Hi Jens thank you so much for this, what I’m looking for is a total reference of all the triads and the way to drill them -it looks like this could be it but when I go to your website to download the PDF it just takes me to a page with dozens of links on it and I can’t seem to find a specific triad reference.
I confess I watch you often just because hearing you speak relaxes me and because when you explain it always sounds feasible, possible and I have always liked what I call your quiet enthusiasm so thanks Jens :-))
@@JensLarsen you have an absolutely wonderful and engaging side of youtube; we all really appreciate you and the help that you give us with every lesson you do.
Me too! Just playing around with them for the last 2 days + Jens' 5 Basic Jazz Chord Excercise video has expanded my playing and freightboard knowledge dramatically. Playing Jazz actually feels attainable now!
Hello Jens, everyday i watch one or two of your videos and get around 50% of what you are teaching. But this 50% are what makes me feel I can get the Jazz sound and learn more about what I want to play. Its Jazz.. ha! Thank you for your work. Jonas
Thanks a lot. That was quite some information packed in just over 6 minutes! I counted 11 triads in your first exercise. Add the inversions and we get 33 triads to memorize and practice. We then add the 315 and 513 pattens and we get close to 100 triads. Along the neck and in the other string sets, we get another 100 triads, at least. And this is only for Cmaj. Then you have all the other major keys, and then the harmonic and melodic minor. That's a few thousand triads to memorize and practice.... Glad the next video is not until next week. 😉
Well, if you organize it like that then everything is impossible. Tying your shoes is 560 different movements and coordinated actions with three limbs :) If you focus on how much is really the same and just connect the information then it gets a lot easier.
Amazing lesson. I've fallen in love with guitar again through your approach to teaching. I stopped learning but never playing. These compact lessons help me not feel so lost!
Thank you for the lesson Jens. I'm a neo-classical metal guitarist who's always had an interest in Jazz since being exposed to so many great fusion musicians as a kid in the 80's. I still can't play jazz very well at all, but it's certainly always made what I do a lot more interesting, at least imo. Learn jazz, play music.
right before this video dropped, I was encouraged by George Benson's There Will Never Be Another You solo to practice chord soloing, and then this video dropped. Jens is so iconic. Glad the maj triad shapes and its inversions were in the video, saves people time.
Wow, this is a great lesson, a LOT of information packed into a few minutes. And thanks so much for giving wonderful Molly Tuttle a shout out! It's always great to see jazz musicians who appreciate the bluegrass folks!
No kidding. You really want to get these all down. Not just the "shapes", but the degree of each note. I can see what I will be doing for the next year! In this case, Jens just showed us the C Major scale shape from the first position. We really need to know all this info for each of the five positions. Ahhhh.....
I’m a pianist, so obviously the inversions have different implications on fingering and hand position. However, I hadn’t really thought about building lines as simply as triad inversions. It’s tempting just to play arpeggios from root position incorporating some passing notes, but switching it around a bit adds interest. Useful lesson , thanks
thx for these videos jens! u are an excelent teacher ive seen the difference between your early videos and current ones and its very notorious u have grown so much! congratz
This was an incredible lesson! As I was playing some of the triads and inversions in your examples I was watching how they came out of the scales and associated chords, and then you brought that up!
Hello professor Larson, I'm going through your book entitled "Modern Jazz Guitar Concepts" and I absolutely love the way you present Concepts and show various exercises that show how to make use of them. It's one thing to be a great musician but your teaching abilities are truly admirable .. Thanks for sharing your vast knowledge about music, your a very generous person. Bless you Jens. Michael Gonzales
Great lesson, thank you Jens. Seems that triads are popular on youtube right now, but we can never get enough lessons about this subject. As I mentioned at other videos, a great tutorial I learned this from a long time ago was the two part REH videos Creative Force by Pat Martino on VHS (like I said, a long time ago), you can find them here on UA-cam now, if anybody is interested. Have a nice day.
I’ve only recently starting playing the guitar after playing the piano for some time. Triads seem like a logical place to start on the guitar in order to develop a solid base. Thanks for the awesome video!
I am only starting too, and I never learnt any instrument before. And no. Triads are not the right place to start with guitar. You start with chords and scales.
@@davidkelley3800 That's not accurate. In guitar we deal with practicality, reality, not rather than use philosophy and a game of words to defend your stance. A tried is just a kind of chord, and any number of note greater than one is a chord. You are wrong. If you wanna learn guitar, be honest with yourself and learn scales and full chords. Then you can add so much stuff from there. There is a reason why there is a word "triad", and a word "chord".
