Joranalogue Generate 3 // Through Zero Modulate EVERYTHING! // Eurorack multiphonic signal generator
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- Опубліковано 8 лип 2024
- *TIMING BELOW - SKIP AROUND!* Here’s the new Generate 3 mega analogue oscillator from Joranalogue. As with other Joranalogue designs this of course pushes way past the basics and seeks (and achieves) to take analogue synthesis that bit further. Generate 3 is billed as a “through zero multiphonic signal generator” and offers through zero control of FM, PM and AM aka frequency modulation, phase modulation and amplitude modulation. You also get through zero control of the timbre as the full output mixes down the fundamental sine, even and odd harmonics. FM can be exponential, linear and through zero. The phase modulation gives a powerful way to create FM synthesis like sounds without actually changing the pitch. Through zero AM is Ring Modulation as the bipolar level controls can swing the waveform negative/inverted under voltage control. There’s two form of sync with reset and flip offering hard and soft sync as well as multiple outputs and a huge range of potential sounds and shaping in just 12HP. With all the through zero control you can be very dynamic and expressive with your modulation and as with most patches mixing modulation forms to sync modulation sources and then modulate multiple parameters leads to the widest range of options.
Website, manual and info - bit.ly/Generate3
More Joranalogue demos from me
Filter 8 - • Joranalogue Filter 8 "...
Contour 1 - • Joranalogue Contour 1 ...
Select 2 - • Joranalogue - Select 2...
Compare 2 - • Joranalogue - Compare 2
Transmit 2 & Receive 2 - • Eurorack Interfaces //...
Mix 3 - • Joranalogue - Mix 3 *M...
TIMING INDEX // SECTIONS
00:00 Intro & video previews
MODULE WALKTHROUGH
02:12 Feature & function run down
03:15 FM controls (exponential, linear, through zero, bias + AC switching)
04:30 Phase modulation
05:24 Amplitude control, bipolar level shifts + Ring Modulation
06:10 Reset + Flip (hard and soft sync)
WAVEFORMS
06:53 Waveform outputs plus recreating classic waveforms and making new ones
PHASE MODULATION (THROUGH ZERO)
08:57 Phase modulation demo (static + dynamic patching)
12:25 Self patched feedback based phase modulation (ace!)
14:31 Phase modulation synthesis in context of musical patch
MULTIPHONIC PATCHING
14:42 Stereo patching using different outputs with different sequences + modulations
FAKE / PSUEDO FILTERING
18:01 Fake filtering explained (fading harmonics)
19:12 Percussive enveloped harmonic control
19:35 Slowly fading waveshapes
RING MODULATION // BIPOLAR AMPLITUDE CONTROL
20:06 Ring Modulation patching (through zero level control)
23:48 Heavily expanded Ring Modulation (independent ring mod on each waveform)
SYNC
27:00 Understand and patching analogue sync (hard and soft with reset and flip)
29:53 Reset + Flip together (ALL THE SYNCS!)
FM SYNTHESIS // FREQUENCY MODULATION
31:45 Through Zero FM
34:14 Linear FM in practice
35:53 Further FM explorations
WEIRD STUFF
37:42 VCO Drum Kit (follow up video to come)
TUNE-ABLE NOISE GENERATOR
38:09 Feedback patching to create white noise
40:23 Glitchy noise textures under wonky beats
TRYING TO DO THINGS GENERATE 3 DOESN’T DO
40:38 Trying to create a super saw, PWM or unison vibe … sort of
LOW FREQUENCY LFO MODE
42:20 Demonstrating all of the control and shaping with the LFOs
46:17 Phase shifting LFOs
47:44 Sequencing beats WITH AN OSCILLATOR!
MIXED MODULATION (where some of the magic happens)
49:12 Ring Modulation & Sync
49:38 Through zero Phase, FM, AM and Sync
50:59 FEEDBACK with core to AM the fundamental + through zero FM
52:06 Filthier tones and aggressive sound design
53:12 Modulate EVERYTHING and it’s still musical!
