When you hear that, it's mostly just fans caught up in their nostalgia who insist no one could replace Jesper Kyd. Which is ridiculous if you have played the new trilogy and have ears.
@@buttherewasnojanus6637 it certainly fits the new trilogy, and if thats what the base of the community enjoys, so be it. personally, osts for the originals stick out far more in my mind than these, but i definetly can see why they haven't tried to force the tones of the older soundtrack into the new trilogy. wouldn't really fit.
well i just thought the old one got better stuck in your head, these are good but less iconic, i cant play the in my head as easy, but I dont think the new one are bad, but then again also, I think this third game's ost is a lot cooler then previous 2, man it takes it all up a notch
Thank you for providing all the exfiltration variants. Niels Bye Nielsen’s evocative outtro to this mission is one of the best pieces of a video game score to grace the 2020s thus far. It’s just a pity the enclosed Deluxe Edition soundtrack album track is such a limited presentation.
I love how the tracks for Mendoza, like Dartmoor, are sad. It really did feel like I was saying goodbye to the game, the characters, to Diana, to 47... but I did enjoy the targets. "Cojones" Yates because he's like Marco Abiatti--that is, a contemptable shark of a man that you love to hate, and Vidal because she genuinely is a badass who isn't scared--who doesn't even flinch when staring into the face of death. Plus, this level contains some of my favorite scenes in the trilogy, such as Diana murdering Yates. The exfiltration and post-level themes are great. I love how the leitmotifs of the HITMAN menu theme and exfiltration theme--also present in HITMAN 2--are present in the exfiltration music. It ties HITMAN III to the other two games, and it reminds you of how far you've come. Listening to the rendition of 2's exfiltration theme as you walk into the Argentinian sunset just feels incredible. I always let the music play out when the level ends so I can hear the music crescendo, and also so I can hear that final, solemn rendition of the World of Assassination theme... I also have this level to thank for my newfound love for tango music. I just can't stop listening to the "Invitation to Dance" tracks--they're just so great! Song #2 is my personal favorite.
It's my favorite part of this whole soundtrack. Love the WoA theme is incorporated into it. Especially considering they played it as I was going for 47's suit. Its fantastic
It should already be in the S1 Mission Accomplished mix. Though I probably will remake a video including it as I believe I missed a track layer in the previous one.
That’s the one thing I always love about the Hitman games, it captures the music of each location PERFECTLY None of it feels out of place, and song 3 is such a good example
This level felt like a real celebration of the whole 47 saga going back to 2000 Thanks for your mixes because the soundtrack can be so dynamic and responsive in game that there isn’t time to savour.
Timestamps: 00:00 - They Would Always Have Mendoza (Winery Viewpoint) 01:06 - Opening Sequence 02:47 - Invitation to Dance (Tango Song #1) 05:22 - Tamara Vidal, the Protégée (Winery) 13:54 - Suspicious/Arrested 15:11 - Invitation to Dance (Tango Song #2) 17:48 - The Farewell (Vineyard) 24:00 - Target Eliminated 24:16 - Invitation to Dance (Tango Song #3) 26:56 - Yates Appears 28:22 - Don Archibald Yates, the Successor (Villa) 37:15 - In the Lion's Den 41:21 - Rescue Diana 43:29 - Closing Statement 48:25 - Exfiltration (Mission Accomplished Version) 49:41- One Last Tango (Level Exit - Contracts Mode) 50:23 - Exfiltration (World of Assassination Version) 52:53 - Exfiltration (Tango Transition #1) 53:38 - Exfiltration (Tango Transition #2) 54:43 - One Last Tango (Level Exit - Diana Variant) 55:24 - Post-Mission Results Timestamps may be incorrect or incomplete, feel free to correct them in the comments. Credits to Swamp Expert Extraordinaire for the target titles.
4:06 sounds a lot like an iconic part of the James Bond soundtrack. I wouldn't be surprised if it were intentional as a little easter egg, given IO has the rights to James Bond and are currently producing a new James Bond game.