@@univuniveral9713 I know its only a kind of chord hence why I said Major after referencing 3(Tri) scale degrees. And triads are the easiest chords, only 3(repeated) notes. Why would you teach someone foreign to guitar, 4 or 5 note chords? You wouldn't. Why would you teach a fresh student the melodic minor scale instead of the major scale? You wouldn't. I'm really not trying to argue but it sounds like you're splitting hairs. A triad is the simplest explanation of a major scale and chord. And in terms of learning guitar, I personally believe that rudiments and technique are more important than music theory.
I know your work, really impressed, these days, to be honest, feel really bad, about guitars that slipped through my hands, especially the artists that came before me, but I will tell you, always found a home, for those instruments,. for the next., great player, .
So much to practice and learn. And its tough practicing. Need to spend time woth pen and paper and map them all out (as i dont have a good book that outlines them all) Good thing i have a lifetime to practice
I think a good way is to play triads of the key in one position for better visualisation, every shape belongs to caged system and to use triads when you play songs :)
"...Combine them with scale runs and seventh chord arpeggios....".finally just sank in that I know both those things at last...in this one position, at least.
Can proudly say that I know 80% of the techniques mentioned in the video! Can you make a lesson on pick holding tips for economy and alternate picking?
@@JensLarsen, fully engaged...hand fatigue is starting...lol.. not my 'normal' routine...(zeppelin riffs, stones, ect.) But I can see how this is tremendously beneficial for tasty lines in ANY music choice..
@@JensLarsen this is pretty hard if you never did it but i wont give up .. I need it because i wanna play live with one guitar and one voice .. So i need to spice up my playstyle
Jars man, you have no idea how helpful your videos are! I have been noodling around and felt like I was stuck in a loop. I have been looking at different type of triad exercises and this one hits the spot. Thank you so much!
This is a great lesson that expanded on what I knew about triads/spread triads. I would suggest that you make a lesson that expands on what you did here. This is a great exercise lesson, but how did you create music with this lesson? Maybe another lesson would just take the triad exercise, and then only show us how you developed the triads across/around the neck to make a usable riff or melody. Show us the entire 1-2 week process (in 5-10 minutes) by which you turned this exercise into music. Did you use a drum machine? a Looper pedal or something? Do you have backing tracks from somewhere? It doesn't seem like there are many lessons that show us how to practice scales/arpeggios to turn them from scales to music. Even what little is out there on jazz just seems to show, "here's the arpeggio", and then "here's the pretty melody". Or "here's how Pat Metheny soloed over "April Joy"". Thanks.
I wish I understood how important triads are back when I played 15 years ago and my hands were more nimble. Better late than never I suppose..I'm just happy to be playing again
I was at a place once, carried history, scared me a little, till I actually walked in, was accepted, though, because I asked to be there, and explained why, hope your listeners have the courage. kinda tough about history,.
mike titlebaum has a great book and some videos on embellishments of single notes. i guess connecting triads with several solid embellishments patterns would be one good strategy for creating strong melodies. or would you disagree?
Melodies are often not created by a formula for the notes, so that will not by itself be a strong melody, but I am sure you can use them like that. When I talk about triads being strong melodies it is more about the fact that you can use both the triad and the inversions quite easily in your lines
As always, great content! am I nuts or the 315 part (2:37s) the F arpeggio is transcribed 135? if so, it's a tiny detail. I'm bringing your content dude. You rock.
In your 1st diatonic example (CM) you show the G at A-10; D-5 is the exact note & fingering makes more sense; so, why didn't you use it withe G at D-5? It also
Sorry, I don't understand you comment? I guess it is about how I am playing certain triads? Usually the answer for a choice is in the context that it is used in.
I guess what I'm saying is that using the ring finger on fret 5 of D string makes more sense in that for the next triad Dm all you need to do is slide all 3 fingers down to the set of frets
@@pejaybe @pejaybe Might be useful if you gave me a time stamp instead? of referencing something in a video I made 350 videos ago 🙂 Sorry, but I don't know all my videos by heart.
@@JensLarsen the video is: The Best Triad Exercises - How To Get The Essentials Right. Frame at 55 seconds; it shows triad scale and TABS. You have "C" as E-8 "E" as A-7 and "G" as A-10. I'm suggesting that "G" should be at D-5
@@JensLarsen, I haven't seen your model, but I've seen the AS93FM, and it looks pretty and seems to sound in a similar way, right? I.'ve got a Roland tube logic 435 amplifier and a Dv Mark little jazz, so I hope the whole thing works! Kind regards, bro.
