@@greenchilaquiles This is my new favourite youtube comment. This is my new favourite youtube comment. This is my new favourite youtube comment. Sorry to repeat myself but it'll help you remember
Thanks for bringing up the distinction between pitch and timbre. For me, that's one of the reasons I love Joe Zawinul so much. He played each sound as if it was an entirely different instrument. I wish I could say the same for most keyboard players but it seems to be a point often missed - even by those considered to be among the greats. Chick Corea is a prime example of the latter, which is why I don't dig his (non-acoustic) music.
Huge honor, and humbling, for me to be a part of this video with such massive musical talent on display. Nahre visited the school I work at and blew everybody away with her unbelievable talent. Such a great day for me and my students.
Is there really? I would challenge the collected UA-cam luminaries who have done a drive by here to do something truly radical: put some political content in your music (I don’t care what, as long as it is political).
I used to do something like this with a friend who had no musical background outside of knowing a couple of chords on the guitar. I'd record something and send it to him, then he'd put another layer on top and send it back, and so on until the whole thing was terribly overcrowded with sounds. And it was a wonderful experience, because he'd do stuff that was "unmusical" in the sense that a musician probably wouldn't do something like that. For instance, after the 10th layer he'd just put a wah-wah effect on the whole track. But then you'd have to try to make sense of it together, and a couple of layers later it always turned out that the "unmusical" feat was the parting point where the track started to become musically interesting. I think that's what Orson Welles called the happy accidents, which you have to provoke to create something interesting.
Thanks so much for this Nahre! I have the same pedal and was thinking of doing a video a bit like this, but you've done it so much better than I could! I LOVE the idea you've found of 'Competitive Looping' with a friend - that's just so much fun, I'm going to try that straight away! Inspiring video (*again*). Also love Adam's impressed faces (-:
I'm working in 3D modeling and this really made me think of tiles and repetitive materials. You need it to be a light touch because if theirs too much contrast in a tile you can see it repeat over and over and that's not good.
Hahaha I loved the overlaid commentary at the end with your solo. Great video exploring the looper, Nahre! I recently acquired the same pedal and wasn't sure of the best way to record with it, so thanks for sharing your set-up details. Like some other people said, I'm also fascinated by this creative, game-like aspect of trading off on looping with another person. Gotta try that out with my friends. Thanks for sharing this! :-)
Amazing how a "simple" guitar pedal, that usually is a pretty common thing in a guitarist's right, can be taken to a completely different level when it's used by someone with a different background and knowledge! As always, great content and amazing collaboration :)
I've sat with a friend and looped chord progressions for about 2 hours once. We barely spoke and spent a lot of time just appreciating what we had come up with together.
This channel is a hidden gem on UA-cam, I know barely anything about music theory but the videos are just so chill to watch and listen to. Really deserves more subscribers.
It warms my heart to see the UA-cam musicians and educators I like hanging out together and collaborating. Makes this feel like a real community, something there to mentor all sorts of new talent. Thanks to all of you for being so awesome.
I was just thinking that, too. She points out the advantage of the pedal at 3:00, though, which is that she can erase the most recent track. With the internal looper you’re stuck with anything you touch.
Very cool, thoughtful video. I love the way you guys really explored loop building. You would love Theresa Andersson, from New Orleans (originally Sweden). She performs with 2 loop pedals, guitar, violin, drum machine & some live drums, records, dulcimer and vocals. I worked at a venue she occasionally gigged in and she'd include 3 digital cameras aimed at her feet in different instrument stations on stage, running to projectors, so the audience could get more of a visual interpretation of the juggling act she's accomplishing in every song.
@7:31 The bass line in many cases is the whole feel of the music. If we're talking about individual songs/singles you'll see it all the time that in a live performance. A lead guitar/instrumental does something really weird and off sounding though the bass line didn't alter their part so it stayed together just fine. Just another reason why bass is such a crucial part.
You have an amazing talent to make videos that are calming and at the same time very interesting. Many UA-camrs try to keep the attention of the viewers with fast cuts and an energetic voice, you make / need nothing like that. It is just a calm story that evolves and keeps the interest high. Thank you for being like that (I guess). And thank you for the interesting content. Have a nice day.
