А я читаю под этот аккомпанемент. Прочитала уже немало книг. И не надоедает. Спасибо. Олегу Кагану и Святославу Рихтеру....и конечно же Амадею Вольфгангу Моцарту.
Truly amazing are their interactions: they are able to communicate musically and feed each other, even to the most minute details, most sublet nuances. The music making at its greatest, with the most sublime result, beyond beautiful. Humanity at its most divine.
I cannot imagine these performed with any greater insight and nuance than with this pair. A reference recording for sure - and a lesson on chamber musicianship for eternity.
Thank you SO MUCH for sharing. This is simply priceless: not only is it a divine performance, but also it lets us peek into a bit of rehearsal process and outtakes, for the lack of better terms. I was stunned when Richter stopped the performance and started chatting a bit. Then I realized the OFFICIAL beginning of each sonata commences with the written information title screen. This is very much “up-close and personal” with Richter. As I watched on, I noticed much of the focus is given on Richter. I really wish I understood Russian so I know whatever he mutters and quips here and there. It’s clear who is leading and makes the calls in this partnership. Perhaps not equal, but can you blame him, when he is Sviatoslav Richter. I read that Clara Haskil was also much of a leader/mentor with her partnership with Grumiaux. Anyway, again, thank you for sharing this priceless musical treasure!
It’s a treat for the eyes and ears seeing and hearing these masters at their mellifluous best. I have been a Richter worshipper since childhood, but i must say i am finding God in intense and elegant Kagan! What a monumental tragedy we lost him so early!!
Спасибо за видео. Это необыкновенное удовольствие - видеть и слушать таких великих музыкантов. Простота исполнения сочетается с глубокой музыкальностью. Можно слушать и учиться каждой ноте, каждой фразе... хотя никогда невозможно будет воспроизвести уникальность такого исполнения.
Прекрасное исполнение сонаты Моцарта! И как прекрасно и эмоционально играл Олег Каган, также изкмительно исполнял партию Святослав Рихтер! Я Кагана слушала только по телевизору и даль, что он так быстро покинул нас, благо, что у нас есть такие прекрасные записи! А вот Святослава Рихтора я слушала в живую в косерватории Саратова, Москвы и в театре оперном г.Саратова. И сегодня я была также в восторге! Благодарю Вас!
Господи, Спасибо Вам огромное! Вот где без Святого Духа не обходится собрание! Какие у нас всё таки музыканты были и есть, гордость России матушки! Божественная музыка великого композитора в совершенном исполнении Святослава и Олега, нет барьеров и заборов в исскустве! И слава Богу Творцу за таланты, которые Он раздаёт!
Мне кажется, люди в комментах забывают об элементарных правилах вежливости. Почему "... Святослава и Олега", не Рихтера и Кагана? Как-то уж очень фамильярно. Да и правила русского языка не мешало бы вспомнить...
They go together so blissfully well. What charming bow strokes from the violin while the pianist maintains a steady architecture. 50:13 Andante So so lovely.
How does Richter create that limpid, crystalline yet strong tone - even when delicate? Beautiful duet playing with every nuance of light and shade present without exaggeration.
Oleg Moiseyevich Kagan 1946 -- 1990 a Soviet violinist, Born in Sakhalin, Kagan was brought up in Riga following his family's relocation in 1953. He began studying at the Latvian State Conservatory in Riga at age eight five years later, he was taken to Moscow by the violinist Boris Kuznetsov. Upon Kuznetsov's death, Kagan began studying with David Oistrakh, and in 1969, he began playing chamber music with Richter. ... WIKI
In 1989 Oleg Kagan began to fell seriously ill and underwent a series of operations and medical treatments. With a courage and will that astonished everyone who met him, he determined to play for as long as he was able - and even longer. He traveled relentlessly giving concert after concert. It quickly became clear that a deep change had come over his playing. Audiences everywhere reacted in the same way, recognizing that they were hearing violin playing of a kind that was no longer simply performance but rather a form of revelation. One of Kagan’s last plans had been to make yet another festival: in Wildbad Kreuth, an idyllic village in the Bavarian Alps. Together with his wife Natalia Gutman he went on planning this festival during his illness and wanted it to be an occasion for his friends from Russia and his friends from the West to make the kind of intimate music he loved so much. When the time came, Kagan was pronounced too ill to leave the hospital in Lübeck, but he went nonetheless and his friends came. At the beginning of July he was helped on the platform. A special chair was found on which he could, almost standing, play the violin. With the clarinetist Eduard Brunner, his step-son Sviatoslav Moroz, the violist Kim Kashkashian and his wife Natalia Gutman, he gave a performance of Mozart’s Clarinet Quintet. Shortly afterwards he played for the last time, together with Yuri Bashmet one of the greatest of all Mozart’s masterpieces, the Sinfonia Concertante. On July 15, 1990 immediately after the end of this, his own festival he died in Munich.
