WATCH ME MASTER WITH OZONE 10 (Start to Finish) | How To Master Music With Ozone 10
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- Опубліковано 11 жов 2022
- 👉 To join my OZONE 10 MASTERING COURSE:
→ www.streaky.com/ozone10-offer...
🎛 DOWNLOAD PRESET:
→ www.streaky.com/download-ozon...
To join my LOGIC PRO BOOTCAMP:
→ www.streaky.com/logic?sl=007Y...
To join my MIXING ACCELERATOR SYSTEM:
→ www.streaky.com/mixing-mini-s...
To join my MASTERING ACCELERATION COURSE:
→ www.streaky.com/mastering-min...
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Track by: Rosh - Beach Girl
Instagram: rosh_producers
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Want me to Master Your Music?:
→ streakystudios.com
(20% Discount Code - 'thanksforwatching')
To join the Audio's Secret Society:
→ dirtypunk.io
Stalk me on Instagram:
→ / streaky_com
Stalk me on TikTok:
→ / streaky_com
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OTHER EPIC VIDEOS FROM ME...
Never Do This With Nearfield Monitors
→ • NEVER DO THIS WITH NEA...
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→ • GET SUPER CLEAN VOCALS... - Навчання та стиль
0:58 Download the preset
1:17 Who Streaky is
1:47 Start, basic setup
3:11 This will get you 80% of the way then you can tweak it.
4:31 Imager module. Stereo width controls.
5:46
6:37 Gain match.
7:25 Listen.
7:58 Impact module.
10:03 Listen.
10:55 Stabilizer module.
👌
It's very much appreciated, that someone named streaky... keeps their clothes on.
😂
Let's just hope it's not an underwear reference? Oh my!!!
We only see him waste up.....
Thanks Streaky- I've been following you and taking your courses for a few months - really fantastic. Thank you so much for sharing your knowledge :)
Streaky! We owe you big for your knowledge!!! And the willingness to share that knowledge, thank you brother
Awesome video. Thanks for the very clear and easy explanation on how to use it and how to understand it.
Just purchased Ozone in the last days... i know it's a great weapon but power is nothing without control. So thank you very much, for giving a quick and so on the point overview! All love!
Love these longer vids. Keep it up!
Amazing network of modules, especially liked the perceived width in the imager module.Great videos, keep it up !
Finally!! A full length video again! Thanks matey 😎 - more of this please (even though iirc Shorts provide for ad revenue and algorithmic exposure on UA-cam atm)
Good walkthrough. Nice to see your process with the updated and new modules. Yeah, I initially it was crushing the low end with limiter distortion until you mentioned the track itself is quite smashed. Thanks for the vid.
Nice work , Streaky ... very informative. Top man !
Loads of help here, Thank you!
All good advice! Love it.
Another excellent tutorial!
Thinking of Impact as a 4 band graphic EQ has revolutionised my usage of it. Makes so much sense. I also generally find stabiliser better when cutting. Great video
Thank you! this has helped me a lot!
Really informative video. Thanks for sharing!
Thank you so much, really helpful 👏🔥✅❤️
Thank you!! Subscribed
Thanks for your efforts and this preset💯 Subscribed and happy to have found your content on YT and your personal page
thanks for your great content!
Hi Streaky. Awesome Video Idea: Fundamentals and how to affect them and why everything falls in place when starting at the fundamentals and going up to the harmonics later on. Please also discuss dependencies between frequency ranges
Streaky bro, if u see this u have genuinely helped me so much with this video. My master kept coming out really nice on everything except earphones where the vocals were super loud and the bass was quiet. Just spent a while going thru this video and brooo u have sorted me out I was gunna give up and just send him the master that sounded quiet on earphones but this one’s perfect!!! Thank u bro I’ll defo be checking out ur content more
My go to guy for my Logic Pro mixing. Top guy
Thanks for the great video!
Thanks a lot, you have a new subscriber from Ecuador! Regards.
Thank you!
Hey Streaky, excelente conteúdo amigo, obrigado. Consegui aprender um pouco mais sobre o Maximizer, algo que eu não entendia muito bem como funcionava. Vou fazer o download do seu preset para testar aqui. Obrigado pela dica!!!
Love you man🔥
Awesome. Thanks a lot.
Great tutorial really helpful gone for the full course as I want to get the most out of Ozone 10 advanced
Thank you! 💯📀
Thanks, its really helpfull to know what the plugins in Ozon can do!🙏
exactly what i was looking for. thanks for the preset as well
✅ subscribed
funny seeing you here, I have a track for you
How do I install the preset?
excelent!
Brilliant And informative video .. thank you🎉
Great video, fun song, wanna listen the entire track
thank you!
I'm going in!
