thematically speaking, this is her best album. this is a harsh, heavy and crushing electronic album that stands out from her other albums because of all that darkness surrounding it. it's a shame that she regrets making those old stuff, because this is true art nonetheless
@@theoneandonly380 man if you would just say that you don't like it would be fine, but you had to call everyone who likes it dumb, so fuck you and your bullshit
The complexity and the duality of her work is honestly so fucking powerful. The ability to mix heaven and hell in such a dynamic way is something that is both disturbing and beautiful. It’s like I can feel her pain in every beat and synth on each track. Controversial, versatile, and emotional. There is no other artist like her. She is so fucking talented.
Little ones is so brutal, i can feel all kinds of painful emotions throughout the entire album, this is one of her best albums and i love it. the atmosphere is soo dark, it feels like being dragged to hell and end up in a empty place where only regrets are left.
Little Ones sounds so bloody malicious. It sounds like an unhinged villain's monologue. It's like every person's dark, blindly ambitious and infinitely envious side. Gives me chills.
I keep thinking about that opening monologue for Little Ones. It's so interesting. On one hand, the ideals it is advocating for are good ones, but on the other, the person sounds vicious and possibly sarcastic, which is further enhanced by the distortion and other effects. I would guess that the meaning is to do with how progressive values are often warped, both by conservatives and liberals, and how even good intentions can be harmful and regressive, but I'm not at all sure. It might be another layer more meta than that, and the confusion it inspires is itself the point. Knowing whatever meaning might be behind it won't help me enjoy the music, anyhow.
Imo the next layer is likely jvnko's own experience, of those values being parroted over and over but in the end when she needed it there wasn't any of those ideals in the actions of those who spoke them. it's about the tension between how people want to act, and what people perceive as "right". and on the other side, how people are perceived to act, and how they actually behave when the chips are down. and how those differences can be damaging to the people caught in the middle
I wish there was a bit more light shined on this genre specifically. The power, the noise, the violence, it would be great for some insanely over the top video game.
Иногда я сижу и думаю о том, а сколько ещё таких музыкантов, писателей, художников и им подобных просто отказываются от своих работ. Сколько труда, сколько эмоций могло быть и было вложено в то, что люди потом просто никогда не увидят. Насколько же интернет все-таки великая и непостижимая вещь, если он позволяет найти то, что должно было быть скрыто от остальных, уничтожено, выброшено на свалку небытия. Oh, sorry guys, no english here. A big thanx for reupload btw.
Насколько я понимаю, отказались не просто потому что перестало нравится или стиль поменялся, а поскольку человек находился на тот момент в депрессии. А ещё на первой картинке альбома было изображено лоли порно. Короче, кажется эти работы напоминают музыканта о говне, которое хотелось бы забыть.
Ну а сколько книг, картин, стихов ушли в небытие, особенно в совке многое не пропускали, некоторые боролись, искали пути опубликовать своё творчество, а другие тупо забивали дабы не иметь проблем на работе итп
Этот альбом - темнейшая работа Джун. Довольно сильно отражает темные 2018-ые года (для автора) - проблемы с психическим здоровьем, несостоявшийся Роскомнадзор, куча диагнозов от психиатров, и последующее что угодно. Понятно, что человек способен признавать что допускал ошибки или повзрослел, решает удалить все альбомы вплоть до этого (остальные альбомы начиная с Drowning In The Sewer не были как-либо тронуты), но людям свойственно любопытство, и вот к чему оно привело.
In my opinion this is the best material jvnko has made, slowly grew a distaste for her more popular releases they don't attract me as much as they used to. I never knew she messed with harsh noise/PE, as a fan of the genre, this is very top notch use of it. It's dark and suffocating, with only the most necessary amounts of evil. If only people could quit being such snowflakes about what jvnko does.
@Noah Leblanc I'll send u a vid about it, since it's a long story ua-cam.com/video/HzYnjx18q4s/v-deo.html Around 4:00 is when the controversy is talked about.
