The Ozone 11 video walkthroughs are getting better, bit by bit, but, guys, let’s go all-in. Let’s work with a track where the listener doesn’t have to mentally sift through reverb to hear what’s happening. Let’s use a track whose mix isn’t already good. Let’s review the modules and their controls in-depth to rescue a mix. I don’t think anyone who is interested in this sort of content is going to stick around just because it features an over-produced sample track with a catchy melody or riff. We’re here to make a difference- to improve on something- while trying to make sense of all the controls available in Ozone 11. Make us a playlist with a 30m video on each module, each of which explores and reveals the intent and effect of all of the module’s controls. Top it off with a 30m summary lesson that draws upon the punch lines from each of the previous segment videos to pull it all together. This “How to master a song from start to finish in 2024” video is a step in the right direction-and better (more in-depth) than anything I’ve seen on Ozone 11 before-but let’s move the needle a bit further, away from entertainment and more toward education.
@@walterdeminicis737 Admittedly so, but exaggeration can be useful as a teaching/learning tool, and that's really the point here: how does Ozone 11 work its magic, and how do you use its levers and dials to achieve that efficiently ?
Totalny agree with 'Let’s work with a track where the listener doesn’t have to mentally sift through reverb to hear what’s happening. Let’s use a track whose mix isn’t already good. Let’s review the modules and their controls in-depth'
Really helpful video. Thanks. Be good to see more long form videos like this for different genres. Personally I am more in to ambient and electronica with no vocals. I'm sure a series like this would be useful for those who want to master other genres too.
Thanks for this. Would you be able to share what your album mastering process is with these tools? I haven't seen much made recently with the trend being singles, and albums and EPs don't get the same kind of cohesive plugin use as mastering on singles tutorials do.
That was a really good walkthrough. I really appreciated the exploratory style. And it didn't hurt that the example track didn't make me want to scream.
I always like to throw the Vintage Limiter on the end of the chain regardless of the outcome, and use either the Fast and Compressed preset, or the Hard and Punchy, (then adjust accordingly)..for metal mixes it just pumps it up.The Stem Focus trick is something I never thought of. I've always thought that the limitation of Master Rebalance was that you can only adjust the volume of one of the faders, and not all, but if I throw another instance of Rebalance before the mothership, I'll be able to adjust more than just the one instrument? It would be nice to see a more hard rock/metal track being worked on...great vid! 🤘
so glad the song in this tutorial was so nice. i really like it. it's got a sinead/ebay sound but maybe more dance oriented. i really like it. reminds me of the early 90s 🥹
Really great tutorial! What's the recommended workflow for mastering a full amlbum vs single tracks? Does one master each track to each of their specific needs, or master the full album in one long session? Or something else? Thanks!
Thank you Sam. I have Ozone 11. I compose mostly classical music. Is the Mastering Assistant useful for this type of music or is it a little “overkill”. Thanks again, great video.
I appreciate the update. Maximizer has changed so much it threw me That's why I came here initially. I like the way that the Assistant has access to the levels in the modules for sound shaping without leaving it, though I am very comfortable with going into manual mode. Nice tip on Soft clip vs Limiter and how finding a balance is key. I was unaware of the Insight module and when I added it to my output chain I was surprised that it was full screen width and I cannot shrink it. So it is a bit cumbersome in my Mac OS Ventura. I plan to update to Sonoma soon and perhaps that will be resolved there? IDK. Overall a great overview touching on a lot of things. I may have been surprised by you not mentioning that the Maximizer is now a very different interface (from 10) and this is why and how it is improved because of it. But I understand this is not about Ozone 10 it is about what is in Ozone 11. Having the Ability to focus on certain aspects such as vocals, bass or drums in a separate Instance on Ozone in the chain is a very good use of this technology. Nice job. Thank you.
There's alot to unpack in Ozone 11 and you've done a masterful job (sorry,couldn't help myself) in clearly explaining so much information. Thank you!!!