Your videos are always a delight. "Looping With Friends" isn't a show I could've predicted but clearly is one I'd enjoy watching. The on-screen text is always a great compliment to the content of the video, pointing out instructive bits as they occur ("repeat the mistake") and also sharing warmth and good humor ("Fried chicken?").
Matthew Ray already mentioned this, but have you considered plugging your keyboard into an iPad/iPhone and using one of the numerous looping apps? If you use the keyboard as a MIDI controller rather than audio source, you wouldn't even need an audio interface. One keyboard, one device, one cable (or NO cables if you use a Bluetooth-MIDI adapter like the Yamaha MD-BT01). I realize part of the interest for you is dealing with the limitations of the single loop your pedal provides, but apps such as Group the Loop, LoopTree, Everyday Looper, or Loopy HD would allow you to play with multiple loops of different lengths, and you could bring parts in and out to provide more variation. But you wouldn't get that satisfying foot switch click every time you loop...
omg I love how awesomely well u get a subject that seems simple and create a huge video with so much quality and content while still letting it be very personal and making us feel so close and connected to you and the whole process.
The cool thing about this video is that you're able to articulate your feelings on the pedal, it's limitations, and how you've been able to gather ideas from it. I'm actually surprised that you haven't used this method before. At the same time subscribing to your channel earlier last years ( I think ) I've not seen you do a lot of small repetitions in your compositions. You might want to explore this more Nahre because this could potentially offer you some cool compositions for some pieces that you could perform live. Mathrock is essentially like this in the years that looping was trendy. However, many of these bands that use this method don't really exist anymore. The only band that's been consistent about it has been BATTLES (Ian, Dave & John) and since their start they've really found ways to make it interesting each time. You should also check out Tyondai Braxton (a former member of BATTLES) who did a record called "Central Market" that sort of embodies this method. Loved this episode Nahre. Definitely want to get you into my podcast
this just gets better and better... I started watching you because I was going to buy a Reface CP.. I am a looping, sampling and beatmaking enthusiast.... you have really inspired me a lot to become a keyboardist... THANKS.. keep on looping!
Great video & insights on frequency stacking with timbre and overcrowding a certain frequency band! Ditto (pun intended) with the irregular pulse and meter. Really cool things to keep in mind when approaching phrases for repetition. Thank you!
I'm new to you and your videos, but I particularly liked, and appreciated, the improved bit plus commentary at the end. It tickled my brain in a real fun way
This is awesome, as someone who loves making loops, I'm glad you pointed out that there is a difference when writing for something that will be looped. 😁 thanks!! When I write loops, I like leaving a sense of unresolved motion or creating a more stagnant ambient atmosphere. Also the frequency conversation is really important, pay attention, folks!! These videos where you explain your process are great, and you have an approach that seems so natural!! It's inspiring for others seeing where focus and hard work can take you 😊
It's so great that you can look past (or actually embrace?) the limitations of this Ditto looper pedal and get to do music (and so much of it actually) instead of refining you gear setup. That said, I have no idea why Ditto is so popular. It doesn't have a rhythm section, it can't store your loops to go back to (forcing you to resort to an external recorder). Nux Loop Core costs less than Ditto and it offers 99 slots for storing your loops for a total of up to 6 hours, it also has undo and redo, it has 40 drum tracks (20 in 4/4 and 20 in 3/4) to further improve your timing, it has auto-record which starts recording as soon as it gets input (which does away with having to click and start playing at the same time - but you still have to click to complete the loop in perfect time). It can slowdown or speed up your loops while preserving the pitch and keeping the drums playing in sync. With an additional footswitch you can switch between existing loops forward and back allowing for multipart compositions on the fly. It does I believe at least as much as Boss RC-3 but for under half the price of that. And then again, having said that, since you are carrying a recorder, a keyboard, and a looper, and a powerbank and you are still gonna transfer all of this into a computer to edit and post, so why not use Ableton live with a small, light midi-keyboard/controller? It can do all of those things Nux Loop Core does but better, plus it lets you record entire composition from your loops with unlimited undoing/redoing and overdubbing of all loops in any order, and the midi controller gives you access to unlimited pallet of sounds in the form of plug-in synths, drums and basses. Your rig would consist of the laptop (probably lighter than the pedals with the power bank), midi-keyboard (definitely lighter than your keyboard), and maybe you would need an interface for low-latency signal path (I wonder if there are some that can be built into the laptop). You will have fewer wires for sure... But this rig is more complicated to learn and set up than the Ditto looper, so that's perhaps explain why you went the way of the looper pedal. But Ableton way might be cheaper, more portable and definitely more powerful in all respects.