Ozone Imager and Exciter are in my Mastering Rack since aways 💙
Thanks Streaky, I would love to see your approach to country pop.
Thank you the input was invaluable...I'd like to see how ozone 10 handle House mastering...
Cuts and boosts, and cuts and boosts! 🎶
I really prefer the Mastering Assistant in Ozone 9. I found that, for me, MA in O9 simply balances the frequency and sets the limiter where you tell it to (low, mid, or high intensity). But O10 throws all the new modules into it and is more like a HYPE Assistant. Especially if you keep the Impact module on. Just sounds harsh and crunchy to me. I compared the same song in both O9 and O10 mastering assistants and found that if I turn off Impact and Imager then it's very close to what O9 suggests...but not exact. The EQ curves are similar, but the EQ curve in O10 is taking into account the fact that Stabilizer is also doing some work. I don't know...I liked using the MA in O9 to give me a good frequency balance, and then I would finalize that with a Pink Noise setting in the Match EQ before going into the limiter, where I would set the level myself. I feel like O10 MA is just over-cooking too much and that's dangerous because then a lot of people will start releasing music online using this. We don't need MORE hype, rather we need LESS in our masters. I wish they somehow incorporated a Legacy option in the O10 MA. Thankfully I can still use O9.
I completely agree! I thought it was just me!
Also prefer using the interface stand-alone and not having to use it as a plug-in within a DAW. Also, anyone else think the track he's using in this vid has too much saturation on it to begin with? Literally everything is distorting
@wtfaulkner yep sounds like someone went heavy on a tape saturator. Doesn't do much for the track imo, and there's nothing to be done about it at the mastering stage 🤷🏻♂️ rolling off the bottom end did help a lot
yeah, i agree
Thanks
Hi streaky just subscribed would you use only ozone for mastering or Fabfilter EQs as well don’t no one which to pick up or both? many thanks looking forward to your videos.
Hi streaky I see you used 0.1db ceiling on maximizer/limiter , do you still use the -1.0db on the fader of record track for streaming distribution ? I remember saw that on one of your previous videos.
thanks for the cool video.
one question please: is there a particular reason why you put the imager at the beginning of the chain?
Great video
Hey Streaky!! Great video!!! I gotta question about using the TC meter to monitor the LUFS. I’m feeding it from my focusrite.. controled by the monitor knob, do I put it at max volume into the meter? Sometimes , alotta times it peaks!! How do I get a full signal into the meter? (Going in Thru the RCA adapter) 🙏🏾 thank you for your content!!! @streaky
THE BEST GUY +++
I wanna see you master and mix some trap music streaky!!
THanks for the video! : ) Just curious, at about 23.15, why is the rms meter in ozone showing 4-7 when your other meter shows around 8? Is the latter more doing an average kind of metering?
Great video 👌🏿 what do you think about the AI mastering feature?
Cheers Streaky :)
New plugin looks fab! Great video as always. Streaky always shares the best pro knowledge.
Thank you for this tutorial on Ozone. I have the following question. Is it better to use Ozone on the finished mixed down master track like in your example or in the main bus when mixing your tracks? Thanks.
Hi Streaky ! If I already have Gullfoss mastering and mix eq , do I need the stabilizer from Ozone 10 ??? Thanks for your time and all your videos ! 😃
Brilliant
VU for the comfort zone!
Nice demo! Would love to see some gear review again! Getting into buying some kinda starter analog kit 😂
there is no way back when u go to the hard-side :)
For me the best masterin Plug-in for the standard music industry, a good gun for da Home studio.
Hello sir, if I’m using a compressor in this chain should I put it before or after the imager ? Thanks in advance for your assistance 🙏🏿
Nice one. Felt quite the same. I wish there Dyn Eq module could copie easily L to R
I mean when unlink L R, its the way I like it most of the time with Dynamic stuff
Which version of Ozone are you using for this demo? Elements, standard, or Advanced?
14:07 I've heard a lot of people saying that I should have a -1db ceiling when mastering for streaming platforms to prevent distortion and stuff. Im curious, why did you put the ceiling at -0.1? 🤔
Can I just ask, why did you use a low shelf rather than a high pass with a tighter (24 db) slope?
Can this application process be applied to House/Techno/Electronic/EDM music?
Hey Streaky, hope you are well. My ears hear that the low end wasn't cut in the original mix, at all. Do you hear that at all? I'm sad Ozoe 10 requires me to buy a new MacBook pro lol
Just found you legendary
Will the pre-set work on Ozone 10 standard? and also why do you record on a separate track?
Great vid. When do you use low shelf rather than a HPF? Heard Jonathan Wyner talk about this also
I believe some mastering engineers say it messes with the phase less.