Salem, excellent work as always! Would you please upload the side tracks to Hokkaido when you get a chance? I really enjoy the relaxing Japanese instrumentation in the background that plays over much of the level
Aprecio mucho cuando en una película o este caso en un videojuego aparece mi país VAMOS ARGENTINA!!!!!! Me encanta que usaran el Tango para hacer la música de este nivel, a veces sonando como Astor Piazzolla
49:3954:40 Diana: 47? Starting tango 47: It's done now what? Diana: Now, we strike at the heart 47: Edwards? You know how find him don't you? Diana: Why Edwards finds you 47? Diana: He is untracable and never forget it. He is cocky and that will be his downfall. 47: What's the plan? Diana: Too many eyes. Meet me at the olive grovet in sunset. Diana: One last tango 47 ...
These mixes are amazing. I love listening to them. But I miss one track. Do you know the guard who plays the guitar on one of the villa's porch? The song, that he plays, I love it so much.
I don't get how people set specific maps as their favorities. I liked all the maps together. Each one gave off a specific story, some more than others, and each was fun trying to get to know. Especially with all the details and dialogue put within each one
@@capital_of_texas Mendoza it's my favourite mostly because it's a map based on my country, so some of the stuff there was really familiar with me, amazing details and music, loved the vibes of the map tho, classy james bond type of vibes, so i can imagine why he likes it
I found this map demoralizingly easy... i dressed up as the lawyer and i somehow had access to the villa's upper floor, where absolutely nobody ever goes to apart from yates and his wife, and poisoned tamara Also kinda wack that you HAVE to follow the main entry to have an invitation with a starting suit, preventing you from taking a briefcase
I mean all the levels in this trilogy are easy if you use disguises really. Of course if you try to SASO this map you do have to get a bit creative. Also you didn’t play this map enough if you didn’t see the invitation next to the lawyer you could steal. You don’t have to talk to Diana every single time.
In hitman 2 the suspicious/arrested theme was sooooo good but for hitman 3, the theme for suspicious/arrested isn't cool in my opinion. I liked it but it is not like hitman 2
Blood Money & Contracts are my favorite games but the new trilogy is great, and the music is awesome. One can be a fan of the classics and not be blinded by nostalgia
awesome work, as always. do you happen to know what the trigger is for the mission accomplished version of the exfil track? i feel like i've only heard the WoA one.
I'm not sure, my best guess would be that it's either unused or it plays in Contracts mode, but nobody can check at the moment because Mendoza contracts are glitched.
Unpopular opinion: This is my least favorite map of Hitman 3, alongside the drab Dartmoor (as interesting as the murder mystery was.) It just doesn't stand out among the other maps for me, has a color pallete of mostly yellow and orange, and although Diana is interesting enough I don't think this map does much else to stand out among the H3 maps and feels like a step backward. It leans too much towards an issue Hitman 2 maps had of being too big for the sake of being big. The music is perhaps the most forgettable alongside Dartmoor's in H3 as well. Is it a bad map? No, Hitman 3 doesn't have any bad maps. I just find this map overrated imo.
@Swamp Expert Extraordinaire Exactly. Good map, aside from being a little unnecessarily spacious, I have no real issue with it. It's just not as special as the exquisite maps that came before, and even the train level after it.
@@jcdenton2187 Wasn't impressed at all with the train level. It goes against what Hitman is supposed to be, given that there's no creativity, you either go around the side, or you knock out the guards/shoot them. No exploration, which is a big no-no for me. I suppose the part where it's revealed it's an actual train is surprising, for the first time. The different choices with the Constant are also fine. Besides that, I would say it's quite bad. At least Colorado had some choices. There's just nothing to chew on for this map. Play it once, or twice to get the challenges, then leave it. Very meh.
Counterpoint: it's the culmination of 20 years of growing together as a couple, a way to catch up on all the plot threads that we've affected over the course of the games and a portrayal of a South American country as something other than destitute and riddled with drug lords. Wins all around
Damn the soundtracks in this trilogy are so good, I can't believe people think these soundtracks are bad.
nowhere near as iconic as the originals, but they certainly aren't bad
When you hear that, it's mostly just fans caught up in their nostalgia who insist no one could replace Jesper Kyd.
Which is ridiculous if you have played the new trilogy and have ears.
something something spy thriller music is bad.
Tell that to Neils, I dare you.
