Love that they took the risk to change the choreography for this number. Don’t know their names but whoever that black guy is, playing Andy Lee (the choreographer), is super talented. Been seeing him in West End productions since he was in the ensemble as one of the sailors for the 2021 Barbican production of Anything Goes. Nice to see him moving up the ranks. And the black girl who played Hope Harcourt in that Anything Goes production is Peggy Sawyer here in 42nd Street.
@@ThePolaroid669 I was being theatrical in my counting but the original cast, both in the Broadway and West End original companies had an enormous corp of dancers....I'd never seen so many. I just looked it up and the cast is typically made up of 60......including the 3 leads. So, yes, 75 was an overstatement but these West End features use a few of the many, not all...and this is what I intended. Sorry for being so terribly misleading.
Great dancers and great new choreography..but i feel them zero organic with their movements. This sense of sharpness is not what tap dancing sould be. The soloist girl energy is too much. So it looks unnatural even though shes a great dancer .
You’re kidding right? Sharpness is exactly what a big tap number should be. Messy tapping sounds horrible and all over the place. You clearly don’t know what you’re talking about.
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Just saw this in Toronto last weekend and it was sensational. The lead girl was outstanding!
And what about Michael Praed ❤️❤️❤️💕?
I love 42nd Street!! One of my fave shows 😊
I saw this last night and I can assure you that it is a wonderful show.
All time favorite 😊
Seeing it tonight, can’t wait 🥰
Love that they took the risk to change the choreography for this number. Don’t know their names but whoever that black guy is, playing Andy Lee (the choreographer), is super talented. Been seeing him in West End productions since he was in the ensemble as one of the sailors for the 2021 Barbican production of Anything Goes. Nice to see him moving up the ranks. And the black girl who played Hope Harcourt in that Anything Goes production is Peggy Sawyer here in 42nd Street.
Adam Garcia is awsome
Well this is amazing great dancing and acting NOTHING EXTRA HERE!
Hermosos ❤
Please post yesterdays matilda
I’m glad this revival is played straight. Oklahoma was subversive. Miss Saigon was reimagined.
Great snippet of a great show...and with a full cast, about 75 strong? Amazing.
75? where? There's about 20 of them
@@ThePolaroid669 I was being theatrical in my counting but the original cast, both in the Broadway and West End original companies had an enormous corp of dancers....I'd never seen so many. I just looked it up and the cast is typically made up of 60......including the 3 leads. So, yes, 75 was an overstatement but these West End features use a few of the many, not all...and this is what I intended. Sorry for being so terribly misleading.
adam garcia... wow, absolutely butchered that
Wow that was dull all the shows are being ruined these days
Great dancers and great new choreography..but i feel them zero organic with their movements. This sense of sharpness is not what tap dancing sould be. The soloist girl energy is too much. So it looks unnatural even though shes a great dancer
.
You’re kidding right? Sharpness is exactly what a big tap number should be. Messy tapping sounds horrible and all over the place. You clearly don’t know what you’re talking about.
@@FlyBoyMT I'm not talking about the sound of the taps, clearly they should be perfectly synchronized. I refer to the overall body movement
The black girl is being too extra wth
go in a bin and stay there
@@leo123722I mean c'mon you can't deny it, she's doing too much instead of following the other's pace
That’s kinda her whole character…