Почему "Violin Sonata" - разве фортепиано в ней нет? Почему имя Рихтера на втором месте? Пианист в сонатах для фортепиано и скрипки выполняет бОльший труд, именно его игра составляет основную фактуру произведения.
When it was first published (long before record labels!), it was from a set of 'Sonatas for Piano and Violin' - this title's nothing to do with the performing artists, but the composer (who pre-dates them by a couple of centuries). And whilst the violinist is often centre-stage, it's true that the pianist gets the lion's share of the work! So such a name is understandable. That said, conventions change, and such works are ubiquitously known as 'violin sonatas', even on the hallowed site of Wikipedia, and the order of the performers' names reflects this. I imagine this is because the piano's presence is assumed - the defining thing in the instrumentation is the violin. Compare 'cello sonata', 'horn sonata', 'piano sonata' (=> solo piano). If the piano weren't there, it would be referred to as an 'unaccompanied violin sonata'.
А я читаю под этот аккомпанемент. Прочитала уже немало книг. И не надоедает. Спасибо. Олегу Кагану и Святославу Рихтеру....и конечно же Амадею Вольфгангу Моцарту.
when Mozart meets the right performers, it's heavenly peace.
An artistic match made in heaven.
K.304
1st 4:39
2nd 14:09
K.403
1st 19:42
2nd 26:33
3rd 30:24
K.454
1st 39:05
2nd 50:11
3rd 59:07
Sublime performance by two of my absolute favourites - HANK YOU!!! Wonderful ❤❤❤❤❤
Truly amazing are their interactions: they are able to communicate musically and feed each other, even to the most minute details, most sublet nuances. The music making at its greatest, with the most sublime result, beyond beautiful. Humanity at its most divine.
Complimenti per il contenuto del Tuo commento!
Mozart era Dio!!!!
I cannot imagine these performed with any greater insight and nuance than with this pair. A reference recording for sure - and a lesson on chamber musicianship for eternity.
Try hip performance
Un pur bonheur de vous entendre, quelle excellente interprétation de Mozart! Bravo, amitiés, Hugo
Thank you SO MUCH for sharing.
This is simply priceless: not only is it a divine performance, but also it lets us peek into a bit of rehearsal process and outtakes, for the lack of better terms. I was stunned when Richter stopped the performance and started chatting a bit. Then I realized the OFFICIAL beginning of each sonata commences with the written information title screen. This is very much “up-close and personal” with Richter. As I watched on, I noticed much of the focus is given on Richter. I really wish I understood Russian so I know whatever he mutters and quips here and there. It’s clear who is leading and makes the calls in this partnership. Perhaps not equal, but can you blame him, when he is Sviatoslav Richter. I read that Clara Haskil was also much of a leader/mentor with her partnership with Grumiaux. Anyway, again, thank you for sharing this priceless musical treasure!
Yes, would be nice to hear translation of their interactions at the beginning of the 3rd piece.
The real surprise in this video is how great Oleg Kagan is and few people today have heard him.
Kagan was an amazing artist as well as the great Sviatoslav Richter.
It’s a treat for the eyes and ears seeing and hearing these masters at their mellifluous best. I have been a Richter worshipper since childhood, but i must say i am finding God in intense and elegant Kagan! What a monumental tragedy we lost him so early!!
Спасибо за видео. Это необыкновенное удовольствие - видеть и слушать таких великих музыкантов. Простота исполнения сочетается с глубокой музыкальностью. Можно слушать и учиться каждой ноте, каждой фразе... хотя никогда невозможно будет воспроизвести уникальность такого исполнения.
What a treasure this document is! It's a privilege and a pleasure to see these two musicians, each a genius, working together.
Пока мы можем слушать эту музыку- автор и исполнители бессмертны.
Absolutely sublime, everything, the composer, musicians, recording session! Just superb!
I love KAGAN and RICHTER🍬❤️💜💙
Прекрасное исполнение сонаты Моцарта! И как прекрасно и эмоционально играл Олег Каган, также изкмительно исполнял партию Святослав Рихтер! Я Кагана слушала только по телевизору и даль, что он так быстро покинул нас, благо, что у нас есть такие прекрасные записи! А вот Святослава Рихтора я слушала в живую в косерватории Саратова, Москвы и в театре оперном г.Саратова. И сегодня я была также в восторге! Благодарю Вас!
Как чудесно это соприкосновение с великими и Моцартом. Замираю и вдыхаю этот трогательный момент чуда.
