Man, I was feeling anxious, binge watching "how it's made" videos and I ended up watching this one. The way you speak and narrate the process is so soothing. For 15 minutes I felt like everything's gonna be ok. Thank you.
Hello Gabi Ganeau, I'm glad you enjoyed the video and that I was able to ease your anxiety for the moment. I understand how you feel, I become anxious at times too. But I'll be heading back to the studio soon so don't worry about more videos, their on the way!
I'm really enjoying watching this right now. I like that you are straight up that this is proof of concept rather than a proper lesson. Because you are getting back that muscle memory and things get a little sloppy, it actually helps address what one might encounter. I tried this a few times before I watched anyone do it so i could see how far I could get extrapolating what I already know. Now I can't wait to go try again.
As a layperson who finds glass and especially marbles very interesting, thank you for this video! I appreciate your thorough yet relaxed explanations. I learned a lot! Subscribed!
I have one of these! My niece was dating a guy that did glass stuff, and he contributed one for a Christmas exchange. It does look bigger inside than the marble really is! It is SO cool!!!
" I'll put it in the kiln where it hopefully won't explode" ---- STORY OF MY LIFE ! excellent video, the narration is right to the point and easy to understand. I've been getting a mystery swirl in my lens each and every time, haven't figured out why but I'm going to try your method and see if that puts a stop to it
I know it can get frustrating, hours of work and only seconds to break. They do say "it's less about what you can make and more about what you can fix", unfortunately marbles like these are virtually impossible to fix 😭
I don’t do glass blowing, I just saw a video that peaked my interest in vortex marbles, but this is amazing! You sounded so unsure of yourself the whole time but then then end result was phenomenal!
Hi Matt you do a pretty good job on your videos no stupid music drowning your voice out as you explain why you are doing what you are doing and it is nice that you show all the results of each step too with a close up when you can.
Very nice! Thank you for mentioning that my 'bead' torch - Bethleham Alpha - will achieve this! I'm flabbergasted. OK, when I can get up the nerve I will just try it realizing I will make lots of mistakes and eventually I'll get it. WooHoo .........
Love the videos. As a beginner i love the small comments made during the process. ie. where your holding the marble to thte flame and why you connect the punty out of the flame. Thanks for your all your work
Great tutorial with some really quality tips as well. When making marbles they were taking forever bc I was heating up the end of the rod, not just behind it to melt the glass down. Ty!!
Thanks Will! Yea I think we all have that problem starting out with marbles. It takes a lot of practice to become comfortable with the glass. Like riding a bicycle you stop thinking about how to do it and just do it.
Wow! Thanks so much for the tutorial! I used to to lampworking and have really missed it...after watching this, I’m missing it even more! Just might be setting up again!
Hello Mary. Your welcome, I'm glad you enjoyed the video. I hear from a lot of people once they get into glass they never want to leave it, although we do take the occasional break. Let me know if you start melting again, happy holidays!
Matt Jasa I need to find a place to work...but I know it will happen. I had a vented workspace in my basement when I did lampworking before. Now I’ve downsized and don’t have a basement. But I kno I’ll find a place.
@@MattJasa Hello, Matt. I watched again, and wanted to tell you: the only time I had seen glass working in person was in the 90s at the Murano factory in Caracas, Venezuela. What a pleasure that was. Your video reminded me, and I wanted to share. Have another beautiful day.
LOCO SOS UN CAPO. ( Im from Argentina ) Me encantò el video...Y me encantò el texto. Creo que el glass blowing y el lamp working es una disciplina que subvalorada. Recien estoy aprendiendo, pero empiezo a transitar este camino con esa filosofia. La de compartir y enseñar este maravilloso universo. Gracias.
Siento que hay una conexión especial con la naturaleza en cómo trabajamos el vidrio. El calor es una parte fundamental del universo y una de nuestras mejores herramientas. Tiene un verdadero valor incluso si otros no lo notan. ¡Gracias por tu comentario!
You can encase the vortex itself to increase size of marble and depth between it and the inner vortex. Also if you put a ring around the shoulder of the backing where you want it to end, it will both be some extra cool support to hold the shape of the marble and a reference for the end of backing. Also, heat at the end of backing after placing, and push the clear rod into the hot marble lightly (before detaching) to open up the vortex for a wider effect that allows more light inside.
