So this video on Triad Sequences for Bass Soloing looks at a couple of ideas for developing lines and I'll be adding Part 2 soon! Leave comment/questions and support the channel!
@rufusbass, Hey man, great video. Definitely gonna practice this. Can you do a video talking about how to approach an r&b/funk/soul song like "Mercy mercy mercy"? I can hear what things could be played but always end up staying on the same blue (pentatonic) type lines
Hi Rufus. Thanks for this vid. I have a question ref the descending Maj triad exercise in the first few minutes. It seems you play the descending triads backwards?? Ie. starting with the 5th, 3rd then tonic?? When I started working on the descending form I played the upper tonic, 5th then 3rd. ?? Am I over thinking this? Does it matter??
Hey Simon-good question-sorry I omitted to reply sooner. You can run them in the way you mentioned yes. Really the BEST thing is to try EVERY permutation. 531 513 315 135 etc etc. Then take a pair of triads and run them either with the SAME sequence or different: 315 531 or 315 315 etc etc ...Up to you and what you like the SOUND of ultimately....
Great job Rufus! - again! Your vids are so packed with info and tips it’s so cool. I love your sound also - 1:15 what strings are on this red fender jazz pls?,,,, very unique sound I love it mate! Cheers, 🙏🙏
@@rufusbass ahh I “think” I asked this a long time ago and you told me…lol I’m not getting older…lol Thx mate - I have them on 1 bass and they’re awesome - and, Kurt mangam 40-are awesome. 🙏🙏🙏
Hey! Newbie question. As you practice this over the whole neck, How are you choosing between major, minor, and diminished? My tendency would be to play all major or minor etc. Thanks!
It's determined by which parent scale you are extracting the triad seqeunce from. Major scale yields a different sequence of triads to say, the Melodic Minor scale...
So this video on Triad Sequences for Bass Soloing looks at a couple of ideas for developing lines and I'll be adding Part 2 soon! Leave comment/questions and support the channel!
Thanks dude...!
This is a great teaching.
Serious stuff to learn and digest.
Have a great day.
& Ur wearing my fav cartoon characters shirt; Spy vs Spy!! A Classic!!
I need a Spy vs Spy tshirt now 🎸
Very very very very good, Rufus!
Thank you very much!
Glad you like it!
Thank you for this great lesson! very clear and to the point!
You're very welcome!
Great lesson again Rufus, thanks
My pleasure!
Thanks sir for your amazing videos
I would like you make a video about the harmonic minor modes and what chord must be used for each one
Thank you for this video Rufus I have watched it 8 or 10 times and am really getting so much from it!
Great to hear!
Me tooooo🎉
Even more than 10 times 😅 in slow motion
Fantastic. You're a very good teacher. Looking forward to part 2.
Thank you very much!
Excellent lesson..Thank you!!
Glad you liked it!
Excellent teaching !!
Thank you!
Outstanding. I've been working on this stuff a lot lately. Got to slow down and put in the work.
Yes, the triad stuff is great to use for solo ideas and definitely great idea to start super slow-run thru all the inversions too ( in all keys :)
Smashing!
Excellent video and teaching ! Thx very much !
You are welcome!
Great stuff Rufus!
Glad you enjoyed it
This should keep me plenty busy until part 2
@rufusbass, Hey man, great video. Definitely gonna practice this.
Can you do a video talking about how to approach an r&b/funk/soul song like "Mercy mercy mercy"? I can hear what things could be played but always end up staying on the same blue (pentatonic) type lines
Thanks
You are Welcome! Glad you enjoyed it! And Thanks for the extra support for the channel!
Excellent lesson!
Thanks! 😃
Glad you liked it!
Thanks!
Many thanks for supporting channel!
Great job. Love it
Thank you! Cheers!
Amazing! Thank you for the content
My pleasure!
Great lesson TY
My pleasure!
Hi Rufus. Thanks for this vid. I have a question ref the descending Maj triad exercise in the first few minutes. It seems you play the descending triads backwards?? Ie. starting with the 5th, 3rd then tonic?? When I started working on the descending form I played the upper tonic, 5th then 3rd. ?? Am I over thinking this? Does it matter??
Hey Simon-good question-sorry I omitted to reply sooner. You can run them in the way you mentioned yes. Really the BEST thing is to try EVERY permutation. 531 513 315 135 etc etc. Then take a pair of triads and run them either with the SAME sequence or different: 315 531 or 315 315 etc etc ...Up to you and what you like the SOUND of ultimately....
Thank you Rufus.@@rufusbass
Great job Rufus! - again! Your vids are so packed with info and tips it’s so cool.
I love your sound also - 1:15 what strings are on this red fender jazz pls?,,,, very unique sound I love it mate!
Cheers,
🙏🙏
Thanks so much! La Bella Nickel Rx
@@rufusbass ahh I “think” I asked this a long time ago and you told me…lol I’m not getting older…lol
Thx mate - I have them on 1 bass and they’re awesome - and, Kurt mangam 40-are awesome. 🙏🙏🙏
Awesome!
Sounds a bit like riders on the storm,by the doors.
Do you give lessons over video?
Yup.
Hey! Newbie question. As you practice this over the whole neck, How are you choosing between major, minor, and diminished? My tendency would be to play all major or minor etc.
Thanks!
It's determined by which parent scale you are extracting the triad seqeunce from. Major scale yields a different sequence of triads to say, the Melodic Minor scale...
Thanks
Hey -big thanks for supporting channel @duncan1386