@@vivvy_0 I feel internet is already a teen, and I feel, dumb outrageous things always existed - it's just no one really cares/remembers drama from 80s or 70s and there was no internet to archive it all in an accessible way. So even if smth seems fucked up now doesn't mean there weren't equally(or worse) fucked up (probably worse) things through out history
At first glance, I was disappointed at this album. I gave it a few more listens and it convinced me. This is one her best works considering how it differentiated from her discography so heavily.
I may be crazy, but I'm almost certain that she incorporated the screaming/screeching sound in the second half of Starving Slvt Overture into Tortvred Lesbians Ripped Apart right?
@@Ing_Failure that was the question i came to the comments about but also knowing Jvne's.... *history* so to speak with darker subjects I'm drowning my curiosity rn
I love most of the songs on this album, but my god does private life hurt my ears. I figure that’s the point, to stimulate the concept of going through some kind of traumatic or intense event, but still.
Always the end of the songs is so good to dissociate to. I wish it would last longer. I've noticed especially with tracks 1, 2 and 4. That chaos and pain is my comfort zone.
I have always adored this abum. Perhaps for the wrong reasons... I recall listening to this, one time, in fragments. I had taken 600 mgs of DPH (DONT DO THIS, I hated myself then) ... And, well... Idk theres such beauty and terrifying darkness in this song. Theres something truly fucking scary about it- and I love it. But god does it make me sad to relate- and even sadder to realise she made this with an inspiration. 💜
im so happy and sad i stumbled upon this album,,,, because im a sewerslvt fan and i enjoy her music greatly, but sadly these tracks are a bit too heavy for my epilepsy hehe,,, im afraid that if i started to listen to it on a regular i could trigger something, which obviously i dont want to happen :(( im gonna stick to her newer albums,,..
i was pretty disapointed until i reached nowhere past oblivion, after that all the tracks were great, album was visceral and honestly just a great fucking banger. Pretty Cvnt still my fav song tho
@@vmrrobotic7069 yeah I'm saying despite enjoying this album very much, pretty cvnt is still my top song grom her. That's why I said 'still my fav song tho'
Я бы посчитал самой агрессивной работой Джуньки в плане музыки. Тут больше мистически настроенных треков, их звучание искажено, басовые удары качают, но этот перегруз-дисторшн мне почему-то приятно слышать, будь то Pandora's Box, или Cold Steel. Может и ругали работу за что-то, именно что-то мне в ней и нравится. Звучание. Атмосфера.
I listened to like 30 minutes of this and I genuinely can not see why one would praise this so much. It's got some decent stuff like every 8 minutes and some parts really feel harsh like so often thrown around here but there is so little variety and when there is it's way too spread out. just your 2 cents from a random guy on the internet so it's whatever. Just makes me jealous when I look at more modern stuff and everyone shitting on everything claiming it doesn't sound like the old stuff.
30 minutes is when track 9 starts, so you went pretty far. I honestly really disagree with the "lack of variety" criticism. Starving Slvt Overture has some ambient wonder followed by intense harsh noise, Cold Steel is the song with the greatest abundance of voice samples, giving the feeling that it's being sang by a tortured soul, Lips has some unnerving nostalgic Playstation energy to it, recontextualized with the modern trap beats and intense sound design making it painfully creepy, Pandora's Box being another trap song that sounds more modern but still with this unnerving feeling something is seriously wrong. Private Life having a "calm before the storm" feeling, building up to the album's third act. It's an album that is admittedly not very interesting in your first sitting, but the more you listen to it, the more you appreciate it. The more you start seeing the intense pain it portrays. The more you appreciate how nostalgic yet modern it feels. Although yeah, I have to admit that it sucks when people crap on June's more recent releases just because it's not what she used to do. But Starving Slvts has grown on me, in such a way I enjoy it more than Skitzofrenia Simulation, for example. While Skitzofrenia Simulation is admittedly much more polished in terms of sound design and arrangement, there's something about Starving Slvts that is really fascinating. It messes around with various different sounds, it's harsh, it conveys pain in such an aggressive way you just can't properly describe it with words. I admit other Sewerslvt albums have a much wider variety of sounds and genres, like Sewer//Slvt and Skitzofrenia Simulation, but I see Starving Slvts as more of an album that keeps a common theme across the whole experience, but makes the best out of what it has and makes an experience that feels fresh all the way through while not distancing itself from the theme it established.
