Great video. I've seen several tutorials on greenscreen and VFX on UA-cam, but yours are on another level and this video is proof of it. Thanks for sharing your knowledge! 😉
dude i loved this less cringe style of tutorial. i learned so much from you but sometimes its get little hard to watch but this one flowed. i didnt even notice its been 10 mins.
Great tips! Do you usually use a light wrapper plugin to make it more natural and integrated or does it depend on the context of your background? Thanks! :)
hey, totally depends on the show! Sometimes a glow does the trick, sometimes nothing, sometimes blending the overall colors on top of everything and sometimes you have to create your LW from scratch!!
Thank you for your tutorials. Here is my question how to track my video with a green screen scene whiout any trackers (point or diamonds pluses for tracking on green screen). On screen just me, wall and plan is green screen
Unfortunately you have to make a super soft key then for the oof part... I know it's hard but that is a decision the DoP has to make and we have to go with it!!
Always awesome and i need to know if you don't have proper green screen or light setup is there any way to for bad green screen remove and one more request please make tutorial about vfx which is viral like Omegle type
Hey! It does not need to be expensive! Just hang it up without wrinkles and try to get it as even as possible where your actor or object is! And then simply use the keylight effect! Promise: You will get a satisfying result!!
It was the tutorials you did where you faked sitting on a train that blew me away. You were at the bottom of the stairs in your apartment and the green clothe was as sloppy as can be. The smart phone camera in the portrait postition to get the whole body that was sitting right on the green clothe. Wrinkles everywhere. But you put it into AE, and masked out a lot witg feathering, you layered your subject (you) to get the detail of the hair! and WOW! But then in other tutorials you made a layer copy for the background and blurred that to get day for night or just matching background lighting to the subject you greenscreened and again WOW! The subject looked like it he she was part of the scene and not washed flat in. I could go on and on but those old tutorials of yours were just perfect! My cameras besides the iPhone and iPad and Android are the Nikon D5100 (native ISO 200) (in portrait mode) and the Canon EOS C100 mark i (native ISO 800) with Atomos Ninja V to record ProRes 422 HQ. I would love to share with your other users some footage like Jean Claude Van Damme so we can come up with interesting and funny short clips. My lighting is 3 points on my actor and 2 points on the screen as seen in a tutorial by Adorama. The 2 points cross evenly. So Right to Left not Right to Right. Left to Right not Left to Left. I just moved into a new old apartment in February with a long not wide studio so full figure is possible and still be 5' or 2 meters away from green (or blue) screen. This is so exciting!
Haha... What I want to explain is that you don't have to buy cheap or expensive stuff. You need to know how to use it and then you can make both look great!!
Here’s a crazy shot I have to do: Night, ext, A remote controlled helicopter from below, made to look like a real helicopter, shot on a fisheye lens. It flies perfectly straight over the camera. I have to deal with the motion blur of the helicopter flying and also the blades spinning. How would you guys do it?
@@flo.motion that’s what I was gonna do but it’s a practical effects only thing. It’s a dream sequence where everything is practical. 3D would break the effect. I was thinking I could put the green screen on the wall, hang the helicopter with no propeller by wires, then shoot the blade in a separate shot, animate the blade to rotate and add motion blur, and fuse them together in post with a lens distortion on the blade only. Hopefully since the blade is a flat circle it won’t look 2D.
another nice tutorial! thanks for sharing your tricks with us.. but one thing noone talks about is if Shooting LOG or a flat imageprofile helps or worsens the image. i would guess that an log profile actually wouldnt help for the key since you remove most of the kontrast!? but i'm really not sure on thet.. also using the waveform as an reference of how even the background is lit is another good tipp you maybe missed ;)
Hey! It depends on your codec! If you use a 422 codec, you wont get a better result be it log or rec709 (or whatever color profile you are using) because the pixel information is just not there for a pixel perfect key! If you have the same codec, then I would go with log, as you get a more precise color information if you do your conversion right! Codec before color!!
This channel needs 10 million subscribers
Ok!! Can you help??
The ISO trick was great!
Thanks a lot!
Great video. I've seen several tutorials on greenscreen and VFX on UA-cam, but yours are on another level and this video is proof of it. Thanks for sharing your knowledge! 😉
thanks a lot!!
And what is the preferable picture profile LOG or Standard one?
Well log has more color information then rec709. So log is better. But still I would go codec before color profile!!
dude i loved this less cringe style of tutorial. i learned so much from you but sometimes its get little hard to watch but this one flowed. i didnt even notice its been 10 mins.
Jeah! Supercool!!
Great video👍👍
Thank you!!
Nice tips for budget filmers. Another one: Spray water on wrinkles and let dry. Don`t iron it, it gets shiny.
Cool!! Tnx a lot!!
So many great tips 😮Thank you !!!
thanks for watching! What does the 7145 in your name stand for?