Just upgraded, so thanks for great info. Best tutorial so far. Also, great vibe from the track you're mastering. Half the time, I don't like the music being mastered and have to bail early! Haha
What’s the difference between tonal balance control and the tonal balance build in the ozone 11 suit ? If I get the standalone tonal balance control would I still use it along with the tonal balance in ozone 11 or?
Hello, Excuse my ignorance.. I loved this video but I haven't seen at any point (maybe I missed it) where you specify or select your "ideal" LUFT (14, 12, 10, 9, 5...) or the one requested by the respective platforms? Or does OZONE decide? Thanks in advance and excuse my English. Greetings!
probably because their isnt a generic "ideal" LUFS. It varies from genre to genre and from track to track. Definitely dont hold the platforms LUFS as the gold standard, most music is mastered no where near that.
I have Ozone 10 advanced for years and just recently upgraded to Ozone 11 advanced. Put both side by side on 3 different songs I was working on and always fell back to Ozone 10, for whatever reason, Ozone 11 made the masters sound "harsh" and brittle with what felt like some nasty underlying distortion. Both 10 and 11 were mastered to the LUFS-I. 🤔😕
Im a solo musician and use backing tracks to play guitar and sing over live ,how do I use the master assistant for such backing tracks? as there is no guitar and vocal ,does the mastering assistant recognise this and adjust the eq modules etc for the drums bass keyboard backing track accordingly or is it working using an algorithm that expects the vocals and guitars to be there?
I bought Ozone 11 and looking to learn. This video is helpful but my Logitech 5.1 speakers don't hear any difference in the changes he's making at all.
Ozone 11 is amazing. My only criticism is that it feels very much tailored to streaming consumption, with the emphasis on bright, punchy output, which sounds amazing, but is fatiguing over an album length of material.
I have a question, does this version have a standalone version? Does version 10 have a standalone version? because I currently have version 9, and I use it a lot that way. Greetings
Would you recommend using this for dj mixes (especially vinyl where frequencies tend to be less tamed and different for each track in mix)? Thank you for tutorial!
I have two questions ; 1) How to print the track to bouncing files and email it? 2) How to step by step to bring my reference track and compare to mine? Thank you!
Really great vid! One question.. why not bring the vocals or drums upon the mix stage rather than on the master? I feel there may be a quality downside to this?
The reason for this is because in some cases, the mastering engineer only gets a “2 track” export. They may not have the stems or project files. So music rebalance gives mastering engineers the ability to make tweaks even though they only have a single wav file. Changing in the mixing phase is always the best option, but not always possible.
Hello, very useful video, thank you for this. :-) could you please also do the detailed walkthrough video where you mix and master whole song and all tracks by just using iZotope plugins? Guitars, drums, bass, vocals etc? :-) this would be very helpful.
While we know that many people have grown to love and rely on this app, the usage analytics showed that only 3% of Ozone users were using the standalone application. Meanwhile, adding new features and maintaining existing code in both the standalone app and Ozone plugins proved to be a large burden slowing down our development teams. support.izotope.com/hc/en-us/articles/7192108885533-Ozone-Standalone-Application-Discontinued
OK, is there somewhere else where we can chat? And how how much RAM do you have, because I only have 8 GB of RAM and I can’t really use this app because I get a CPU overload but I see with my computer I can upgrade the ram to 16 GB so do you feel like that would be enough to run this plug-in smoothly? And if we can chat somewhere else, I have some more questions if you’re willing to help me out with my music production.
Everytime run the smart assistant, the dynamic EQ oicks those same two freq that it draws down and then it puts a shelf up high. Every single time. So if that is to allow the maximizer to work more efficiently and it dies it every single time anyway, why not build that into the maximizer and have that as a controllable feature? It seams odd to have that as a default setting that AI ways applies to one module that helps another module? Maybe just buold it in to Maximizer so the dynamic Eq can be used for your music and not a different modules efficiency.
