SIX GREAT RECORDINGS : SIX GREAT SONGS AND ARIAS (9) : 2023 RESTORATIONS : COLOUR PHOTOS
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- Опубліковано 28 жов 2023
- I've created a playlist of the "Great Recordings" videos that I hope to steadily add to and if you wanted to listen to them all the link to the playlist is
• Great Recordings
The recordings on this video are as follows;
0:00 Joseph Schmidt : La Donna e mobile : Rigoletto (Verdi) Rec 1937
2:39 Tino Rossi : Berceuse : Jocelyn (Godard) Rec 1936
6:03 Lotte Lehmann : Heil'ge Quelle (Porgi amor) : The marriage of Figaro
(Mozart) Recorded 1927
10:09 Tito Schipa : Liebestraum (Liszt) Rec 1925
14:49 Jan Peerce/Leonard Warren : Solenne in quest'ora : La Forza del
La Forza del destino (Verdi) Rec 1955
18:36 Westminster Choir, NBC Symphony Orchestra cond Arturo Toscanini
Va, Pensiero (Chorus of the Hebrew slaves) : Nabucco (Verdi) Rec 1943
An English translation of the song Liebestraum is as follows
O love, love as long as you can!
O love, love as long as you will!
The time will come, the time will come,
When you will stand grieving at the grave.
And let it be that your heart glows
And nurtures and carries love,
As long as another heart is still
Warmly bestruck by love for you!
And to one who spills his breast to you,
O to him, do what you can, in Love!
And make him happy for each moment,
And never let him be sad for one!
And guard your tongue tightly,
In case any slight escapes your mouth!
O God, it was not meant that way, -
But the other recoils, hurt and sighing.
O love, love as long as you can!
O love, love as long as you will!
The time will come, the time will come,
When you will stand grieving at the grave.
Then you will kneel down at the grave
And your eyes will be cloudy and wet,
- You will never see the other again, -
In the church graveyard's long, damp grass.
You say: O look at me below,
I who cry here at your grave!
Forgive me that I insulted you!
O God, it was not meant that way!
Yet he sees and hears you not,
You cannot comfort him again;
The lips which kissed you often speak
Not again: I forgave you long ago!
Indeed, forgive you he did,
But tears he would freely spend,
Over you and on your harsh word -
Hush, still! - he rests, he is past.
O love, love as long as you can!
O love, love as long as you will!
The time will come, the time will come,
When you will stand grieving at the grave.
0:00 Joseph Schmidt : La Donna e mobile 2:39 Tino Rossi : Berceuse 6:03 Lotte Lehmann : Heil'ge Quelle (Porgi amor) 10:09 Tito Schipa : Liebestraum 14:49 Jan Peerce/Leonard Warren : Solenne in quest'ora 18:36 Westminster Choir, NBC Symphony Orchestra cond Arturo Toscanini
Va, Pensiero (Chorus of the Hebrew slaves)
Hi Michael loved La Donna what agility I always listen to see how singers manage this!!!! Wonderful!!!!! And Tino Rossi what a voice!!!!! Particularly loved his falsetto just amazing!!!!! So pure!!!!!!! Thank you thank you thank you like someone else said I was crying!!!! Thank you Michael so much for these!!!! Joe
Hi Joe, it's my pleasure thank you for listening I'm glad that you enjoyed this selection.
Yes, Joseph Schmidt does a brilliant job on La donna, it's a pity that at just 4 feet 10 inches tall he couldn't have a career in opera and so sad that he died at only 38 years of age.
I've always loved Tino Rossi's voice and he put such sincere emotion into his singing. He didn't record much opera but I'll keep popping him in now and then.
Thanks again for listening, all the best, Michael
Well so tragic an ending at age 38, just into his prime. Schmidt's height as far as a big opera career and of course being Jewish in Germany in the late 1930's did hurt him, had he lived longer we would have had a lot more no doubt, but as you well say, he was a brilliant artist, either live or on recordings as a Lyric tenor, and when he did sing in the opera house or concert hall (as here in New York) he was as perfect as on his studio records, so at least we have his recordings and several films, some recordings where destroyed, but so many survive. RIP. Joseph Schmidt. --- 1904-1942@@michaelmcgrailengland
Schipa,Rossi,Peerce,Schmidt and Lehmann...voices full of"affascinante malìa"...
VALE and
Thank you Michael!
It's my pleasure Gemma, thank you for listening, I'm glad that you like this selection.
Vale!!
Bravo indeed! Thankyou, on a miserable November night, light and sunshine👏👏👏
It's my pleasure Sheila, I'm glad that you enjoyed the video.
I can't remember if I told you but UA-cam reversed the changes that they had made and everything is now back to normal so they must actually take notice of complaints.
You mentioned the weather and it has been awful here for weeks and no doubt as as bad or worse where you are. Thank goodness for music!
@@michaelmcgrailengland that’s made my day Michael, that you can continue, especially now winter is setting in! Keep dry!
Bravo Michael! I love these opera singers from the past. Well done, 👍👏👏👏👏👏👏👏🇨🇮.