Shay Usu: No she is not. She is simply an illusion embedded in your consciousness available for psychlogically dependent individuals who find excistance without predetermination hard to accept. She does excist, but on a level so far above your reason or imagination that she is forever unavailabe to you. Like an ant trying to figure out the technology behind the Summit (a 148.6 petaflops computer). She does excist, in the form of a ‘slimy’ extended substance but has no location, no form, no mass, no color or other properties, except.... an inperceptable soft hum. Don’t confuse the two.
This is an awesome documentary of a musician's story, I relate to it in the sense of finding something new and exciting and doing just that in many possible aspects for an extended period of time! You made me want to dig into looping again :) I didn't know you before but I'm surely looking forward to more of your content!
It's absolutely to fascinating to follow your journey on this channel Nahre - what you're discovering beyond your incredible specialism as a pianist and how you approach certain things from beyond your comfort zone without prejudice. It seems make a hugely rich learning experience for you and is a great reminder for those of us watching to use our imaginations more when approaching technologies or genres that may seem mundane to us. Basically, we get a little glimpse at how your super-powered pianists brain works and it's not only fascinating but humbling, too. Thanks for your intellectual humility, rigour and candour. And for the brilliant music of course! :)
Great video! I've been wanting to get into looping but was at a loss where to start... this gave me a ton of inspiration (and I've already ordered your loop pedal and backordered that amazing keyboard)!
Why do both the keyboard and the loop pedal need to be connected to the recorder if to recorder is already connected to the keyboard? Also, does the looper automatically adjust the end of the loop to fit in the with tempo and time signature of the previous loops (or even any particular time signature at all, rather than just end _exactly_ when you hit the button)? I imagine it would otherwise it'd be supremely difficult to avoid the loops getting out of sync with each other.
I think only loop pedal that need to be connected to recorder. This particular looper, Ditto Looper from TC Electronic, behave "as is"; the length of overdub is same as the first loop (start from first button hit to second one). If first loop is not perfect 4/4 (as example), all overdub is follow that. If the overdub length is more than the first, the remaining will be overdubbed on the beginning (act as new over dub)
I love how you're friends with Adam, Jeff, and all these people. All of you are such inspirations. Some of these loops sounded like Imogen Heap. Way to go Nahre Sol!
6 років тому+2
Merci ! Si seulement je comprenais tout ! 😭 mais c’est pas grave. Les notes je les comprends 😁.
That was really cool! Very inspiring to see you looping with the other guys. Somewhere between a dialogue (more like a discussion) and a musical duel of sorts. But at the same time resulting in something cohesive and new and greater than the sum of its parts. Awesome, thank you!
![Lp. Сердце Вселенной #60 РОЖДЕНИЕ ЛОЛОЛОШКИ [Финал] • Майнкрафт](http://i.ytimg.com/vi/YoR0pAV9FVQ/mqdefault.jpg)
BASS (and loop!) such a great video Nahre! Glad to be part of it.
I would love to see this amazing woman on Musica Analytica!!
Adam! You two make UA-cam and the world a better place. Great vid guys!!
ADAM! You rock, nice surprise to see you in the looping world!
Loved this crossover! Check out Juana Molina, just in case you don't know her. She uses quite a lot of looping
/watch?v=NsMYnERBR8Y
Should've looped the lick though :D
that ten beat loop was particularly lovely
The guy in his own self has arrived, my humans.
*cough cough collab cough cough*
please.
Thanks Andrew!!!
do a 4 Producers 1 sample with them!!
Totally agree... @Andrew
Adam Neely looks like he's playing chess when deciding what to loop
I was coming on to comment the same thing, but I like that it's chess turned inside out. Conspiring to build incongruencies that fall into place.
It is compositional chess. Except you're making up the pieces as you go and you don't know what they do until you try them.
