Chris.
Gotta respect a man of his talents. I thought his blocky style didn’t look so great when I was a younger comic fan. But when I look at it now I appreciate that he was making a unique vision. Now I prefer his younger work. Such is art.
When the time came that it was impossible to continue to collect everything that existed, I had to narrow it down somehow - and so nowadays I collect three things: Hulk, JRJr and John Byrne. Collecting those three suffice. Thanks for the amazing channel!
I had a stretch through the mid-2000s when I was almost exclusively collecting JRJR (and Chris Bachalo), as much as I also attribute that to being in my early 20s and putting my priorities elsewhere away from comics (which I had to rectify throughout my 30s).
Idk why people are complaining about you talking about the inkers..inkers. They're very important in John's legacy and evolution. And you only talked about them for less than 2 minutes. Keep up the good work Chris!
I always loved his style, it's unique and arguably an acquired taste. I never thought about how an inker could change that perception so drastically!
I'm actually currently reading JRJR's initial X-Men run and I definitely notice the difference inkers make on his work; there's two issues his father inked and they just look so much more old fashioned and generally not as good as the rest of the run.
Thank you for delivering on this one! I asked you a few years ago if you would ever cover JRJR, and you replied that you definitely intended to. So glad to get your take on one of my personal favorite comic artists.
JRJr is one of my favorite artist. His artwork is distinct and unique to him. Like one glance i can already tell it's his artwork. Maybe some of his other artwork are a bit meh, overall I still think that it is unique.
As someone who hates JRjr's blocky faces and sometimes has trouble getting through some story arcs because of it this video gave me other things to focus on and maybe now I can be more forgiving about the faces.
I can’t help but think he’s quite young, when he’s been around creating for decades . That name and famous dad trick me!
John Romita is one of the greatest legacy artists left in the business, I see a lot of people shitting on his art style these days and it pisses me off to no end, very few people has his storytelling skills
Absolutely. He's one of the best to ever do it. An absolute titan who's never gotten the respect he deserves.
I won't deny that he can frame a panel and a story really well and draw some really dynamic stuff. But I hate the way he actually draws things I've hated it for pretty much my entire life. His eye is exceptional for literally every aspect of drawing except drawing something that looks good.
I'll give an example: a few years ago I was reading some DC comic he was doing at the time. Think it was justice league related. In every single panel Superman was in he drew like a ring of individual hatch marks/lines around the outside of the face. Going in slightly towards the center of the face from the edge. They served absolutely no purpose except to add unnecessary and distracting lines to the face. They weren't indicating any kind of shading, they weren't representing contours of the face in any way (they were all pointing inwards regardless of location and with zero regard for the actual contours of the face). The lines were not only unnecessary, they actively made the art look worse for absolutely no reason. They didn't add anything visually, they were flat, they were distracting. It was an artistic choice that has utterly baffled me ever since.
He's always had unnecessary and distracting lines in his work but this book was the worst I'd ever seen his art. It was like he just didn't give a shit what he was putting on the page anymore.
This isn't just me hating on messier art styles though by the way. I love those when they're well done. But his doesn't even feel like that. It feels more like a guy trying to draw loosely but then somehow still being unbelievably stiff and rigid if that makes sense. And good lord he needs to ease up on fabric folds.
One can respect the man a lot, but something we can't deny is that at some point, he just decided to start drawing HORRIBLE faces. His latest Spider-man run with Wells, oh my god they don't even look human.
I didn't like his style as a kid, but really appreciated it as I got older. It's the perfect workman like style, esp for an on-going monthly.
I’ve loved John Romita’s art for a long time and still get excited to see any of his new projects!
Grow up on JR jr. Loved when Danny Green inked his work,just beautiful.
Great video, Chris. I think both your praise and criticism of John Romita, Jr's art was fair and well thought out. Plus, I appreciate you mentioning Tom Spurgeon's passing. I had no idea he was no longer with us. I did some work for The Comics Journal back in the day and Tom was my editor. Really cool guy and he will be missed.
perfect Timing - Love U Chris and much Love from Germany
I have been saving this episode for over a year in my "Back up Chris Rations Cannister" . I am about 5 minutes into it and I am glad I saved it. Chris is obviously a genius with this stuff. You can tell it brings him genuine joy 👍 You did indeed gush, Chris, but did so in an adult refined manner which my spazzy presence would have impossible "Oh my god!! Dude!! Look at the foreshortening on this panel!!! "Look at at the adorable yet frightened look on Kitty's face in this full page spread" "Dan Green's inks finally let his actual style breath!!" Blah, blah, blah...so thank you Chris, for being the grown up in the room....WHO ALSO TOTALLY LIKES MY GEEKY KID STUFF!!!😂🤣🤘🤘🤘🤘🤘🤘 PS. Nepotism. Bah! Next thing you know some pundit over in the world of rock music will attempt to suggest that Wolfgang Van Halen enjoyed the benefits of... whoops, my point seems to be getting away from me, so I will just slowly remove my fingers from this keyboard and slowly slip out of the room....