Very nicely done! I would be proud to have been that successful! And you did explain things quite well! I got the sense you skipped some of the marble molding part, in the graphite block, because if time constraints, but I can figure that part out. I got on my torch for the first time in about 5 years, and attempted to make a simple, clear a marble, a little smaller then the one you made, I think. And yikes! I was so out of practice! So I found this video, which I think will help me a whole lot. I ended up exploding mine, because I think I put it into my marble mold, without warming the mold up properly. Thanks for sharing this! It was so well done!
Hello Ron, I'm happy to hear you got back on the torch. It's natural to drop an activity for awhile and come back to it later. That's what I did with the guitar and now I play it all the time, so there's no shame in that. Actually I tend to skip the marble mold all together and use gravity, I didn't mention it back then because I felt the glass community would be upset I was doing things differently, but I don't worry about that anymore. Sorry to hear your work exploded. It might take a few tries to warm up your skills if its been awhile. Stay motivated and you'll be melting glass better than before. Best of luck on your glass journey!
How interesting, and innovative! I will have to try your "gravity only" technique. And I need to get back on my guitar as well. But harmonica's are my best instrument, by far. And I believe it is a very common thing for us artistic types to have multiple "irons in the fire", or " rods in the torch", :) in our case. I sometimes compare myself to the old "Whack-a-mole" game, because i sometimes have several things going at one time, jumping form one to the other, depending on my "fancy" at the time. And thank you for the very nice reply! I "liked" your video, which I had forgotten to do, and I also subscribed to your channel.
7:05: You are still mistaken. Aventurine isn't an element, it's simply a type of glass. Aventurine glass is made by oversaturating glass with either copper (reddish brown) or chromium (green). For blue, some cobalt added to the glass to color it blue.
Hello Mick. I don't sell my projects from the videos, they go into my personal collection. I planned to work on sales but this year has been rough. I'll be making pendants and necklaces, let me know what your interested in. Thanks for watching!
@@MattJasa hey Matt! Yeah 2020 can piss off don't you think?! I just ran across your channel and really like the fact that you teach people who are interested. It's typically secretive techniques and I'm happy to just watch. It's therapeutic to see the pieces turn into art. I'm currently living abroad in Portugal and would actually like to get a paperweight or large vortex marble for my work from home desk. I might have to reach out to the artist in Louisville KY to see if they've got anything for sale. Either way I hope you're staying safe and still enjoying your artwork. I'm a fan of your work buddy 👍🏼
With a good ventilation system you shouldn't smell anything. www.mountainglass.com/ has great service and weekly sales. I noticed you enjoy Pokemon, do people still play the original Red and Blue for Game-boy?
That's a good question. Hand-made things usually are never perfect. Even with a marble mold you might get close, but the mold itself is most likely imperfect. Perhaps the most perfect thing in nature is imperfection. Thanks for asking!
Hey Brian, you can make small objects and practice without a kiln. The larger the marble the higher chance it will break as it cools. Theirs also other methods to help cool your glass without a kiln. If you are interested in Lampworking I do suggest buying your kiln later after you've taken some months to practice.
I noticed that in your finished marble it fades into the io star and kind of grandparents out so to speak. To prevent that when you’re terminating your lines, on your final line termination if you pull it out and then bend that tip over onto the rest of the cone it’ll make it solid color terminating inside. Then lightly melt that in and then coil your backing color on by getting your backing color juicy hot before applying so it doesn’t distort the lightly melted in tip.
I have a serious question about your technique and I have seen it used in other marble making video's. @10:35 I noticed that as you were adding more clear glass and swirling the marble, you kept turning the glass inwards toward yourself instead of working away from yourself, So is this the superior method or are you just a left-handed artist?
Thanks for this lesson and appreciate the humillity on your teachings! could you please advice on the time and temperature ramps on the kiln for marbles?
Thank you! It means a lot to me to know people are taking it in; not just the lampworking but the approach towards finding better peace with-in and with your surroundings. But now for marbles I don't anneal mine very long, only about 1 hour at 1050*f per inch of thickness. Over 3 inches I'll add more time but I don't make them much larger then that. It's a good idea to ramp it down slowly to ~950*f but after that I'll turn my kiln off. I know this isn't very detailed, there are some annealing charts out there; they tend to vary a bit from chart to chart.
