´Easy´ ALTERED Dominant scale exercise/ tutorial
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- Опубліковано 11 жов 2024
- Hi, in this video I will be demonstrating a simple , deep exercise you can try out if you want to bathe your ears and mind deeply in the altered dominant sound.
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I also love the on-screen piano chords. 😊😊
Top quality as always
Rather lush and lovely. A bit like your good self, Nick. Seriously, some great ideas and sounds. Many thanks.🙏⛄️❄️🇬🇧❄️⛄️🙏
I love those sounds Nick. Thanks!
I've arrived at a simple way of looking at the alterations on the major cadence. I'm primarily a guitarist, and maybe this is a guitar-centric concept. Maybe not. If you take each note of the tonic triad, and select the two notes a half step and a minor third above each note of that triad, you have the alterations. Example in F major:
For the 3rd (A), these notes are Bb and C, and are in key (b7 and Root of the V).
For the 5th (C), these notes are Db and Eb, and are alterations (b9 and #9 of the V).
For the tonic root (F), these notes are Gb and Ab, and are alterations (the #11 and b13 of the V).
This has the added benefit of training your ear to hear the resolutions. The root and b7th of the V resolve sweetly to the tonic 3rd. The b9/#9 of the V resolve in a tasty way to the tonic 5th. The #11/b13 loves going to the tonic root. Treat them as pairs resolving to the notes of the tonic chord. It's a thing of beauty. More tension leading to more pleasing resolution. If it sounds complicated, it ain't. Treat each one as a little motif in your practice and you will see, and hear, immediately. I hope I explained this well enough. Give it a try. See examples in the head of Donna Lee.
This is a stellar exercise for seeing/hearing how the altered chord tones connect and resolve to the I. Brilliant, thank you!
Thank you Nick! Great stuff!
Thanks! I've been working on altered scales, and playing over these alternating chords/scales give me another way learn the sound.
What a great video - thanks for sharing your ideas with us!
Very, very nice and informative. Thank you you for what you do!
Fantastic
Cool stuff. Thanks, as always.
Muy buen trabajo, gracias
Top notch
The best🏆
The first ✅
C altered would normally fall on E major.
it is a I V relationship, the I is FMaj7, so the V is C7 and you can alter it because it resolves on the I FMaj7 here. in the video it is thought this way
Oh yeah, he skips over that note. Maybe there's a reason.
cuando te animas a hacer todo este lenguaje musical en otros estilos musicales mas populares?
when I have more time!
The best🏆