With this role, Plishka demonstrates how a singer can , over time , transition from singing leading bass roles to various character roles such as Dulcamara. All this he managed with dignity and class. He made his debut in 1967 as the Bonz , just two years after Milnes.
Saw these two at the Lyric Opera years ago in this same opera. So good I went twice and took my Mom, to whom Pavarotti gave a big kiss backstage. Pavarotti is gone but Paul Plishka is very much alive.
@@paulolins305 "Voglio dire lo stupendo" - "ecco il magico licuore" de Elisir d'amore de Gaetano Donizzeti, o puedes ubicarla como Dueto de Dulcamara y Nemorino Acto I.
What a delight! Great voices, of course. But also, I love the way Pavarotti and Plishka sing their "roles". Both are so animated. Both obviously enjoyed singing this aria together. Bravo! Thank you so much for uploading this.
Voglio dire ... lo stupendo Elisir che desta amore ... DULCAMARA Ah! sì, sì, capisco, intendo, Io ne son distillatore. NEMORINO E fia vero? DULCAMARA Se ne fa Gran consumo in questa età. NEMORINO Oh fortuna! e ne vendete? ... DULCAMARA Ogni giorno a tutto il mondo. NEMORINO E qual prezzo ne volete? DULCAMARA Poco ... assai ... cioè ... secondo ... NEMORINO Un zecchin ... null'altro ho qua ... DULCAMARA È la somma che ci va. NEMORINO Ah! prendetelo, dottore. DULCAMARA Ecco il magico liquore.
Pavarotti had a voice touched by god in the early part of his career after his first 20 years his singing just wasnt what it used to be which is natural cuz of age ...after 1979 he had a couple of moments where his voice seemed like it came back to life and this is one of those moments at least in my opinion i think this was superb just fantastic ...but pavarotti still is and always will be one of the best those early years of perfection put the bar very very high for any future tenors his voice was as close as you could get to perfection in his early career i just would like for people to pay more attention to the real pavarotti voice which again was in his early career and move the latter part of his career a bit to the side
+Babach Lovari I agree. Most people do not realize just how much hidden effort goes into singing well and as you get older so does your voice. He could still rise to the occasion but it does beat the hell out of you. One exception comes to mind and that one is Bjorling.
Adoro “L’Elisir d’amore”! Lo amo tanto che ho cercato di renderla più appetibile ai miei coetanei, facendo un po’ la buffona in un video. Si chiama “OPERAzione - Elisir d’amore”:
You really are right. In fact, Plinska cannot keep up with the speed of music and at 5:18 minutes he loses the thread of his "speech". An Italian tells you that he knows the work by heart for all the parts of the characters
They all have a history of mistakes and even failures. Why to talk about it? Both are great! I dare to say that bass is always a full chest of air and a very tight diaphragm. Bass is like a heavyweight in sports...
I love Paul Plishka in general, but here he is really put in the shade by Pavarotti -- he doesn't sound idiomatic at all, but like he's tries to sound "basso" rather than playing a character in one of the great semi-comic operas.
@@raynardi2326 that depends if you know how to sing or not. Plishka had no problem with tessitura. Donizetti wrote well for the voice. But if you don't know how to sing, everything is difficult. Nothing Dulcamara sings is more difficult that Udite i rustici.
Definitely one of Pavarotti's most enjoyable performances on television thanks in no small part to his rapport with Plishka.
Grande Luciano, ottimo Plishka, bravo il direttore!!!
With this role, Plishka demonstrates how a singer can , over time , transition from singing leading bass roles to various character roles such as Dulcamara. All this he managed with dignity and class.
He made his debut in 1967 as the Bonz , just two years after Milnes.
Piacevolissimo duetto,qui Lucianone è meraviglioso!
How YOUNG Plishka looks! But then, we ALL were young in '88....
Luciano the best tenor ever!
Amazing... Both excellent singers, great performance!
UN DUO MAGNIFICO
Saw these two at the Lyric Opera years ago in this same opera. So good I went twice and took my Mom, to whom Pavarotti gave a big kiss backstage. Pavarotti is gone but Paul Plishka is very much alive.
Your mom is a lucky lady! I'm a bit jealous for that kiss. I wish I had born 20 years earlier so I could have had a chance to meet him as an adult...
Love them both in this duet. A joyous performance!
Meravigliosi!
Bravii, le due sonni grandi cantanti della storia della lirica universal!!!,Bravooo!!!
1:49 increíble, el mejor Dulcamara. Grande Paul Plishka. Y Pavarotti con su mejor voz en un Nemorino inigualable!!!
@@paulolins305 "Voglio dire lo stupendo" - "ecco il magico licuore" de Elisir d'amore de Gaetano Donizzeti, o puedes ubicarla como Dueto de Dulcamara y Nemorino Acto I.
Pavarotti is electrifying vocally and visually....goosebumps all the way once he really lets go with that unmistakable tone and brilliance.
Goosebumps are good to keep your geese from escaping.
Amazing how they classify Paul as a bass, but his range went up to G4
it seems like Pavarotti used to enjoy very much this rol! Great!
Wow cuánta técnica en la cara del bajo !!!! En su cara se aprecia bien la colocación
Un aria muy dificil por un bajo
He was always my fave tenor. My mother favored Placido. I was unimpressed. Luciano had a life and incandescence about him.
I agree. I've seen both live in Toronto and Carreras too and Pavarotti was always #1 to me. Now I don't know who is #1 I still listen to Pavarotti LOL
Agreed!
@@jwccc47amigo você tem , a letra completa, não consegui achar
Placido)))
1000 likes no dislikes says it all.