@@MattJasa thanks so much for your output Matt! I'm just a few months new to this so others experience is very valuable to me. I actually started doing this in search for corporal prescence of my mind. To just act and react to movement, this brings me peace. Kind regards from Chile!
I taught myself using videos, kinda like the videos I make now. However most people do take classes. If your planning to take a class you should prep yourself on these videos that way you can get the most from the class.
It depends on the route you want to take but it gets rather expensive. A small single stage oxy/propane torch is $200, but then ventilation, didymium glasses, kiln, and raw glass can easily push it over $1000.
Also figure out where your going to get your oxygen. Concentrators are a popular choice as tanks can cost around $40 a refill. Propane is everywhere so you don't have to worry about that.
Hey Sighs Internally, it's 10 liters a minute from an oxygen concentrator which runs on ~500Watts of electricity, which for my location is 5¢ an hour. Propane is around 2 liters a minute, I get roughly 50 hours per tank which costs $15-20 to refill so about 35¢ per hour for fuel.
@@SighsInternally The Invacare Platinum 10 LPM is what I use. I bought it online as a reconditioned/rebuilt unit. They usually go for about $1,000. Life expectancy of 25,000 hours.
@@SighsInternally Yup, I'm only using the center stage knobs in this video. The 2 rear knobs control the outer stage (not used in this video) which can double the size of the flame. Its basically 2 torches built into 1, the secondary torch being built around the 1st.
Cool video my friend. I also have a glass blowing channel. You should come by and have a look =). I mostly make glass pipes and some other random stuff. All the best! Sim
I have a little bit of quartz in the shop. Once in awhile a quartz rod finds its way into my borosilicate. After I heat it up its still rock hard so I know its the troublesome quartz again.
I've rarely seen a video where the craft is explained so nicely
Thank you SchneeFish.
Man, I was feeling anxious, binge watching "how it's made" videos and I ended up watching this one. The way you speak and narrate the process is so soothing. For 15 minutes I felt like everything's gonna be ok. Thank you.
Hello Gabi Ganeau, I'm glad you enjoyed the video and that I was able to ease your anxiety for the moment. I understand how you feel, I become anxious at times too. But I'll be heading back to the studio soon so don't worry about more videos, their on the way!
I have watched this over 10 times, thank you for explaining everything so clearly and in an informative way.
We need more of you in the community knowledge is power!
I'm really enjoying watching this right now. I like that you are straight up that this is proof of concept rather than a proper lesson. Because you are getting back that muscle memory and things get a little sloppy, it actually helps address what one might encounter. I tried this a few times before I watched anyone do it so i could see how far I could get extrapolating what I already know. Now I can't wait to go try again.
Also, you have a killer radio voice.
Beautiful! I love marbles! Instantly subbed! Keep up the great work!
That intro never gets old. It’s so dope lol
Haha, Thanks! 🔥🔨
As a layperson who finds glass and especially marbles very interesting, thank you for this video! I appreciate your thorough yet relaxed explanations. I learned a lot! Subscribed!
Thanks for subscribing!
I have one of these! My niece was dating a guy that did glass stuff, and he contributed one for a Christmas exchange. It does look bigger inside than the marble really is! It is SO cool!!!
Best exchange ever!
" I'll put it in the kiln where it hopefully won't explode" ---- STORY OF MY LIFE ! excellent video, the narration is right to the point and easy to understand. I've been getting a mystery swirl in my lens each and every time, haven't figured out why but I'm going to try your method and see if that puts a stop to it
I know it can get frustrating, hours of work and only seconds to break. They do say "it's less about what you can make and more about what you can fix", unfortunately marbles like these are virtually impossible to fix 😭
I don’t do glass blowing, I just saw a video that peaked my interest in vortex marbles, but this is amazing! You sounded so unsure of yourself the whole time but then then end result was phenomenal!
Thank you! It was earlier in my career, I might have been a bit unsure of myself. I'm much more confident these days.
@@MattJasa I’m glad you’ve progressed and you’re enjoying what you do!
Hi Matt you do a pretty good job on your videos no stupid music drowning your voice out as you explain why you are doing what you are doing and it is nice that you show all the results of each step too with a close up when you can.
Thank you! Its been a bit of an adventure. I've slowed down recently for weather, but I have some cool ideas for 2021.
Very nice! Thank you for mentioning that my 'bead' torch - Bethleham Alpha - will achieve this! I'm flabbergasted. OK, when I can get up the nerve I will just try it realizing I will make lots of mistakes and eventually I'll get it. WooHoo .........