Any tips for practicing 1st inversion of triads? It's a bit perplexing for me to invert since there's like a 5th interval happening, like e-G-b, for example. I found that it gets easier if I practice fifths over the scale first though
I find the first exercise incredibly difficult, I can't seem to figure out rolling downwards with my pinky on the 10th fret without lifting all my other fingers off and crushing my pinky against all the other strings. Any tips?
How do you practice and use triads?
Applying Triads and Arpeggios to a II V I: ua-cam.com/video/5hmSQuMIf-w/v-deo.html
Hi Jens thank you so much for this, what I’m looking for is a total reference of all the triads and the way to drill them -it looks like this could be it but when I go to your website to download the PDF it just takes me to a page with dozens of links on it and I can’t seem to find a specific triad reference.
@@autistichead8137 The PDF is there just use ctrl-F to find it :) (or join Patreon and find it there)
I confess I watch you often just because hearing you speak relaxes me and because when you explain it always sounds feasible, possible and I have always liked what I call your quiet enthusiasm so thanks Jens :-))
Thank you Marie! That is very nice compliment :)
This is, hands down, THE VERY BEST EXCERCISES SET on Triads all over UA-cam!!
Hartelijk Dank Mr. Larsen!
Amazing.
Glad you like them!
Excellent teaching here - complex musicality made easily understandable. Thank you!
Thank you 🙂
I'm just working on triads, this release was timed perfectly. Thanks😁
Go for it :)
@@JensLarsen you have an absolutely wonderful and engaging side of youtube; we all really appreciate you and the help that you give us with every lesson you do.
@@roniorae so true. This channel UA-cam at its absolute best.
Me too! Just playing around with them for the last 2 days + Jens' 5 Basic Jazz Chord Excercise video has expanded my playing and freightboard knowledge dramatically. Playing Jazz actually feels attainable now!
Great video and content Jens, thanks so much!
Not only great info, but a nice morning laugh, great video!
Glad you enjoyed it!
As a begginer, this is the most useful lesson I've had... Thanks very much and greetings from Croatia ❤️❤️❤️
You're very welcome!
Hello Jens, everyday i watch one or two of your videos and get around 50% of what you are teaching. But this 50% are what makes me feel I can get the Jazz sound and learn more about what I want to play. Its Jazz.. ha! Thank you for your work. Jonas
Glad you put it to use 🙂
Thanks a lot. That was quite some information packed in just over 6 minutes! I counted 11 triads in your first exercise. Add the inversions and we get 33 triads to memorize and practice. We then add the 315 and 513 pattens and we get close to 100 triads. Along the neck and in the other string sets, we get another 100 triads, at least. And this is only for Cmaj. Then you have all the other major keys, and then the harmonic and melodic minor. That's a few thousand triads to memorize and practice.... Glad the next video is not until next week. 😉
Well, if you organize it like that then everything is impossible. Tying your shoes is 560 different movements and coordinated actions with three limbs :)
If you focus on how much is really the same and just connect the information then it gets a lot easier.
@@JensLarsen Of course! Thanks. I made my comment "med glimten i ögat"
I'm so psyched you gave a shout out to Molly! She is incredible! So are you, Jens.
Molly is indeed amazing :)
Thanks!
Thank you for the support! Glad you like the video :)
Amazing lesson. I've fallen in love with guitar again through your approach to teaching. I stopped learning but never playing. These compact lessons help me not feel so lost!
Great to hear! Go for it!
only at 0:53 sec in and already a very valuable lesson and practice exercise for me. Thank Jens! Such a great teacher.
Glad it\s useful! :)
Yeah the part at 0:53 is wonderful, triads are starting to make so much more sense now
Triads can unlock the upper extensions in a very melodic way too. You can hear that all over Bill Evans playing. Thanks as always Jens
Thank you for the lesson Jens. I'm a neo-classical metal guitarist who's always had an interest in Jazz since being exposed to so many great fusion musicians as a kid in the 80's. I still can't play jazz very well at all, but it's certainly always made what I do a lot more interesting, at least imo.
Learn jazz, play music.
Great to hear! Go for it :)
right before this video dropped, I was encouraged by George Benson's There Will Never Be Another You solo to practice chord soloing, and then this video dropped. Jens is so iconic. Glad the maj triad shapes and its inversions were in the video, saves people time.
