This might be the best Neutron tutorial on youtube. Nice job, clear presentation, interesting features I haven't seen elsewhere. Thanks Another tip I found is creating a Sub-oscillator by sending Osc 1 or 2 to Env Gate 1 or 2 which triggers the Envelope at the osc rate. Then by changing the env length it changes the octave of the sub oscillator. Routing example is: Osc 2 -> E.Gate 2; Env 2 -> VCF. You can also combine this with Osc 2 original source buy summing Osc Mix with Env 2 before routing to VCF.
Thanks very much. Yes I found that tip elsewhere too but I find it a bit inconsistent across the frequency spectrum so I decided not to include. Plus it wasn't something I'd found either so I thought I'd let the original video keep the praise for it
I wouldn't call all of these advanced but the ones that use the distortion module are AWESOME! This will still be relevant long after the Proton is in our hands.
Waveshaping? Run an oscillator thrugh one of the sums. ....but send an envelope, or other cv to the second sum input. As the audio signal is offset by dc one half of it will clip. Voltage controlled distortion.
Many thanks for posting, the best patch instruction video I've seen yet for the Neutron. Now I can mystify the neighbors even more in the pre-dawn hours!
Extra: the distortion based LFO can be slowed a bit further by connecting overdrive to mult in, mult 1 to slew in, slew out to overdrive in and turning up the slew control. The LFO will lose depth the higher the slew is turned up though
You're welcome. Yes you get a lot of bang for your buck with these. I'm looking at building a rack at some point but I'm struggling to find this kind of value elsewhere
Amazing video! Some really crazy uses for the distortion module that I would never have thought of.... need to get experimenting! A useful build for 6:45 - the LFO actually has its own built in attenuator. Hold Key Sync to enter the LFO menu and then press and hold Osc 1 range. You’ll see the LFO shape lights ‘decrease’ (hold osc 2 to increase the LFO strength)
Thanks very much. Btw the distortion LFO can be slowed a bit further using slew in the feedback path bit it's affect will be diminished a bit. Of course, i completely forgot about that LFO attenuator! I knew uploading this video would generate some interesting ideas so thanks for that 😄
I also like the option of using S&H when it is controlled by LFO or Envelope. And then it goes to the oscillator pitch. The result is a melodic sequence.
Glad you found it helpful. I don't think I can squeeze any more techniques like this out of the Neutron on it's own but it does pair very nicely with some other semi-modular gear like my Cre8audio East Beast, so maybe a video of those two together would be useful too
@@ChrisLodyMusic I notice! I'm a music production instructor at the Academy of Art in SF, but I have the hardest time talking to/looking at a camera. So many of my students want videos though so I have to learn! Any tips?
I still struggle to be honest. It's one of the most challenging things I've had to learn in recent times because just sat in a room talking to a camera feels super unnatural to me. You might have inspired me to make a video how to about this but for now here's a few random thoughts. For one thing it gets easier the more you do it so don't be afraid of failure to begin with. Also it's difficult to not strive for perfection for me and compare myself to others on UA-cam, but successful UA-camrs who look really slick have had a lot of practice and have probably invested lots in good recording equipment so when you start that's not what to aim for. Finding a private place to record is a must I'd say and don't be afraid to edit the hell out of things. I tend to record in short bursts, then add my footage to computer, edit out all the times I've messed up what I was trying to demonstrate and continue as it gives me a bit of headspace between filming. Also I don't write a script as I don't find it easy to follow that while trying to describe technical information. Do write out a rough guide to follow for sections if it's a complicated video though. Generally speaking too sound quality is more important than video quality, but for my tutorials I like good sound overall and a decent clear shot of my gear. One of the best ways to get good video is by using lots of light, generally normal household lighting looks much darker then you'd think when you're filming your face. There's a fair bit to unpack there but I hope it helps 😄
@@ChrisLodyMusic This is amazing thank you! In the past I've had to avoid editing too much because I can become obsessive and don't know when to stop. Perfectionism is just insecurity, I know this, and I don't even really care what people thin of me. Just have high expectations. Same reason I have tons of music no one has every heard. Ha ha *nervous laugh*
Yes that's it exactly. I'm the same, it's the need for things to be of high quality that makes me nervous and then make mistakes annoyingly. Just recently I found this guys video a lot of help on that subject and things like it ua-cam.com/video/SxA69uUGEUI/v-deo.html
This is a video with real innovative ways of using the patching capabilities of Neutron. I mean it goes outside the usual path presented in other videos for this product. Very useful ideas. thanks!
