Nutcracker - Grand Pas de Deux - Sugar Plum and Cavalier
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- Опубліковано 18 вер 2024
- Sugar Plum - Juliette Boscow & Cavalier - Austen Acevedo
Choreography by Vasily Vainonen
Staged/Rehearsed by Edward Ellison
Live from the Peobody Daytona Beach Florida, Dec 10th 2016
Proof that greatness does not just occur at the biggest of ballet companies. I've seen this pas de deux by every company shown on You Tube. These two have more than just technique; they bring joy to the dance. I have never seen the big smile this sugar plum fairy brings to the dance.....until now. Bravo!
A moving conjunction of precision and grace
Fantastic. It is wonderful to see such a talented young dancers. Just beautiful.
The music is so beautiful💖! Perfect job☺☺☺! I haven't say anything for this performance!
Such gifted dancers....gifted bodies ...just lovely. Stunning line both of them. He needs to rethink his hair though. Great performance from such young dancers!
Uhh....WOW 😳 absolutely most pure classical dancing I’ve ever seen.
We may be watching the great pairing of the future. He is becoming a great star.
Great centers, both.
amazing !!!
Wonderful!
Lindos ❤️
awesome
Прелесть! Вот таким должен быть балет!
Lovely performance, adore her tiny feet.
They are talented, but I can't feel the chemistry between them
Are they really the Sugar Plum Fairy and her cavalier or just Clara and her Nutcracker Prince?
beautiful work! delicious! very smart dancers and training they received you can tell. Russian school?
mister anonymous no probably not she’s too ‘big’ for a russian school as she isn’t a stick
I'm not sure if you were being serious or not, but she's definitely not too 'big' for a Russian school... even at the Vaganova, there are girls her size. And in the US schools can't afford to be particularly selective; she certainly has the facility to be at a Russian school.
mister anonymous the school she trained at does do vaganova technique but she used to be at is a US school
too big? are you joking!? The stick figure/ "only bones to be seen" started from Balanchine in USA. The kids might all look similar in Russia, once they reach puberty, everyone looks different- look at Natalia osipova in comparison to Maria Alexandronova, Evgenia, Svetlana. Not one has a similar body! If we watch this dancer her control, musicality artistry and beauty in movement BUT we can only see and comment that she is too big- we have undoubtedly reached a serious dangerous distorted sense of perception ...
Waaaaaoooooo
There’s girls I see at the royal ballet that don’t move the way she does or does this performance like her. Amazing
I can tell this audience don't go often to ballet, it's not a circus people! Behave!
Totally disagree. Prevention at “the ballet” is an insult. Sitting on your hands is also LAZY
I do not agree. I would be so happy to see the same enthusiasm for talented, classical artists (ballet and music) as for the likes of people of questionable talent (Taylor Swift, Justin Bieber, Lady Gaga, etc.).
such a talented dancers ..but need more details of work and good coach ..
would you mind expanding on what details? and why a good coach? Was this one not good?
One of the best Nutcracker Pas De Deux is by Bejart. Startlingly elegant with a male dancer to beat all male dancer and incredible choreography and a very strong female dancer. The above version is hampered by the background decoration--so distracting and really nothing dynamic here. No artistry.
Ursula Austin Nothing that you've said here has made sense. This isn't Bejart. Bejart's Nutcracker has nothing to do with this and in fact, Bejart's grand pas de deux uses Petipa's original, traditional choreography. This pas de deux is all about the Sugar Plum Fairy and highlighting the ballerina. What background would you have instead to represent the land of sweets? You are trying to sound like you know something about ballet when clearly, you do not. "Startlingly elegant". 😂😂😂
@@katwil89 That is true Bejart created his own Nutcracker however having seen traditional Nutcracker so many times this was different and interesting. One of the things that Bejart kept and highlighted in his Grand Pas De Deux is the assemble which was interpreted by Danilova and Franklin to legendary proportions and an original move to the Petipa choreography but lost over time.. Personally I admire innovation in ballet--but again that is my opinion. Balanchine Nutcracker Pas-de Deux is also a lovely interpretation. Well in terms of sweets I am not comparing traditional version of the Pas De Deux to the Bejart version, rather applauding daring choreography.