Great lesson! I have never quite mastered my triads and this will make a huge difference thank you
Wow, this is a great lesson, a LOT of information packed into a few minutes. And thanks so much for giving wonderful Molly Tuttle a shout out! It's always great to see jazz musicians who appreciate the bluegrass folks!
Thanks Blaine! It's so odd that Bluegrass is not really a thing over here so I didn't hear about until 10 years ago, but I really like it!
your lessons are clear and practical for self-learners. thank you
You are welcome!
Great foundation and perfect way to navigate the fretboard when creating lines spanning more than one position :)
Thank you so much for your kindness, your teaching skills and this gem ! :)
You are very welcome 🙂
Wow, there is about a year of woodshedding in a six-minute video. Thanks, Jens.
Haha! Yes, these take time 🙂
No kidding. You really want to get these all down. Not just the "shapes", but the degree of each note. I can see what I will be doing for the next year! In this case, Jens just showed us the C Major scale shape from the first position. We really need to know all this info for each of the five positions. Ahhhh.....
I’m a pianist, so obviously the inversions have different implications on fingering and hand position. However, I hadn’t really thought about building lines as simply as triad inversions. It’s tempting just to play arpeggios from root position incorporating some passing notes, but switching it around a bit adds interest. Useful lesson , thanks
Thank you very much! Glad that you find it useful on piano as well, like most things in Jazz, it is rarely tied to a single instrument.
thx for these videos jens! u are an excelent teacher ive seen the difference between your early videos and current ones and its very notorious u have grown so much! congratz
Happy to hear that!
Very cool lesson Jens - lots to work on with the inversions! Also - love Molly Tuttle!
This was an incredible lesson! As I was playing some of the triads and inversions in your examples I was watching how they came out of the scales and associated chords, and then you brought that up!
0:53 is a light-bulb moment. I hadn't seen the diatonic chords represented within one position like that before. Nice job, Jens!
I love that your jaw dropping example is Molly Tuttle!! She is amazing in so many ways ☺️
Indeed 🙂
Great lesson Jens. I need to learn my neck better horizontally.
Go for it!
Hello professor Larson,
I'm going through your book entitled
"Modern Jazz Guitar Concepts"
and I absolutely love the way you present Concepts and show various exercises that show how to make use of them. It's one thing to be a great musician but your teaching
abilities are truly admirable ..
Thanks for sharing your vast knowledge about music, your a very generous person.
Bless you Jens.
Michael Gonzales
Thank you very much! Really glad to hear that!
Maaaaaaan, great and simple ideas to study. Thanks a lot!
Glad you like it 🙂
Great lesson, thank you Jens. Seems that triads are popular on youtube right now, but we can never get enough lessons about this subject. As I mentioned at other videos, a great tutorial I learned this from a long time ago was the two part REH videos Creative Force by Pat Martino on VHS (like I said, a long time ago), you can find them here on UA-cam now, if anybody is interested. Have a nice day.
Thank you 🙂
Another great lesson! Thanks Jens !
Glad you liked it!
Como siempre una lección formidable. Muchas gracias maestro.
I’ve only recently starting playing the guitar after playing the piano for some time. Triads seem like a logical place to start on the guitar in order to develop a solid base. Thanks for the awesome video!
Glad you find it useful!
I am only starting too, and I never learnt any instrument before. And no. Triads are not the right place to start with guitar. You start with chords and scales.
@@univuniveral9713 Triad means chord. 3 notes make a chord. The 1st degree, 3rd degree and 5th degree of a scale.(Major Chord)
@@davidkelley3800 That's not accurate. In guitar we deal with practicality, reality, not rather than use philosophy and a game of words to defend your stance. A tried is just a kind of chord, and any number of note greater than one is a chord. You are wrong. If you wanna learn guitar, be honest with yourself and learn scales and full chords. Then you can add so much stuff from there. There is a reason why there is a word "triad", and a word "chord".
@@univuniveral9713 I know its only a kind of chord hence why I said Major after referencing 3(Tri) scale degrees. And triads are the easiest chords, only 3(repeated) notes. Why would you teach someone foreign to guitar, 4 or 5 note chords? You wouldn't. Why would you teach a fresh student the melodic minor scale instead of the major scale? You wouldn't. I'm really not trying to argue but it sounds like you're splitting hairs. A triad is the simplest explanation of a major scale and chord. And in terms of learning guitar, I personally believe that rudiments and technique are more important than music theory.
Great explanation I’m studying classical guitar but what your giving is HUGE
thank you
Thank you, David! Glad it was helpful!
Triads are Gold..
