Makes mistake and restarts tukda at 1:58. Then messes the same tukda up again at 2:13 🤦♂Still no bayan expressiveness after his merciless butchering of Dhige Dhina 7 years ago. Then he continues into a composition by Ustad Firoz Khan which he presented so poorly that nobody understood/cared when he reached sum. Then makes another mistake at 4:13. Then he refers to Ustad Sheikh Dawood, one of my favourite tabla players as "Ustad Sheikh Dawood from Hyderabad". He was from Solapur. He passed away in Hyderabad. Then makes YET ANOTHER blunder at 5:50. He tried again and this time people clapped at 6:44 because he raised his hand like an accomplishment. At 7:05 he starts playing Dha Tirakita GiraDhireDhire Kitataka at a super high laya, realizes what he's getting himself into, makes a bad face and then gives up that composition entirely! I've never seen even a beginner do that. Then he continues to botch Dhige Dhina again. Playing same basic paltas from last Darbar video. Suddenly stops and goes into some tukda at 8:05. Makes yet another mistake at 8:10, this time confusing the poor Harmonium player. At 8:38, starts a new kayda Dha TeTe Dhe TeTe Ge Na which is such a beautiful kayda but again develops in such an odd way. Now at 9:15 he starts adding DhereDhere bols to this kaida which is quite inappropriate since these bols aren't part of the original composition. Sure, some poetic liberty is allowed, but transition extremely improper. He ends with a weak tihai and again raises his arm on sum which is why audience reacted. Then blames the mic for not being able to play Dhere Dhere. I wonder how Pt. Anokhelal Ji managed back in 1944. After all this, he tries to increase laya and play the most soul-less Na Dhin Dhin Na I heard in my entire life. Why upload this, Darbar Festival?
Music, art, linguistic and emotions
All in one
No words to describe the beauty of this masterpiece
Beautiful 😻….
Such soothing and profound tabla! It’s very clear what’s his hard work and his guru’s blessings…. Thank you so much 🙏🏽
Outstanding performance ❤, pleasure for ears
Superb start of My sunday😊
Splendid.❤❤
Amazing Supreet ji 🔥😊🙏🏽
Wonderful!😊
मंत्रमुग्धं प्रदर्शनम् 😊😊
I like this tabla solo..good sound..
Hypnotis(z)ing performance 😮
Excellent Energy ❤
Outstanding
Who are you ? Why he give you like ?
उत्कृष्ट ❤
Wow......
❤❤❤
Indonesia
No words ❤
Supreet Dada🙏🙏🙏💙
Very nice.
his voice seems much louder and fuller than tabla audio
ಸುಪ್ರೀತ್ ದೇಶಪಾಂಡೆ ಸೂಪರ್
🔥🔥🔥🔥
❤😊 सुंदर छान मस्त वा . 😊❤❤❤
❤🙏
Can anyone please explain Why he said I can't play dhir dhir with this microphone
i think touching problem
Because its in the way and keeps hitting his hand, a common problem for many tabla players
🙏☺️♥️💐
❤❤ 1 of my favourite tabla player , pandit supreet deshpande🙏♥️
Kya kehne!!!🙏🙏 Amazing clarity
Supreet Deshpande is a great tabla player!
Makes mistake and restarts tukda at 1:58. Then messes the same tukda up again at 2:13 🤦♂Still no bayan expressiveness after his merciless butchering of Dhige Dhina 7 years ago. Then he continues into a composition by Ustad Firoz Khan which he presented so poorly that nobody understood/cared when he reached sum. Then makes another mistake at 4:13. Then he refers to Ustad Sheikh Dawood, one of my favourite tabla players as "Ustad Sheikh Dawood from Hyderabad". He was from Solapur. He passed away in Hyderabad. Then makes YET ANOTHER blunder at 5:50. He tried again and this time people clapped at 6:44 because he raised his hand like an accomplishment. At 7:05 he starts playing Dha Tirakita GiraDhireDhire Kitataka at a super high laya, realizes what he's getting himself into, makes a bad face and then gives up that composition entirely! I've never seen even a beginner do that. Then he continues to botch Dhige Dhina again. Playing same basic paltas from last Darbar video. Suddenly stops and goes into some tukda at 8:05. Makes yet another mistake at 8:10, this time confusing the poor Harmonium player. At 8:38, starts a new kayda Dha TeTe Dhe TeTe Ge Na which is such a beautiful kayda but again develops in such an odd way. Now at 9:15 he starts adding DhereDhere bols to this kaida which is quite inappropriate since these bols aren't part of the original composition. Sure, some poetic liberty is allowed, but transition extremely improper. He ends with a weak tihai and again raises his arm on sum which is why audience reacted. Then blames the mic for not being able to play Dhere Dhere. I wonder how Pt. Anokhelal Ji managed back in 1944. After all this, he tries to increase laya and play the most soul-less Na Dhin Dhin Na I heard in my entire life. Why upload this, Darbar Festival?
🎉🙏🙏🙏💥👍
I saw one video Supreet Deshpande played called Dhige Dina.... On Darbar, that was fabulous. Now This is the second Video, this is more than Fabulous.
🙏❤️