I can never hear a difference when it goes from before and after lol, only between them, non mastered version and the master i could tell a difference. I feel like i have a pretty good ear also, but maybe not, lol, i like izotope 11 it takes a novice engineer like myself and produces some good masters so i can focus on songwriting and not break the bank to have decent sounding music
I want to use Ozone 10 for de-click and De- hum. If I have mouth sounds like smacking in my audio book tracks, can Ozone 11 do the same kind of cleanup of the tracks?
You can take iZotope products for a 10-day test drive to demo all features and hear how they work for your sound. www.izotope.com/en/products/ozone.html
I don't really get the big onus on reference tracks at the mastering stage. I would think if I wanted my track to sound a certain way I would try to integrate that in to my mix. Seems like 'sows ear' syndrome to me. I would listen to the track and see what would enhance it on its own merits.But I may be missing something here.
Never used Ozone had no idea it was not its own program guess its assumed to know this before attempting to instal 10 times in a 2 day period as YOU will not see an icon to open or even basic heads up that thier plugins to be accessed thru a daw. This would be great for a beginers guide or even ads or hell inside the install as it just says finish and nothing happens all the folders are empty and there is no way to start it up. Well now after a few days of trying to figure out what i did wrong,, I did nothing wrong but be daft of never hearing of Ozone til now or any understanding that their addons as feel IZO has a few negative marks against them now that my time was wasted, due to lack of instructions and over kill of previous install tutorial that led me to believe it was going to be way more complicated. Thats all.
Ozone presets are generally compatible one version across. The best way to transfer those is to save a preset in the Preset Manager of that plug-in, which will appear as an .xml file. For further information, please check out this article. If you need further help, please contact our customer support: support.izotope.com/hc/en-us/articles/6658247071761-Transferring-plug-in-settings-to-a-new-version-Preset-Transfer
@@iZotopeOfficial Thanks, I tried several things including the import feature but it repeatedly gave the wrong file type error. I just did it manually but opening both versions of Ozone and re-entering each setting one at a time.
That's hard to tell from UA-cam. Please contact us through our support channels: support.izotope.com/hc/en-us/categories/8963091237789-Purchase-and-Account
This doesn’t seem like a great example of mastering - the mastered track is very trebly and a bit tinny. After hearing the original I was expecting the master to have dealt with the excessive brightness and added some warmth, but instead it became more bright and harsh, whilst obviously also louder and punchier. I’m left quite confused by mastering videos - most of the time it’s difficult to hear any difference coz the changes are so subtle, but this is the complete opposite
I too was expecting more clarity in the master….but it’s as if the vocals remained buried in the mix and the rest of the track got bright ….almost irritatingly….none the less it was definitely a more polished feel.
5 місяців тому+1
I notice the LUFS is getting louder and louder these day. can you talk a little bit more in this area!
@@EdgarRoock27:03 for me. It sounds really muddy and unbalanced. I’ve gotten good results w Ozone before-the presenter is great, but this was truly a bad example.
I have a lot of fantastic plugins in addition to ozone 11. Would you add things like smooth2, a shadow hills, etc - things pros use - to add richer harmonics or will that cause more problems? Can you achieve harmonic analog richness with just Ozone? I’m on the fence! Thanks.
Hmmm….im not sure that I wouldn’t just run into the exact same problems with no solution all over again working in Ozone….its basically just another multi-band processing thing with a limiter that raises the mid band when you adjust the clarity up. You’re basically doing what I do except in ozone instead of another device. Yeah, I don’t think this is the answer for me. I’m glad you did this video though. I find the best result I’ve achieved so far is by using SELECTIVE band compression rather than multi-band compression…..I mean….it does sound great but definitely something like the TOMO Lisa compressor almost gives more control in selected areas.
Totally agree. The best thing in O11 I found so far is dealing with reference tracks and comparing their frequency graphs. Maaaaaaybe the clarity module is a gooddie as well if used carefully. The rest? I have my preferred tools for those tasks.