The Monster triad lesson!!! You cover really everything. Great lesson & great work.
Glad you liked it!
Thanks Jens. This one video will keep me busy for the rest of 2021....
Go for it 🙂
Hi jens, Your technique is great. Thanks for teaching your knowledge.
Glad you like it 🙂
you earned my like with that edit with red eye balls lol... great personality my man
Awesome! Thank you!
very good lesson !! short and clear and full of great ideas and exercises !
Glad you liked it!
Great lesson!
One of the few i actually completely understand since i've been studying triads already for a while :D
Thanks! Keep at it, then they all start to make sense :D
GREAT LESSON AND EXPLANATION! TKS
Glad you liked it!
Exellent eexercises. Thaank you very much
You are welcome!
Another great lesson, your lessons are so concise!
Thank you 🙂
I know your work, really impressed, these days, to be honest, feel really bad, about guitars that slipped through my hands, especially the artists that came before me, but I will tell you, always found a home, for those instruments,. for the next., great player, .
Good lesson. I WILL practice this.
Excellent concepts and very useful.
Thank you 🙂
thank you so much mr Larsen!
Glad you find it useful 🙂
No...great lesson. Thanks.
Will practice this until I dream about it.
This one is absolute gold, thank you!
Fantastic! Thank you Jens.
Glad you enjoyed it!
Great stuff. Thanks Jens!
Glad it was helpful!
Ok days of work are ahead...
Thank you very much for your lessons anyway. They are very interesting and useful :D
Go for it 🙂
Grate lesson thank you sir ❤️❤️
You're very welcome! I am glad you like it! 🙂
Another great lesson! Thanks!
My pleasure!
Great lesson; thank you for sharing.
Glad you liked it!
Thank you for giving us some really useful practice exercises. (And, great clip of Molly Tuttle!)
You're very welcome! I am glad you like it! 🙂
So much to practice and learn.
And its tough practicing. Need to spend time woth pen and paper and map them all out (as i dont have a good book that outlines them all)
Good thing i have a lifetime to practice
Fantastic tutorial---super informative and easy to understand, great job, thank you very much!!
Glad it was helpful!
This is good stuff! Excellent material for my exercise. Thank you.
You're very welcome!
Thx for the great exercises
Glad you like them!
Great lesson. Triads are so amazingly useful.
Glad you like it!
God one. Useful, and easy to understand.
Great stuff. Thanks Jens>
My pleasure!
I think a good way is to play triads of the key in one position for better visualisation, every shape belongs to caged system and to use triads when you play songs :)
That can certainly be useful :)
Great video Jens! You gave me quite a few ideas to expand my triads practice :)
Excellent!
Great video Jens ! Very instructive as usual ! Thank you so much !
Amazing video! Thank you!!
Glad you liked it!
"...Combine them with scale runs and seventh chord arpeggios....".finally just sank in that I know both those things at last...in this one position, at least.
Can proudly say that I know 80% of the techniques mentioned in the video!
Can you make a lesson on pick holding tips for economy and alternate picking?
I don't really have any experience with holding the pick in different ways, so that is a little difficult to do
Very useful. 👍🏼
Glad you think so!
@@JensLarsen definitely 👍🏼
Very useful. Thanks!
Glad to hear that!
Yes !! I 'am' going to practice...a lot.
You got this!
okay, SO , let me get ALL of this under my fingers....very insightful . thank you
Go for it :)
@@JensLarsen ,unfortunately, this may take a while it seems....haven't made it through 1 key(C) smoothly yet.....lol
@@donaldmccoy49 Going from key to key becomes easy after a few of them
@@JensLarsen, fully engaged...hand fatigue is starting...lol.. not my 'normal' routine...(zeppelin riffs, stones, ect.) But I can see how this is tremendously beneficial for tasty lines in ANY music choice..
thanks .. this will work ..
Go for it! 🙂
@@JensLarsen this is pretty hard if you never did it but i wont give up .. I need it because i wanna play live with one guitar and one voice .. So i need to spice up my playstyle
Jars man, you have no idea how helpful your videos are! I have been noodling around and felt like I was stuck in a loop. I have been looking at different type of triad exercises and this one hits the spot.
Thank you so much!
