Have always loved this since I had it taped off tv on VHS in high school. It holds up and then some. Gary Thomas was always the standout to me. Machine gun licks over a dreamy groove. Pat's killin' it too. The whole band has it.
Thanks a lot, I have an old VHS of this, taped off TV, but it's edited, omitting the sax solo, jump-cutting to Pat's stuff. I saw that show, I remember it left my 18 year old self with a vicious headache but I liked it anyway!
thanks a lot for posting this wonderful vid . i owned the double cd and now have the long playing cassette . gres osby , gary thomas (with whom pat made the studio album "until we have faces") , lonnie plaxico on basses and of coarse the extrordinary jack dejohnette on drums and leading the AUDIO VISUALSCAPES band (sorry mick goodrick on guitar) i almost left you out . jack wrote the song for pat who did not appear on the studio recording . just wonderful . thanks again .
What I mean about "going for the nuts" is not so much about what particular scales or notes and more about the musical energy to-be-conveyed. Metheny often uses his GR synth to deliver hail storms of such musical energy- this is what I refer to as going "for the nuts".
Either polytonal, harmelodic, or they just learned the tune the previous night and are being thrown off by the changes, or, Dejohnette asked them to "go for the nuts";^) Methany's lines are not too surprising if you've heard much of him before. I would say that's his "go for the nuts" mode.
the sax guys solo styles sound like that new york late 80's / early 90's outside downtown style populat then, similar to what Steve Coleman (nyc) and Steve Washington (uk) were doing then, and probably others as well. It sounds distinctive as being weirdly "out" more than normal playing "out", if that makes any sense. I dont know if this style is still the hip kind of "out" style in nyc jazz circles now. the next batch of players probably moved on with their own "out" style different than this.
Steve Coleman and Greg Osby were the founding members of the M-Base school of musical innovation and philosophy based in Brooklyn starting around the mid 80's...
The MC Hammer reference is ridiculous. Hammer didn't come into the public eye until 2 years later (1990) The pants in the video have been worn on the African continent for centuries. Hammer didn't invent or popularize them.
Synth guitar and lots of hair. Whats not to like? The funny thing about jack's shirt is i swear I have seen Bill Bruford wear the same type. Popular in the 80's maybe?
LOL - do you know just how difficult it is to play that damn old Roland guitsynth?... The stuff he does is amazing considering the limits of that specific piece of equipmt. Just shows that tone ain't nothing if you don't nail them nice notes!! Paul
Have always loved this since I had it taped off tv on VHS in high school. It holds up and then some. Gary Thomas was always the standout to me. Machine gun licks over a dreamy groove. Pat's killin' it too. The whole band has it.
Keep coming back to this…the real shit!
Wow…killing.
Thanks a lot, I have an old VHS of this, taped off TV, but it's edited, omitting the sax solo, jump-cutting to Pat's stuff.
I saw that show, I remember it left my 18 year old self with a vicious headache but I liked it anyway!
I love this tune,how I listened for it years ago.Nice to watch again..I still like so much!!!!Thanks for shared!!!!!:-)
Jack has the coolest fromullet. Thanks for the cool vid.
yes it was a montreal jazz festival at the theatre st denis in 7/07/88
thanks a lot for posting this wonderful vid . i owned the double cd and now have the long playing cassette . gres osby , gary thomas (with whom pat made the studio album "until we have faces") , lonnie plaxico on basses and of coarse the extrordinary jack dejohnette on drums and leading the AUDIO VISUALSCAPES band (sorry mick goodrick on guitar) i almost left you out . jack wrote the song for pat who did not appear on the studio recording . just wonderful . thanks again .
Great act and music!
Pants!!!!! those were the days.....
splendid!
***** Add five more of those stars!
Thanks!!
Esse vídeo me lembra um amigo meu: Roberto "Mancha"
Feliz páscoa a todos, bom feriado!!!
What I mean about "going for the nuts" is not so much about what particular scales or notes and more about the musical energy to-be-conveyed. Metheny often uses his GR synth to deliver hail storms of such musical energy- this is what I refer to as going "for the nuts".
Either polytonal, harmelodic, or they just learned the tune the previous night and are being thrown off by the changes, or, Dejohnette asked them to "go for the nuts";^)
Methany's lines are not too surprising if you've heard much of him before. I would say that's his "go for the nuts" mode.
Back of Mick Goodrick's head at 4.27
the sax guys solo styles sound like that new york late 80's / early 90's outside downtown style populat then, similar to what Steve Coleman (nyc) and Steve Washington (uk) were doing then, and probably others as well. It sounds distinctive as being weirdly "out" more than normal playing "out", if that makes any sense. I dont know if this style is still the hip kind of "out" style in nyc jazz circles now. the next batch of players probably moved on with their own "out" style different than this.
Steve Coleman and Greg Osby were the founding members of the M-Base school of musical innovation and philosophy based in Brooklyn starting around the mid 80's...
The MC Hammer reference is ridiculous. Hammer didn't come into the public eye until 2 years later (1990) The pants in the video have been worn on the African continent for centuries. Hammer didn't invent or popularize them.
Synth guitar and lots of hair. Whats not to like? The funny thing about jack's shirt is i swear I have seen Bill Bruford wear the same type. Popular in the 80's maybe?
LOL - do you know just how difficult it is to play that damn old Roland guitsynth?... The stuff he does is amazing considering the limits of that specific piece of equipmt. Just shows that tone ain't nothing if you don't nail them nice notes!!
Paul
Mick Goodrick:guitar???? WHERE
what's going on? where is the vibraphone I hear constantly?? & who's playing it?
It's an electronic sequencer, programmed by Jack DeJohnette I assume.
@@HarryMillerMusicOfficial That's right. It gives the track a nice sound. The original track also uses the sequencer.
Jazz
This needs nothing