I love the vibroverb. I’m still on the hunt for a 64 custom and holding out hope for a real vintage one! I’ve always been under the impression that a vibroverb is basically a 40w deluxe reverb. Also what makes the custom shop/SRVs personal amps was they were modded by Cesar Diaz he implemented a solid state rectifier/disengaged the vibrato and bypassed the normal channel for more gain. Truly a unique amp.
If you want to build your own, the Pro Reverb is the identical circuit except the output transformer impedance. Super Reverbs (without their speakers) can occasionally be found cheap for a VV build. I built mine from a '75 Super Reverb, a chopped up Bassman 10 cabinet, and a vintage Jensen C15N.
You can still find a vintage 60s pro reverb at an ok price, pretty much the same amp except a 2x12 cab instead of 1x15. That DRH clip was hot! Great video!
I played a 1964 Vibroverb that recently showed up at my local GC. Holy smokes it really does the thing. That circuit with a 15' speakers sounds incredible. You questioned why John used input 2 instead of 1 during the aftershow in 2003. And after playing it I noticed that input 1 had slightly more gain than input 2. Sounded like the low-end would break up sooner than on channel 2. If you push volume past 3 on both channels it will start to break up slightly. At 6 - 7 it really starts to overdrive. I bet John played it at volume 3 - 4 input 2 If I had $5000 laying around I'd buy it in an instant.
Just got a 1966 Fender Bandmaster, beautiful amp, wanted it for a while now. Ironic because yes it’s cool that Mayer plays it but I wanted it because there are clips of Eric Gales (my favorite electric player) with it with KILLER tone. It’s basically a Vibroverb but with more clean headroom because it has no Reverb! Perfect!
Mans really shot and edited a whole video just to flex a new amp 🤣 Joking aside, great video, you can definitely hear the tonality the Vibroverb imparts on John's tone, especially listening to Jake's clips. Cheers!
Ha! You’re the only one who’s watched till the end it looks like! Had to throw a teaser in there. This video was planned for months but then things just kinda worked out this way
I was at that Boston show for that Everybody Wants to Rule the World performance! Then entire show overall was at a different level than the rest of the tour. The first of two shows in Boston combined with it being the second to last show on the tour was a recipe for magic that night!!
A Black panel Vibroverb will be pretty close (tonestack and output transformer wise) to a black panel Pro reverb if you want to get in on the sound but not the price tag.
If anyone is looking for a hand-wired BF Vibroverb clone I would highly recommend Lil Dawg Amps. I had a 5e3 from him and the wiring and finishing is top notch. Not bad prices either! I've often thought of getting a Vibroverb made up in a Princeton size chassis with a 1x12.
One other notable performance it's also when he sat in with Dave Stewart and Orianthi at the Troubadour in Los Angeles. It almost looks like he's plugged Street in to the amp because right before he goes into his solo he turns up his volume on the amp
The blackface vibroverb is cool… but the best sounding one is the 63, or the brownface era one. Unreal light overdrive tone, if dialed in right it’ll get you hired real quick!
I was at John's SOLO show in Vancouver on April 10th. He played acoustic most of the night, but he played his PRS Silver Sky for a short section of the show. The amps on stage included a Vibroverb and a Dumble Overdrive Special.
I am curious as to what speaker Jake has in his reissue and John Mayer is using in his. I have a AA763 (#3 made in January 1964) that came with a JBL (I am second owner, acquiring it in 1991). The JBL is a one-trick pony and is favorable to Fender single coils and unforgiving with humbuckers, IMHO. I currently have an Eminence 1518 that sounds great, but am left wondering which speakers the big artists are using in these.
THE 2019 DEAD AND CO TONE WAS SO GOOD!!! Take me back! There's a Brown Eyed Woman that blew my mind, but it was all sooooo good. LOL (Side note) the videos of playin in the sand sounded terrible!! What is going on?!
I’ll have to dive into his settings and experiment with those, but he always uses the Vibrato Channel, the first input. (Save for the first example in the video)
timberlake cover a deep cut at 3 million views? I remember this and still run into it to this day. there are no deep cuts with the UA-cam algorithm... if you follow or watch anything JM that lick with the Cornish NG2 will haunt your brain.
to my knowledge Mr. Dumble has not made any amps for Mayer. I beleive all of the amps Mayer owned with purchased second hand. I could be wrong, prove me wrong.
