Adding Color to Your Sounds with Maor Appelbaum [SSP028]

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  • Опубліковано 10 лют 2025
  • This week, Justin Colletti is joined by Maor Appelbaum, a mastering engineer who as worked with Faith No More, Sepultura, Yes, Matisyahu, Lupe Fiasco, Meatloaf, William Shatner and many more.
    Maor is a creative mastering engineer who is obsessed with finding the right tools to apply the right kind of coloration to the project at hand.
    Hear about his approach to auditioning gear, choosing the right tones, interacting with clients and a whole lot more.
    Thanks to Focusrite, Gear Club and Sonarworks for sponsoring this podcast.
    Subscribe at sonicscoop.com
    Find more from Maor at www.maorappelb...
    To hear his "True-Fi" project with Sonarworks and Faith No More, click here: • Full story behind deli...

КОМЕНТАРІ • 23

  • @noizkelley317
    @noizkelley317 5 років тому +4

    Great interview, Maor always gives great knowledge and insight.

  • @sixto6
    @sixto6 5 років тому +4

    One of the most underrated podcasts when it comes to audio!

  • @redblock1382
    @redblock1382 3 роки тому +1

    The fact he acknowledged sound being affected thru every single cable/gear confirms my hypothesis that every session is irreplicable, therefore, geeking deep inside on what we already have is the first step for better productions.
    Interesting 🤨

  • @Sonicologynj
    @Sonicologynj 5 років тому +3

    Great interview Maor Appelbaum!

  • @Rek-Ignition
    @Rek-Ignition 5 років тому +4

    Thank you Justin you always bring us gems.

  • @RonBanano
    @RonBanano 5 років тому +3

    Yeah!! very nice chapter... maor is a pro engineer full of knowledge and really nice guy! its good to see this one!

  • @maxivillafane4273
    @maxivillafane4273 5 років тому +3

    Awesome stuff, Justin. I learn so much from your interviews.

  • @nonarecordingstudio7599
    @nonarecordingstudio7599 5 років тому

    Maor is THE MAN !!! thanks for the video! i can say from my personal experience with Maor, he's so honest and really want to get the tracks to the top, even it needs to give you advice from him how you can get better to the mix and send again to master and get the best results, also very personal attention and easy and so nice communication , highly recommended for everyone to try wok with Maor.

  • @netanelshavin
    @netanelshavin 4 роки тому +2

    Fantastic mastering engineer!

  • @Yurkinz
    @Yurkinz 2 роки тому +1

    Great video!

  • @ractorjones2428
    @ractorjones2428 5 років тому +4

    That phone trick is the best LOL

  • @ArthurStone
    @ArthurStone 5 років тому

    Great show...and gear! Thank you Justin and Maor. Best : D

  • @studionineproductions8173
    @studionineproductions8173 5 років тому +2

    Wondering how you recall settings on all the analog gear when you need to re-visit and make tweaks to a clients project? Is it as simple of just taking a photo maybe? Or do you create a detailed document of some kind outlining each piece used and it's settings?

    • @JustinColletti
      @JustinColletti 5 років тому

      At JLM where I mastered on a predominantly analog rig for years, we had some special-made custom recall sheets.
      On one page, we'd have the controls for every piece of gear in the rig. The mastering console, 2 compressors, 2 EQs, 2 limiters, a de-esser, an Anamod tape emulator, and some other bells and whistles.
      Writing down all the settings with a pencil would take 2-5 minutes or so, which could be done while printing the master. Recalling would take 5-10 minutes or so.
      With my all digital setup at my home mastering studio, it's all instantaneous which is a nice luxury. It's a bit less tedious, and there's no room for accidentally missing a setting.
      Analog recall is much easier in the mastering realm than in mixing! But it's still a bit tedious and all that time can certainly add up over the course of a day if you're doing a whole album recall or something like that.

    • @studionineproductions8173
      @studionineproductions8173 5 років тому

      @@JustinColletti Thanks Justin. I master with plug-ins but your podcast inspired me to try running a mix through some analog gear. I sent it out for external eq and compression then back to digital plug-ins for maximizer and other enhancing. There wasn’t a marked difference between plug-ins only and the analog/plug-in combo. I guess I need to drop $10,000 on outboard gear. :-) Michael Nickolas

  • @BottleneckMoses
    @BottleneckMoses 5 років тому +1

    Hi. Please forgive my potentially dumb question, but what's the title of the Steely Dan album you were referring to? Thanks.

    • @anonagain
      @anonagain 5 років тому +2

      Most likely "Aja". A lot of people consider it the best mixed/mastered album ever. Definitely one of my references for mixing certain types of music.

    • @BottleneckMoses
      @BottleneckMoses 5 років тому +1

      @@anonagain Great, thank you.

    • @arseniy
      @arseniy 5 років тому

      @@anonagain I'll check it out, thanks. I heard the band on a radio but never heard to check it for learning purposes.

    • @aaronlewis7182
      @aaronlewis7182 Рік тому

      Hell yeah!! I just said the same thing!! 🤣🤣 their albums have sold more crappy stereo systems/speakers than anyone!! I’m thinking “Hey Nineteen.”

  • @aaronlewis7182
    @aaronlewis7182 Рік тому

    “If you play Steely Dan while you set up my room I’m gonna fire you”….🤣🤣🤣

  • @jayclas4023
    @jayclas4023 2 роки тому

    The worst audio and video to demonstrate anything🤣 Come on guys