That's about 18 minutes of premium synth nerdery - saying that I didn't even watch half of the video! Thank you for this really helpful and interesting ideas pointing back my attention on the Neutron. I don't even use it's potential I've learned again.
I just found your channel. Very impressive and I will be in touch. I'm at work right now, but when I get back in my studio, I'll be contacting you about a donation. I'm a proud owner of the Neutron and I'm getting into patching for better unique sounds. I'll be in touch. Thank you 😊
Outstandingly presented, and very informative! Thanks for sharing these tips. The ways you utilize the OD circuitry are entirely novel to me. What a burst of inspiration!
Try putting the Osc Mix through the Overdrive and then into the VCF. You'll then have to patch the VCF output into the VCA. This distorts the oscillators before the filter - a different and useful sound
Hi from Belgium ! I just buy the Neutron. Thanks a lot for this great tutorial. Perfect for experience patches possibilities , and understand this beautiful machine . Subscribed. Sorry if my english is odd (i'm not sure): my first langage is french
Thanks for some very useful tips. I had been looking for a way to fix the pitch of one of the oscillators but couldn't find a way to do it until now. BTW I think the Amplitude modulation patch could actually be considered ring modulation as it goes through zero. Through zero amplitude modulation is effectively the same thing as ring modulation. An extension of this feature is to have both oscillators ring modulated against the LFO by patching the output of osc 1&2 into attn1 and LFO into attn 1 cv input or vice versa and blend between them. Sure you know this already but maybe someone will find it useful.
You're welcome, thanks for watching 😁 It's very close to ring modulation but I held off mentioning that because there is a method I found over on a Facebook group for creating true ring modulation that I haven't tried yet. That's here if you want to have a go m.facebook.com/groups/1976681005927548/permalink/3076612392601065/
So many great ideas! Can't wait to get home to my neutron after didn't using it for a while :) Thanks a lot! Your videos are just awesome and always motivate me to make music :)
Subscribed - learnt loads from this video and realised how the Neutron was a great buy. Highly recommend this video to open your mind to what this thing can do. Thank you so much. 🙏
Thank you very much, comments like that make it worth making videos like this 😄 Yes the Neutron has a lot to offer and is great value for money too I'd say
By happenstance I've been shopping around for a used Neutron, so this is a very timely demo. Seems like a reasonable dip into the modular environment, I assume it will play well with my SQ-01, and other semi-modular gizmos. When it comes to generating random pitch and modulation I find sample and hold to be particularly useful, but the method you used here was interesting. Thanks for the always informative vids!
Thank you. Yes it will work with the Korg SQ1, you can use the gate and CV outputs on it to trigger the envelopes and send CV to the oscillators. Personally I'm on the verge of building a eurorack modular after using a friends but the Neutron is a great in-between step and can be removed from it's case and added to a eurorack system too.
Ha yes my wallet may suffer it has to be said! It seems like the next logical step for my studio at the moment even if it's just a way of adding a few extra features to semi modular, bit that's a slippery slope for sure 😅
@@ChrisLodyMusic Just to clarify, can you get true polyphony via the two oscillators for separately sequenced tracks when using the two sets of pitch and gate inputs on the Neutron? I have a Keystep Pro, which has four sets of pitch/gate/mod outputs, and can sequence four tracks. I am considering getting a Neutron. It seems as if it should work, and I think you confirmed that above, but before I read your comment I was put off by this from page 5 of the Neutron's manual: "While it is largely a monophonic instrument (one note at a time) the Poly Chain function lets you combine multiple Neutron synthesizers for polyphonic sounds."
Holy crap man! So many amazing tips! Thank you so much for sharing these in such a clear way 👌🏼 I've been interested in the Neutron for a long time now and will finally get one used tomorrow or the day after. Even after all this time of researching it you've taught me that this thing still has more tricks up its sleeves for making gnarly, crazy sounds! I love the sound design potential that this sexy red box has. I'm intrigued by the Proton, but I prefer the Neutron.
