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MINOR CONVERSION Theory (Pat Martinos Approach)
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- Опубліковано 13 лис 2023
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the guys mimics are hilarious, thanks for the advice
Thanks man!
Yep, good info! For a long time, minor 7th arpeggios with some chromaticism have just set well under my fingers as a way in to improvisation.
Woaaah learned a lot from this! Thank you :D
Glad to hear bro
Great Lesson! You had me at "Martino." Thanks!!! Subbed!
What you say is true, Dm75- is the same as Fmi6 ( first inversion) and F dorian fits perfectly. Than altered over G7( alt) to Cmi. Sounds great 👍
It’s all Eb in different form being rootless etc 😂
@@plantdemic3935
Altered over G7 is Ab melodic = as bes ces des es g getting more alterations ( but if you want you can play Es right true)
Martino have some great books on this
He sure do!
Of course, D m7 b5 = Fmin6, or an F min triad over D
Yeah, but how do you choose the root note of the minor scale? Just use the one where the chord is diatonic?
Yeah! They are all related! A Dm7b5 is the same as an Fm with the 6th in the bass.
Both in Eb scale, what’s the deal… not too complicated
He didn’t write that book 😂😂😂
Ok :)