What I love about Zajick is she is the perfect study for singers. She is a great study for technique, proper facial posture, breathing and support, squillo, etc. And she sings beautifully!
@lucashamilton151 Have you heard Dolora Zajick live? I heard her live on several occasions. In fact I was in the chorus during one of her performances as Anmeris in "Aida". Her chest voice, the middle voice and the top were were equally big and grand. Believe me when I say that the Zajick instrument could cut through any size orchestra, chorus and rattle the rafters of any theatre. She was a force of nature. Also heard her as Azucena in "Il Trovatore" and in concert. Unforgettable.
Would you people shut up about Obraztsova?? This is a clip with Dolora Zajick - if you don't like it, please tell us why based on what Mme Zajick actually DOES, instead of what she DOESN'T do ( = sound like Obraztsova)!
It's probably the name "Dolora", but I can't help but feel like she would make a fantasic Professor Umbridge if Harry Potter was an opera. The drama in the singing... Dang! Wish I could do that...
Dolora is great here !!! No idea of who the conductor is, I just feel he has no sense of urgency in the introduction, and he tends to conduct the whole aria slightly too slowly...
I don't recognize the aria - what is it? I once watched this artist leave an all-star cast in the dust, in Don Carlo. The Elizabeth might as well not have shown up.
She has good chest voice, and sadly that's the loudest part of this performance. Her middle notes are weak and lack of clarity. In performances of singers with great chest coordination like Barbieri, Dominguez, Obraztsova,... the volume of the middle range is adjustable.
I thought she was great until I heard Elena Obratszova. You can hear how Dolora has big chest no middle and woofy high notes. But she is obviously fantastic. I think voice comparison is interesting and educational. But both singers are exceptional, even though Elena O has moved on to higher plains of consciousness.
Magistral como siempre,que grande la maestra
Zajick is amazing~! Her "The Art of the Dramatic Mezzo-soprano" album is astounding. She even does some Rossini (Semiramide) which is awsome.
What I love about Zajick is she is the perfect study for singers. She is a great study for technique, proper facial posture, breathing and support, squillo, etc. And she sings beautifully!
She is fast becoming one of my favorite singers. Love this woman!!
She gives reason to opera
Superb. WOW. ❤❤❤❤❤❤❤
Excellent,,,
Fabulous !!!!
i LOVE this woman
Astounding la Zajick!
Awesome! Brava!!!!
Grandissima
Oh! Come on! Get right in there! My fav Mezzo aria... Zajick nails it!
perfect,as always.
What terrific mezzo. Try to listen her in the live recording of Herodias by Massenet with Domingo and Fleming. Unforgettable.🌹♥️❤️🌷
Great Dolora.
wow, best mezzo aria ever. melodic line at the end is so thrilling. but google elena obraztsova, it is mind blowing
@lucashamilton151 Have you heard Dolora Zajick live? I heard her live on several occasions. In fact I was in the chorus during one of her performances as Anmeris in "Aida". Her chest voice, the middle voice and the top were were equally big and grand. Believe me when I say that the Zajick instrument could cut through any size orchestra, chorus and rattle the rafters of any theatre. She was a force of nature. Also heard her as Azucena in "Il Trovatore" and in concert. Unforgettable.
私も彼女の発声、歌い回し、演技大好き。
@@user-bk7vw6st7x Greetings. Could you please translate your response to English or Spanish? Thank you.
fabulouso
la zajick j'adore
thkssssss bzeffffffff
Love her when she rubs her thumb on her palm, she always dows it.
Would you people shut up about Obraztsova?? This is a clip with Dolora Zajick - if you don't like it, please tell us why based on what Mme Zajick actually DOES, instead of what she DOESN'T do ( = sound like Obraztsova)!
Actually, I think she's more musically sensitive here than Obraztsova -- nice interpretive dynamics.
What "people" I Don't see people. You are getting upset by electronic images which,when read, upset you. Just one "poof" and the images are gone.
It's probably the name "Dolora", but I can't help but feel like she would make a fantasic Professor Umbridge if Harry Potter was an opera. The drama in the singing... Dang! Wish I could do that...
Who is the conductor? You can actually see cues.
Dolora is great here !!!
No idea of who the conductor is, I just feel he has no sense of urgency in the introduction, and he tends to conduct the whole aria slightly too slowly...
Steven Mercurio
Sexy stud he was
the character, Princess de Bouillon, is no longer loved by Maurizio.
Amazing Dolora Zajick. Is the conductor a young Abbado???
No!!! It's Steven Mercurio.
www.stevenmercurio.com/
@@BellaFirenze Thank you!
I don't recognize the aria - what is it?
I once watched this artist leave an all-star cast in the dust, in Don Carlo. The Elizabeth might as well not have shown up.
She has good chest voice, and sadly that's the loudest part of this performance. Her middle notes are weak and lack of clarity. In performances of singers with great chest coordination like Barbieri, Dominguez, Obraztsova,... the volume of the middle range is adjustable.
I thought she was great until I heard Elena Obratszova. You can hear how Dolora has big chest no middle and woofy high notes. But she is obviously fantastic. I think voice comparison is interesting and educational. But both singers are exceptional, even though Elena O has moved on to higher plains of consciousness.
VERY GOOD....BUT I PREFER ELENA OBRASTZOVA !!!!!!!!!
ua-cam.com/video/Nb4kN5Vfk8Q/v-deo.html
Giulietta simionato.....
@@dubbelhenke854 ua-cam.com/video/8PsW-rwwFy8/v-deo.html franca mattiucci
Overrated to the extreme