@@ChrisLodyMusic Thsnks mate. I’m sure I will! Even more fun now with your nifty tips! 😄 Tell me - did you come up with these through random experimentation? Do you have other semimodulars? One last thing - when feeding the unit back into itself, ie the overdrive out into the overdrive in, or the filter out into the filter in, is there any chance of damaging it? Or only damaging my ears with the bonkers sounds? 😄
Like a lot of the sound design I do it's 50\50 knowledge and experimentation. I know enough about electronics to be able to build oscillators etc so that gives me ideas, then it's just a case of trying certain things to see how the specific hardware reacts. You don't need to worry about damaging any of the internal components as they all use the same voltage ranges so no harm can be done, even when plugging into other eurorack spec gear like modular and semi modular. Oscillators, filters and a lot of other synth components are built using feedback paths actually
@@ChrisLodyMusic Oh neat. That's good to know! Phewuf. And yeah, I hear ya. I love that the world of synths has this technical side of knowing what does what, and then the creative side where I can just jam out and make crazy noises :D
Thank you 😁 Yes it has an LFO Rate input so could use an oscillator as an LFO, connect that to one of the attenuators and then the output of that to the LFO Rate input. That would do the job
I was close to getting this but have yet to see it do anything very interesting other that what synths have done for 40 years. There was a recent article in Attack Magazine asking if Synths have peaked, is there anything new. Their conclusion was no, not really, and that's what I'm seeing too. At this point it's really up to the user to have good skills and especially imagination.
I've been pondering this since your message. I agree that despite how good I think the Neutron is (and it is very good) it's certainly not breaking any new ground in terms of innovation. I think that's true of almost all of Behringer's products actually. But I do not believe that synths have peaked. You only have to look at something like the Arturia MicroFreak or MiniFreak with their multi algorithmic setup and how much untapped power they have to realise there is an awful lot that has yet to explored. Even if you were to speculate that there are no new original synthesis methods yet to be discovered, if you were to put this in the perspective of something like visual art it's like colours and techniques have been created in recent years that very few people have fully taken advantage of. Imagine if the colour purple was new and not many paintings actually used it! Even types of synthesis like FM that have been around for a long time are now being given better and better user interfaces and routing possibilities that open up more and more ways for users to play expressively. Personally I think the world of music in general is such a vast thing I will expire long before I'm happy I've learned enough 😄
Wow niice video!! So many ''hidden'' functions! Have question tho, isnt the mod depth already hards wired to the LFO so when you turn it up you would also get the signal from LFO would you not?? Would e greatful for an answer :)
Thank you. The LFO is the default source for the mod depth but connecting a different signal to the filter cutoff control breaks that connection and replaces it with the whatever is connected
6:23 That look, that says "I created a hoover."
Ha yes. That's the kind of thing my missus calls my 'synth face' 😄
This might be the best Neutron tutorial on youtube. Nice job, clear presentation, interesting features I haven't seen elsewhere. Thanks
Another tip I found is creating a Sub-oscillator by sending Osc 1 or 2 to Env Gate 1 or 2 which triggers the Envelope at the osc rate. Then by changing the env length it changes the octave of the sub oscillator.
Routing example is: Osc 2 -> E.Gate 2; Env 2 -> VCF.
You can also combine this with Osc 2 original source buy summing Osc Mix with Env 2 before routing to VCF.
Thanks very much.
Yes I found that tip elsewhere too but I find it a bit inconsistent across the frequency spectrum so I decided not to include. Plus it wasn't something I'd found either so I thought I'd let the original video keep the praise for it
Great video, Chris! I've had the Neutron for almost 4 years and never thought to use the Overdrive section as an independent waveshaper.
Thank you. I hope you find it useful 😁
Oh yeah, the Overdrive section is Boss!
I wouldn't call all of these advanced but the ones that use the distortion module are AWESOME! This will still be relevant long after the Proton is in our hands.
Waveshaping?
Run an oscillator thrugh one of the sums.
....but send an envelope, or other cv to the second sum input.
As the audio signal is offset by dc one half of it will clip.
Voltage controlled distortion.
Oooh that's a good one. Thanks I'll give that a go 👌
when you turn the LFO into an envelope, it sounds like a classic hoover ! amazing.
By far, the most useful Neutron demo/tutorial I have found. Excellent job!
Thank you 😁
Many thanks for posting, the best patch instruction video I've seen yet for the Neutron. Now I can mystify the neighbors even more in the pre-dawn hours!
You're very welcome. Have fun and thanks for watching 😁
Extra: the distortion based LFO can be slowed a bit further by connecting overdrive to mult in, mult 1 to slew in, slew out to overdrive in and turning up the slew control. The LFO will lose depth the higher the slew is turned up though
The last one is really nice idea
Thank you, have fun
I bought two Neutrons as four inexpensive VCOs and two filters, etc for my Eurorack. Now you've made the other features far more useful for me!