I just had to go look at a bunch of Power Electronics songs just to be sure, and I dont think the genre of this album could really be considered that. The main differences that i've noticed are that the songs in this album have more of a beat to them, they have a sort of rythm. As for most Power Electronic songs, they dont really have a rythm or a beat at all, and most likely dont even have any sort of bpm. They're mainly pure noise. If you wanna know what power electronics really is, i suggest you listen to something like 'Whitehouse - Why You Never Became A Dancer". a horrible song which could be considered barely listenable to most. I dont really know much about power electronics, but what i can say is that its barely even music, although still technically is. It's not really something you can say about this album
it's just power electronic not earrapecore and not much of an idea. I think she was just unhappy with it or something. She purged a lot of her past works
@@VixieTSQ yeah talked to her since I'm a patreon, she doesn't like it. Kinda a shame but whatever. And yeah ik it's just power electronic but it's easier to explain it to my friends as earrapecore
I'm not sure, but I believe it's because of 1 of the samples she used, and because of the cover, containing loli hentai. I heard Jvnko stated she sampled an interview with a p*dophile once, and I believe this is the album where she used that interview, but I don't know if that is true. You can hear someone talk about children at 35:52, but this is just my own observation. I don't know what sample that is. This led to people thinking she also sampled child pornography, but she has stated she never sampled that. People tried to cancel her for it. Because of that and some other smaller controversies, she decided to delete a lot of her work. It's sad cause dopamine rush is one of my favorite songs.
![Kill Bill x Rav - KEEP THE CHANGE! [full album]](/img/n.gif)
thematically speaking, this is her best album. this is a harsh, heavy and crushing electronic album that stands out from her other albums because of all that darkness surrounding it. it's a shame that she regrets making those old stuff, because this is true art nonetheless
absolutely true
@@leith. Coakira
@@Androx5000 Oh god, it sounds really good
definetely not, you all are dumb, there are quality moments but its meh at best
@@theoneandonly380 man if you would just say that you don't like it would be fine, but you had to call everyone who likes it dumb, so fuck you and your bullshit
having mental breakdowns to this album is the shit
Jvnko’s music is basically a biblically accurate angel
It's like I'm hearing the inner thoughts and feelings of an eldritch horror that wants to break free
this metaphor is actually very accurate.
Do not be afraid
best description I have ever seen
oh my goud bojack horteman...
The complexity and the duality of her work is honestly so fucking powerful. The ability to mix heaven and hell in such a dynamic way is something that is both disturbing and beautiful. It’s like I can feel her pain in every beat and synth on each track. Controversial, versatile, and emotional.
There is no other artist like her.
She is so fucking talented.
very different musically but check out Lingua Ignota if you haven't. Different sound but same emotions
supersimp confirmed
@@ohgodthehorrors6056 no
@@lukecronquist6003 sniper monkey
pandora's box is so good
Pandora and VIP are really magnificent
Homestuck profile picture
+RESPECT
@@J4CKNO1R its cool seeing another hs fan listen to sewerslvt!!!! also a midnight crew pfp is more based than any kid pfp. also thanks lol
ive only listened to pandoras box currently, im about to listen to the whole album
but right now i agree
Incredibly awesome pfp. Sewerslvt fan and Pocket Mirror fan?? Wow
Little ones is so brutal, i can feel all kinds of painful emotions throughout the entire album, this is one of her best albums and i love it. the atmosphere is soo dark, it feels like being dragged to hell and end up in a empty place where only regrets are left.
man this album is sick, her other stuff is okay but fuck i love how harsh this one is
i'm honestly surprised. I thought all she really wanted to do was atmospheric dnb or some shit
sad that she feels ashamed of her old work, but i gotta say it hits a spot
Little Ones sounds so bloody malicious. It sounds like an unhinged villain's monologue. It's like every person's dark, blindly ambitious and infinitely envious side. Gives me chills.