@@OverdriveMusic yes that’s what i heard. Be interested to hear when Streaky decides to use a shelf rather than a HPF tho
Good stuff, thanks for sharing! Curious to know why not to enable the true peak from the maximizer, are’t the peaks shooting over the zero possible causing problems later?
for me, true peak limiting sounds pretty bad most of the times. And if you do a research, you won't find any chart track taking care about overs. Some of them hitting +4dB and more true peaks without any problems, even on streaming devices. For me true peak limiting is a myth from past, when cheap DA converters were not as good as they are today. @streaky what's your point on this ?
Hi streaky what is your stand under neumann kh 750? I have one too and try to find exactly this
Would you say you're using this on most masters before going into other plugins / analog ?
Thanks Streaky. I was thinking of buying this mastering software, but I didn't realize how Nerdy it was to use. Your demonstration has given me second thoughts about purchasing it. As a singer-songwriter and a person on a limited budget, I am always looking for software that is affordable and easy to use. I am sure I could master this Mastering software, but I think I will look around more before deciding to purchase this software. There are a lot of these Mastering software programs out there. In the past I have used a combination of Protools plugins and then Audacity's free software to "master" my songs.
Actually Ozone is very intuitive and even features automated mastering features. It is a tad pricey, but otherwise Ozone is great in my experience
@@squattermelon. I installed the Trial version and yes, it was pretty easy to use. And it is intuitive. And like you said a bit expensive; $249 for the Standard version and 400 + dollars for the Advanced. I will start saving some money up.
Can I upgrade the standard version of ozone 9 to ozone 10 advanced or do I need to buy advanced for more money?
does tabilizer only come with certain ozones I have ozone ten doesetn seem to have it but it does have dynamic eq
I'd love to see how you'd master a track with FL Studio stock plugins like Maximus
Why do you prefer to use RMS for mastering rather than LUFS?
Isnt the Ultra Fast Release on the Limiter add alot of '' Saturation '' ?
Is there any in depth video on true peaking?? I've always thought that the -1 dB "Rule" kinda kills my mix but I'm curious if I set the true peak to like -0.2 is it going to distort on streaming platforms or something??
Just do it. It's fine. If professional mastering engineers have 0.1 as a ceiling WITHOUT truePeak limiting, you can have 0.2 as a ceiling and don't have to worry (especially if you decide to use truePeak limiting instead of conventional limiting)
So you use ceiling 0.1 for Spotify ??
Just tried to download the streaky preset to follow this tutorial. But can't seem to save the preset into Ozone 10. Anyone have any tips on how to do this?
You always share great info
I have recorded over 15,000 songs
Your channel is my favorite information source regarding Mastering 😊
You have recorded over 15.000 songs?
@@dilloinitalianoone a day for 41 years, seems legit. Mixtapes off the radio in the 80’s don’t count which brings it to 7.
Streaky, How do you add the preset to ozone?
Can you please explain your thoughts on the true peak / not true peak -0.1 / -1db "discussion" ? I don't get the matter really different sources say different things.
It just sound bad on the transients on most tracks
your preset is an xml file? How am I supposed to integrate that? Thanks a lot!
Downloaded the preset. Drug it into the Izotope Ozone 10 preset folder ( Ozone 10 is called Ozone Pro according to Izotope customer support). Still not showing up. Any tips on how to install it.
I have downloaded ozione via native instrument. When I open it in cubase it doesn't work. what could be the reason?
Nice video and explanation. However I would not say that any type of mastering preset will get the song 80% mastered because every mix is different and might need different mastering approach if one wants to get the best possible result (which might not be the aim of many people).
can we get in touch I was wondering something about your presets...
Could just be me, when I downloaded the preset it shows up as an XML file.
I would love to see a tutorial for a hip hop track
Hey Streaky will these presets work in Reaper , And great vid btw )))
They are for ozone, so should do if using ozone in reaper
I really just need to access the darn thing which I purchased today. I get sent to the shop page and that's as far as I can get
How do you feel about the loudness wars?
Loudness won
Does it work for ozone v8 or 9
In Reaper, on a track and not the Master Bus, my bypass reduces the level of the processing chain to match the input. So, pressing that button makes it quieter. It does not match the input to the output but rather the other way around. This drives me nuts because it obviously makes it impossible to use any kind of meter when the gain is attenuated.
You can go into the Ozone I/O settings (with the gear cog) and uncheck the modern gain match option. Then it'll match using the input gain instead
Why does ozone 10 widen everything so much? I even took the biggest rap song of the year(rich flex), ran it through Ozone and it widened every band to the maximum! What is going on here?? It also boosts a lot of highs and mids where it shouldn’t with the hiphop setting. Maybe the other settings are true to the genre but for hiphop it seems to be way off. How do you feel about this? Thanks!