You're welcome. Yes you get a lot of bang for your buck with these. I'm looking at building a rack at some point but I'm struggling to find this kind of value elsewhere
actually reached for a notebook and my Neutron patches blank prints to learn as much as possible from this USEFUL KNOWLEDGE packed vid ! :D thx
Awesome thanks very much 😁
Amazing video! Some really crazy uses for the distortion module that I would never have thought of.... need to get experimenting!
A useful build for 6:45 - the LFO actually has its own built in attenuator. Hold Key Sync to enter the LFO menu and then press and hold Osc 1 range. You’ll see the LFO shape lights ‘decrease’ (hold osc 2 to increase the LFO strength)
Thanks very much. Btw the distortion LFO can be slowed a bit further using slew in the feedback path bit it's affect will be diminished a bit. Of course, i completely forgot about that LFO attenuator! I knew uploading this video would generate some interesting ideas so thanks for that 😄
Every one of these tips was a NEW tip for me. Synthtastic!
Awesome, glad to help 😁
Love that third oscillator tip! Thanks 🙏
Thanks very much, hope you find it useful
Wow you really know your stuff. Can't wait to get back in my studio. 😊😊😊😊😊😊
I also like the option of using S&H when it is controlled by LFO or Envelope. And then it goes to the oscillator pitch. The result is a melodic sequence.
This is one of the best videos on patching Neutron.
Thx, mate!
Yeah! Thank you! Great patch ideas!
Great job, thanks. Compact, sophisticated and useful (general) tips & (Neutron) tricks, as well as their presentation.
Thank you, have fun 😁
This makes a strong argument for owning more than one Neutron.
Ha yes I wouldn't say no. I'm trying to hold out for the Proton though as looks like it's going to be a perfect sequel to the Neutron 👌
With the lack of chips it could be a while yet, j gave in and bought another neutron for now
Legend! That's my day sorted
More techniques please, It has broadened my understanding a lot about the Neutron as well as synthesis in general or more advanced which I like
Glad you found it helpful. I don't think I can squeeze any more techniques like this out of the Neutron on it's own but it does pair very nicely with some other semi-modular gear like my Cre8audio East Beast, so maybe a video of those two together would be useful too
You are really good at looking at the camera. Impressive! Thanks for the tutorial.
Thank you. I've only been filming myself on the channel for about a year so I really appreciate that compliment 🤜🤛
@@ChrisLodyMusic I notice! I'm a music production instructor at the Academy of Art in SF, but I have the hardest time talking to/looking at a camera. So many of my students want videos though so I have to learn! Any tips?
I still struggle to be honest. It's one of the most challenging things I've had to learn in recent times because just sat in a room talking to a camera feels super unnatural to me. You might have inspired me to make a video how to about this but for now here's a few random thoughts. For one thing it gets easier the more you do it so don't be afraid of failure to begin with. Also it's difficult to not strive for perfection for me and compare myself to others on UA-cam, but successful UA-camrs who look really slick have had a lot of practice and have probably invested lots in good recording equipment so when you start that's not what to aim for. Finding a private place to record is a must I'd say and don't be afraid to edit the hell out of things. I tend to record in short bursts, then add my footage to computer, edit out all the times I've messed up what I was trying to demonstrate and continue as it gives me a bit of headspace between filming. Also I don't write a script as I don't find it easy to follow that while trying to describe technical information. Do write out a rough guide to follow for sections if it's a complicated video though. Generally speaking too sound quality is more important than video quality, but for my tutorials I like good sound overall and a decent clear shot of my gear. One of the best ways to get good video is by using lots of light, generally normal household lighting looks much darker then you'd think when you're filming your face. There's a fair bit to unpack there but I hope it helps 😄
@@ChrisLodyMusic This is amazing thank you! In the past I've had to avoid editing too much because I can become obsessive and don't know when to stop. Perfectionism is just insecurity, I know this, and I don't even really care what people thin of me. Just have high expectations. Same reason I have tons of music no one has every heard. Ha ha *nervous laugh*
Yes that's it exactly. I'm the same, it's the need for things to be of high quality that makes me nervous and then make mistakes annoyingly. Just recently I found this guys video a lot of help on that subject and things like it ua-cam.com/video/SxA69uUGEUI/v-deo.html
Yes - certainly the best instruction I've for the Neutron. Thanks Chris.