4 minutes of screaming demons from hell ripping out my eardrums
hell yeah
combined with the sound of the album, the cover art and the themes, this is EASILY jvnko's darkest album
this album and drowning in the sewer are easily the darkest albums she has made
Don’t be afraid of dying was also really dark tbh
well, lets be honest, all her albums are dark af
Honestly having a hard time discerning the themes and such I'm not too good with that
What are the themes?
I keep thinking about that opening monologue for Little Ones. It's so interesting.
On one hand, the ideals it is advocating for are good ones, but on the other, the person sounds vicious and possibly sarcastic, which is further enhanced by the distortion and other effects.
I would guess that the meaning is to do with how progressive values are often warped, both by conservatives and liberals, and how even good intentions can be harmful and regressive, but I'm not at all sure.
It might be another layer more meta than that, and the confusion it inspires is itself the point. Knowing whatever meaning might be behind it won't help me enjoy the music, anyhow.
Imo the next layer is likely jvnko's own experience, of those values being parroted over and over but in the end when she needed it there wasn't any of those ideals in the actions of those who spoke them. it's about the tension between how people want to act, and what people perceive as "right". and on the other side, how people are perceived to act, and how they actually behave when the chips are down. and how those differences can be damaging to the people caught in the middle
It’s a sample from a commercial but don’t remember which one.
I think it’s talking about how women were pushed into the work force by big corporations so they can make more money
yup
somehow?
didnt even know this album exised tbh
to be fair the only existence of this album on youtube has 900 views
The original was deleted
It got gonned, which sucks because it's my favorite but yea
@@gip-gipsr.1524 is there any reason in particular?
@@zeld38teamshadowstudios11 I'mma ask junko real quick
cant stop coming back to this one, witness the death is SICK
25:32 the hardest smoke alarm to ever exist
tinnitus simulator 2023
lips sounds like a scary/creepypasta glitched and corrupted ps1 game. holy shit
I wish there was a bit more light shined on this genre specifically. The power, the noise, the violence, it would be great for some insanely over the top video game.
power noise is a good genre
@@HTK-lol Power noise is great! I want to discover more songs from this genre, do you have any recommendations?
This album is easily, one of her best works imo
This album is easily, one of her best works imo
not mocking you i just agree with you
facts
u: exists
Sewerslvt: no
Holy shit I completely forgot how immediately Nowhere Past Oblivion hits you. Actual #1 Jvne album.
The fact I turned this on and immediately accidentally skipped to private life with my headphones on full blast
Иногда я сижу и думаю о том, а сколько ещё таких музыкантов, писателей, художников и им подобных просто отказываются от своих работ. Сколько труда, сколько эмоций могло быть и было вложено в то, что люди потом просто никогда не увидят. Насколько же интернет все-таки великая и непостижимая вещь, если он позволяет найти то, что должно было быть скрыто от остальных, уничтожено, выброшено на свалку небытия.
Oh, sorry guys, no english here.
A big thanx for reupload btw.
Я не очен жорош говорню по-русски, но я согласен. Я благодарен за эта музьку, это помогает мне. Мне жаль за я язьк плохо.
Насколько я понимаю, отказались не просто потому что перестало нравится или стиль поменялся, а поскольку человек находился на тот момент в депрессии.
А ещё на первой картинке альбома было изображено лоли порно.
Короче, кажется эти работы напоминают музыканта о говне, которое хотелось бы забыть.
Ну а сколько книг, картин, стихов ушли в небытие, особенно в совке многое не пропускали, некоторые боролись, искали пути опубликовать своё творчество, а другие тупо забивали дабы не иметь проблем на работе итп
Ну в принципе они могли пожалеть об этом альбоме поэтому просто выбросили его он мог напомнить им о том дерьме, о котором они хотели забыть .
Этот альбом - темнейшая работа Джун. Довольно сильно отражает темные 2018-ые года (для автора) - проблемы с психическим здоровьем, несостоявшийся Роскомнадзор, куча диагнозов от психиатров, и последующее что угодно. Понятно, что человек способен признавать что допускал ошибки или повзрослел, решает удалить все альбомы вплоть до этого (остальные альбомы начиная с Drowning In The Sewer не были как-либо тронуты), но людям свойственно любопытство, и вот к чему оно привело.