Another good video, Chris. I remember as a kid when I was steadily collecting comics and reading them, that one of the books I regularly purchased was Spider-Man when John Romita Jr. was the artist (Mr. Hyde, and all the rest). I was also an X-Men fan and when Jr took over after Paul Smith left, I was not happy at all. I liked him on Spider-Man, but not X-men. Over the years, though, his art has matured and in his prime, he could draw whatever and I'd be sure to like it.
You mentioned Kirby, and one of the things I commonly notice that is left out of discussions of his artwork style, is the fact that Jack Kirby's art was forced to evolve, out of necessity, more than anything else. Few people seem to realize just how much work he produced, daily, weekly, and monthly, especially during Marvel's early years in the 1960's. Not only his regular comic book runs (Fantastic Four, Avengers, X-Men, Tales to Astonish, etc), but fill in issues, covers, pinups and ads. For a while he was Marvel's 'go-to-guy', as stated by Stan Lee, during some emergency when they were up against a deadline on a book that needed to be sent to the printer ASAP. There's just no way a person could produce all that work, while meeting deadlines and not simplify their art to some level. Reference? Who has time for reference under those situations? You need a gun in this panel? I'll draw you a generic gun from memory, dammit, I have some covers and other books to do after this!
So, I've been reading comics ever since I was a little kid in the 90s. The first time I ever saw JRJR's artwork was either in Spider-man or in X-men. And I remember, I didn't like it at the time. But over time, I have come to realize what an expertly storyteller he is. He knows how to adequately convey the story to the reader when he needs to. And he gives characters very specific mannerisms and movement. The same can't be said of other artists that are praised more critically, or that are more well known, than he is. He has certainly grown a lot as an artist, and it's a lot of fun for me now to look back at how much he has progressed over the years. He is still far from my favorite artist, but I definitely appreciate him much more now than I did when I was younger.
By the way Chris, speaking personally, I love these videos where you deep dive on the artists of comics. As someone who wanted to be a comic book artist growing up as a kid, I find a certain satisfaction in listening to you talk about these artists I grew up obsessing over. Keep up the great work!
His design for Blackheart is my favorite!
I Totally agree with JR ^2 .. I think that is why I decided to jump back into the current ASM. I think his connection to the past and future is what makes him so important with comics today.
thisreally hit the spot.. Knowledgable and insightful to many of us who began reading (and drawing sometimes) comic books from a time almost exactly concurrent with the origin of his professional career,. Of the many salient points made about JR's style, the one about how his fights always depict the utmost consequence of motion (blows, dives, etc_) are what really lit this kid's fire about his Spiderman back in the day-his fights were the best--like the big dukeroo for real almost every time. That does say something about his appeal overall in relation to most basic and essential essence of the form.
As soon as I saw the title I had to watch. JRJR is one of my favorite artists.
I always thought it strange when people describe jrjr as too blocky when kirby is king . I do think his man without fear was his peak with its heavy frank miller inspired chunky blocky lines. I feel the same about miller he had a peak that was great after developing his style a little bit from the house style but continued to devolve into a simpler style . Romita jr is great
I'll be totally honest,I never liked Romita,nor Kirby's artwork. I know it's pretty sacrilegious to say anything bad about Kirby,but I've never been a fan. I started collecting and reading comics in the early 80s as a kid,and John Byrne was my favorite back then,but then as a teen Jim Lee became my favorite.
It's interesting when you bring up Kirby being blocky as that's precisely when I stopped liking Kirby's art. His stuff from the 60s is top tier and clearly shows why he's "the king", but his later stuff just doesn't look good to be.
@@weaslepopper I can appreciate both artists (Romita, Kirby)and their contributions but yeah Byrne and Lee are top notch.
@Grant Baugh To be honest I dont have a ton of mileage with Kirbys art I guess. More of just the stan lee marvel drama unfortunately. Only actual books II own with Kirby art is a superman Jimmy Olsen with weird collage style backgrounds and an issue of Mister Miracle but I love 'em.
I think the difference is Kirby was pretty innovative back in the day, but I don't want to see Kirby's art style in 1995, 2010, or 2022, so I don't care for John Romita, Jr.'s work.
JR JR has been one of my favorites for many years. He did my two favorite cross overs ( one of which you showcased a lot) Punisher vs Batman and Batman vs Predator. This is a great look at his evolution! also, Chris, you seem so much happier and more excited in your videos lately, its awesome to see!
I don't believe John Romita Jr. has ever participated in creating a Predator limited series. 1991's Batman Versus Predator was pencilled by Andy Kubert with inks by his brother Adam. The 1994 sequel titled Bloodmatch was pencilled by Paul Gulacy with inks by Terry Austin.
I love your breakdowns of the evolution of professional artist’s work! I know you are also an artist, and your expertise shines in these videos.
JR Jr really got me to appreciate comic book art and sent me down a rabbit hole of finding out more about the artist themselves and that led me to your channel 😄
I was just about to tweet last night that I need a new Comic Tropes episode. Instead, I watched an episode I hadn't seen. Now today there's a new episode. Yaaaay!!!!!!!
