Neil Peart was more than just a drummer, he was a percussionist who understood rhythm. He described himself as a student of his instrument as he was always looking to learn and expand on both knowledge and ability. Legend says that with drum solos non-drummers went to the bar, but with a Neil Peart solo the bar emptied!
The Drum Master- Drumming has the power to unite people, no matter how varied their language or cultural background might be. On a recent trek through Africa, Neil Peart had a singular experience that proved just that. "I was in Gambia, walking through a small village, and I heard the sound of a drum. So of course I was curious! I looked into a compound and I could hear the drumming coming from a curtained room. I walked up to a woman doing laundry in front of the room. She could see my interest in the sound, so she waved me to go in. Inside I found a young, white missionary from a nearby Catholic school. Sitting across from him was the commanding presence of the local drum master. He was attempting to show the missionary how to play any kind of beat. The missionary was trying as hard as he could, but he wasn't having a lot of success." After a time the drum master, frustrated by the missionary's lack of ability, noticed the other man who had come into the room. The master had no idea who this person was, but he thought to himself, "Why not see if he can play?" According to Peart, what happened next was fascinating. "The drum master gestured to me to try and play a rhythm. So we began playing together, and he started smiling because he could tell I had a rhythm - maybe not his rhythm, but a rhythm of some kind. We were playing and playing, building the intensity, and little kids started coming in, laughing at the white man playing drums. Then a few women came into the room, and everybody began dancing to our beat! The master and I even started trading fours. It wasn't a spoken thing, but he could tell that I would lay out and listen to what he was doing for a certain amount of time, and then he would do the same. It was just a magical moment." When they finished, a confused and startled missionary ran up to Peart and asked, "How can you do that?" Chuckling to himself, Neil politely responded, "I'm in the business." World Inspiration Neil's love of bicycling and travel is well known - it's almost the stuff of legend. While on tour with Rush he's been known to avoid the tour bus and bike to the next town and venue. When not on the road with Rush, he has taken his bike to the four corners of the globe, including Europe, mainland China, and Africa. Upon entering Peart's Toronto home, one is immediately struck by the fact that this man has seen and experienced locales most people can't imagine. "Here's a prized possession of mine," he says proudly, showing a raw-metal sculpture standing about ten inches high and resembling a tribal version of Rodin's "The Thinker." "It's from Africa. It weighs about twenty pounds, and I had to carry it a hundred miles on my bike. but it was worth it." Neil's passion for authentic African art is obvious. Unique drums, with their rich, hand-carved elegance, are displayed in his home with reverence. Original Chinese gongs decorate a few of the walls. The decor hints at the fact that a drummer lives in the house, shouts at the fact that a word traveler resides there. Peart's love of travel is obvious, but does actually going to other parts of the world inspire him musically? "First of all, I think travel is very important for any person," he insists. "It's affected me enormously, and I'm sure it filters down to my work. Africa is not an abstraction to me anymore - neither is China. They're places I've experienced, places where I've met people, made friends - and just broadened my thinking. "I've written lyrics that were directly influenced by my travels abroad. In a drumming sense, I've had some interesting experiences in different countries, experiences that may not directly affect the way I play drums, but that certainly inspire my feelings about drumming. And I've gotten very interested in hand drumming. Lately I've been working on playing the djembe." One way Peart's wanderlust has directly affected the sound of his drums is through sampling. "One of the small drums I brought from China is an antique that's too fragile to play. So I took it and a few of the other delicate instruments that I own and sampled them - along with many of my other instruments like my temple blocks and glockenspiel. I've built up a huge library of sounds, and they've made their way onto our albums in many of the different patterns I play." A particular pattern Neil has recorded that demonstrates the value of "world inspiration" comes from Rush's last album, Roll The Bones. "On that record we had a song called 'Heresy' that had a drum pattern I heard when I was in Togo. I was laying on a rooftop one night and heard two drummers playing in the next valley, and the rhythm stuck in my head. When we started working on the song I realized that beat would complement it well."