Thank you! I am glad you found it useful! 👍
This is a great lesson that expanded on what I knew about triads/spread triads. I would suggest that you make a lesson that expands on what you did here. This is a great exercise lesson, but how did you create music with this lesson? Maybe another lesson would just take the triad exercise, and then only show us how you developed the triads across/around the neck to make a usable riff or melody. Show us the entire 1-2 week process (in 5-10 minutes) by which you turned this exercise into music. Did you use a drum machine? a Looper pedal or something? Do you have backing tracks from somewhere? It doesn't seem like there are many lessons that show us how to practice scales/arpeggios to turn them from scales to music. Even what little is out there on jazz just seems to show, "here's the arpeggio", and then "here's the pretty melody". Or "here's how Pat Metheny soloed over "April Joy"". Thanks.
I wish I understood how important triads are back when I played 15 years ago and my hands were more nimble. Better late than never I suppose..I'm just happy to be playing again
Playing is indeed more important than worrying about stuff that is in the past :)
thankyou so much !!
You're welcome!
🎉thank you!!!
Glad you like it
In the variations, I think the F triad might have slipped in as a 135 instead of a 315 in the notation. Happy to be corrected if I’m wrong.
Wouldn't be the first time I had a typo in the sheet music :)
The best!
Thank you 🙂
I’ve seen you comment on the Steve Morse analysis from Troy Grady! Small world!
Always interesting to learn something new :)
thankyou
You are very welcome 🙂
What system you used for showing Guitar tabs on UA-cam for guitar lesson teacher
I use GuitarPro7, there is a link in the video description 🙂
@@JensLarsen ok thanks
I was at a place once, carried history, scared me a little, till I actually walked in, was accepted, though, because I asked to be there, and explained why, hope your listeners have the courage. kinda tough about history,.
mike titlebaum has a great book and some videos on embellishments of single notes. i guess connecting triads with several solid embellishments patterns would be one good strategy for creating strong melodies. or would you disagree?
Melodies are often not created by a formula for the notes, so that will not by itself be a strong melody, but I am sure you can use them like that.
When I talk about triads being strong melodies it is more about the fact that you can use both the triad and the inversions quite easily in your lines
As always, great content!
am I nuts or the 315 part (2:37s) the F arpeggio is transcribed 135? if so, it's a tiny detail.
I'm bringing your content dude. You rock.
In your 1st diatonic example (CM) you show the G at A-10; D-5 is the exact note & fingering makes more sense; so, why didn't you use it withe G at D-5? It also
Sorry, I don't understand you comment? I guess it is about how I am playing certain triads? Usually the answer for a choice is in the context that it is used in.
I guess what I'm saying is that using the ring finger on fret 5 of D string makes more sense in that for the next triad Dm all you need to do is slide all 3 fingers down to the set of frets
Wrong finger; I meant the index finger
@@pejaybe @pejaybe Might be useful if you gave me a time stamp instead? of referencing something in a video I made 350 videos ago 🙂
Sorry, but I don't know all my videos by heart.
@@JensLarsen the video is:
The Best Triad Exercises - How To Get The Essentials Right. Frame at 55 seconds; it shows triad scale and TABS. You have "C" as E-8 "E" as A-7 and "G" as A-10. I'm suggesting that "G" should be at D-5
Hi, Jens! Great job, guy! I only want you to know which model guitar are you playing in this video and in general!? Thanks a lot, have funnn!
Thank you 🙂 I am. Playing an Ibanez AS2630
@@JensLarsen, I haven't seen your model, but I've seen the AS93FM, and it looks pretty and seems to sound in a similar way, right? I.'ve got a Roland tube logic 435 amplifier and a Dv Mark little jazz, so I hope the whole thing works! Kind regards, bro.
Sir, I adopted your lesson and I share to Indonesian people using Indonesia language with another methods. Maybe this wil be your charity.
Some talk about leading and guiding tones
Very usefull information! Thx! And even without your demon-like-command i was going to practise. (Deugeniet 😉)
Great, go for it :)
Any tips for practicing 1st inversion of triads? It's a bit perplexing for me to invert since there's like a 5th interval happening, like e-G-b, for example. I found that it gets easier if I practice fifths over the scale first though
Take a scale you know well and practice them through the scale, it is not that difficult 🙂
Jens kan du lære meg å spille som M. Brecker eller K. Jarrett? Eller begge?
Selvfølgelig, men du er nødt til at lære dine treklange først 😁
If, you can feel each note, the way that fits for you, a simple start. I already think you are beyond me.
I find the first exercise incredibly difficult, I can't seem to figure out rolling downwards with my pinky on the 10th fret without lifting all my other fingers off and crushing my pinky against all the other strings. Any tips?
That is difficult but also very useful to learn. I actually made a video on working on that, but it is on Patreon
what is the difference between chiffrages and triads ?