In my opinion this is the best material jvnko has made, slowly grew a distaste for her more popular releases they don't attract me as much as they used to. I never knew she messed with harsh noise/PE, as a fan of the genre, this is very top notch use of it. It's dark and suffocating, with only the most necessary amounts of evil. If only people could quit being such snowflakes about what jvnko does.
@Noah Leblanc I'll send u a vid about it, since it's a long story
ua-cam.com/video/HzYnjx18q4s/v-deo.html
Around 4:00 is when the controversy is talked about.
@Niah Leblanc the world is fucked up and unfair
@@SilentCatRadio the internet is still in it's infancy bru
@@vivvy_0 I feel internet is already a teen, and I feel, dumb outrageous things always existed - it's just no one really cares/remembers drama from 80s or 70s and there was no internet to archive it all in an accessible way. So even if smth seems fucked up now doesn't mean there weren't equally(or worse) fucked up (probably worse) things through out history
The last sentence is one of the truest things ever said.
I love this so much. I wish she went and did an album like this again
2:20 feels like when the dentist just cleans ur teeth with a metalic thing and you feel your teeth crackling.
and weird smell of rotten teeth...
Time to listen to this entire album for like the eighth time
I'm going through and listening to all her music now after she quit. I gotta say, this one speaks to me
ngl little ones makes me want to rip & tear
Until it is done
LMAO WHAT
that kinda sounds wrong lmao
the sound does kinda overlap with doom 2016 soundtrack at times
At first glance, I was disappointed at this album. I gave it a few more listens and it convinced me. This is one her best works considering how it differentiated from her discography so heavily.
What was the album cover?
@@O.uroboros.777 Collage of loli hentai. I don’t know the correct way to say it.
@@Formevagne Oh fuck
Delicious tracks, Jvne. Indeed, we all got our fix.
This tickles the brain cells, Jvne is indeed an expert tickler
I may be crazy, but I'm almost certain that she incorporated the screaming/screeching sound in the second half of Starving Slvt Overture into Tortvred Lesbians Ripped Apart right?
Do you think it’s sampled from something or did Jvne make those screeches herself?
@An actual human being from 𝘸𝘩𝘢𝘵 exactly?
@@Mexikirb i think some questions are better to be left unanswered
@@Ing_Failure that was the question i came to the comments about but also knowing Jvne's.... *history* so to speak with darker subjects I'm drowning my curiosity rn
For the cost of a cup of scarbuvks latte, you can feed a sewer of starving slvts.
I honestly love her more intense and ear straining works over her calmer works
this album feels like getting beaten up by everything you fear the most, im feeling so alone but at least im jvne got me
I think I've contributed at least 50 views
Still needs more
ahah same here, i come back here often :P
my guts always churn at the start of nearly all of these, specially lips
this album is really cool,i love it.one of her best works honestly.
11:47 amogus amogus amogus
This is what Heaven sounds like.
Or hell
That is a very demented vision of heaven then
This is how afterlife sounds like
Hell*
Truer words have never been said
7:37 Hits pretty hard though.
I love most of the songs on this album, but my god does private life hurt my ears. I figure that’s the point, to stimulate the concept of going through some kind of traumatic or intense event, but still.
I agree.
I like how private life just straight up destroys your hearing. It's not good to live past 30 anyway.
Anyone know who the sample is from in Starving Slvt Overture? at around 4:40?
idk but i think it's jvne with ton of effects, maybe...
nowhere past oblivion is a fucking banger g
NPO is sewerslvts most underrated track i swear
@@kaos5633 never point oneohtrix
@@oldchannel1312 my favorite is the first and last.
Starving slvt overture is terrifying and amazing. The last one is incredible and dark.
why is nobody talking about how good Private Life, The Maw, and Dopamine Rush flow into eachother?
Always the end of the songs is so good to dissociate to. I wish it would last longer. I've noticed especially with tracks 1, 2 and 4. That chaos and pain is my comfort zone.
This has to be one of my favorite albums from her 👾
woah great no ads
13:10 there is just pure ecstasy
I love the rhythm of Dopamine Rush :) , i love so much this girl.