*** THIS VIDEO IS SPONSORED BY JORANALOGUE ** They have funded the creation of this demo video which as always I aim to show off raw functions and sounds with clarity and give multiple musical examples to teach synthesis and patching. Joranalogue had no influence or control over the content beyond funding it’s creation, leaving me to do my thing. Any questions just ask.
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This modules blows my mind. Joranalogue continues to break new ground and repurpose classic techniques in new ways we hadn't considered. I love using both soft and hard sync at the same time on this beast. Some really great textures to be found when adjusting the pitch of those two sync sources in relation to each other and Generate 3. Throw sync into the mix to cool the burn. Inclusion of VCAs over FUND./EVEN/ODD is an amazing bonus that goes a long way in creating dynamic sounds. (Need to try a quadrature LFO fading between them, then at audio rate!) So many possibilities. If you are at all a fan of FM this module is as close to heaven as you'll find on earth!
Sponsoring this video must be the best expenditure Joranalogue has made in quite some time.
Every time I watch a video of yours, I have to build bigger skiffs! Dude, stop it! Marvelous video and an amazing module!
I am drinking the joranalogue cool aid! I want one of every module that make.
This video I am really starting to understand now...what a gem of a video, leanred so much more about ring mod, FM and Phase Mod, and going to rip my patch cords out of my Generate 3 and use it properly....!! Great video on synthesis in gnereal, and Generate 3 totally rocks!!
Literally just racked mine and suddenly a wild divkid appears. Perfect timing!
Joranalogue is coming out with some sick stuff!
Those noisy vinyl beats were sick !
That FLIP sync is excellent...as is your demo of it, showing how the wave travels backwards from the point at which it was interrupted by the Sync master. It reminds me of why alternating looping on samplers is so much nicer and less clicks than standard looping (RESET being the equivalent on the Generate 3)
I actually bought generate 3 by accident thinking it was filter 8 LOL I didn't like it at first now I'm starting to really love it
Consider it a “happy accident!” Have no regrets.
Incredibly thorough and impressive demo. Bravo!
The search for my next oscillator is over.
Great demo thanks. Learning much about patching in this film.
OOFT!!! sounding unbelievably good.
This sounds like Helios Creed and Chrome. I love it!
Totally did NOT expect to see anybody namecheck Helios Creed in a modular forum.
I absolutely love this complex oscillator, but I have knocked the coarse tune pot quite a few times which can be frustrating when playing live or recording in the studio. Part of me wishes that more folks implemented a push to tune knob like Noise Engineering or a locked pitch switch similar to SSF's ZPO. Minor details though. Cheers on the amazing overview!
Totally hear you. I had this idea that one could create a small flip type cover similar to what I've seen on fighter jet missle launch buttons & attach it somehow to be able to quickly cover that knob @D. Martin Sound
A lot of people take the tune knobs off when playing live.
that was a lot of good stuff ... will digest it in multiple time of visiting
happy new year and decade thx for the fabulous work
great video :)
This one is on my wishlist for the LFO side alone. I used one at a store around me and I love playing with this module when im there.
it makes for a comprehensive LFO with how it can be modulated and the different waveform outputs. I use it a lot like that too. Though I also use Filter 8 as an LFO a fair bit as well.
For some reason I just cannot generate the same rich timbral phasing with my Gen 3 modulated by an audio rate triangle wave from my SSF Spectrum. I have my Gen 3 set more or less identical with those of DivKid. I have even tried using Ch 2 of Maths to amplify the triangle wave patched to the Gen 3 phase input. My phasing is more subtle. Strange because the phasing patch shown is such a simple patch.
Nevertheless great demo of the well designed and beautifully manufactured module.
Like the idea of the AC switch. Could think of a few other modules that could have done with that feature :)
YES!
You are entirely responsible for my very much wanting all of Joranalogue’s products - which would be an outlay I cannot, being a sick guy, afford.
Thanks a fuckin’ lot, Ben.
Keep up the good work.
It's taken me a while to get around to looking at this module (already got Compare 2 and Switch 4) but while looking at Select 2, saw this video and decided to watch it and see what this module was all about.