Nice. Cool to see different techniques, everyone has a different ways to complete a project.
Love the videos. As a beginner i love the small comments made during the process. ie. where your holding the marble to thte flame and why you connect the punty out of the flame. Thanks for your all your work
Great tutorial with some really quality tips as well. When making marbles they were taking forever bc I was heating up the end of the rod, not just behind it to melt the glass down. Ty!!
Thanks Will! Yea I think we all have that problem starting out with marbles. It takes a lot of practice to become comfortable with the glass. Like riding a bicycle you stop thinking about how to do it and just do it.
Lots of real helpful stuff in here thanks
Wow! Thanks so much for the tutorial! I used to to lampworking and have really missed it...after watching this, I’m missing it even more! Just might be setting up again!
Hello Mary. Your welcome, I'm glad you enjoyed the video. I hear from a lot of people once they get into glass they never want to leave it, although we do take the occasional break. Let me know if you start melting again, happy holidays!
Matt Jasa
I need to find a place to work...but I know it will happen. I had a vented workspace in my basement when I did lampworking before. Now I’ve downsized and don’t have a basement. But I kno I’ll find a place.
thx again!!!
Beautiful. Thank you.
Thank you, Kalyn! Have a great day.
@@MattJasa Thank you, Matt. You as well.
@@MattJasa Hello, Matt.
I watched again, and wanted to tell you: the only time I had seen glass working in person was in the 90s at the Murano factory in Caracas, Venezuela. What a pleasure that was. Your video reminded me, and I wanted to share.
Have another beautiful day.
Thank you. Very clear, elucidating and a lovely invitation to learn!
Your welcome! That's the goal for the channel is a fun adventure for new lampworkers and non-workers alike.
Love your vids Matt, thanks for sharing the knowledge.
Magnificent
Beautiful.
Well done man
LOCO SOS UN CAPO. ( Im from Argentina )
Me encantò el video...Y me encantò el texto.
Creo que el glass blowing y el lamp working es una disciplina que subvalorada.
Recien estoy aprendiendo, pero empiezo a transitar este camino con esa filosofia.
La de compartir y enseñar este maravilloso universo.
Gracias.
Siento que hay una conexión especial con la naturaleza en cómo trabajamos el vidrio. El calor es una parte fundamental del universo y una de nuestras mejores herramientas. Tiene un verdadero valor incluso si otros no lo notan. ¡Gracias por tu comentario!
You can encase the vortex itself to increase size of marble and depth between it and the inner vortex. Also if you put a ring around the shoulder of the backing where you want it to end, it will both be some extra cool support to hold the shape of the marble and a reference for the end of backing. Also, heat at the end of backing after placing, and push the clear rod into the hot marble lightly (before detaching) to open up the vortex for a wider effect that allows more light inside.
Very nicely done! I would be proud to have been that successful! And you did explain things quite well! I got the sense you skipped some of the marble molding part, in the graphite block, because if time constraints, but I can figure that part out. I got on my torch for the first time in about 5 years, and attempted to make a simple, clear a marble, a little smaller then the one you made, I think.
And yikes! I was so out of practice! So I found this video, which I think will help me a whole lot.
I ended up exploding mine, because I think I put it into my marble mold, without warming the mold up properly.
Thanks for sharing this! It was so well done!
Hello Ron, I'm happy to hear you got back on the torch. It's natural to drop an activity for awhile and come back to it later. That's what I did with the guitar and now I play it all the time, so there's no shame in that.
Actually I tend to skip the marble mold all together and use gravity, I didn't mention it back then because I felt the glass community would be upset I was doing things differently, but I don't worry about that anymore.
Sorry to hear your work exploded. It might take a few tries to warm up your skills if its been awhile. Stay motivated and you'll be melting glass better than before.
Best of luck on your glass journey!
How interesting, and innovative! I will have to try your "gravity only" technique. And I need to get back on my guitar as well. But harmonica's are my best instrument, by far.
And I believe it is a very common thing for us artistic types to have multiple "irons in the fire", or " rods in the torch", :) in our case. I sometimes compare myself to the old "Whack-a-mole" game, because i sometimes have several things going at one time, jumping form one to the other, depending on my "fancy" at the time.
And thank you for the very nice reply!