@@buttherewasnojanus6637 it certainly fits the new trilogy, and if thats what the base of the community enjoys, so be it. personally, osts for the originals stick out far more in my mind than these, but i definetly can see why they haven't tried to force the tones of the older soundtrack into the new trilogy. wouldn't really fit.
well i just thought the old one got better stuck in your head, these are good but less iconic, i cant play the in my head as easy, but I dont think the new one are bad, but then again also, I think this third game's ost is a lot cooler then previous 2, man it takes it all up a notch
the one dislike is coming from Don Yates
true
Vidal not even bothered in searching the video.
@@yaellopez806 she's too busy chatting with Diana
Nah, it's the ghost of Ken Morgan
I see 4 dislikes now, so who are the culprits?
Thank you for providing all the exfiltration variants. Niels Bye Nielsen’s evocative outtro to this mission is one of the best pieces of a video game score to grace the 2020s thus far. It’s just a pity the enclosed Deluxe Edition soundtrack album track is such a limited presentation.
walk to diana to tango for extraction is such a genius move on IO's part.
I love how the tracks for Mendoza, like Dartmoor, are sad. It really did feel like I was saying goodbye to the game, the characters, to Diana, to 47... but I did enjoy the targets. "Cojones" Yates because he's like Marco Abiatti--that is, a contemptable shark of a man that you love to hate, and Vidal because she genuinely is a badass who isn't scared--who doesn't even flinch when staring into the face of death. Plus, this level contains some of my favorite scenes in the trilogy, such as Diana murdering Yates.
The exfiltration and post-level themes are great. I love how the leitmotifs of the HITMAN menu theme and exfiltration theme--also present in HITMAN 2--are present in the exfiltration music. It ties HITMAN III to the other two games, and it reminds you of how far you've come. Listening to the rendition of 2's exfiltration theme as you walk into the Argentinian sunset just feels incredible. I always let the music play out when the level ends so I can hear the music crescendo, and also so I can hear that final, solemn rendition of the World of Assassination theme...
I also have this level to thank for my newfound love for tango music. I just can't stop listening to the "Invitation to Dance" tracks--they're just so great! Song #2 is my personal favorite.
Exactly this is as titled the farewell to our characters and same as you I really loved the tango #2. Tamara Vidal was my favorite target..
I love the post mission credits too the music
the good ending agent 47 gets a new car
50:43 best one. End of conversation lol
Yeah
really
100%
Little nano-second flash of chongqing at 48:37
Oops, it must have been a cache issue with my encoder. I won't reupload for this error alone but tell me if there's another.
@@Salem33 not that I noticed, and it doesn't deminish from the upload at all. Thanks for uploading these.
@@Salem33 Doesn't seem to affect the music, so it's all good. Call it an easter egg, lol
Slow the video and you will see better
50:23 a freaking good wrap-up to the WOA trilogy.
It's my favorite part of this whole soundtrack. Love the WoA theme is incorporated into it. Especially considering they played it as I was going for 47's suit. Its fantastic
Yep I love it. Builds such suspense when your exiting the mission doing SASO
The best map in third season so far, byt the way do you have an Exfiltration soundtrack for Bonus Missions in Sapienza?
It should already be in the S1 Mission Accomplished mix. Though I probably will remake a video including it as I believe I missed a track layer in the previous one.
That’s the one thing I always love about the Hitman games, it captures the music of each location PERFECTLY
None of it feels out of place, and song 3 is such a good example
50:23 omg they've putted the Hitman 2016 main theme
This level felt like a real celebration of the whole 47 saga going back to 2000
Thanks for your mixes because the soundtrack can be so dynamic and responsive in game that there isn’t time to savour.
God i love 50:43
54:43 as epic as it is, I can't help but associate this with shenanigans at the tango exit. Grapes, rake, explosive phone etc
Timestamps:
00:00 - They Would Always Have Mendoza (Winery Viewpoint)
01:06 - Opening Sequence
02:47 - Invitation to Dance (Tango Song #1)
05:22 - Tamara Vidal, the Protégée (Winery)
13:54 - Suspicious/Arrested
15:11 - Invitation to Dance (Tango Song #2)
17:48 - The Farewell (Vineyard)
24:00 - Target Eliminated
24:16 - Invitation to Dance (Tango Song #3)
26:56 - Yates Appears
28:22 - Don Archibald Yates, the Successor (Villa)
37:15 - In the Lion's Den
41:21 - Rescue Diana
43:29 - Closing Statement
48:25 - Exfiltration (Mission Accomplished Version)
49:41- One Last Tango (Level Exit - Contracts Mode)
50:23 - Exfiltration (World of Assassination Version)
52:53 - Exfiltration (Tango Transition #1)
53:38 - Exfiltration (Tango Transition #2)
54:43 - One Last Tango (Level Exit - Diana Variant)
55:24 - Post-Mission Results
Timestamps may be incorrect or incomplete, feel free to correct them in the comments. Credits to Swamp Expert Extraordinaire for the target titles.