@ Weiss DS1 MK3, then I will use another mastering EQ, either Amek or SPL, then something like the TBTech Kirchhoff even….and the BX digital V3 ….literally using all of them….4-5 EQ’s on the mixbus one for subtraction only and 2 for selective band compression maybe 3…and then I use a VARY MU compressor usually with a saturator and the new Kiive audio Nfuse for stereo spread and space but only the SSL version which gets me to about -5 LUFS with zero distortion. It’s the only way I’ve been able to reach that loudness consistently is to use all those tools almost every time.
Less catch phrases and more math and algorithm detail please. I'd love to know what the modules are actually doing, using the actual science. The plug-ins, module names and GUI's have gotten so vague with Izotope products that I have a sticky note on my console with my own descriptors for them. If the goal here is to help people learn about the physics of a good mix, and how humans perceive sound, that change would be incredibly useful. Also keep in mind that you are attempting to illustrate examples through the filter of whatever youtube audio algorithms exist and how theyalter the sound of the video, which then passes through someone's speakers or headphones. Everything is relational.
If the mix "wasn't bang on" then it should be nowhere near then mastering stage. Mastering should be purely about optimising levels and any slight EQ issues for the cut or streaming and NOT remixing levels pan etc. Sorry but Mix and mastering engineers are two separate skill sets and jobs.
The Ozone 11 video walkthroughs are getting better, bit by bit, but, guys, let’s go all-in. Let’s work with a track where the listener doesn’t have to mentally sift through reverb to hear what’s happening. Let’s use a track whose mix isn’t already good. Let’s review the modules and their controls in-depth to rescue a mix. I don’t think anyone who is interested in this sort of content is going to stick around just because it features an over-produced sample track with a catchy melody or riff. We’re here to make a difference- to improve on something- while trying to make sense of all the controls available in Ozone 11. Make us a playlist with a 30m video on each module, each of which explores and reveals the intent and effect of all of the module’s controls. Top it off with a 30m summary lesson that draws upon the punch lines from each of the previous segment videos to pull it all together. This “How to master a song from start to finish in 2024” video is a step in the right direction-and better (more in-depth) than anything I’ve seen on Ozone 11 before-but let’s move the needle a bit further, away from entertainment and more toward education.
My kingdom for an iZotope video that isn't about pop music. Not once have they done a video working on orchestral film score.
You are not supposed to rescue a mix with mastering or master a bad mix in the first place XD
I think the "rescue the mix" idea is a great one. Every mix doesn't come out a masterpiece so a real-world fix-it tutorial would be excellent.
@@walterdeminicis737 Admittedly so, but exaggeration can be useful as a teaching/learning tool, and that's really the point here: how does Ozone 11 work its magic, and how do you use its levers and dials to achieve that efficiently ?
Totalny agree with 'Let’s work with a track where the listener doesn’t have to mentally sift through reverb to hear what’s happening. Let’s use a track whose mix isn’t already good. Let’s review the modules and their controls in-depth'
This really helped I didn't know Ozone 11 did all this stuff. Wonderful
Always very clear, handy and userful videos, Sam!
Great video. Professionally presented and logically explained. Love to see these detailed walkthoughs again with more genres, particularly rock.
Lovely Video for beginners of Ozone!
Thank You Very much and all the best from Vienna!
:D
oh, that's very good information, thanks a lot man.
keep 💯
Is this the standard or elements version?
This was Great!!!!
Really helpful video. Thanks. Be good to see more long form videos like this for different genres. Personally I am more in to ambient and electronica with no vocals. I'm sure a series like this would be useful for those who want to master other genres too.
Great explanation, thanks!
Thanks for this. Would you be able to share what your album mastering process is with these tools? I haven't seen much made recently with the trend being singles, and albums and EPs don't get the same kind of cohesive plugin use as mastering on singles tutorials do.
Very useful! Thank you, Sam!
That was a really good walkthrough. I really appreciated the exploratory style. And it didn't hurt that the example track didn't make me want to scream.
Thanks so much for this information! Super helpful.