Thanks for listening Isaiah, I'm glad that you enjoyed the video.
A welcome bright end to the first of the dark days of Winter-it always amazes me that the first singer is so slight in stature but his voice is huge. Once again thank you for all your efforts for us .
Thanks for listening Marian, I'm glad that you enjoyed the video. Yes, I'm sure that Joseph would have been an outstanding star of Opera if his size had suited such a career.
Again a great selection of wonderful singers and great music! And again I‘m glad I don‘t have to pick a single recording to claim as my favourite… Joseph Schmidt‘s rendition of „La donna è mobile“ is among the finest I‘ve ever heard, then there are Lotte Lehmann (exquisite), Tito Schipa (pure elegance), Peerce and Warren (both excellent) singing one of my favourite duets… Tino Rossi is also a singer I like a lot, simply for the smooth and mellow grace and beauty of his voice… Nabucco of course always works, and there‘s Toscanini wielding his magical baton… ⭐️✨⭐️✨⭐️
Magnificent, Michael! Thank you so much! 🙏🍀
It's my pleasure Harriet, I'm glad that you like the selection. I'll give the "mixed" videos a bit longer but they are not as popular as I thought they might be.
@@michaelmcgrailengland
The selections are beautiful, Michael, and I really loved them! All of them. But I‘m sorry to hear that they aren‘t as popular with the audience as you hoped they‘d be. Our time is very fast-living; maybe a lot of people just look for something short to distract themselves for a few minutes. Lately I read the comment of another channel owner who checks on the time each of his videos is played, and he found out that often people listen to only part of a video before jumping to the next.
I must confess that I seem to contribute to these short playing times because quite often I start a video only to put it on a playlist and save it for later. As I did with your latest. I wanted to play this morning, but yesterday evening my iPad started giving me trouble. Communication is still working fine, but when I try to play a video it just stops after a few seconds as if there were no connection to the internet. Only there is. I can write comments. I can answer you. But - no music.
Another channel‘s host suggested that it might be a problem with UA-cam because he, too, is having some kind of trouble. So let‘s hope for the best, because I so look forward to your latest! One of my favourite arias times nine! Terrific!
I‘ll go on a short trip now and will try my luck when I get back.
Until then, all the best! Warm regards! ☘️☘️☘️☘️☘️☘️☘️
You never fail to please with your choices - thank you
It's my pleasure Barbara, thanks for listening, I'm really pleased that you like this selection.
In 1962 I saw Schipa in a concert recital, I was living in California, Schipa sang a farewell concert in California (and also in New York) He was in his early 70's but still managed some excellent singing with his Lyric voice and flawless technique , that and the right roles enabled him to last so long in excellent voice, I was only 22 years old at the time, but still remember that he sang with no effort and flawlessly!.
That's a good memory to have. The recoding that first attracted me to his voice was Le Violette, I wonder if he sang it at the concert.
Looking at the photo at 10:44 he seems to have been quite small in height.
I knew his brother Carlo Schipa very well when I worked in classical radio, in Los Angeles and I was once a guest at his home, after seeing Schipa in person Etc. and seeing some pictures his brother had at home , I'd guess he was five feet four.
I don't remember all he sang, but he probably did sing it, he sang more songs then aria's and that song was a popular one for him. The voice was older of course but still steady, then in his early 70's. RIP. @@michaelmcgrailengland
@@shicoff1398 Yes, that sounds about right, I'm only 5 7 or 8 myself.
@@shicoff1398 You do well to remember you were at the concert, never mind what he sang!
Time-travelling... Beautiful selection. Thank you!
It's my pleasure Paulo, thank you for listening, I'm glad that you enjoyed the video and I hope that you got back safely from your travels!
Another good one Michael. I cried listening to Tino. My husband used to sing the berceuse, not in french but the english version Angels Guard Thee. He learned it in his early 20's as part of his voice training and sang it beautifully. I still have all his sheet music from his early days and my only regret is that he never made any recordings😢
Thanks for listening Helena, I'm glad that you like this selection. I'm sorry that it upset you, happy memories often do that to me.
I'll bet your husband liked the John McCormack recording of Angels Guard Thee, it's one of my favourites but I uploaded it a while ago so went for Tino's lovely recording this time.
I enjoy looking at the old family photos but wish that we also had sound recordings or videos.
Was your husband a professional singer?
Dear Michael, thank you so much for the joy you bring with this clips.
And the possibility to discover woderful singers. I didn't know Joseph Schmidt before and Tino Rossi neither (at least not consciously).
You perhaps know... I'm a Jussi Fan girl but... the timbre of Tino Rossis clear voice and the feeling and emotion in his singing knocked me away.
So thank you from my heart and a blessed and wonderful advent season.
Hello Sandra, thank you for your lovely message, it's so nice to hear from you, I'm glad that you are still enjoying some of my videos
I absolutely agree with what you say about Tino Rossi. Some of the opera fanatics look down on him because he wasn't an opera singer but I love the sound of his voice and, as you say, the wonderful emotion in his singing. And poor Joseph Schmidt, at only 4ft 10in tall, too short to have a career in opera but what a voice. Then, as you probably know he died aged just 38 in 1942 (the year in which I was born).