Thank you, glad to help 😁
This is a video with real innovative ways of using the patching capabilities of Neutron. I mean it goes outside the usual path presented in other videos for this product. Very useful ideas. thanks!
Thanks I always like to try and push the limits of hardware like this into new territory if possible 😁
omg man, lots of useful tips, almost feels bad that I've sold my neutron. Thanks for the video!
Thank you for watching. At least it's all concepts you can potentially use on other gear
Im only 2 mins in but i can already tell this is the tutorial I need thanks Chris
Glad to help, hope you find it useful 😁
Great Channel Chris...you pointed me to this vid...it cuts to the quick of the subject on patching...
J'ai pas le neutron et ça fait envie. Merci beaucoup
thanks for your coherence to lesson interesting context.
Great tips, thanks very much!
Incredible stuff. Looks like I'm only scratching the surface of my Neutron. Great job thanks!
Thank you, have fun 😁
While also being helpful to someone just starting out, you also are very knowledgeable. Thanks for this!
Thank you, I'm happy to help 😁
That's about 18 minutes of premium synth nerdery - saying that I didn't even watch half of the video! Thank you for this really helpful and interesting ideas pointing back my attention on the Neutron. I don't even use it's potential I've learned again.
Thank you, premium synth nerdery is exactly what I was aiming for 😄
This is HUGE.
I just found your channel. Very impressive and I will be in touch. I'm at work right now, but when I get back in my studio, I'll be contacting you about a donation. I'm a proud owner of the Neutron and I'm getting into patching for better unique sounds. I'll be in touch. Thank you 😊
Thanks very much 😁 If you want to make a a donation I'd be very grateful, you can do that using the UA-cam Super Thanks feature
Thanks, this is inspirational. I really like the Fallout-esque military bunker look, too.
Thank you. I suppose it does have that vibe about it. I hope there aren't any ghouls 😬
Outstandingly presented, and very informative! Thanks for sharing these tips. The ways you utilize the OD circuitry are entirely novel to me. What a burst of inspiration!
Very kind of you to say so, thanks for watching 😁
Wow 😮 i need this
Fantastic information. This will definitely get me patching on my Neutron. This may be the only video on UA-cam that shows how one shot works.
Thank you. I'm surprised there aren't more videos like this about the neutron to be honest, it has a lot to offer
Great video. Thanks for the info!
great demo
Thanks 😁
Try putting the Osc Mix through the Overdrive and then into the VCF. You'll then have to patch the VCF output into the VCA. This distorts the oscillators before the filter - a different and useful sound
Oh yes that sounds like it's well worth a go, thanks
Hi from Belgium ! I just buy the Neutron. Thanks a lot for this great tutorial. Perfect for experience patches possibilities , and understand this beautiful machine . Subscribed. Sorry if my english is odd (i'm not sure): my first langage is french
Thanks very much. Hope you have fun with your Neutron 😁
Nice tips!
I don't have any modular hardware, but just watching how people patch and explain stuff gets ideas going. Thanks again.
Thank you. Yes these are all useful concepts that can just help to learn synthesis so it's all good info 👌
Love your tutorials! Very quick and to the point. These will be some great tricks to apply to my Neutron + Hydrasynth cross patching experiments.
This is really great! Thanks
You're welcome 😁
Nice way there to modify the noise output and loved the screening balloon sound soon after!
Yes it's always nice to find something thats a bit wild. It's just a shame the overdrive section has no CV control to get it moving
@@ChrisLodyMusic it’s close to be a modular in a box, but not quite lol
Such a versatile synth this is, made much more versatile with your patching ideas. Thanks a ton, Chris!
Thank you, you're welcome 😁
Thank you for these really unique patch ideas... very concisely and clearly presented. Cheers!
You're welcome, have fun 😁
wonderful
So many things to explore! Thanks so much for sharing your knowledge 👍
My pleasure, have fun 😁
Very concise and useful information. Well presented. Subscribed.
Thanks very much, glad you enjoyed it 😁
Thanks for some very useful tips. I had been looking for a way to fix the pitch of one of the oscillators but couldn't find a way to do it until now. BTW I think the Amplitude modulation patch could actually be considered ring modulation as it goes through zero. Through zero amplitude modulation is effectively the same thing as ring modulation. An extension of this feature is to have both oscillators ring modulated against the LFO by patching the output of osc 1&2 into attn1 and LFO into attn 1 cv input or vice versa and blend between them. Sure you know this already but maybe someone will find it useful.