To me, playing through Fender amps myself and then hearing John play through those same amps, you can really hear how much tone really is in the hands. I've played or owned a lot of the great amps that Mayer has used over the years (Vibroverb, HRRI Deluxe, vintage Deluxe, various Two Rocks) and for me it's so deflating to hear how much better he sounds than me. That said, I'm not drowning in my sorrows or anything, because I haven't been playing guitar for hours a day for 4 decades like he has, but still, when you hear how great he sounds, even through lowly Fenders, you can really tell how great and unique his technique is.
@@DOKITT While they are certainly all quite similar (being that not only are they all Fender's but even more so that they're all specifically from the blackface era/circuits), yes, in my experience/opinion they still have different independent personalities and nuances. I own a '64 Vibroverb, '65 Super and an Alessandro DRRI and I appreciate each of them individually/for different reasons.
The whole point to it that you missed is that it’s underrated and not talked about as much compared to John’s other amps. Not that it’s underrated in general
Not so sure the Vibroverb is all that underrated ... More like, overpriced because people really want one. I got to play a brand new reissue and was not at all impressed with it. But this one sounds real fine. Vibroverbs are essentially, Super Reverbs with a 1X15 which can be created by changing the OT in a SR to an 8 OHM and installing a 1X15 baffle and a JBL or a Weber 15A150. Personally, I would also change out the power tubes to 5881's, specifically Tung-Sols.
@@theanthonyv You don’t know John’s music then. Which version of Johns music is a lift? He’s got numerous albums and they are all different styles. SRV had like two sounds. Clean and dirty. Why am I responding to Idiot troll bullshit
"Under-rated" is THE most over-used descriptor in videos (and comments) posted relating to music. It's gotten comical. An amp, for example, can NEVER be over- or under-rated - it's a tool, like a paintbrush. Some are wide, some are narrow , some have a fine point. HUGE hits and immortal recordings have employed el cheapo amps, and flops you never heard were done with the "best" and most expensive amps. All that matters is if the amp is right for the recording...
I love the vibroverb. I’m still on the hunt for a 64 custom and holding out hope for a real vintage one! I’ve always been under the impression that a vibroverb is basically a 40w deluxe reverb. Also what makes the custom shop/SRVs personal amps was they were modded by Cesar Diaz he implemented a solid state rectifier/disengaged the vibrato and bypassed the normal channel for more gain. Truly a unique amp.
If you want to build your own, the Pro Reverb is the identical circuit except the output transformer impedance. Super Reverbs (without their speakers) can occasionally be found cheap for a VV build. I built mine from a '75 Super Reverb, a chopped up Bassman 10 cabinet, and a vintage Jensen C15N.
You can still find a vintage 60s pro reverb at an ok price, pretty much the same amp except a 2x12 cab instead of 1x15. That DRH clip was hot! Great video!
I played a 1964 Vibroverb that recently showed up at my local GC.
Holy smokes it really does the thing. That circuit with a 15' speakers sounds incredible.
You questioned why John used input 2 instead of 1 during the aftershow in 2003. And after playing it I noticed that input 1 had slightly more gain than input 2. Sounded like the low-end would break up sooner than on channel 2.
If you push volume past 3 on both channels it will start to break up slightly. At 6 - 7 it really starts to overdrive.
I bet John played it at volume 3 - 4 input 2
If I had $5000 laying around I'd buy it in an instant.
That’s an awesome experience!
What speaker did it have? Mine has the JBL and it is just incredible sounding through it!
I’d assume he would be using input two for the db cut since it seemed like a smaller room.
DB cut some, but more importantly more clean headroom
Great video and cameo by Jake!
That Hotel Cafe performance is epic! I listen to it frequently!
Just got a 1966 Fender Bandmaster, beautiful amp, wanted it for a while now. Ironic because yes it’s cool that Mayer plays it but I wanted it because there are clips of Eric Gales (my favorite electric player) with it with KILLER tone. It’s basically a Vibroverb but with more clean headroom because it has no Reverb! Perfect!
Mans really shot and edited a whole video just to flex a new amp 🤣
Joking aside, great video, you can definitely hear the tonality the Vibroverb imparts on John's tone, especially listening to Jake's clips. Cheers!
Ha! You’re the only one who’s watched till the end it looks like! Had to throw a teaser in there. This video was planned for months but then things just kinda worked out this way
Scary pockets with DRH, too!! 🔥🙌🤤
I was at that Boston show for that Everybody Wants to Rule the World performance! Then entire show overall was at a different level than the rest of the tour.
The first of two shows in Boston combined with it being the second to last show on the tour was a recipe for magic that night!!