What is better than great green screen tips ? easy....
Great green screen tips from an expert who knows what he is doing !
Thanks for your time Flo.
You are welcome!!
Great tips!
Do you usually use a light wrapper plugin to make it more natural and integrated or does it depend on the context of your background?
Thanks! :)
hey, totally depends on the show! Sometimes a glow does the trick, sometimes nothing, sometimes blending the overall colors on top of everything and sometimes you have to create your LW from scratch!!
Great video man. thanks
Thanks for your comment
Thank you for your tutorials. Here is my question how to track my video with a green screen scene whiout any trackers (point or diamonds pluses for tracking on green screen). On screen just me, wall and plan is green screen
Is there a chance to have a look at the footage??
I replied to you one of hundred footage which needs to solve the issue . Please help me 😊
How I can send you footage? I uploaded to my website but on UA-cam cannot send to you
*Great tutorial again!!! Thank you*
thanks for the bold comment!!
thanks for the tips for motion blur and iso, but how about many depth of field in 1 image?
Unfortunately you have to make a super soft key then for the oof part... I know it's hard but that is a decision the DoP has to make and we have to go with it!!
Great tips, thank you so much
I hope you can do more
You wanna have more greenscreen tips??
@@flo.motion yes my friend, I'm a junior compositor. I wanna learn a lot about my position
Always awesome and i need to know if you don't have proper green screen or light setup is there any way to for bad green screen remove and one more request please make tutorial about vfx which is viral like Omegle type
Hey! It does not need to be expensive! Just hang it up without wrinkles and try to get it as even as possible where your actor or object is! And then simply use the keylight effect! Promise: You will get a satisfying result!!
@@flo.motion thanks dear
It was educational. Thanks.
perfecto!!
It was the tutorials you did where you faked sitting on a train that blew me away. You were at the bottom of the stairs in your apartment and the green clothe was as sloppy as can be. The smart phone camera in the portrait postition to get the whole body that was sitting right on the green clothe. Wrinkles everywhere. But you put it into AE, and masked out a lot witg feathering, you layered your subject (you) to get the detail of the hair! and WOW! But then in other tutorials you made a layer copy for the background and blurred that to get day for night or just matching background lighting to the subject you greenscreened and again WOW! The subject looked like it he she was part of the scene and not washed flat in. I could go on and on but those old tutorials of yours were just perfect!
My cameras besides the iPhone and iPad and Android are the Nikon D5100 (native ISO 200) (in portrait mode) and the Canon EOS C100 mark i (native ISO 800) with Atomos Ninja V to record ProRes 422 HQ. I would love to share with your other users some footage like Jean Claude Van Damme so we can come up with interesting and funny short clips.
My lighting is 3 points on my actor and 2 points on the screen as seen in a tutorial by Adorama. The 2 points cross evenly. So Right to Left not Right to Right. Left to Right not Left to Left.
I just moved into a new old apartment in February with a long not wide studio so full figure is possible and still be 5' or 2 meters away from green (or blue) screen. This is so exciting!
Haha... What I want to explain is that you don't have to buy cheap or expensive stuff. You need to know how to use it and then you can make both look great!!
Great video!
Thanks a lot!!
Nice
Tnx
great video thank you
Thanks a lot!!
Danke 👍🙂
Gerne 😊
Here’s a crazy shot I have to do:
Night, ext, A remote controlled helicopter from below, made to look like a real helicopter, shot on a fisheye lens. It flies perfectly straight over the camera.
I have to deal with the motion blur of the helicopter flying and also the blades spinning.
How would you guys do it?
Thought about adding the helicopter as a 3D asset??
@@flo.motion that’s what I was gonna do but it’s a practical effects only thing. It’s a dream sequence where everything is practical. 3D would break the effect.
I was thinking I could put the green screen on the wall, hang the helicopter with no propeller by wires, then shoot the blade in a separate shot, animate the blade to rotate and add motion blur, and fuse them together in post with a lens distortion on the blade only. Hopefully since the blade is a flat circle it won’t look 2D.
another nice tutorial! thanks for sharing your tricks with us.. but one thing noone talks about is if Shooting LOG or a flat imageprofile helps or worsens the image. i would guess that an log profile actually wouldnt help for the key since you remove most of the kontrast!? but i'm really not sure on thet.. also using the waveform as an reference of how even the background is lit is another good tipp you maybe missed ;)
Hey! It depends on your codec! If you use a 422 codec, you wont get a better result be it log or rec709 (or whatever color profile you are using) because the pixel information is just not there for a pixel perfect key! If you have the same codec, then I would go with log, as you get a more precise color information if you do your conversion right! Codec before color!!
I think I need to subscribe to you
Do it!! 😎
VFX VFX VFX
Jeah jeah jeah!!
thank you for the tips zaddy
you are welcome!!