Then discovered it was all about complete fucking lunacy.
I was about to order Select 2, but I already have other utilities. What I don't have is an oscillator that sounds like this. Plaits and Elements are my main voices, and while those are great in their way, they are not even anything close to this madness. I don't actually yet understand what thru-zero even means, nor even hard and soft sync, but I guess I'll be learning real soon. Ordering next week.
Thanks as always for the demos/tutorials!
Hello, I'm glad you've found something that has appealed to you and that you really want to explore. I remember that journey into really learning synthesis with modular, through zero, sync types etc. It's a fun one. So I hope you have a great time with it.
@@DivKid Cheers, Ben, I will.
Where I live, in South Korea, there is not much of a modular scene. The bulk of it is up in Seoul, and you're talking a few hundred people in a city of 25 million. Here in my conservative inland city, 3 hours south of Seoul by the fast train, I know of one other modular user in our city of 2.8 million people.
Videos by you, Mylar, Ihor, Loopop, RMR, Quincas, etc - I couldn't possibly have made it this far without them. Hell, I may not have even known about modular at all if it weren't for al those. In fact, I can't even remember when the lines between some Volcas and a Beatstep Pro started blurring across to full modular. But here I am now, 500p into it, and there's no turning back. My local vendor has the Gen 3 in stock now, and when I order it on Monday night, it'll be on my doorstep by Wed evening at the latest. I'm also buying Batumi/Poti used, at the same time, which will arrive at the same time. After seeing your video on it, I was instantly sold on the divide mode, but I can see some really interesting things happening in the phase mode too. My head is swimming with ideas.
Thank you for all your amazing content. At first, I had no idea what you were talking about, it was impossible to keep up. Now I feel like I understand about 1/2 way what you're talking about. But, closer every day.
Cheers!
d'Voxx Opera like at 19:53 Love that song
This thing is 10% of on perfect circuit rn and my demons are doing some serious work on my clicking finger 🤣😈
Yes way man!
Epic! Joranalogue is gonna be the next Cwejman with engineering this precise and intricate!
Joranalogue, if you are in the comments, how did you implement the phase modulation in circuitry?
That's the secret sauce. ;)
PM in analogue has been done before, but here it's implemented using a completely new circuit, to my knowledge, as the existing solutions didn't offer the required performance.
@@joranalogue Well I am genuinely curious, perhaps one day the world will be ready to know. Thank you for your reply. :)
I wish Joranalogue would make a Complex1 with 2 of the Generate3 plus some nice extras. ^^
Great video, but I am probably repeating myself here.
That would be cool! I'd love for Joran to explore some complex oscillator pairings and wave shaping ideas. I'm sure he's thought it through at least a little already (though I don't know anything).
Thank you RE "great video" that's always really appreciated.
"I don't want to buy anything!!!" *slams door*
Wondering, when using soft sync (aka flip) does the pitch from G3 tend to stabilize to the pitch of the modulation oscillator? Gets lots of sweet drifting tones in there, but i then i hear it stabilize into a more regular tone like at 28:16 . Sick overview video btw!
I've got so much GAS now my whole apartment is stunk up. Great demo!
is there a link to the video of how to make it a 'novelty drum module' or does that video even exist yet? cheers and thx for the great demo!
Is the Fundamental not supposed to be a clean sine wave?
Looks like a great module!
Maybe it’s a bit late to ask a question here, but what oscillator are you using offscreen as a modulation source? I had been hoping to use my Dixie II+ this way but I’ve come to learn it needs a square or saw to sync to, it can’t sync to the Core output of the G3.
I’d love to know the answer to that as well...
We need a guide to mix this with Filter 8 now, i'm sure there are more things that I had no clue existed that sound great combining these two. DivKidVideo what does ''A nice little PT trail in the background' mean at 15:00? Polymetric… something????
I'm guessing he meant a delay with a PT2399 chip.
how does this compare to Schippmann Omega Phi?
Bollocks!! I swore of buying new modules for 2020...oh wait, I still have time to break my new years resolution!