🤩 Hoping for more Rush! 🙋🏿♀️ May I suggest New World Man, YYZ Live in Rio, Tom Sawyer, Working Man Live in Cleveland and/or La Villa Strangiato (Exit Stage Left Video). They were around 40 yrs 😍 and so we're their fans, like me! 😁🐰
I am so fortunate to have seen Rush live several times. And seeing Neil performing this drum solo live is a music moment i will never forget. RIP. 🇨🇦 A great Canadian musical talent.
A lot of people don't realize a lot of what he did in these solo's .. they are very carefully written and choreographed, not just some adhoc random drum pounding on the fly, but very carefully developed, written and performed, TO PERFECTION!
Neil isnt my fave drummer, but he's probably the best at that specific style of fast complex hard rock. Check out Buddy Rich's solos though, nobody could play like that, but a few were close. From an artistic standpoint, rather than who can play the fastest or most complex stuff, my faves are Bill Bruford and Alan White.
There is 3 Drummers that I consider Super Elites: Neil, Danny Carey from Tool, and John Bohnam from Led Zeppelin. They all have Solos on UA-cam, you should check them all out, Bohnams solo is called Moby Dick and Careys is Pnuema, both LIVE versions! My honorable mentions are Buddy Rich (the end of this Solo was Neils Tribute Buddy, Swing Music), Vinny Paul from Pantera, Alex Van Halen and Keith Moon from the Who.
LOVE the reaction!! :) ♥ “Now may the God of hope fill you with all joy and peace as you believe in Him so that you may overflow with hope by the power of the Holy Spirit.” ~ Romans 15:13
Don't listen to the Bonham fanboys this is the greatest rock drummer that ever lived. RIP Professor.
Yep, not even close.
100%!!!!!!!!!!!!!
Never a question!!!!!!!! Neil is the GOAT. PERIOD.
Watch your mouth! If it weren't for JHB Peart wouldn't even be noticed. Even Neil admitted to that.
@@oreally8605 Huh, Peart is a monster, Bonham meant nothing to Peart.
Bon hamsandwich is a microbe!!@@oreally8605
Love YOU!!! Next??? Neil Peart - Cotton Tail??? reaction??
He was known in the music industry as 'The Professor'. RIP Neil Peart.
He was also the main lyricist for Rush.
Neil Peart was more than just a drummer, he was a percussionist who understood rhythm. He described himself as a student of his instrument as he was always looking to learn and expand on both knowledge and ability. Legend says that with drum solos non-drummers went to the bar, but with a Neil Peart solo the bar emptied!
The Drum Master- Drumming has the power to unite people, no matter how varied their language or cultural background might be. On a recent trek through Africa, Neil Peart had a singular experience that proved just that. "I was in Gambia, walking through a small village, and I heard the sound of a drum. So of course I was curious! I looked into a compound and I could hear the drumming coming from a curtained room. I walked up to a woman doing laundry in front of the room. She could see my interest in the sound, so she waved me to go in. Inside I found a young, white missionary from a nearby Catholic school. Sitting across from him was the commanding presence of the local drum master. He was attempting to show the missionary how to play any kind of beat. The missionary was trying as hard as he could, but he wasn't having a lot of success."
After a time the drum master, frustrated by the missionary's lack of ability, noticed the other man who had come into the room. The master had no idea who this person was, but he thought to himself, "Why not see if he can play?" According to Peart, what happened next was fascinating. "The drum master gestured to me to try and play a rhythm. So we began playing together, and he started smiling because he could tell I had a rhythm - maybe not his rhythm, but a rhythm of some kind. We were playing and playing, building the intensity, and little kids started coming in, laughing at the white man playing drums. Then a few women came into the room, and everybody began dancing to our beat! The master and I even started trading fours. It wasn't a spoken thing, but he could tell that I would lay out and listen to what he was doing for a certain amount of time, and then he would do the same. It was just a magical moment." When they finished, a confused and startled missionary ran up to Peart and asked, "How can you do that?" Chuckling to himself, Neil politely responded, "I'm in the business."
World Inspiration
Neil's love of bicycling and travel is well known - it's almost the stuff of legend. While on tour with Rush he's been known to avoid the tour bus and bike to the next town and venue. When not on the road with Rush, he has taken his bike to the four corners of the globe, including Europe, mainland China, and Africa.