Looping game: first who ruin the track with his layer - looses
@@alexkozliayev9902 so kinda like jenga
I was literally about to say it looks like a game of chess 🙃
To quote Adam Neely, “Repetition legitimizes. Repetition legitimizes. Repetition legitimizes. Repetition legitimizes.”
This town is a part of us all. A part of us all. A part of us all. A part of us all.
I hate Jazz/Funk. I hate Jazz/Funk. I hate Jazz/Funk. I hate Jazz/Funk. I hate Jazz/Funk. I hate Jazz/Funk. I hate Jazz/Funk.
Nope, not legitimate...
ドノバン
I thought that was J.S. Bach no?
@@greenchilaquiles This is my new favourite youtube comment. This is my new favourite youtube comment. This is my new favourite youtube comment. Sorry to repeat myself but it'll help you remember
I want to kill my self to kill myself to kill myself to kill myself to kill myself..
I can die happy now that I've made it into a Nahre Sol video 🙏 Great loops. Great animation. Great video. P.S. Adam: Great stank face at 6:05.
Awesome!
@Jeff Schneider Nice to see you here too! Two of my favorites in one spot!
Jeff, thanks for being so awesome and for doing this with me!! :)))
I wanna sit down with all of these 3 people and play pls. come to Denmark pls.
Thanks for bringing up the distinction between pitch and timbre. For me, that's one of the reasons I love Joe Zawinul so much. He played each sound as if it was an entirely different instrument. I wish I could say the same for most keyboard players but it seems to be a point often missed - even by those considered to be among the greats. Chick Corea is a prime example of the latter, which is why I don't dig his (non-acoustic) music.
Title has you, Adam and Jeff, so I click
Your name will be among them as well eventually....once you stop shit posting and actually start making sick ass intriguing videos.
@@abhushan88 I will never abandon the art of the shitpost
Sameee
You're everywhere Rudy
@@RudyAyoub UA-cam really needs Mr.Adobe and KMaciavelli. Never stop it!
Huge honor, and humbling, for me to be a part of this video with such massive musical talent on display. Nahre visited the school I work at and blew everybody away with her unbelievable talent. Such a great day for me and my students.
Thank you Joe!!! It was so much fun to visit your school - such great energy that day!!!
Its not the talent that much, other than dedication to it
I love the state of the music community on youtube, there is so much growth and collaboration it makes me so happy!
I feel the same way!!
Yess!!
Yupp!
Including Simon The Magpie.
Is there really? I would challenge the collected UA-cam luminaries who have done a drive by here to do something truly radical: put some political content in your music (I don’t care what, as long as it is political).
I used to do something like this with a friend who had no musical background outside of knowing a couple of chords on the guitar. I'd record something and send it to him, then he'd put another layer on top and send it back, and so on until the whole thing was terribly overcrowded with sounds. And it was a wonderful experience, because he'd do stuff that was "unmusical" in the sense that a musician probably wouldn't do something like that. For instance, after the 10th layer he'd just put a wah-wah effect on the whole track. But then you'd have to try to make sense of it together, and a couple of layers later it always turned out that the "unmusical" feat was the parting point where the track started to become musically interesting. I think that's what Orson Welles called the happy accidents, which you have to provoke to create something interesting.
That's amazing!!!!
Epic
I think bob ross said that bit about happy little accidents
I'm fairly certain this is how 100 Gecs makes their music (I'm not joking I think I heard it in an interview or something)
That last sequence in the airplane was so entertaining !! Your own thoughts about your improvisation layered along were hilarious
Thank you!! 😂
Fried chicken. That was the best.
@@kengruz669 I was looking for this comment. It cracked me up.
8:13 "And when would you use drive?"
Prog Metal, As Digested by a Classical Musician
Rob Scallon collaboration when?
oooooOOOOOOHHH
Everywhere.
Infinity War has nothing on this crossover event.
Thank you!!
"Elmore James got nothing on this baby"
@@nostaticatall for you blue
Thanks so much for this Nahre! I have the same pedal and was thinking of doing a video a bit like this, but you've done it so much better than I could! I LOVE the idea you've found of 'Competitive Looping' with a friend - that's just so much fun, I'm going to try that straight away! Inspiring video (*again*). Also love Adam's impressed faces (-:
I love how all the best music channels on UA-cam are like a real community :)
Thank you David!! It's a huge compliment coming from you!!