сонаты для клавира со скрипкой.....очень хороший Каган,да еще с Рихтером! Просто блестяще!!!!
Светлая память двум гениям!Сейчас ,к сожалению,другое время...Время ,крутых'бездарей.
Господи, Спасибо Вам огромное!
Вот где без Святого Духа не обходится собрание!
Какие у нас всё таки музыканты были и есть, гордость России матушки! Божественная музыка великого композитора в совершенном исполнении Святослава и Олега, нет барьеров и заборов в исскустве!
И слава Богу Творцу за таланты, которые Он раздаёт!
Мне кажется, люди в комментах забывают об элементарных правилах вежливости. Почему "... Святослава и Олега", не Рихтера и Кагана? Как-то уж очень фамильярно. Да и правила русского языка не мешало бы вспомнить...
No talking about politics 🚁🚁🚁🚁🚁🚁🏍️🏍️
Thank you for this wonderful video with this three masters of music, Mozart, Kagan and Richter.
Best version ever!! I love it..
it is a bliss of musical moment . I played two sonatas of three but thousands miles of difference.
well you have already played them, and you are still alive to improve, so I think the odds are in your favour to reach this same musical bliss :)
Splendid reharsal !
KV 304 is my favorite and I had no idea that Richter played also this sonata. Thanks a lot for this upload.
Mozart wrote this in Paris, shortly after the death of his mother.
Fantastic quality on picture and sound!
Good find!
Thank you! It is an absolute beauty!
Excellent. K 304 is my favorite!
Как пёрышко на ветерке. Восторг.
Очень красиво! Играют великолепно!
Another gem of an upload! Wonderful playing throughout.
Здорово! Браво исполнителям и Науму Зайделю, напомнившему нам об этой прекрасной музыке и об этих неповторимых музыкантах!
No
. E fn
Thank you for this upload ! I love the Mozart recordings from those two.
16:29 Transcendent.Such tenderness and sensitivity.Astonishing.Straight to the Soul.
Бессмертные наши и не-
повторимые МУЗЫКАНТЫ!
Impressive.... to say the least! Kagan is an angel with a violin, and Richter needs no praise
Bastiat in the Andes Amen.
@@kathrynmcmorrow7170 他立ちたちちたてたつつたたてた
He died almost 7 years after this concerto..😌😌
@@richardsvarghese7157 Yes he died when was still young and had a lot of his art to give.
Браво!!!!!! Выдающиеся советские музыканты! Наша школа самая лучшая!
Спасибо исполнителям! Вечная память.....
ᆢ2ㆍㄱㆍ2ᆢㄴㆍㄴᆢ
ㅕㆍ
Как можно после этой потрясающей музыки слушать то, что предлагает сегодняшний мир?!
Абсолютно невозможно!Удачи Вам!
Thank you for presentation. You are Wonderful. The best.
Gracias por este documento espléndido.
K304 at 4:37 2 mov 14:08 ..... 18:49
Wonderful, many thanks!
Magnificent!
RIP Oleg Kagan, you are unsurpassed
Cygnus Dei Cherubic soul.
...Спасибо всем!Вам,кто потрудился для нас,видеть и слышать это чудо...благодарю💖💖💖💖💖💞💞💞💞💞💞
Definitely brilliant performance!~
Mozart is a God
Me agreeing
Beautiful
Прекрасное видео;в пустом зале звучит даже лучше,чем на концерте! Абсолютно естественный ,современный Моцарт!
Kagan stands out with an unfussy, compact and deeply felt expression.
Well said!
What does "infussy" mean?
Good way of putting it...
What a gem! Especially the 304
They go together so blissfully well. What charming bow strokes from the violin while the pianist maintains a steady architecture. 50:13 Andante So so lovely.
I am hunting on the web for Richter vids (have seen them "all"...)
This one was fantastic in every way!
Why would you care this much for this old prick.
@@fi8009 Not nice, he was one of the greatest pianist of the 20th. Certainly not a prick
F I It’s a shame that F I will go to his grave as a pauper and reprobate (prick)
@@fi8009 Absolutely no need for swear words. Play some Mozart
I love their interpretation of the 2nd movement of k304, not overly ‘Romantic’, lets the audience listen for themselves.
БОЖЕСТВЕННО!
Bellísimo
I’m totally vibing!!!!!!! Plus crying 😂
Glorious! Kagan died at his prime aged 43
Amazing. . My tear. .
BRAVISSIMI!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
How does Richter create that limpid, crystalline yet strong tone - even when delicate? Beautiful duet playing with every nuance of light and shade present without exaggeration.
Melvyn Elphee True assessment.
he caress the keys...
Mystery of art
Как Вы точно описали звук Рихтера.