Have a lovely Christmas and a happy and healthy (and musical) New Year.
Thanks to Michael's efforts, many people can see the music and the pictures that go with it.
The color of the subtitles was more visible in the previous one.
Thanks for listening Chang, I shall have to get the subtitles right.
By the way I enjoyed your latest video very much. The Autumn colours of the foliage looked lovely and your walk was in a beautiful area, no wonder it's very popular.
@@michaelmcgrailengland Thank you for watching my video.
I am going to enjoy for a while this video.
Good night Michael!!
@@MountainwalkwithMusic The Autumn colours were beautiful when you filmed your latest video Chang and the music is really nice. The weather here has been terrible recently and another storm is supposed to be on it's way.
By the way, I came across a nice recording the other day of a Korean soprano, Chai Sunyup, singing one of my favourite Irish songs, The Last Rose of Summer, have a listen when you can spare the time, or you may already be familiar with it.
ua-cam.com/video/5Jb6GP5Q6I8/v-deo.html&pp=ygUXdGhlIGxhc3Qgcm9zZSBvZiBzdW1tZXI%3D
See you.
Dear Michael, thank you for another wonderful selection!
And yes, light blue letters make certain difficulties in reading(
It's my pleasure Elena. thank you for listening, I'm glad that you like this selection.
The translations are a nuisance, I originally used white but that didn't always work so I tried various other colours before deciding on blue. I shall have to invest in some more up-to-date software that allows for a background to the print. I have it for photos but not for video.
I have this original recording, the 1955 RCA original Forza ( RCA# LM 1916,) a Mono LP recording they made of just "the Hilites" with Tenor Peerce, Baritone Warren, soprano Milanov and Bass Moscona , the Cond. was Jonel Perlea, interesting how this, your recording of the duet, has a more opened up sound compared to my original Mono RCA LP.
I'll bet you're surrounded by books and records.
Was it originally a studio recording of the full opera or did they only record the highlights?
As well as Hermann Jadlowker, Tiita Ruffo is on my next video and I just noticed that they were both 1877 to 1953.
I have a UA-cam friend in Ireland who, sadly, is without sight but his hearing is razor sharp. He loves the sound on my videos and one of the things he mentioned was, rather like you, "space" as he called it. One of the things I do is to divide the mono track into two tracks, left and right, and then give more weight to mid-low frequencies on the left and mid-high frequencies on the right that just spreads the sound a little so that it doesn't all come evenly from the centre.
By the way I sometimes moan about modern technology, as you probably do but it it has some great benefits. Joseph has some software on his computer that he calls "speech" and when I send him a typed message his computer translates it to speech and reads it to him and vice versa, when he sends me a message he speaks into the computer microphone and it converts it to text. He has the same thing on his phone. So it's not all bad!!
Wow! Amazing, yes, but I have little sense of the technical or patience for it but as for the Hilites of Forza on RCA Peerce never did record the complete role of course, he sang it a few times in the 1960's, at the Met about 6 or 7 times and in Holland also in the 1960's a couple of times only, it was not a great role for him, but Peerce was basically a Lyric tenor, though he had lots of resonance in the house and a good mid size voice. It was a really great role for Tucker, MDM and Corelli of course. Both GDS and Bergonzi sang it in our times also. BTW I use in my 1918 "Victor Victrola" occasionally with "Swiss Steel Phonograph needles" (Planstiehl) A small Package contains 12 needles, and they (when I bought them about 30 years ago) where very cheap, in USA money, about Two Dollars at most!) . Since you can play a record at least 10 times over with them, I still have quite a few left in the two packages I bought, I still have an original tin box of new "Victor" (Brand needles") also steel from 1915 my grandfather used at the time in his Victrola!.
@@shicoff1398Thanks for that, all very interesting.
Браво!
Is Tino Rossi - small for Augustino?🎉 Gracias
Thanks for listening Lilia, I'm glad that you enjoyed the video.
Tino Rosso was born in Corsica and "Tino" is short for Constantin.
I'm not sure if I replied to you Lilia so here it is again.
Thanks for listening Lilia, I'm glad that you enjoyed the video.
Tino Rosso was born in Corsica and "Tino" is short for Constantin.
Nice with translated lyrics. Unfortunately, they are quite unreadable. Light blue ink on light blue paper is not the best choice 😺
Thanks for listening and for your comment. I found the translations quite easy to read on my computer but I'll bear in mind what you say.
Merci pour ces très belles voix ♥️♥️♥️♥️♥️🌹🌹🌹🍁😊💕💕💕💕💕💕💕
@@marie-jeannevallecalle9991 It's my pleasure Marie-Jeanne, I'm glad that you like this selection.
I forgot to thank you for uploads of great and rare recordings 🙌
@@o_matic It's my pleasure, thank you for listening, I'm glad that you enjoy them.