Very informative video!
Excellent overview, feel more confident in using the tool to its maximum potential and to my tracks' advantage.
I always like to throw the Vintage Limiter on the end of the chain regardless of the outcome, and use either the Fast and Compressed preset, or the Hard and Punchy, (then adjust accordingly)..for metal mixes it just pumps it up.The Stem Focus trick is something I never thought of. I've always thought that the limitation of Master Rebalance was that you can only adjust the volume of one of the faders, and not all, but if I throw another instance of Rebalance before the mothership, I'll be able to adjust more than just the one instrument? It would be nice to see a more hard rock/metal track being worked on...great vid! 🤘
so glad the song in this tutorial was so nice. i really like it. it's got a sinead/ebay sound but maybe more dance oriented. i really like it. reminds me of the early 90s 🥹
Great video. 😎
🙏We are impatiently waiting for the Ozone 12 version. When will it be published?
Really great tutorial! What's the recommended workflow for mastering a full amlbum vs single tracks? Does one master each track to each of their specific needs, or master the full album in one long session? Or something else? Thanks!
This was really a really good!!! Thank you! 🔥
Great Video. Thank you. How do you do the mastering for a complete CD or Album with Ozone.11?
Sounds good to me👍🏾
Excellent video, Sam!
This was amazing.
Thank you Sam. I have Ozone 11. I compose mostly classical music. Is the Mastering Assistant useful for this type of music or is it a little “overkill”. Thanks again, great video.
I didn't know Andy Serkis could master! Great video sir.
Masterclas! Thanks Sam!!!
I appreciate the update. Maximizer has changed so much it threw me That's why I came here initially. I like the way that the Assistant has access to the levels in the modules for sound shaping without leaving it, though I am very comfortable with going into manual mode. Nice tip on Soft clip vs Limiter and how finding a balance is key. I was unaware of the Insight module and when I added it to my output chain I was surprised that it was full screen width and I cannot shrink it. So it is a bit cumbersome in my Mac OS Ventura. I plan to update to Sonoma soon and perhaps that will be resolved there? IDK. Overall a great overview touching on a lot of things. I may have been surprised by you not mentioning that the Maximizer is now a very different interface (from 10) and this is why and how it is improved because of it. But I understand this is not about Ozone 10 it is about what is in Ozone 11. Having the Ability to focus on certain aspects such as vocals, bass or drums in a separate Instance on Ozone in the chain is a very good use of this technology. Nice job. Thank you.
There's alot to unpack in Ozone 11 and you've done a masterful job (sorry,couldn't help myself) in clearly explaining so much information. Thank you!!!
really helpful to me as a beginner. Thanks alot
Nice video. But why matter a new mixdown wav file instead of in the mastering buss in Logic? That is, why create an extra file?
cpu load reduction is my guess
Thanks for this really nice video. I would love to see, how you would master a track differently for a Vinyl in Ozone.
Grande! Bel video
Just upgraded, so thanks for great info. Best tutorial so far. Also, great vibe from the track you're mastering. Half the time, I don't like the music being mastered and have to bail early! Haha
This is amazing!
Master!
…destroyers!
What’s the difference between tonal balance control and the tonal balance build in the ozone 11 suit ? If I get the standalone tonal balance control would I still use it along with the tonal balance in ozone 11 or?
Hello, Excuse my ignorance.. I loved this video but I haven't seen at any point (maybe I missed it) where you specify or select your "ideal" LUFT (14, 12, 10, 9, 5...) or the one requested by the respective platforms? Or does OZONE decide? Thanks in advance and excuse my English. Greetings!
probably because their isnt a generic "ideal" LUFS. It varies from genre to genre and from track to track. Definitely dont hold the platforms LUFS as the gold standard, most music is mastered no where near that.
Forget about ozone, what is the paint color used on the wall behind you?
I only use ozone, it was really perfect
Does audiolens show the measurements of the audio it captures? Would be great to have it tell you the target lufs
Would appreciate an updated version of this video. Ozone 11 no longer runs as a stand alone application.