I "liked" your video, which I had forgotten to do, and I also subscribed to your channel.
Great demo. Thank you!
it looks like it's deeper than it is. awesome.
Yea that is the amazing trick of these. The lens magnifies the swirl making it look deeper than the marble.
thanks for the video muh dude been slowly teaching myself on how to make
glass art through your videos along with a few others
Happy I could help! Best of luck on your glass journey! 🔥🌎
This one was just what I needed thanks alot Matt! Very helpful tips with maintaining that funnel shaped core then applying the backing like a coil.
Hey Shaolin. Your welcome and thanks for watching!
I love it. I have a pendant with a backing like this but more of a fumed look
Wonderful video ! I just started learning how to make glass and this help me a lot !
Thanks Lok Sze Li, I'm glad I could help. Let me know if you have any glassy questions and best of luck on your glass journey!
Beautiful 🤩
Thanks for this video! :)
7:05: You are still mistaken. Aventurine isn't an element, it's simply a type of glass. Aventurine glass is made by oversaturating glass with either copper (reddish brown) or chromium (green). For blue, some cobalt added to the glass to color it blue.
Yea my mistake. Chemistry was never my strong suit. Thanks for the correction.
That’s so cool I want to do marble making now!!!!
You can! Maybe start as a hobby and see if you wanna make it a career. Once you have your equipment the cost to run it is not so bad.
This is really cool and I love how you explain everything. Do you sell the marbles and your other artwork?
Hello Mick. I don't sell my projects from the videos, they go into my personal collection. I planned to work on sales but this year has been rough. I'll be making pendants and necklaces, let me know what your interested in. Thanks for watching!
@@MattJasa hey Matt! Yeah 2020 can piss off don't you think?! I just ran across your channel and really like the fact that you teach people who are interested. It's typically secretive techniques and I'm happy to just watch. It's therapeutic to see the pieces turn into art. I'm currently living abroad in Portugal and would actually like to get a paperweight or large vortex marble for my work from home desk. I might have to reach out to the artist in Louisville KY to see if they've got anything for sale.
Either way I hope you're staying safe and still enjoying your artwork. I'm a fan of your work buddy 👍🏼
Very helpful man 👌
Never touched anything to do with glass work before but ifike to try it once
When doing this. Does the room start to smell like burnt materials?
And how do I obtain a torch that strong?
I want to make one 🥲 it's beautiful
With a good ventilation system you shouldn't smell anything. www.mountainglass.com/ has great service and weekly sales.
I noticed you enjoy Pokemon, do people still play the original Red and Blue for Game-boy?
👍🏽 nice job
Do you think hand-made marble, like this one, are perfectly spherical? like perfect perfect?
That's a good question. Hand-made things usually are never perfect. Even with a marble mold you might get close, but the mold itself is most likely imperfect. Perhaps the most perfect thing in nature is imperfection. Thanks for asking!
Nice vid bro.
Use a spoon for shaping (on a marble) if you havent made or bought a mold yet . Great tutorial!
Cool thanks buddy Ricky 🧜🏼♂️🐬🔥💥🍒
Hi there liked your demo. What if you dont have a kilm can you still do marbles
Hey Brian, you can make small objects and practice without a kiln. The larger the marble the higher chance it will break as it cools. Theirs also other methods to help cool your glass without a kiln.
If you are interested in Lampworking I do suggest buying your kiln later after you've taken some months to practice.
@@MattJasa thanks for you help.
I noticed that in your finished marble it fades into the io star and kind of grandparents out so to speak. To prevent that when you’re terminating your lines, on your final line termination if you pull it out and then bend that tip over onto the rest of the cone it’ll make it solid color terminating inside. Then lightly melt that in and then coil your backing color on by getting your backing color juicy hot before applying so it doesn’t distort the lightly melted in tip.
Transparents*
thanks matt awsome work as allwase mate
Hey Zac! :D Your welcome man. I'm working on the next one right now, I wanna start uploading more frequently.
wel lit allwase makes me happy to see u pop up in my feed mate.
@@MattJasa
mind blowing. :)
I have a serious question about your technique and I have seen it used in other marble making video's. @10:35 I noticed that as you were adding more clear glass and swirling the marble, you kept turning the glass inwards toward yourself instead of working away from yourself, So is this the superior method or are you just a left-handed artist?
Its like a tornado vortex in a way.
Are you using borosilicate for the whole piece & color? Or only for the punty?