@@NahreSol (-: And next time you're passing through London give me a shout!
It's Adam's version of Jeff's stank face. >.
@@Rohishimoto I thought that too! Where's Rick?
I'm working in 3D modeling and this really made me think of tiles and repetitive materials. You need it to be a light touch because if theirs too much contrast in a tile you can see it repeat over and over and that's not good.
Hahaha I loved the overlaid commentary at the end with your solo. Great video exploring the looper, Nahre! I recently acquired the same pedal and wasn't sure of the best way to record with it, so thanks for sharing your set-up details. Like some other people said, I'm also fascinated by this creative, game-like aspect of trading off on looping with another person. Gotta try that out with my friends. Thanks for sharing this! :-)
Thank you so much!!!
Feels like the piano version of a hip hop battle aha
I don't know what it was about this video, but it brought a smile to my face when you were quietly collaborating and the feel the fun of creativity.
Amazing how a "simple" guitar pedal, that usually is a pretty common thing in a guitarist's right, can be taken to a completely different level when it's used by someone with a different background and knowledge!
As always, great content and amazing collaboration :)
Thank you so much!!
Last thing on the aeroplane was absolute magic!! Please put these things on Bandcamp or something so we can enjoy them everywhere!
I've sat with a friend and looped chord progressions for about 2 hours once. We barely spoke and spent a lot of time just appreciating what we had come up with together.
This channel is a hidden gem on UA-cam, I know barely anything about music theory but the videos are just so chill to watch and listen to.
Really deserves more subscribers.
@11:05 Adam Kneely
Oh God, so I wasn't the only one to think this
This comment needs MORE UPVOTES
aaaahh the way you play with text for this vid is so fun and clear!
It warms my heart to see the UA-cam musicians and educators I like hanging out together and collaborating. Makes this feel like a real community, something there to mentor all sorts of new talent. Thanks to all of you for being so awesome.
8:52
RePeTiTiOn LeGiTiMiSeS
Exactly what I thought
RePeTiTiOn LeGiTiMiSeS
Repetition legitimizes
@@vincenttavani6380 Repitition Legitimises
Sometimes I think you guys just repeat that scentence till it becomes true.
This is like musical chess: Black and White keys, between two people, punching the clock/loop pedal
I'm glad I'm not the only one who thought this haha
SaiSingsBass
White goes first, then black plays defense. Or? Depends on how one plays chess I suppose.
turning the black keys to white keys
Sagolel4797
Doesn't really work like that. It can though.
@@jumpingeezus5080 its a quote from the movie secret (and a meme in the 2setviolin youtube channel)
2:09 - 3:00 this is best, straight foward, and simplest demo of a looper that i have ever watched.
Miss, you are so amazing to watch. Keep it up.
Yamaha better be paying you. I’ve never seen a more effective advertisement than for that CP
Andrew Wiemken damn truuue
Nahre, you have a simple looper built into the CP Keyboard - It’s the reverb dial set with no decay.
I was just thinking that, too. She points out the advantage of the pedal at 3:00, though, which is that she can erase the most recent track. With the internal looper you’re stuck with anything you touch.
You and Adam in a video together was my dream - thanks for making it come true :)
Adam is awesome!!
Very cool, thoughtful video. I love the way you guys really explored loop building.
You would love Theresa Andersson, from New Orleans (originally Sweden).
She performs with 2 loop pedals, guitar, violin, drum machine & some live drums, records, dulcimer and vocals.
I worked at a venue she occasionally gigged in and she'd include 3 digital cameras aimed at her feet in different instrument stations on stage, running to projectors, so the audience could get more of a visual interpretation of the juggling act she's accomplishing in every song.
@7:31 The bass line in many cases is the whole feel of the music. If we're talking about individual songs/singles you'll see it all the time that in a live performance. A lead guitar/instrumental does something really weird and off sounding though the bass line didn't alter their part so it stayed together just fine.
Just another reason why bass is such a crucial part.
You have an amazing talent to make videos that are calming and at the same time very interesting. Many UA-camrs try to keep the attention of the viewers with fast cuts and an energetic voice, you make / need nothing like that. It is just a calm story that evolves and keeps the interest high. Thank you for being like that (I guess). And thank you for the interesting content. Have a nice day.