I'm using all the plugins in cubase.
Yes indeed very useful!
does it matter at which level the audio was exported does the loudness or peak level not affect the modules at all ?
I have Ozone 10 advanced for years and just recently upgraded to Ozone 11 advanced. Put both side by side on 3 different songs I was working on and always fell back to Ozone 10, for whatever reason, Ozone 11 made the masters sound "harsh" and brittle with what felt like some nasty underlying distortion. Both 10 and 11 were mastered to the LUFS-I.
🤔😕
Was the example song made with Suno song generator? Besides that, great information, I still learn some new things! :)
Im a solo musician and use backing tracks to play guitar and sing over live ,how do I use the master assistant for such backing tracks? as there is no guitar and vocal ,does the mastering assistant recognise this and adjust the eq modules etc for the drums bass keyboard backing track accordingly or is it working using an algorithm that expects the vocals and guitars to be there?
Good video
I'm experimenting with ozone 11 an the UAD Ampex Tape Emulaton for mastering. Would you guys put the Tape or Ozone first in the Chain?
I bought Ozone 11 and looking to learn. This video is helpful but my Logitech 5.1 speakers don't hear any difference in the changes he's making at all.
Anything in Ozone 11 that takes out a electric buzz ?
This video helps a bunch...
Ozone 11 is amazing.
My only criticism is that it feels very much tailored to streaming consumption, with the emphasis on bright, punchy output, which sounds amazing, but is fatiguing over an album length of material.
I have a question, does this version have a standalone version? Does version 10 have a standalone version? because I currently have version 9, and I use it a lot that way. Greetings
Would you recommend using this for dj mixes (especially vinyl where frequencies tend to be less tamed and different for each track in mix)? Thank you for tutorial!
Is the artist listed? I didn't see it. Anyway, nice mid-90s vibe like Cranberries. I miss that genre.
I have two questions ;
1) How to print the track to bouncing files and email it?
2) How to step by step to bring my reference track and compare to mine?
Thank you!
Really great vid! One question.. why not bring the vocals or drums upon the mix stage rather than on the master? I feel there may be a quality downside to this?
The reason for this is because in some cases, the mastering engineer only gets a “2 track” export. They may not have the stems or project files. So music rebalance gives mastering engineers the ability to make tweaks even though they only have a single wav file. Changing in the mixing phase is always the best option, but not always possible.
Can i use ozone 9 to achieve these results or would I need to turn it to 11?
Zone in we will be.
Hello, very useful video, thank you for this. :-) could you please also do the detailed walkthrough video where you mix and master whole song and all tracks by just using iZotope plugins? Guitars, drums, bass, vocals etc? :-) this would be very helpful.
pagaliau video, kurio man reikia
Very Good tutorial 👍🏾
Q: do you know why 10 & 11 got rid of the standalone, and the ability to add all the Metadata info?
While we know that many people have grown to love and rely on this app, the usage analytics showed that only 3% of Ozone users were using the standalone application. Meanwhile, adding new features and maintaining existing code in both the standalone app and Ozone plugins proved to be a large burden slowing down our development teams.
support.izotope.com/hc/en-us/articles/7192108885533-Ozone-Standalone-Application-Discontinued
OK, is there somewhere else where we can chat? And how how much RAM do you have, because I only have 8 GB of RAM and I can’t really use this app because I get a CPU overload but I see with my computer I can upgrade the ram to 16 GB so do you feel like that would be enough to run this plug-in smoothly? And if we can chat somewhere else, I have some more questions if you’re willing to help me out with my music production.
Everytime run the smart assistant, the dynamic EQ oicks those same two freq that it draws down and then it puts a shelf up high. Every single time. So if that is to allow the maximizer to work more efficiently and it dies it every single time anyway, why not build that into the maximizer and have that as a controllable feature? It seams odd to have that as a default setting that AI ways applies to one module that helps another module? Maybe just buold it in to Maximizer so the dynamic Eq can be used for your music and not a different modules efficiency.