Hey can you tell me wich is the music that plays shen Diana kills Yates plz?
@@alex10763_ 46:54
oh wow that title... they would always have mendoza. is that a reference to something
@@nicolesong6199 is it from one of the original games or something, I’ve only played the WOA trilogy.
@@nicolesong6199 I'm coming in late here, but it's most likely a reference to the iconic "We'll always have Paris." line from _Casablanca_ (1942).
I love Diana's mission introduction theme from H1 integrated into this level.
Can I suggest that you make a video with solely the Tango’s?
The best soundtrack and mission of the whole trilogy.
10:58 - 13:40
I love this part so much! So dark, badass and threatening. Just imagine 47 walking around in the winery approaching to his target.
I don't need to imagine, I can actually experience it
4:06 sounds a lot like an iconic part of the James Bond soundtrack. I wouldn't be surprised if it were intentional as a little easter egg, given IO has the rights to James Bond and are currently producing a new James Bond game.
Invitation to dance hits really hard
Are you still working on doing the Carpathian Mountains soundtrack?
Beautiful. Thank you for doing what you do, I wish the deluxe soundtracks were separated in an organized way like this
Will you make the custom mix for Romania too? Pretty please? :3
"One last Tango 47"
Salem, excellent work as always! Would you please upload the side tracks to Hokkaido when you get a chance? I really enjoy the relaxing Japanese instrumentation in the background that plays over much of the level
The exfiltration theme has surpassed Hawkes Bay. Goddammit Neils.
10:57 Vidal
34:13 Yates
Aprecio mucho cuando en una película o este caso en un videojuego aparece mi país
VAMOS ARGENTINA!!!!!!
Me encanta que usaran el Tango para hacer la música de este nivel, a veces sonando como Astor Piazzolla
You can even hear the grape workers whistle these tunes!
One of the Best levels in the Sequel, fight me.
49:39 54:40
Diana: 47?
Starting tango
47: It's done now what?
Diana: Now, we strike at the heart
47: Edwards? You know how find him don't you?
Diana: Why Edwards finds you 47?
Diana: He is untracable and never forget it. He is cocky and that will be his downfall.
47: What's the plan?
Diana: Too many eyes. Meet me at the olive grovet in sunset.
Diana: One last tango 47
...
-You got my message
-You never'd caught on camera. Let's you wanted to be seen. So what's the play?
The Mendoza Exfiltration theme sounded really nice the more I listened to it. Thanks for the upload.
I finally did it. Unlicked mastery level 20
I'm glad that at least we got to hear the Accomplished theme one last time in Hitman 3 after all the other missions where it was absent.
51:49 the buildup hereis just unreal
Will we be getting Romania?
50:43 thank me later
Please do a Romania soundtrack Please
"They Would Always Have Mendoza" Goodbye I'm crying and throwing up rn
These mixes are amazing. I love listening to them. But I miss one track. Do you know the guard who plays the guitar on one of the villa's porch? The song, that he plays, I love it so much.
It's originally from Santa Fortuna, you can find it in this map's soundtrack video.
@@Salem33 thank you for informing me
Defo my favourite map in hitman 3. You can’t change my mind
I don't get how people set specific maps as their favorities. I liked all the maps together. Each one gave off a specific story, some more than others, and each was fun trying to get to know. Especially with all the details and dialogue put within each one
I would like it even more if it was not killing my PC on dance floor and vine garden.