I love how Adam is capable of doing so much without being a technically great pianist, trully great
He's really great!!
I love the way your enthusiasm rubs off on me, I think I need to spend more time with my loop pedal. Thanks for all the great insights!
Now you can play Terry Riley's 'In C' by yourself!
Omg yes...!! 😂
Your videos are always a delight. "Looping With Friends" isn't a show I could've predicted but clearly is one I'd enjoy watching. The on-screen text is always a great compliment to the content of the video, pointing out instructive bits as they occur ("repeat the mistake") and also sharing warmth and good humor ("Fried chicken?").
I love how you layer your sounds in this video. Big fan of Adam Neely! Also, Reggie Watts is a beast with live looping and super inspiring.
Thank you!!!
Honestly, thanks for this space. I was reading comments while learning how you understood/understand looping. Great job with this vid!
o m g i t s a d a m n e e e e e e e e e *bass*
Wow!! I love you and Adam Neely so much, seeing you colab in a video made me so happy ;')
Matthew Ray already mentioned this, but have you considered plugging your keyboard into an iPad/iPhone and using one of the numerous looping apps?
If you use the keyboard as a MIDI controller rather than audio source, you wouldn't even need an audio interface. One keyboard, one device, one cable (or NO cables if you use a Bluetooth-MIDI adapter like the Yamaha MD-BT01).
I realize part of the interest for you is dealing with the limitations of the single loop your pedal provides, but apps such as Group the Loop, LoopTree, Everyday Looper, or Loopy HD would allow you to play with multiple loops of different lengths, and you could bring parts in and out to provide more variation.
But you wouldn't get that satisfying foot switch click every time you loop...
omg I love how awesomely well u get a subject that seems simple and create a huge video with so much quality and content while still letting it be very personal and making us feel so close and connected to you and the whole process.
"... when I'm 'looping' with a friend." Sounds almost illegal..
Into what kind of loops are these guys on?
I don't know, if there are any laws regarding time travel, but I would guess it's pretty illegal.
What, you don't get loopy with your friends?
Underground loop markets y’all
Hey... you got any new loops for me?
This is one of the best videos I've ever seem on UA-cam! Thank you very much! Made my half spliff really enjoyable!
The cool thing about this video is that you're able to articulate your feelings on the pedal, it's limitations, and how you've been able to gather ideas from it. I'm actually surprised that you haven't used this method before. At the same time subscribing to your channel earlier last years ( I think ) I've not seen you do a lot of small repetitions in your compositions.
You might want to explore this more Nahre because this could potentially offer you some cool compositions for some pieces that you could perform live. Mathrock is essentially like this in the years that looping was trendy. However, many of these bands that use this method don't really exist anymore. The only band that's been consistent about it has been BATTLES (Ian, Dave & John) and since their start they've really found ways to make it interesting each time.
You should also check out Tyondai Braxton (a former member of BATTLES) who did a record called "Central Market" that sort of embodies this method. Loved this episode Nahre. Definitely want to get you into my podcast
Thank you !!!! 🙏 especially for the ideas as to where to go from here 😊
this just gets better and better... I started watching you because I was going to buy a Reface CP.. I am a looping, sampling and beatmaking enthusiast.... you have really inspired me a lot to become a keyboardist... THANKS.. keep on looping!
What fun! I just bought an inexpensive synth and can't wait to explore looping.
Great video & insights on frequency stacking with timbre and overcrowding a certain frequency band! Ditto (pun intended) with the irregular pulse and meter. Really cool things to keep in mind when approaching phrases for repetition. Thank you!
Others take a moment to thank a sponsor. Nahre Sol takes a moment to show off her brother and plug her pals.
I'm new to you and your videos, but I particularly liked, and appreciated, the improved bit plus commentary at the end. It tickled my brain in a real fun way
This is awesome, as someone who loves making loops, I'm glad you pointed out that there is a difference when writing for something that will be looped. 😁 thanks!! When I write loops, I like leaving a sense of unresolved motion or creating a more stagnant ambient atmosphere.
Also the frequency conversation is really important, pay attention, folks!!