I can never hear a difference when it goes from before and after lol, only between them, non mastered version and the master i could tell a difference. I feel like i have a pretty good ear also, but maybe not, lol, i like izotope 11 it takes a novice engineer like myself and produces some good masters so i can focus on songwriting and not break the bank to have decent sounding music
Whenever I try to cut the high mid my songs sounds scratchy
I want to use Ozone 10 for de-click and De- hum. If I have mouth sounds like smacking in my audio book tracks, can Ozone 11 do the same kind of cleanup of the tracks?
You can take iZotope products for a 10-day test drive to demo all features and hear how they work for your sound. www.izotope.com/en/products/ozone.html
24:20 cant this be done with nectar?
At least in one of your videos Sam, could you pleas say "Winter is comming!"? Thank you.
I don't really get the big onus on reference tracks at the mastering stage. I would think if I wanted my track to sound a certain way I would try to integrate that in to my mix. Seems like 'sows ear' syndrome to me. I would listen to the track and see what would enhance it on its own merits.But I may be missing something here.
I always add a limiter on master fader on mx to-1db (premaster). you don't?
that reeverb sounded overcompressed to me, also gain match when you A B so we can get a honest comparison
Hello! I produce reggae. Do you have any examples of how to work with Ozone 11 in terms of the music form? I can't find any examples online
It has reggae presets. I've used them and its very good. Plus you can always use Audiolens for a specific sound
I couldn't tell what the stabilizer was doing. eyes closed. headphones on 😭
any chance of the extra $50 coupon you were doing at xmas? Looking to upgrade my ozone but missed the deal
well that was cool.... upgrade from 9-11 only cost $72. thank you who ever was listening. 💫💫💫
✅️
Never used Ozone had no idea it was not its own program guess its assumed to know this before attempting to instal 10 times in a 2 day period as YOU will not see an icon to open or even basic heads up that thier plugins to be accessed thru a daw. This would be great for a beginers guide or even ads or hell inside the install as it just says finish and nothing happens all the folders are empty and there is no way to start it up. Well now after a few days of trying to figure out what i did wrong,, I did nothing wrong but be daft of never hearing of Ozone til now or any understanding that their addons as feel IZO has a few negative marks against them now that my time was wasted, due to lack of instructions and over kill of previous install tutorial that led me to believe it was going to be way more complicated. Thats all.
How do you import Ozone 10 user presets into Ozone 11 without getting any error?
Ozone presets are generally compatible one version across. The best way to transfer those is to save a preset in the Preset Manager of that plug-in, which will appear as an .xml file. For further information, please check out this article. If you need further help, please contact our customer support: support.izotope.com/hc/en-us/articles/6658247071761-Transferring-plug-in-settings-to-a-new-version-Preset-Transfer
@@iZotopeOfficial Thanks, I tried several things including the import feature but it repeatedly gave the wrong file type error. I just did it manually but opening both versions of Ozone and re-entering each setting one at a time.
The final mix is not good at 27:03. It gets muddy very quickly and I hear a bit of distortion.
I agree
I want to buy Ozone 11, but I am facing problem in purchasing. I don't have an international card.I am from India, is there any other solution?
That's hard to tell from UA-cam. Please contact us through our support channels: support.izotope.com/hc/en-us/categories/8963091237789-Purchase-and-Account
This is excellent, but the song sounds distorted, pushed too hard
The over head light did you real dirty on the thumbnail
Someone was not looking happy!
Please, subtitles! tks!
Should be up now!
This doesn’t seem like a great example of mastering - the mastered track is very trebly and a bit tinny. After hearing the original I was expecting the master to have dealt with the excessive brightness and added some warmth, but instead it became more bright and harsh, whilst obviously also louder and punchier. I’m left quite confused by mastering videos - most of the time it’s difficult to hear any difference coz the changes are so subtle, but this is the complete opposite
I too was expecting more clarity in the master….but it’s as if the vocals remained buried in the mix and the rest of the track got bright ….almost irritatingly….none the less it was definitely a more polished feel.