@@capital_of_texas Mendoza it's my favourite mostly because it's a map based on my country, so some of the stuff there was really familiar with me, amazing details and music, loved the vibes of the map tho, classy james bond type of vibes, so i can imagine why he likes it
I found this map demoralizingly easy... i dressed up as the lawyer and i somehow had access to the villa's upper floor, where absolutely nobody ever goes to apart from yates and his wife, and poisoned tamara
Also kinda wack that you HAVE to follow the main entry to have an invitation with a starting suit, preventing you from taking a briefcase
You can start at the parking lot, there's an invitation next to the flower bed
I mean all the levels in this trilogy are easy if you use disguises really. Of course if you try to SASO this map you do have to get a bit creative. Also you didn’t play this map enough if you didn’t see the invitation next to the lawyer you could steal. You don’t have to talk to Diana every single time.
romania when?
ромэния вэн?
In hitman 2 the suspicious/arrested theme was sooooo good but for hitman 3, the theme for suspicious/arrested isn't cool in my opinion. I liked it but it is not like hitman 2
in hitman 3 its creepy, in hitman 2 its exciting
@@hoxogu138 yeah your right
I could hear the Japanese toilet sound in the background near the end lol
Woa exfiltration will always be one of the most nostalgic
What is music for the cinema if it's possible?
50:43
Please make a single soundtrack for the Invitation to dance part. I do love that part！
Best map in Hitman TM I think.
Blood Money & Contracts are my favorite games but the new trilogy is great, and the music is awesome.
One can be a fan of the classics and not be blinded by nostalgia
I'll admit that since i'm from Argentina, i'm quite biased in favor of this mission.
51:01 such suspense building. Love it
I think what Hitman 1-3 did right most of all is to remind us it's good to have a taste
I HAVE to hum to the exfiltration music, every single damn time.
55:22
- It's five-against-one.
- Yes. See your mistake?
Where is the music when Tamara and 47 have their showdown?
tango 3 is the one i hear the most every time i have a freelance contract here
When will the carpathian mountains soundtrack be posted?
awesome work, as always. do you happen to know what the trigger is for the mission accomplished version of the exfil track? i feel like i've only heard the WoA one.
I'm not sure, my best guess would be that it's either unused or it plays in Contracts mode, but nobody can check at the moment because Mendoza contracts are glitched.
So good!!!! Thanks for uploading this, much appreciated.
Shouldn't Tamara Vidal be called 'The Herald'? I've seen them call her that a few times.
That's what I was originally going to call her, but Yuki Yamazaki is already named "The Herald". Similarly Ken Morgan is called "The Lawyer".
@@Salem33 You should've called Hush "The Bastard" lol
tamara videl winery is the best
Oh, I see one dislike, probably from Yates
which valentina?
Thank you this is exactly what I needed
46:52 Diana stabs Don Yates
Nick Mendoza
50:40 Eargasm
man i LOVE the target eliminated part.
Oooh Hells yeah..
Unpopular opinion: This is my least favorite map of Hitman 3, alongside the drab Dartmoor (as interesting as the murder mystery was.) It just doesn't stand out among the other maps for me, has a color pallete of mostly yellow and orange, and although Diana is interesting enough I don't think this map does much else to stand out among the H3 maps and feels like a step backward. It leans too much towards an issue Hitman 2 maps had of being too big for the sake of being big. The music is perhaps the most forgettable alongside Dartmoor's in H3 as well.
Is it a bad map? No, Hitman 3 doesn't have any bad maps. I just find this map overrated imo.
@Swamp Expert Extraordinaire Exactly. Good map, aside from being a little unnecessarily spacious, I have no real issue with it. It's just not as special as the exquisite maps that came before, and even the train level after it.
@@jcdenton2187 Wasn't impressed at all with the train level. It goes against what Hitman is supposed to be, given that there's no creativity, you either go around the side, or you knock out the guards/shoot them. No exploration, which is a big no-no for me. I suppose the part where it's revealed it's an actual train is surprising, for the first time. The different choices with the Constant are also fine. Besides that, I would say it's quite bad. At least Colorado had some choices. There's just nothing to chew on for this map. Play it once, or twice to get the challenges, then leave it. Very meh.
@@candy-ass4915 Yes, that is kind of the point. It's an ending location; it's not really meant to be like the others.
@@Dribbleondo I know. But it's still poorly done, in my opinion.
Counterpoint: it's the culmination of 20 years of growing together as a couple, a way to catch up on all the plot threads that we've affected over the course of the games and a portrayal of a South American country as something other than destitute and riddled with drug lords. Wins all around