These videos where you explain your process are great, and you have an approach that seems so natural!! It's inspiring for others seeing where focus and hard work can take you 😊
Nahre you are becoming one of my favourite electronic composers. thanks for being so open.
Could you please upload the last one that you did on the plane as an mp3 file. It was really really good! It reminded me of Nobu by Herbie Hancock.
Had a loop for a few years now and this explaination has summed up everything I've ever thought of thank you!
"Do it once, and it's a mistake. Do it twice, and it's -jazz, well, I mean it could be- music."
There's something so human, so full of a calm vibration in Nahre's videos, it makes it such a good moment to spend :)
It's so great that you can look past (or actually embrace?) the limitations of this Ditto looper pedal and get to do music (and so much of it actually) instead of refining you gear setup.
That said, I have no idea why Ditto is so popular. It doesn't have a rhythm section, it can't store your loops to go back to (forcing you to resort to an external recorder). Nux Loop Core costs less than Ditto and it offers 99 slots for storing your loops for a total of up to 6 hours, it also has undo and redo, it has 40 drum tracks (20 in 4/4 and 20 in 3/4) to further improve your timing, it has auto-record which starts recording as soon as it gets input (which does away with having to click and start playing at the same time - but you still have to click to complete the loop in perfect time). It can slowdown or speed up your loops while preserving the pitch and keeping the drums playing in sync. With an additional footswitch you can switch between existing loops forward and back allowing for multipart compositions on the fly. It does I believe at least as much as Boss RC-3 but for under half the price of that.
And then again, having said that, since you are carrying a recorder, a keyboard, and a looper, and a powerbank and you are still gonna transfer all of this into a computer to edit and post, so why not use Ableton live with a small, light midi-keyboard/controller? It can do all of those things Nux Loop Core does but better, plus it lets you record entire composition from your loops with unlimited undoing/redoing and overdubbing of all loops in any order, and the midi controller gives you access to unlimited pallet of sounds in the form of plug-in synths, drums and basses.
Your rig would consist of the laptop (probably lighter than the pedals with the power bank), midi-keyboard (definitely lighter than your keyboard), and maybe you would need an interface for low-latency signal path (I wonder if there are some that can be built into the laptop). You will have fewer wires for sure... But this rig is more complicated to learn and set up than the Ditto looper, so that's perhaps explain why you went the way of the looper pedal. But Ableton way might be cheaper, more portable and definitely more powerful in all respects.
Not just your music but also your videos are a work of art :)
this is quotable: "There is no such thing as a mistake, if you do it a thousand times."
Okay, this is the first video I've seen of Nahre Sol. The improvisation loop at the end was the best one. I am now in love…
Let’s make #AdamsKnee a thing
#AdamKneely
This crossover is great, Nahre. You, Adam, and Jeff have lent so much to my music education over the last few years.
Adam Neely!
Your videos have helped me make sense of so many different musical things in such a wonderful and accessible way. Bravo, thank you, and cheers!
*I'VE BEEN WAITING FOR THE COLLAB FOREVER. GOD IS REAL*
:))))
@@NahreSol
Aaaaand I can finally die happy.
See y'all in the after life.
Shay Usu: No she is not. She is simply an illusion embedded in your consciousness available for psychlogically dependent individuals who find excistance without predetermination hard to accept. She does excist, but on a level so far above your reason or imagination that she is forever unavailabe to you. Like an ant trying to figure out the technology behind the Summit (a 148.6 petaflops computer). She does excist, in the form of a ‘slimy’ extended substance but has no location, no form, no mass, no color or other properties, except.... an inperceptable soft hum. Don’t confuse the two.
The run by of the setup and what cables are used (& how) is golden. Cool vid!
The chord progression starting at 3:23 is fantastic!
true what's she playing tho
Thank you!!!
This is an awesome documentary of a musician's story, I relate to it in the sense of finding something new and exciting and doing just that in many possible aspects for an extended period of time! You made me want to dig into looping again :) I didn't know you before but I'm surely looking forward to more of your content!
Not gonna lie, you sounded like Herbie Hancock right there in your improv. I honestly cried happily.
I LOVE these videos, please keep them up. So inspiring. Also loved the cheeky bit at the end with your improv.
Do you think you can loop a fugue? Play the first voice, then second etc. Would be very cool
You would have to find a way to change the pitch on the repetition. But for a basic canon it can work if the repetition time isn't too long.