This is absolutely precious!
I love the duet, and it was beautifully sang by these two. Thanks for posting!
I'm glad you like it 🙂
Total masters. Absolute joy to watch.
Great. Thanks for sharing this.
What a delight! Great voices, of course. But also, I love the way Pavarotti and Plishka sing their "roles". Both are so animated. Both obviously enjoyed singing this aria together. Bravo!
Thank you so much for uploading this.
Glorious !!!!
Vaya monstruos de la opera.
Magníficos , que interpretación !!!!!!
Really a masterpiece! Fantastically!!! Thank You! Thank You! Thank You!
Thank You!
First class. Thanks for posting.
Magnifico!!!!
fantastico !!!
Plishka was a good bass and Luciano Pavarotti was the greatest Tenor
April 2016....This was a magnificent duet! really enjoyed it! Bravo! and thank you!!!
Wowww Extraordinarios!!!!!!!
Fantastic!!!!!
fantastici!!
Esto se llama interpretar una obra.
@loveluciano1 Your welcome.Recorded it on video in 1987 88.He was at his best then.
Delightful performance!
magnificent
Qué pedazo de bestias los dos. Unos grandes.
Aguante el vicio PlayStation quando si sa cantare, sinsa cantare. sorpreso da Pliska così agile
Voglio dire ... lo stupendo
Elisir che desta amore ...
DULCAMARA
Ah! sì, sì, capisco, intendo,
Io ne son distillatore.
NEMORINO
E fia vero?
DULCAMARA
Se ne fa
Gran consumo in questa età.
NEMORINO
Oh fortuna! e ne vendete? ...
DULCAMARA
Ogni giorno a tutto il mondo.
NEMORINO
E qual prezzo ne volete?
DULCAMARA
Poco ... assai ... cioè ... secondo ...
NEMORINO
Un zecchin ... null'altro ho qua ...
DULCAMARA
È la somma che ci va.
NEMORINO
Ah! prendetelo, dottore.
DULCAMARA
Ecco il magico liquore.
There were giants...!
Brawississimo ! Wunderschone interpretation !
Ой Мария...!!! В трёх словах, столько ошибок! Попробуйте же писать по Русски! Надеюсь Вы им лучше владеете!!!😁
great
Braaavoo
MAGNIFIQUE
Pavarotti had a voice touched by god in the early part of his career after his first 20 years his singing just wasnt what it used to be which is natural cuz of age ...after 1979 he had a couple of moments where his voice seemed like it came back to life and this is one of those moments at least in my opinion i think this was superb just fantastic ...but pavarotti still is and always will be one of the best those early years of perfection put the bar very very high for any future tenors his voice was as close as you could get to perfection in his early career i just would like for people to pay more attention to the real pavarotti voice which again was in his early career and move the latter part of his career a bit to the side
+Babach Lovari I agree. Most people do not realize just how much hidden effort goes into singing well and as you get older so does your voice. He could still rise to the occasion but it does beat the hell out of you. One exception comes to mind and that one is Bjorling.
Didn't realize John C. Reilly has a great voice.
😍😍😍😍
Very good! Miss him..
Thanks for post...
best
Grande Plishka
天籟
Adoro “L’Elisir d’amore”! Lo amo tanto che ho cercato di renderla più appetibile ai miei coetanei, facendo un po’ la buffona in un video. Si chiama “OPERAzione - Elisir d’amore”:
ua-cam.com/video/BPNgBCBEwGU/v-deo.html
Plishka en lo suyo , Pavarotti por su lado ... demasiada voz para ese rol .
Chukars baseball game 20 with Ogden Raptors
Only Italians (or native Italian speakers-think Corena) can really do justice to basso buffo roles. At least that's been my experience.
You really are right. In fact, Plinska cannot keep up with the speed of music and at 5:18 minutes he loses the thread of his "speech".
An Italian tells you that he knows the work by heart for all the parts of the characters
And you, Sir, are no gentleman.
Poor Paul, he messes up at 5:13, and looks so ashamed
I think is normal to make a mistake so specially with so many repetitions.
They all have a history of mistakes and even failures. Why to talk about it?
Both are great!
I dare to say that bass is always a full chest of air and a very tight diaphragm. Bass is like a heavyweight in sports...
@@recordingonthego9651 Certainly. You are right, sir.
He regained his composure well though, and came back strong - respect !👏
@@taraspetrovich8711 cosa intendi dire? Grazie 🙄
Holy cow could the conductor have gone any faster? Slow that shit down a tad. Just a bit
The faster, the easyer for the singers
@@raynardi2326 Not for the bass.
Veramente difficile se non sei madrelingua....
A Pavarotti aunque con su timbre hermosisimo que tenía, le falta un toque de elegancia que otros tenores imprimieron en este papel.
este duetto con pliska no me piachee
hahaha Paul has quite the chicken wobble neck doesn't he.
I love Paul Plishka in general, but here he is really put in the shade by Pavarotti -- he doesn't sound idiomatic at all, but like he's tries to sound "basso" rather than playing a character in one of the great semi-comic operas.
Both equally great
It is a very difficult duett for a bass voice, my dear. Cannot play too much with the words here...
@@raynardi2326 what's difficult about it?
@@meyerbeer13 the registro of the duett is very high for a bass voice. Much higher than Don Giovanni.
@@raynardi2326 that depends if you know how to sing or not. Plishka had no problem with tessitura. Donizetti wrote well for the voice. But if you don't know how to sing, everything is difficult. Nothing Dulcamara sings is more difficult that Udite i rustici.