in the beginning, usage of the 5-1 relationship in the right hand and diatonic notes asserts the Ab major tonality very well. Later in the piece your 2nd species-esque counterpoint doesn't sound harsh because most of your melodic motion is stepwise which usually guarantees that a consonance exists somewhere within every beat, and even where there isn't, it sounds like incomplete neighbors or passing tones. The sense of independent voices is also assisted by your usage of contrary and oblique motion and rarely incorporating parallel intervals. Lastly the contrasting dynamic and repeated chords in the coda makes the piece climax and more memorable.
@@Jwellsuhhuh Wow, I didn’t even think this piece was worth analyzing. This probably describes my disengaged thought process pretty well though. I’m starting to realize even when their is a conscious ‘lack of expression’ when composing, their is still ultimately something being expressed because it inevitably engages the subconscious-music will forever be full of mystery.
Reverse psychology really works because since I've been posting all of this terrible music, I've been a lot more motivated to post my genuine music and put more effort into what I produce. For those who couldn't tell, the piano music that I've been posting lately is joke music that is not reflective of my compositional style and I composed it with the intention of them being low-quality. After the next post, I will begin posting high-quality music so that you all may explore the various musical worlds I have created. If you would like to explore some now, the "Serenade for Oboe and Piano" or some of my video game music arrangements would be a good place to start. I look forward to your viewership!
@WhiteFlashGD I honestly would have never made that association as person that likes indie and psychological horror games. Which indie game do you feel like this would fit in?
Yeah, some parts do. I feel like it would need to be edited though, but that would actually be putting in effort which wasn’t the point of the piece ;--)
it's alot more interesting than some pieces that ive heard where the person is trying to imitate a logical or simple form in melody and harmony, but aren't able to do it
@@GorechierComposer i think the difference is that imitating classical music compositions properly takes an insane amount of experience and knowledge, so if it's done badly it just sounds bad. but in this type of experimental music there aren't such extreme expectations
I know that you technically didn't put any effort into this composition, but I still love how you displaced the rhythm between the two clefs in the abrupt, forte section. I'm not fawning or anything, but the rhythmic displacement between the two chords does make them sound like echoing bells. There is also some traces of counterpoint in your piano sections, even though the melody itself is much more scattered and grows less tonal as the piece progresses. I wouldn't call this a "terrible" piece; it's more like sketches of compositional techniques.
@@Stable_CsF I thought the same about the forte section. It’s a really interesting harmony as well. I’ll definitely be using that more consciously in another piece.
![Lp. Сердце Вселенной #60 РОЖДЕНИЕ ЛОЛОЛОШКИ [Финал] • Майнкрафт](http://i.ytimg.com/vi/YoR0pAV9FVQ/mqdefault.jpg)
in the beginning, usage of the 5-1 relationship in the right hand and diatonic notes asserts the Ab major tonality very well. Later in the piece your 2nd species-esque counterpoint doesn't sound harsh because most of your melodic motion is stepwise which usually guarantees that a consonance exists somewhere within every beat, and even where there isn't, it sounds like incomplete neighbors or passing tones. The sense of independent voices is also assisted by your usage of contrary and oblique motion and rarely incorporating parallel intervals. Lastly the contrasting dynamic and repeated chords in the coda makes the piece climax and more memorable.
@@Jwellsuhhuh Wow, I didn’t even think this piece was worth analyzing. This probably describes my disengaged thought process pretty well though.
I’m starting to realize even when their is a conscious ‘lack of expression’ when composing, their is still ultimately something being expressed because it inevitably engages the subconscious-music will forever be full of mystery.
Reverse psychology really works because since I've been posting all of this terrible music, I've been a lot more motivated to post my genuine music and put more effort into what I produce. For those who couldn't tell, the piano music that I've been posting lately is joke music that is not reflective of my compositional style and I composed it with the intention of them being low-quality. After the next post, I will begin posting high-quality music so that you all may explore the various musical worlds I have created. If you would like to explore some now, the "Serenade for Oboe and Piano" or some of my video game music arrangements would be a good place to start. I look forward to your viewership!
This could fit in a lot of different situations, either harmoniously or for a bit of a jarring, contrasting effect. I like it a lot actually.
@maturecheese9688 What situations do you imagine?
Strangely enough, I like it.
@@SomeDude.1117 People never fail to surprise me lol.
Thank you for coming to my little concert!
Sounds like an emotional (maybe psychological horror) indie game as a song
@WhiteFlashGD I honestly would have never made that association as person that likes indie and psychological horror games.
Which indie game do you feel like this would fit in?
@@GorechierComposer Majority of it gives me Omori vibes though not directly sounding like any particular song from that game.
this actually makes sense
Yeah, some parts do. I feel like it would need to be edited though, but that would actually be putting in effort which wasn’t the point of the piece ;--)
it's alot more interesting than some pieces that ive heard where the person is trying to imitate a logical or simple form in melody and harmony, but aren't able to do it
@@Annihilator_5024 But, I was barely even trying. . .lol. Maybe that’s what sets it apart.
Thank you for coming to my little concert!
@@GorechierComposer i think the difference is that imitating classical music compositions properly takes an insane amount of experience and knowledge, so if it's done badly it just sounds bad. but in this type of experimental music there aren't such extreme expectations
has a pretty nice vibe to it :)
but i personally didnt like this sudden change before the end.
@@1seishiro130 This was definitely the lowest effort piece out of the nine lmao
I know that you technically didn't put any effort into this composition, but I still love how you displaced the rhythm between the two clefs in the abrupt, forte section. I'm not fawning or anything, but the rhythmic displacement between the two chords does make them sound like echoing bells. There is also some traces of counterpoint in your piano sections, even though the melody itself is much more scattered and grows less tonal as the piece progresses. I wouldn't call this a "terrible" piece; it's more like sketches of compositional techniques.
@@Stable_CsF I thought the same about the forte section. It’s a really interesting harmony as well. I’ll definitely be using that more consciously in another piece.
See I was liking it until the chords
@@elisabethjones4857 But, but, but funny noise :---(