@@О000-ю6с你好👋
Гениальное трио:Моцарт,Рихтер и Каган
даму на портрете сзади забыли )
А так, исполнение - так себе
Quelle grâce, on dirait une prière, si délicate.
They communicate with eyes, not by words...
HOW MUCH OF NOBILITY!I AM ADMIRED!GINIUS!!
This is the real stuff! I never knew this kind of playing could have been seen as recent as 1983.
Maybe it still existed in the soviet union?
Wonderful video and performance! 🎼❤
as much as i love Oistrakh's playing, i like Kagan's even more, with Richter that is...
Geweldig !Echt mooi !Hartelijk bedankt !
super, danke
Grandi
Все в них гармония, все диво!!!!!
Oleg Moiseyevich Kagan 1946 -- 1990 a Soviet violinist, Born in Sakhalin, Kagan was brought up in Riga following his family's relocation in 1953. He began studying at the Latvian State Conservatory in Riga at age eight five years later, he was taken to Moscow by the violinist Boris Kuznetsov. Upon Kuznetsov's death, Kagan began studying with David Oistrakh, and in 1969, he began playing chamber music with Richter. ... WIKI
In 1989 Oleg Kagan began to fell seriously ill and underwent a series of operations and medical treatments. With a courage and will that astonished everyone who met him, he determined to play for as long as he was able - and even longer. He traveled relentlessly giving concert after concert. It quickly became clear that a deep change had come over his playing. Audiences everywhere reacted in the same way, recognizing that they were hearing violin playing of a kind that was no longer simply performance but rather a form of revelation.
One of Kagan’s last plans had been to make yet another festival: in Wildbad Kreuth, an idyllic village in the Bavarian Alps. Together with his wife Natalia Gutman he went on planning this festival during his illness and wanted it to be an occasion for his friends from Russia and his friends from the West to make the kind of intimate music he loved so much. When the time came, Kagan was pronounced too ill to leave the hospital in Lübeck, but he went nonetheless and his friends came. At the beginning of July he was helped on the platform. A special chair was found on which he could, almost standing, play the violin. With the clarinetist Eduard Brunner, his step-son Sviatoslav Moroz, the violist Kim Kashkashian and his wife Natalia Gutman, he gave a performance of Mozart’s Clarinet Quintet. Shortly afterwards he played for the last time, together with Yuri Bashmet one of the greatest of all Mozart’s masterpieces, the Sinfonia Concertante. On July 15, 1990 immediately after the end of this, his own festival he died in Munich.
Бесценные съёмки!
Amazing!
What a delight
Stupendo
19:26 Amazing action, joke between this two amasing musicians...
Κάθε βράδυ το ακούω και κλαίω .Αυτή ειναι η προσφορά της Ρωσίας στην μουσική .
I love at 37:36 that Richter is being a troll to Kagan while he is trying to tune.
Спсибо!!!
Sounds easy but difficult. Great.
Это репетиция к концертам декабря 1982 года.
A delight. And the lovely page turner is now in her sixties.
SUBLIME!
That's what this is.
❤
Algum brasileiro ouvindo essa maravilha?
Sim!
Каган сочетается с Рихтером, ни капли не уступая, но дополняя именно comme il faut
Почему "Violin Sonata" - разве фортепиано в ней нет? Почему имя Рихтера на втором месте? Пианист в сонатах для фортепиано и скрипки выполняет бОльший труд, именно его игра составляет основную фактуру произведения.
When it was first published (long before record labels!), it was from a set of 'Sonatas for Piano and Violin' - this title's nothing to do with the performing artists, but the composer (who pre-dates them by a couple of centuries). And whilst the violinist is often centre-stage, it's true that the pianist gets the lion's share of the work! So such a name is understandable.
That said, conventions change, and such works are ubiquitously known as 'violin sonatas', even on the hallowed site of Wikipedia, and the order of the performers' names reflects this. I imagine this is because the piano's presence is assumed - the defining thing in the instrumentation is the violin. Compare 'cello sonata', 'horn sonata', 'piano sonata' (=> solo piano). If the piano weren't there, it would be referred to as an 'unaccompanied violin sonata'.
Уймитесь
неграмотный вопрос ,так издавна принято писать.
Que interesante como se preparan
A pianist is looking for a violinist to co op. Start from K219, K304, La Folia...
in Edmonton, Canada
Start 4:15
het vibrato van Kagan is bijzonder fijn...
Can somebody explain me "missing" tune from second part of K.304? (14:08)
genialjno
К.304 это соната для клавира с аккомпонирующей скрипкой, я не ослышалась?
4:30
14:09
a treasure
Does anyone know what violin he plays? I cannot find any clue regarding who made it.
Страдивари, 1723.