Im imagining a whole movie to this music
Cold steel is fvcking scary
@@fetusdestroyer9 are you going forever?? I was thinking of u today
@@fetusdestroyer9 hi was it scary
Her best album imo
Dopamine Rush peak Sewerslvt
SHES INSIDE OF MY MIND MEOW MEOW MEOW MEOW :3 AAWAAAAAAAAAAA
Whoneetheybooeyaye
This album just goes too hard and I think it’s one of her underrated album, sucks she deleted it but I can tell why… but pandora box tho 😔
I have always adored this abum. Perhaps for the wrong reasons... I recall listening to this, one time, in fragments.
I had taken 600 mgs of DPH (DONT DO THIS, I hated myself then) ... And, well... Idk theres such beauty and terrifying darkness in this song. Theres something truly fucking scary about it- and I love it. But god does it make me sad to relate- and even sadder to realise she made this with an inspiration. 💜
pandoras box is godly
im so happy and sad i stumbled upon this album,,,, because im a sewerslvt fan and i enjoy her music greatly, but sadly these tracks are a bit too heavy for my epilepsy hehe,,, im afraid that if i started to listen to it on a regular i could trigger something, which obviously i dont want to happen :(( im gonna stick to her newer albums,,..
ouch i feel that
Does epilepsy apply for sound too? I didn't know that
bro this shit is fire how the hell did i end up here
16:50 this makes me want to push my teeth back into my gums
My favorite album of sewerslvt
If it weren't for Skitzofrenia Simulation this would probably be my fav album by Jvne
jamming to this HARD !!!!
still jamming to this BUT EVEN HARDER !!!!!!!!!!!!!!!!
@@descendingDark are you still jamming
@@boremy_ ALWAYS!!!!!!!!!!!!!!!!!!!!!!!!!!
@@descendingDark nice
STILL JAMMING TO THIS 3 YEARS LATER !!!!
thnx for the reupload
this or drowning in the sewer are my favourite junko albums and it does suck she deleted these from youtube and spotify
You should check out dont be afraid of dying by her
@@ZyzzUMIRIN oh yeah that one is super edgy, i really did forget about that one damn
They are on her Bandcamp via subscription
I love her old stuff, but nothing can beat her latest EP The World Is Fvcked
@@canistheloli3503 I honestly thought that the world is fvcked was one of her weaker works but I can understand why you like it
i was pretty disapointed until i reached nowhere past oblivion, after that all the tracks were great, album was visceral and honestly just a great fucking banger. Pretty Cvnt still my fav song tho
What do you mean? Pretty Cvnt is not from this album
@@vmrrobotic7069 yeah I'm saying despite enjoying this album very much, pretty cvnt is still my top song grom her. That's why I said 'still my fav song tho'
Y'know I loved Little Ones and Cold Steel that's just me though
@@alexrosado2003 Oh ok sorry for not understanding
The thing is... Pretty Cvnt is one of the least fav songs of Sewwerslvt as she didn't worked on it that much.
So good
Yep
easily my favorite from hers, a shame she had to take it down since its pre edgy.
starving slvt overture did it for me
Думаю, на создание моего настоящего лонгплея старвинг слатсы являются истинным вдохновителем.
lips and pandora’s box hit so damn hard
absolute banger
Сколько жизненных проблем у меня возникло за все это время. Я думаю, что этот альбом послужит саундтреком к этому кабздецу.
Ty for having this
Я бы посчитал самой агрессивной работой Джуньки в плане музыки. Тут больше мистически настроенных треков, их звучание искажено, басовые удары качают, но этот перегруз-дисторшн мне почему-то приятно слышать, будь то Pandora's Box, или Cold Steel.
Может и ругали работу за что-то, именно что-то мне в ней и нравится. Звучание. Атмосфера.
GUT DAMN !!! THIS SHIT TOO STRONG CHUM CHUM
p cool. fav tracks: nowhere past oblivion, dopamine rush, cold steel
Best album
god i wish this fucking album was on spotify
oof cold steel hits different
pandora’s box is perfect literally my fav and nowhere past oblivion
thank you
God. Damn.
thx for the reupload!
5 лет старвинг слатсам!!!