I was also at that show and the Pittsburgh show and a Pittsburgh blew that away. It was still a great show but was a very different vibe.
A Black panel Vibroverb will be pretty close (tonestack and output transformer wise) to a black panel Pro reverb if you want to get in on the sound but not the price tag.
The 2nd inputs have a lower output and cleans up very well in high volumes.
Thanks for connecting with me!
your guy jake has sensational touch and feel. Shoutouts to that
If anyone is looking for a hand-wired BF Vibroverb clone I would highly recommend Lil Dawg Amps. I had a 5e3 from him and the wiring and finishing is top notch. Not bad prices either! I've often thought of getting a Vibroverb made up in a Princeton size chassis with a 1x12.
One other notable performance it's also when he sat in with Dave Stewart and Orianthi at the Troubadour in Los Angeles. It almost looks like he's plugged Street in to the amp because right before he goes into his solo he turns up his volume on the amp
That was a Deluxe Reverb, not a Vibroverb! Great performance though
Mayer has soul, I can only imagine all the relationship pain he's been through.
Wouldn't say this amps is undedrated even if it is John Mayers. Cool video 📹 😎
Congrats on the new amp! Do you know what speaker John uses in his Vibroverb?
Ever find the answer to this?
@@HeyJettRinkAn old JBL 120 speaker most likely. They don’t make them anymore and they’re very desirable today.
It is a JBL D130F! I got one in my ‘64, they were an optional upgrade from dealers in 64 so some were sold with them!
@@JustinJeskeI just got a ‘64 custom VV. Did you have to do any drilling or replace the baffle for that JBL?
For the RI I have no idea to be honest. My 1964 just came with it from the factory as the option.
Hey justin! great video, do you know what speaker John has in his vibroverb?
The blackface vibroverb is cool… but the best sounding one is the 63, or the brownface era one. Unreal light overdrive tone, if dialed in right it’ll get you hired real quick!
I was at John's SOLO show in Vancouver on April 10th. He played acoustic most of the night, but he played his PRS Silver Sky for a short section of the show. The amps on stage included a Vibroverb and a Dumble Overdrive Special.
I own an original, play it exclusively, and will never part with it. Thanks for showing love for it!
Glad you liked the video! Since that video I picked up a vintage 64 as well. My favourite amp I’ve ever owned!
@@JustinJeske That's awesome! It's definitely a special one. What speaker do you have in it? I'm using the JBL D130F
Do we know if John was using a vibroverb when be backed DRH in 2022? He sounds great in those performances
Yes, that is what he used with DRH & Scary Pockets last year
I am curious as to what speaker Jake has in his reissue and John Mayer is using in his. I have a AA763 (#3 made in January 1964) that came with a JBL (I am second owner, acquiring it in 1991). The JBL is a one-trick pony and is favorable to Fender single coils and unforgiving with humbuckers, IMHO. I currently have an Eminence 1518 that sounds great, but am left wondering which speakers the big artists are using in these.
THE 2019 DEAD AND CO TONE WAS SO GOOD!!! Take me back! There's a Brown Eyed Woman that blew my mind, but it was all sooooo good. LOL (Side note) the videos of playin in the sand sounded terrible!! What is going on?!
Wasn't he also playing 3 Deluxes in Dead and Co? What are the advantages/disadvantages? Which ones have higher headroom?
@@ClayAllred vibroverb is 40 watts versus the 22 of a deluxe reverb - so vibroverb
Does your VV reissue have the Cesar Diaz mod? I think the early 2000s reissues had them.
JM and JT… im afraid to ask who else also tops your list as well as mine haha
I might be wrong but I think John used the Vibroverb as early as 2002 in Any Given Thursday live dvd
AGT was a Super Reverb and in that era he mainly used a VibroKing!
What microphone used john?
Never ever heard anyone refer to a Vibroverb as "underrated". Have a VERY nice one on my channel.
Hey Justin. What were his typical settings in this vibroverb? And what channel? Thanks for your channel.
I’ll have to dive into his settings and experiment with those, but he always uses the Vibrato Channel, the first input. (Save for the first example in the video)
@@JustinJeske Thank you Justin. looking forward to that. Also just curious, has John Mayer ever commented here, or have you met him yet???
I wonder what would make him pick the Deluxe Reverbs over the Vibroverb?
Also wondering this.
They need to reissue the vibro verb
timberlake cover a deep cut at 3 million views? I remember this and still run into it to this day. there are no deep cuts with the UA-cam algorithm... if you follow or watch anything JM that lick with the Cornish NG2 will haunt your brain.