Hi Sabrina, I used borosilicate for everything. Thanks for watching!
Cool!
Is there any way to raise your torch? It'll help with posture of back and your wrist and deter injury.
Ya I was thinking I might do that this weekend. It might help me get a better camera shot also.
Go to corning glass museum its amazing
I definitely wanna check it out, looks like my kind of place!
Bro please let me know if its possible to have a live class once i get my setup
Fyi i got absolutely 0 Experience so will have very small starter kit
Sorry JB, I'm not prepared for live video. There may be other teachers available, I do recommend learning from multiple instructors.
Thanks for this lesson and appreciate the humillity on your teachings! could you please advice on the time and temperature ramps on the kiln for marbles?
Thank you! It means a lot to me to know people are taking it in; not just the lampworking but the approach towards finding better peace with-in and with your surroundings.
But now for marbles I don't anneal mine very long, only about 1 hour at 1050*f per inch of thickness. Over 3 inches I'll add more time but I don't make them much larger then that. It's a good idea to ramp it down slowly to ~950*f but after that I'll turn my kiln off. I know this isn't very detailed, there are some annealing charts out there; they tend to vary a bit from chart to chart.
@@MattJasa thanks so much for your output Matt! I'm just a few months new to this so others experience is very valuable to me. I actually started doing this in search for corporal prescence of my mind. To just act and react to movement, this brings me peace. Kind regards from Chile!
Can a bunsen burner be used as the heat source?
Hey Rosemary, bunsen burners can be used to warm the glass, but without oxygen they won't get hot enough to melt Boro like these torches will.
Where do you get that glass chain he has on?
Hey Salsa, I made it myself. I have 2 other videos on glass chains. Thanks for watching!
What size rod is that?
Do you mean the clear rod? Sorry it's been awhile, I'm not entirely sure. I would guess 12mm, the the color rods are around 7mm.
@@MattJasa thanks I did mean the clear rod. Much appreciated. Great video by the way!
Did you have to take courses prior ?
I taught myself using videos, kinda like the videos I make now. However most people do take classes. If your planning to take a class you should prep yourself on these videos that way you can get the most from the class.
Hey brotha sweet video, how much is the initial investment to blow glass ?
It depends on the route you want to take but it gets rather expensive. A small single stage oxy/propane torch is $200, but then ventilation, didymium glasses, kiln, and raw glass can easily push it over $1000.
Also figure out where your going to get your oxygen. Concentrators are a popular choice as tanks can cost around $40 a refill. Propane is everywhere so you don't have to worry about that.
10 liters a minute? how much do you spend on gas?
Hey Sighs Internally, it's 10 liters a minute from an oxygen concentrator which runs on ~500Watts of electricity, which for my location is 5¢ an hour. Propane is around 2 liters a minute, I get roughly 50 hours per tank which costs $15-20 to refill so about 35¢ per hour for fuel.
@@MattJasa oh wow better than I thought, what's an oxygen concentrator you recommend?
@@SighsInternally The Invacare Platinum 10 LPM is what I use. I bought it online as a reconditioned/rebuilt unit. They usually go for about $1,000. Life expectancy of 25,000 hours.
@@MattJasa ok and I notice the 4 knobs on torch, with 2 gasses are you only using 2 of the knobs?
@@SighsInternally Yup, I'm only using the center stage knobs in this video. The 2 rear knobs control the outer stage (not used in this video) which can double the size of the flame. Its basically 2 torches built into 1, the secondary torch being built around the 1st.
heavy blue stardust is a striker. heavy blue leprechaun mixed with adventurine
Aventurine is not an element. It is a quartz compound.
You are right, thanks for the update. Chemistry isn't my forte.
Cool video my friend. I also have a glass blowing channel. You should come by and have a look =). I mostly make glass pipes and some other random stuff. All the best! Sim
Have you ever tried using quartz crystal? Better have a hot torch.
I have a little bit of quartz in the shop. Once in awhile a quartz rod finds its way into my borosilicate. After I heat it up its still rock hard so I know its the troublesome quartz again.
😍
Your voice would be excellent for voice overs or audible
Adventurine is a rock, not a mineral.
n00b
It's more about where your headed then where your at, we all have to start somewhere.
ازکوجا می شود تو ایران یه فر خرید
I'm sorry, I don't live there, I'm not sure where to find one.