You're welcome, thanks for watching 😁 It's very close to ring modulation but I held off mentioning that because there is a method I found over on a Facebook group for creating true ring modulation that I haven't tried yet. That's here if you want to have a go m.facebook.com/groups/1976681005927548/permalink/3076612392601065/
@@ChrisLodyMusic Thanks for the link.
amazing video. thank you for sharing your knowledge
Glad you enjoyed it, have fun!
So many great ideas! Can't wait to get home to my neutron after didn't using it for a while :) Thanks a lot! Your videos are just awesome and always motivate me to make music :)
Thank you. It's well worth it when I get comments like this, so thank you 😁
Genius...Thank's a lot
Thanks for watching, have fun 😁
thanks buddy. very instructive.
Glad you found it helpful, thanks for watching
Good to see you Chris. Thanks for this!
Thanks man, hope you find this useful 😁
Subscribed - learnt loads from this video and realised how the Neutron was a great buy. Highly recommend this video to open your mind to what this thing can do. Thank you so much. 🙏
Thank you very much, comments like that make it worth making videos like this 😄 Yes the Neutron has a lot to offer and is great value for money too I'd say
Dude you are a legend!!
Thank you, you're welcome 😁
Thanks a lot! Great video, nice tricks!
Thank you 😁
Thanks for this Chris. Great presentation. That last sound is beautiful. Good to hear tips that are musical and encourage you explore.
Thanks very much. Glad to hear you found it inspiring 😁
Great video
Thank you 😁
Nice tricks thanks 🙏🏽
By happenstance I've been shopping around for a used Neutron, so this is a very timely demo. Seems like a reasonable dip into the modular environment, I assume it will play well with my SQ-01, and other semi-modular gizmos. When it comes to generating random pitch and modulation I find sample and hold to be particularly useful, but the method you used here was interesting. Thanks for the always informative vids!
Thank you. Yes it will work with the Korg SQ1, you can use the gate and CV outputs on it to trigger the envelopes and send CV to the oscillators. Personally I'm on the verge of building a eurorack modular after using a friends but the Neutron is a great in-between step and can be removed from it's case and added to a eurorack system too.
@@ChrisLodyMusic RIP wallet!
@@ChrisLodyMusic Good luck mate! I'm really trying to not get sucked down that Eurorack rabbit hole.
Ha yes my wallet may suffer it has to be said! It seems like the next logical step for my studio at the moment even if it's just a way of adding a few extra features to semi modular, bit that's a slippery slope for sure 😅
@@ChrisLodyMusic Just to clarify, can you get true polyphony via the two oscillators for separately sequenced tracks when using the two sets of pitch and gate inputs on the Neutron? I have a Keystep Pro, which has four sets of pitch/gate/mod outputs, and can sequence four tracks. I am considering getting a Neutron. It seems as if it should work, and I think you confirmed that above, but before I read your comment I was put off by this from page 5 of the Neutron's manual: "While it is largely a monophonic instrument (one note at a time) the Poly Chain
function lets you combine multiple Neutron synthesizers for polyphonic sounds."
Very cool!
Thank you 😁
Holy crap man! So many amazing tips! Thank you so much for sharing these in such a clear way 👌🏼
I've been interested in the Neutron for a long time now and will finally get one used tomorrow or the day after. Even after all this time of researching it you've taught me that this thing still has more tricks up its sleeves for making gnarly, crazy sounds! I love the sound design potential that this sexy red box has.
I'm intrigued by the Proton, but I prefer the Neutron.
You're quite welcome 😁 glad to hear you've got one on order, I hope you have lots of fun with it
@@ChrisLodyMusic Thsnks mate. I’m sure I will! Even more fun now with your nifty tips! 😄
Tell me - did you come up with these through random experimentation? Do you have other semimodulars?
One last thing - when feeding the unit back into itself, ie the overdrive out into the overdrive in, or the filter out into the filter in, is there any chance of damaging it? Or only damaging my ears with the bonkers sounds? 😄
Like a lot of the sound design I do it's 50\50 knowledge and experimentation. I know enough about electronics to be able to build oscillators etc so that gives me ideas, then it's just a case of trying certain things to see how the specific hardware reacts. You don't need to worry about damaging any of the internal components as they all use the same voltage ranges so no harm can be done, even when plugging into other eurorack spec gear like modular and semi modular. Oscillators, filters and a lot of other synth components are built using feedback paths actually
@@ChrisLodyMusic Oh neat. That's good to know! Phewuf.