Do you know what speaker he was using for his? Stock or swapped?
Ever found the answer??
If you want a little more headroom than a deluxe reverb but don't want to lug around a bandmaster, this is your amp
Pro reverb is a little lighter and same guts.
Is John Vibroverb stock or modded? Different speaker?
Any chance that, that (or one of the vibroverbs) are Dumble Modded?
to my knowledge Mr. Dumble has not made any amps for Mayer. I beleive all of the amps Mayer owned with purchased second hand. I could be wrong, prove me wrong.
You want the early 60s Fenders with the harmonic tremolo, 61-63. It's a way cooler effect than just tremolo or "vibrato" in Fender terms.
To me, playing through Fender amps myself and then hearing John play through those same amps, you can really hear how much tone really is in the hands. I've played or owned a lot of the great amps that Mayer has used over the years (Vibroverb, HRRI Deluxe, vintage Deluxe, various Two Rocks) and for me it's so deflating to hear how much better he sounds than me. That said, I'm not drowning in my sorrows or anything, because I haven't been playing guitar for hours a day for 4 decades like he has, but still, when you hear how great he sounds, even through lowly Fenders, you can really tell how great and unique his technique is.
Is there really
much difference between the clean tones on all these different fender amps? For me I cannot distinguish
@@DOKITT While they are certainly all quite similar (being that not only are they all Fender's but even more so that they're all specifically from the blackface era/circuits), yes, in my experience/opinion they still have different independent personalities and nuances. I own a '64 Vibroverb, '65 Super and an Alessandro DRRI and I appreciate each of them individually/for different reasons.
@@stryguyAny clue if Mayers Vibroverb is stock or has a different speaker or mods?
I thought Let's Dance was a SSS
The 64 Vibroverb as an UNDERRATED amp?? what planet did you come down from?
The whole point to it that you missed is that it’s underrated and not talked about as much compared to John’s other amps. Not that it’s underrated in general
am i crazy justin, or did he use a vibroverb with heavier things?
That was a Vibro-King!
@@JustinJeske ah i’m crazy thank you lol
Is he using a D130F?
For the most part from what I can tell
Not so sure the Vibroverb is all that underrated ... More like, overpriced because people really want one. I got to play a brand new reissue and was not at all impressed with it. But this one sounds real fine. Vibroverbs are essentially, Super Reverbs with a 1X15 which can be created by changing the OT in a SR to an 8 OHM and installing a 1X15 baffle and a JBL or a Weber 15A150. Personally, I would also change out the power tubes to 5881's, specifically Tung-Sols.
Genuinely upset you posted this because I’m saving for one and this won’t help the prices 😢
He uses it because SRV used them.
Totally. Mayer didn’t forge any new ground here. It’s a direct SRV lift.
@@theanthonyv You don’t know John’s music then. Which version of Johns music is a lift? He’s got numerous albums and they are all different styles. SRV had like two sounds. Clean and dirty. Why am I responding to Idiot troll bullshit
what can't he say or he'll get demonetized?
Covaids genius. He said 2020 - I guess the sheep vax took all your memories
hahaaa great easter egg
Why did the prs jmod flop
Because PRS sucks old man nutz. Basically. Paul is a Killary Clinton brown nosing cuck. I’ll never buy from a lizard like him.
I kind of skip through but I didn't hear any of the amplifier just a lot of talk about it
That’s the new thing on YT apparently. Talk for 30 minutes about amps and never hear them (looking at you Ask zack and five watt world - 100% talk).
3 of the first 8 minutes of the video are of clips consisting of my buddy playing his VibroVerb RI and one of John’s solos 🙄
The John Mayer Signature Wimpoverb….
Bruh I see you making these kind of comments all the time, what a pathetic life you must have.
@@tomsandowtz I’m actually having a great time….
@@nuendo2496 if this is you having a great time then you just proved my point
"Under-rated" is THE most over-used descriptor in videos (and comments) posted relating to music. It's gotten comical. An amp, for example, can NEVER be over- or under-rated - it's a tool, like a paintbrush. Some are wide, some are narrow , some have a fine point. HUGE hits and immortal recordings have employed el cheapo amps, and flops you never heard were done with the "best" and most expensive amps. All that matters is if the amp is right for the recording...
He is saying that the Amp is UNDERATED TO JOHN MAYER SOUNDS.
Not in general
Refuse to watch anyone play a fake strat.