TripleBeppo sent me.
same
I listened to like 30 minutes of this and I genuinely can not see why one would praise this so much. It's got some decent stuff like every 8 minutes and some parts really feel harsh like so often thrown around here but there is so little variety and when there is it's way too spread out. just your 2 cents from a random guy on the internet so it's whatever. Just makes me jealous when I look at more modern stuff and everyone shitting on everything claiming it doesn't sound like the old stuff.
30 minutes is when track 9 starts, so you went pretty far.
I honestly really disagree with the "lack of variety" criticism. Starving Slvt Overture has some ambient wonder followed by intense harsh noise, Cold Steel is the song with the greatest abundance of voice samples, giving the feeling that it's being sang by a tortured soul, Lips has some unnerving nostalgic Playstation energy to it, recontextualized with the modern trap beats and intense sound design making it painfully creepy, Pandora's Box being another trap song that sounds more modern but still with this unnerving feeling something is seriously wrong. Private Life having a "calm before the storm" feeling, building up to the album's third act.
It's an album that is admittedly not very interesting in your first sitting, but the more you listen to it, the more you appreciate it. The more you start seeing the intense pain it portrays. The more you appreciate how nostalgic yet modern it feels.
Although yeah, I have to admit that it sucks when people crap on June's more recent releases just because it's not what she used to do. But Starving Slvts has grown on me, in such a way I enjoy it more than Skitzofrenia Simulation, for example. While Skitzofrenia Simulation is admittedly much more polished in terms of sound design and arrangement, there's something about Starving Slvts that is really fascinating. It messes around with various different sounds, it's harsh, it conveys pain in such an aggressive way you just can't properly describe it with words.
I admit other Sewerslvt albums have a much wider variety of sounds and genres, like Sewer//Slvt and Skitzofrenia Simulation, but I see Starving Slvts as more of an album that keeps a common theme across the whole experience, but makes the best out of what it has and makes an experience that feels fresh all the way through while not distancing itself from the theme it established.
Sewerslvt is basically amen break stretched to one hour.
Anyone else find Lips deeply entrancing
Atleast you saved these ones
I just had to go look at a bunch of Power Electronics songs just to be sure, and I dont think the genre of this album could really be considered that.
The main differences that i've noticed are that the songs in this album have more of a beat to them, they have a sort of rythm. As for most Power Electronic songs, they dont really have a rythm or a beat at all, and most likely dont even have any sort of bpm. They're mainly pure noise. If you wanna know what power electronics really is, i suggest you listen to something like 'Whitehouse - Why You Never Became A Dancer". a horrible song which could be considered barely listenable to most.
I dont really know much about power electronics, but what i can say is that its barely even music, although still technically is. It's not really something you can say about this album
Get over it kid
@@ilillilih i did get over it.. like a month ago after i posted this comment
i believe this genre is called power noise
Power noise
Poets and stars
nahh private life hurt my ears bruh
I feel like if Lips had been produced as a hip hop track people would call it the sickest beat ever
i listened to this full
THANKS
This goes hard as fuck
Little ones drop slaps harder than the Little Boy shock wave.
Anyone know why junko deleted it? Honestly my favorite album even though it's basically earrapecore
it's just power electronic not earrapecore
and not much of an idea. I think she was just unhappy with it or something. She purged a lot of her past works
@@VixieTSQ yeah talked to her since I'm a patreon, she doesn't like it. Kinda a shame but whatever. And yeah ik it's just power electronic but it's easier to explain it to my friends as earrapecore
I'm not sure, but I believe it's because of 1 of the samples she used, and because of the cover, containing loli hentai. I heard Jvnko stated she sampled an interview with a p*dophile once, and I believe this is the album where she used that interview, but I don't know if that is true. You can hear someone talk about children at 35:52, but this is just my own observation. I don't know what sample that is. This led to people thinking she also sampled child pornography, but she has stated she never sampled that. People tried to cancel her for it. Because of that and some other smaller controversies, she decided to delete a lot of her work. It's sad cause dopamine rush is one of my favorite songs.
4:24
JVNKOOOOO!
Does anyone know why Junko deleted this stuff?
apparently, it was just because she didn't really like it. im not sure though