And yeah, I hear ya. I love that the world of synths has this technical side of knowing what does what, and then the creative side where I can just jam out and make crazy noises :D
Great video. The Neutron is on my wishlist!
Thanks Mark, hope you have fun of you buy one 😁
amazing video!
Thank you, have fun
this is great stuff! cheers
You're welcome
Pure genius! Thanks for sharing !
Very cool. I'm excited to try this out!
You're welcome, have fun 😁
Thanks
Thank you very much 😁
Great video! Nice to see these extra patch ideas. I’ll be using some for sure.
Thanks very much, have fun 😁
That was bloody interesting!
Good job matey
Thanks very much 😁
superrrrrbbbbbb, happy i found ur channel today :)
that's really cool. I've been wanting to get one of these and now I want it more!
Awesome, glad you enjoyed it
I've got two of them 😄
Tremendous explanation and resource thank you
You're welcome 😁
Very nice tips. Thank you.
Great video Chris
Thanks Steve. Told you the Neutron was a decent bit of kit 😁
Great job! Thanks for that!💥👏
Great video ! Your Tips are very useful ... THX
Thank you, you're welcome. Have fun 😁
too good!
Glad you're enjoying it, hope you find it useful 😁
@@ChrisLodyMusic very useful im gonna try all those tricks, thyr'e all very unique ideas.
Great video!! Thanks so much
❤
You're welcome, thanks for watching 😁
you are a genius 🙌🙏 thanks for this lesson
Thanks very much, you're welcome 😁
nice
Made it 8 minutes before turning on the rig, blowing my mind, and coming back. I wonder if Behringer thought of all this?
Ha I really hope I've found something the engineers didn't think of 😄 Maybe the distortion module feedback stuff, that's really off piste!
This video was amazing. Is the Neutron able to use an LFO to modulate the rate of another LFO that controlls a cutoff filter?
Thank you 😁 Yes it has an LFO Rate input so could use an oscillator as an LFO, connect that to one of the attenuators and then the output of that to the LFO Rate input. That would do the job
I think you just did the Hoover bass at 6:15
Ha yeah that is pretty close now you mention it 😄
Wow
I was close to getting this but have yet to see it do anything very interesting other that what synths have done for 40 years. There was a recent article in Attack Magazine asking if Synths have peaked, is there anything new. Their conclusion was no, not really, and that's what I'm seeing too. At this point it's really up to the user to have good skills and especially imagination.
I've been pondering this since your message. I agree that despite how good I think the Neutron is (and it is very good) it's certainly not breaking any new ground in terms of innovation. I think that's true of almost all of Behringer's products actually. But I do not believe that synths have peaked. You only have to look at something like the Arturia MicroFreak or MiniFreak with their multi algorithmic setup and how much untapped power they have to realise there is an awful lot that has yet to explored. Even if you were to speculate that there are no new original synthesis methods yet to be discovered, if you were to put this in the perspective of something like visual art it's like colours and techniques have been created in recent years that very few people have fully taken advantage of. Imagine if the colour purple was new and not many paintings actually used it! Even types of synthesis like FM that have been around for a long time are now being given better and better user interfaces and routing possibilities that open up more and more ways for users to play expressively. Personally I think the world of music in general is such a vast thing I will expire long before I'm happy I've learned enough 😄
Спасибо, очень полезное видео.
Thanks for watching 😁
This is a masterclass!?
Thank you 😁
Nice one! :)
Asome, ran out of patch ideas so not done much on last few projects.
You're welcome 😁
The only thing better than a Neutron is two of them. The design of the patch bay almost demands it
I'm holding out for the new Proton I reckon, looks pretty awesome 👌
MINT!!!
Wow niice video!! So many ''hidden'' functions!
Have question tho, isnt the mod depth already hards wired to the LFO so when you turn it up you would also get the signal from LFO would you not??
Would e greatful for an answer :)
Thank you. The LFO is the default source for the mod depth but connecting a different signal to the filter cutoff control breaks that connection and replaces it with the whatever is connected
@@ChrisLodyMusic Ahhh Awesome! So good to know! Thank you :)