Hurry! Bills don't carry into next year, right? 😁
I like what I hear here more than the ZPO review, which is pretty amazing as well. Difficult choice. Which do you prefer?
Did you see that video Amon Tobin posted using the Gen3? Tooooo gnarly.
yeah that was a nice patch
which video?!?!?
@@proxymerchant ua-cam.com/video/uV4ut9p4r0o/v-deo.html
@@No.0.o.0 mind blowing. thank youuuuuuu!
That sounds so thick 😯
Is that fizz on the sine wave an artifact caused by the youtube audio compression?
Nope that’s just how it sounds. Pretty much the only flaw on this otherwise perfect oscillator.
@@Nick-kb6jd thankyou.
@@Nick-kb6jdI wondered that also. Has it been mentioned by Joranalogue? Is there perhaps anyway to mitigate it? cheers
Fuck me... I have 2 rubicon 2’s. Anyone know if this is too much overlap? It already kind of has the octave up saw harmonic. And of course zero through all day and fascinating wave folder... but what about that phase modulation and almost additive type stuff?? This one seems crazy cool! That filter is on my map as well...
Yo DivKid brought the Data fu on this vid
For some reason syncing the generate 3 to my ts-l wont work. I put the core output into the sync of the ts-l as shown in the video (phase modulation) but but it gets more chaotic. Am I doing something wrong?
A lot of oscs can’t sync to a triangle wave, the ts-l probably needs a waveform with a hard edge like a square or downward ramp.
a little late to the party, how can I check if an osc is syncable? Trying to recreate the video. Thanks!@@vivianedwards3205
Why can I hear upper harmonics when you demonstrate the pure looking sinewave?
I think that's because it is synced with the output of the carrier, creating a discontinuity everytime generator 3 is locked with the input oscillator.
There's are also some clicks pops and buzzing sounds when the through zero fm reaches 0 modulation. I am often sure to offset any modulation to my fm input.
how does it compare to the "intellijel rubicon 2" and to the "SSF ZPO"?
at 29.08 what is a "static source" for exemple sorry i do not understand i can't reproduce this.
"static source" is the Filter 8 next to it. The static sound I'm syncing to throughout that part of the video. Apologies that wasn't clear.
I say "static" as I don't modulating the sine wave that the oscillating filter 8 gives us. But I do modulate the Generate 3.
@@DivKid no it's me that don't really understand, i'm newby but i follow you videos and try to reproduce/understand what you do/say, i didin't understood what was the modulation that you put inside "exp fm" imput. i try with LFO square semi controlled and attenuated it work wery well. this particular patch was really amazing. thanks!!!
the bit going into the EXP FM was a step sequence. I can't remember which one but something moving along with a clock and changing the pitch of the oscillator.
Happy to help.
@@DivKid it's more than "helping" mate! it's showing the path ;)
How does this compare to using the Cloud Terrarium?
Daniel Grace similarish, but e352 is digital. This is very stable analog. E352 is limited by being software. But not as limited as say PC software. The processor used in the e352 could have run your entire computer and daw by itself in the 1990s, but it’s been wholly optimized to one imaginary thing. If you want digital wavetables, look no further. I’m intrigued in buying this oscillator because... well I own the e352, I mean 3 dimensional wavetables lmao!? fuck off serum. But this guy is very intriguing.
who needs a wavetable osc if u can get this?
morphing things around can definitely get similar sound shifting results.
I would assume thats better for filtering purposes
what is?
@DivKid About the Generate 3 Supposedly Having a Sine wave that is a bit noisy
I realize my comment seems out of context but after reading comments about the noisy Sine I wrote that comment
( Which I didn't find
it noisy personally )
Also read that Triangle core Oscillators usually have Sine waves with character or what can be described has noisy
Cheers
Amazing video
I'm a big fan of Joranalogue 's Creations and Also proud owner of many of his modules Thanks too many of your spectacular representations
so you cant get a very pure sine out of this one, or what? thats quite a shame…
or what? ... the sine output is the fundamental output.
That sine is terrible sounding, I’m sorry.