Upon entering Peart's Toronto home, one is immediately struck by the fact that this man has seen and experienced locales most people can't imagine. "Here's a prized possession of mine," he says proudly, showing a raw-metal sculpture standing about ten inches high and resembling a tribal version of Rodin's "The Thinker." "It's from Africa. It weighs about twenty pounds, and I had to carry it a hundred miles on my bike. but it was worth it." Neil's passion for authentic African art is obvious. Unique drums, with their rich, hand-carved elegance, are displayed in his home with reverence. Original Chinese gongs decorate a few of the walls. The decor hints at the fact that a drummer lives in the house, shouts at the fact that a word traveler resides there. Peart's love of travel is obvious, but does actually going to other parts of the world inspire him musically? "First of all, I think travel is very important for any person," he insists. "It's affected me enormously, and I'm sure it filters down to my work. Africa is not an abstraction to me anymore - neither is China. They're places I've experienced, places where I've met people, made friends - and just broadened my thinking.
"I've written lyrics that were directly influenced by my travels abroad. In a drumming sense, I've had some interesting experiences in different countries, experiences that may not directly affect the way I play drums, but that certainly inspire my feelings about drumming. And I've gotten very interested in hand drumming. Lately I've been working on playing the djembe."
One way Peart's wanderlust has directly affected the sound of his drums is through sampling. "One of the small drums I brought from China is an antique that's too fragile to play. So I took it and a few of the other delicate instruments that I own and sampled them - along with many of my other instruments like my temple blocks and glockenspiel. I've built up a huge library of sounds, and they've made their way onto our albums in many of the different patterns I play."
A particular pattern Neil has recorded that demonstrates the value of "world inspiration" comes from Rush's last album, Roll The Bones. "On that record we had a song called 'Heresy' that had a drum pattern I heard when I was in Togo. I was laying on a rooftop one night and heard two drummers playing in the next valley, and the rhythm stuck in my head. When we started working on the song I realized that beat would complement it well."
🤩 Hoping for more Rush! 🙋🏿♀️ May I suggest New World Man, YYZ Live in Rio, Tom Sawyer, Working Man Live in Cleveland and/or La Villa Strangiato (Exit Stage Left Video). They were around 40 yrs 😍 and so we're their fans, like me! 😁🐰
I am so fortunate to have seen Rush live several times. And seeing Neil performing this drum solo live is a music moment i will never forget. RIP. 🇨🇦 A great Canadian musical talent.
Q: 🤔 "What do 🎛️ Drum Machines want to be when they grow up?"
A: 🤗 The Professor 🥁 (RIP Neil Peart) 🙏🏿😞🐰
Neil was the g.o.a.t ( greatest of all time), he was truly amazing!
A lot of people don't realize a lot of what he did in these solo's .. they are very carefully written and choreographed, not just some adhoc random drum pounding on the fly, but very carefully developed, written and performed, TO PERFECTION!
☺️ When a Neil Peart 🥁 Drum Solo becomes your "favorite song"! I feel that! 🥰🐰
Check out Neil on the Buddy Rich tribute. Older version. He impressive. 😊
Neil isnt my fave drummer, but he's probably the best at that specific style of fast complex hard rock. Check out Buddy Rich's solos though, nobody could play like that, but a few were close. From an artistic standpoint, rather than who can play the fastest or most complex stuff, my faves are Bill Bruford and Alan White.
There is 3 Drummers that I consider Super Elites: Neil, Danny Carey from Tool, and John Bohnam from Led Zeppelin. They all have Solos on UA-cam, you should check them all out, Bohnams solo is called Moby Dick and Careys is Pnuema, both LIVE versions! My honorable mentions are Buddy Rich (the end of this Solo was Neils Tribute Buddy, Swing Music), Vinny Paul from Pantera, Alex Van Halen and Keith Moon from the Who.
That was awesome
LOVE the reaction!! :) ♥ “Now may the God of hope fill you with all joy and peace as you believe in Him so that you may overflow with hope by the power of the Holy Spirit.” ~ Romans 15:13
Amen …