I notice the LUFS is getting louder and louder these day. can you talk a little bit more in this area!
25:16 hmm, couldn't he have done the same thing by adding an EQ & selecting Mid channel? 🤨🤔
Ion like how they took away the album assembly n standalone in general. I still fvxz wit Ozone 9 bcuz of dat.
Legend in portuguese Please!
Is this the advanced version??
This demo is using the advanced version, yes.
@@YungstarProd Thanks
Just remember one thing , to get the feature they are all saying how good it is you need the advanced version which is double the price
All these Ozone 11 videos are made with midi instruments... wish i could see these with real instruments. So yeah this is great but so static.
Your plugins are great. Please add 3d interface to new products. It is much more interesting to work with him. (づ｡◕‿◕｡)づ
The song sounds distorted before any processing. Maybe that wasn't the best choice for this demonstration.
The waveform at 1:26 looks fine and I don't hear the distortion. Timestamp?
@@EdgarRoock27:03 for me. It sounds really muddy and unbalanced.
I’ve gotten good results w Ozone before-the presenter is great, but this was truly a bad example.
@@YungstarProdThat's after processing, but yeah, there may be some distortion there.
I completely agree ☝🏾 I thought I was the only one hearing it
I have a lot of fantastic plugins in addition to ozone 11. Would you add things like smooth2, a shadow hills, etc - things pros use - to add richer harmonics or will that cause more problems? Can you achieve harmonic analog richness with just Ozone? I’m on the fence! Thanks.
It is all relative and personal: to me the master has too much volume and HF.
Hmmm….im not sure that I wouldn’t just run into the exact same problems with no solution all over again working in Ozone….its basically just another multi-band processing thing with a limiter that raises the mid band when you adjust the clarity up. You’re basically doing what I do except in ozone instead of another device. Yeah, I don’t think this is the answer for me. I’m glad you did this video though. I find the best result I’ve achieved so far is by using SELECTIVE band compression rather than multi-band compression…..I mean….it does sound great but definitely something like the TOMO Lisa compressor almost gives more control in selected areas.
Totally agree. The best thing in O11 I found so far is dealing with reference tracks and comparing their frequency graphs. Maaaaaaybe the clarity module is a gooddie as well if used carefully. The rest? I have my preferred tools for those tasks.
@ Weiss DS1 MK3, then I will use another mastering EQ, either Amek or SPL, then something like the TBTech Kirchhoff even….and the BX digital V3 ….literally using all of them….4-5 EQ’s on the mixbus one for subtraction only and 2 for selective band compression maybe 3…and then I use a VARY MU compressor usually with a saturator and the new Kiive audio Nfuse for stereo spread and space but only the SSL version which gets me to about -5 LUFS with zero distortion. It’s the only way I’ve been able to reach that loudness consistently is to use all those tools almost every time.
Less catch phrases and more math and algorithm detail please. I'd love to know what the modules are actually doing, using the actual science. The plug-ins, module names and GUI's have gotten so vague with Izotope products that I have a sticky note on my console with my own descriptors for them. If the goal here is to help people learn about the physics of a good mix, and how humans perceive sound, that change would be incredibly useful. Also keep in mind that you are attempting to illustrate examples through the filter of whatever youtube audio algorithms exist and how theyalter the sound of the video, which then passes through someone's speakers or headphones. Everything is relational.
If the mix "wasn't bang on" then it should be nowhere near then mastering stage. Mastering should be purely about optimising levels and any slight EQ issues for the cut or streaming and NOT remixing levels pan etc. Sorry but Mix and mastering engineers are two separate skill sets and jobs.
Welcome to the real world, where sometimes mastering engineers have to work with what they're given, even if the mix sucks.
Dark Web Radio?
The AI tool always sounds terrible, it's much better to try out different presets to build your own chain of plugins.