When I was younger and drawn (pun intended) more towards the "hip" style of Joe Mad and the Image guys, I didn't like JRJR's art all that much. As I grew older, though, I began to appreciate his style more and more.
I see JRJR the same way I see PAD among writers: They have a a very, VERY good grasp of the fundamentals of their respective crafts. They allow for stylistics every now and then, but nothing that's too flashy that would, in the long run, serve to outdate them severely. Mostly, they lean more towards the basics--and bring them up to 11.
I was enthralled with Joe Mad when he broke onto the scene in the mid-90s. I was fully convinced at that time that he was a GOAT just a year into his career. I look back on those X-Men issues now (I still come back to Age of Apocalypse every couple of years, mostly out of nostalgia), and his art makes me cringe. JRJR was great then, and great now. His work holds up.
I absolutely loved Star Brand. I would read and re read my comics over and over and over and over. I think Starbrand by JRJR was an incredible series and the character Starbrand is forever one of my all time favorites.
Yeeeeeeeeeeeees. I always say his Spider-man is my mind's eye Spider-man and Spider-man is my favourite character. I'm not as familiar with his earliest work but I know his 80s work a little more. I was recently tracking down the Kid who collects Spider-man story that he did the lead in story of Spidey fighting Thunderball from the Wrecking crew comes to mind as it had such fantastic readable action. Everything fits into place and makes sense. I started reading comics in the 90s during the clone saga. I always thought it was funny how he drew Peter and maybe Ben Reilly more so with jackets and long flowing manes of hair. Until recently when I saw a picture of John from around this time and he had the very same style. My absolute favourite COMIC TROPE is employed by John a lot especially with Spider-man and larger characters, is conveying Spidey's speed by showing him multiple times in the same panel with the one 'stationary' image of his bigger foe. You show it here in the great Juggernaut story. I remember a particularly good example of it in a one off of Spidey fighting the Hulk around the time Mary Jane was preseumed dead. There's an alternate version of this that's used a lot in the Straczynski run, especially when he's fighting Morlun (which you showed here too). Where the fight is shown in numerous images across the two pages to convey its overall speed and intensity. Very good point about comparing his blockiness to Kirby's. I never heard that before. I get the criticism of his faces as of late. I don't think they all look off but the difference in Peter's face now and his Michael J Straczynski's run is not an evolution I can say I appreciate. Not all of it but sometimes Peter and other characters faces have lines around the noses that just seem off to me. All the costume stuff still looks great though. Thanks for this Chris. Honestly, not being hyperbolic, I'll be returning to this video for the rest of my life.
Romita JR is on my top 5 favorite Spider-Man artists list. His work can sometime look odd? But I can never say I hate his work as I love his blocky art style.
I’m glad to see some fellow JRJr fans here, I always got flack for liking him from other fans.
How am I just now noticing how majestic and awe-inducing the Comic Tropes animated intro is
i remember JRJ's runs on Spidey and Xmen in the 80's. I didn't really follow him after that until i picked up Punisher War Journal No.1 in the 90's....i was really amazed by how much his style had changed. And i absolutely loved it.
I paused at every screenshot in this video to really take in this great work
Thanks for doing this! I have loved JR JR for decades and am so grateful that he's still in the business!!
I love his art so much. I started with Iron Man, then that first Spider-Man run. Exciting days.
Star Brand's slightly 'cartoony' style is great! My favourite JRJR is the Daredevil run with Ann Nocenti, but he continues to produce fantastic work. The recent variant cover of Daredevil #1 by JRJR inked by John Romita is fantastic!
JRJR is one of my top 5 favorite artist, I love that his art work changes and is not the same old same old. I too love that he stays up to date on clothes on the characters, nothing worse than seeing a character in 2022 dressed like it's 1985 but some artist don't have an eye for those little details but John is always watching out for the little details and it's one of the things I appreciate about his work.
One of my very favorite. I had a lot of his work from when I was a kid but it wasn't until I was sick at 12 that Uncanny 300 came out and I made a point to know his name. And like you, Man Without Fear has kept me on board ever since. I know some of his DC stuff got messy, but if the new Amazing stuff is the sign of him going forward than I'm happy to see it. Great piece. Makes me want to finally go back and read that Nocenti/JRJr run.
Thanks for discussing John Romita Jr., who’s my all time favorite penciler (with Alex Toth being my all time favorite comic book artist, who inked much of his own work). JRJR’s storytelling is second to none, and while I do like his drawing ability, and style, I can understand some of the criticisms of his faces, which as you note, might be more of a current aspect of his art.
But the fact that he works as much as he does, and delivers on time, and is producing two issues of The Amazing Spider-Man every month (those days are not long gone, CT) should get him a little more respect than he currently gets, because when I see people trashing his work, as if it’s the worst, I think they’re dishonest.
Whatever flaws he may have should be outweighed by all of his virtues, which are many. Thanks again for a good, honest take on the work of an all time great.
One of my absolute favourite. Romita Junior style influenced a lot of my drawing.