MINOR CONVERSION Theory (Pat Martinos Approach)

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[@pieter3842]

the guys mimics are hilarious, thanks for the advice

[@Guitarmin98]

Thanks man!

[@titosmith7942]

Yep, good info! For a long time, minor 7th arpeggios with some chromaticism have just set well under my fingers as a way in to improvisation.

[@menamgamg]

Woaaah learned a lot from this! Thank you :D

[@Guitarmin98]

Glad to hear bro

[@voronOsphere]

Great Lesson! You had me at "Martino." Thanks!!! Subbed!

[@JazzgutsVGvanKampen]

What you say is true, Dm75- is the same as Fmi6 ( first inversion) and F dorian fits perfectly. Than altered over G7( alt) to Cmi. Sounds great 👍

[@plantdemic3935]

It’s all Eb in different form being rootless etc 😂

[@JazzgutsVGvanKampen]

@@plantdemic3935
Altered over G7 is Ab melodic = as bes ces des es g getting more alterations ( but if you want you can play Es right true)

[@nickfanzo]

Martino have some great books on this

[@Guitarmin98]

He sure do!

[@Mr.S369]

Of course, D m7 b5 = Fmin6, or an F min triad over D

[@Mezurashii5]

Yeah, but how do you choose the root note of the minor scale? Just use the one where the chord is diatonic?

[@Guitarmin98]

Yeah! They are all related! A Dm7b5 is the same as an Fm with the 6th in the bass.

[@tucki666]

Both in Eb scale, what’s the deal… not too complicated

[@plantdemic3935]

He didn’t write that book 😂😂😂

[@Guitarmin98]

Ok :)