Who wouldn't want to be as prolific as this guy? Then again, I think many filmmakers, beyond the usual problem of financing, just think too highly of their work. When you make as many movies per year as Hong, you gotta acept that some of those movies will not be as good as you want them to be. So, in order to be that prolific, you also have to be pretty humble. And that's the hard part.
Alejo Paredes financing is no.1 theme of modern narrative filmmaking. Maybe Hong is the best solutionist on financing film. Like, he really gave up his favorite thing in filmmaking. A Film sheet. He turned to digital. That kind of give-up process also could be look doubled with classical old filmmaker and artist's diminishing process on their matter factors and brushes or colors
have you heard of lav diaz? it seems like non western/mainstream directors have the advantage to be prolific.. for example lav diaz, lav have already made like 4 or 5 films since 2016.
PinoyAbnoy i didnt see lav diaz. Is he better than apichatpong??????? I really respect and worship Apichatpong as a moder cinema genius. But some of those Asians who are popular with prolificism and profoundness are little bit overestimated as I think.
PinoyAbnoy my fav is apichatpong. Isent messege when I was in thailand that requesting I participate in his team as a volunteer. But they refused it softly. Ah of course I love old Japanese films. Like Kurosawa. They were really brilliant. I feel good when I see their succesful mix of art and feature films.
36:50 what a flex, lmao... that explains why he's so prolific, Hong Sang-Soo is a fricking writing/directing machine. but yeah, i think he's constantly under pressure, so the guy just CAN'T overthink anything. that takes a lot of motivation and is really inspiring but, honestly, it seems dangerous. i hope he doesn't burn out or anything like that
I am very much interested in what the mediator of the debate commemt about Hong's speech on the Q&A the night before about Bresson. Could the Lincoln Center and the NYFF please make avaiable this debate or at least some extract of those declarations? Thanks so much
Hong was asked about his time at the School of the Art Institute of Chicago. He said that during that period he was mostly making experimental work and it wasn't until he saw Bresson's Diary of a Country Priest that he became interested in narrative filmmaking.
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Hong is living proof that reminds us why we need art in our mundane lives.
you could say that about any good artist
I agree so hard
He is a living proof that being a cheater is always disgusting
Who wouldn't want to be as prolific as this guy? Then again, I think many filmmakers, beyond the usual problem of financing, just think too highly of their work. When you make as many movies per year as Hong, you gotta acept that some of those movies will not be as good as you want them to be. So, in order to be that prolific, you also have to be pretty humble. And that's the hard part.
Alejo Paredes financing is no.1 theme of modern narrative filmmaking. Maybe Hong is the best solutionist on financing film. Like, he really gave up his favorite thing in filmmaking. A Film sheet. He turned to digital. That kind of give-up process also could be look doubled with classical old filmmaker and artist's diminishing process on their matter factors and brushes or colors
have you heard of lav diaz? it seems like non western/mainstream directors have the advantage to be prolific..
for example lav diaz, lav have already made like 4 or 5 films since 2016.
PinoyAbnoy i didnt see lav diaz. Is he better than apichatpong??????? I really respect and worship Apichatpong as a moder cinema genius. But some of those Asians who are popular with prolificism and profoundness are little bit overestimated as I think.
who are your other fave asian directors? lav diaz's movies are different compare to apichatpong.
PinoyAbnoy my fav is apichatpong. Isent messege when I was in thailand that requesting I participate in his team as a volunteer. But they refused it softly.
Ah of course I love old Japanese films. Like Kurosawa. They were really brilliant. I feel good when I see their succesful mix of art and feature films.
feels like pure art... I found a new way of thinking through his film
right?? feels like such a unique perspective of looking at film and at the world. I love his style/aesthetic
36:50 what a flex, lmao... that explains why he's so prolific, Hong Sang-Soo is a fricking writing/directing machine. but yeah, i think he's constantly under pressure, so the guy just CAN'T overthink anything. that takes a lot of motivation and is really inspiring but, honestly, it seems dangerous. i hope he doesn't burn out or anything like that
His working process is so inspiring! Intuition in clarity.
his movies are excellent...
감독님 영화를 좋아 합니다
존경과 경이로움을 느낍니다.
He's awesome. Feels like the interviewer doesn't get him, asking all those serious questions with a serious face.
One of the most talented film makers
my favorite director. 2 thumbs up for you.
Low budget but not low quality! Better stories but style is like Wong Kar-Wai! Great music and great actors.
Complete experimental film making school in 48 minutes!
his films=film school for writers like me.
감독님.. 누가 뭐래도 꺾이지 말고 작품 활동 꾸준히 해주세요~ 너무 좋아해요 감독님 영화!!
Мені теж дуже подобаються його фільми.
Cheaters support cheaters wow
@@lanaw7304 억지로 영어쓰지 마쇼…
@@jaelee5352 무슨 뜻이에요? 난 심지어 한국인도 아니야!너도 사기꾼이야???
wonderful
I am very much interested in what the mediator of the debate commemt about Hong's speech on the Q&A the night before about Bresson. Could the Lincoln Center and the NYFF please make avaiable this debate or at least some extract of those declarations? Thanks so much
Hong was asked about his time at the School of the Art Institute of Chicago. He said that during that period he was mostly making experimental work and it wasn't until he saw Bresson's Diary of a Country Priest that he became interested in narrative filmmaking.
does anybody know what kind of lens he use in his films ? plz tel me!
he usually uses lenses with a long focal length.
Hong j'aimerai être à New York avec toi
Clémence Bernard france I cant get it. Please speak in Eng
41:12
the last girl meant 'affair'
Gosh, that women asking those horribly questions is extremely annoying.
❤️❤️👍👍👍👏👏
Good advice for a young filmmaker, lol.
This guy with the glasses is always so prissy, and I am pleased he's no longer conducting your programs.
terrible interviewer
I just wached 1:02 and... Yes
아내 버리고 바람핀 쓰레기~~
반드시 천벌 받을것
홍이 당신 것인가?
Ohhh at least korean people have still morals !! unlike in west .. thats why i like some of you !!
바람때문에 천벌이라니... 사생활입니다. 세상에는 더 크고 중요한 문제들이 많은데 그런 문제에는 이정도로 관심이 없게죠?