It's absolutely to fascinating to follow your journey on this channel Nahre - what you're discovering beyond your incredible specialism as a pianist and how you approach certain things from beyond your comfort zone without prejudice. It seems make a hugely rich learning experience for you and is a great reminder for those of us watching to use our imaginations more when approaching technologies or genres that may seem mundane to us. Basically, we get a little glimpse at how your super-powered pianists brain works and it's not only fascinating but humbling, too. Thanks for your intellectual humility, rigour and candour. And for the brilliant music of course! :)
i can't believe you got ReviewBrah on your channel
I just love the faces of you and Neely, when you are listening to the other persons lines. It almost a silent conversation.
9:00 I think you mean 【Ｒｅｐｅｔｉｔｉｏｎ Ｌｅｇｉｔｉｍｉｚｅｓ】
Just wanted to say, loved the video. Wholesome content. The world needs more just pure and innocent exploration of art like this.
Thank you
So you guys are basically playing loop Jenga
Great video! I've been wanting to get into looping but was at a loss where to start... this gave me a ton of inspiration (and I've already ordered your loop pedal and backordered that amazing keyboard)!
18:27 (brother waking up) “FRIED CHICKEN?” 😂😊
In love your creativity and obsession in the pursuit of perfect. Well done!
Yes, it is safe to say that you have been obsessed!! :) But I love it!
Thanks Elliott!! And yess, you called it!! :))))
That must sound completely insane.
I loved how you incorporated the travelling footage within the talky, performance bits. Very engaging video! Fascinating explanations
Why do both the keyboard and the loop pedal need to be connected to the recorder if to recorder is already connected to the keyboard?
Also, does the looper automatically adjust the end of the loop to fit in the with tempo and time signature of the previous loops (or even any particular time signature at all, rather than just end _exactly_ when you hit the button)? I imagine it would otherwise it'd be supremely difficult to avoid the loops getting out of sync with each other.
I think only loop pedal that need to be connected to recorder.
This particular looper, Ditto Looper from TC Electronic, behave "as is"; the length of overdub is same as the first loop (start from first button hit to second one). If first loop is not perfect 4/4 (as example), all overdub is follow that. If the overdub length is more than the first, the remaining will be overdubbed on the beginning (act as new over dub)
This way she records the input sound and the looped sound as separate audio tracks.
Thank you ! Love you , and the work . Wish you the success you deserve .
Have you seen the Boss RC 505 looper? It would blow your mind! =D
I love how you're friends with Adam, Jeff, and all these people. All of you are such inspirations.
Some of these loops sounded like Imogen Heap. Way to go Nahre Sol!
Merci ! Si seulement je comprenais tout ! 😭 mais c’est pas grave. Les notes je les comprends 😁.
Tu ne comprends pas l'anglais. Ne t'inquiete pas: musique est universelle
Wow, this video is so fresh. Love your narrative. Its seems that looping has so much potential on educational purposes.
what a great video. Your music is not dry. laffed like hell at fried chicken guy
Darling, I just discovered your channel. I find the content mentally stimulating and physically calming. Thank you for that. I'm your newest fan.
Would you consider releasing the mp3 for the "London Bridge" arrangement somewhere?
Sounds so cool
Nahre Sol! I love you and your passion for music :) You're videos and editing are so eloquent and creative! Love from Toronto, Canada
Check out el ten eleven. They are masters of looping.
Check out Citizen Warkwick! :) Holy crap he's amazing.
Their self-titled album really opened my eyes to a whole new style of music when I first heard it. So so good
Was just about to say the same thing!
That was really cool! Very inspiring to see you looping with the other guys. Somewhere between a dialogue (more like a discussion) and a musical duel of sorts. But at the same time resulting in something cohesive and new and greater than the sum of its parts. Awesome, thank you!
Adam's Kneely
Thank you so much to share this. Not only the set up but your reflection on the subject.
You are one of the best musician of our time!
When I was watching u do it with other people it felt like Jenga who’s gonna ness it up first
You're analysis of music is incredible.
This is just a revelation video about how you’re a classical pianist
Thank you Nahre, Adam, Jeff, and Joe, and Jun! This is fun!