Seong-Jin CHO (South Korea) (3:02:52) Ballade in F major Op. 38 (3:05:07) Waltz in F major Op. 34 No. 3 (3:13:04) Sonata in B flat minor Op. 35 I. Grave - Doppio movimento (3:15:50) II. Scherzo (3:21:12) III. Marche funébre: Lento (3:27:20) IV. Finale: Presto (3:35:24) Polonaise in A flat major Op. 53 (3:37:18)
이런걸로 비교하는건 좀 궁상스럽긴 하지만 한글을 읽는 우리끼리.. 다른 연주자들의 연주가 끝난뒤의 박수는 격려와 예의상 쳐주는 박수로 대부분 20초를 조금 넘기는 수준으로 끝났다.. 그런데 조성진의 연주가 끝나고 난 뒤에는 진행자가 다음 출연자를 소개할때까지 1분 2초 동안 박수가 지속되었다.. 그리고 환호성이 나온 것도 조성진이 유일했고.. 그리고 나 역시 이 긴 시간동안 연주한 모든 연주자들 중에서 확신과 열정이 가득한 연주를 보여준 것으로는 조성진이 단연 돋보였다고 생각한다..
+tjxpuck Especially when it comes to polonaise op 53, Cho really mastered it and he plays it the last; this stage and the last in gala. He knows that that is his finish blow.
+Mahtalliel Because Cho had by far the most demanding music in the 2nd round. And he rarely makes a mistake, playing with musicality and confidence. In the 3rd round, I think one of the requirements is to play Chopin's opus 35 or opus 58 sonatas. Since he's already done the opus 35, he probably won't do the opus 58. Or the option to play all 24 preludes? I heard he'll probably play the preludes to show his versatility. Although the opus 58 sonata would be an exclamation mark as a true virtuoso with everything.
+Mahtalliel I have enjoyed every Sonata op 35 so far. Though Cho's Sonata op 35 was the only one made me cry. I can feel the deep sorrow, looking back all the good days, and falling leaves and wind on the grave.... Such a soul touching play.
The audiences knew Seong jin from first round that they tried hard to hold coughing not to disturb the performance.😂 So happy for Seong jin to be immersed in the music and also made the audiences entice in his zone. His chopin sonata no.2 is unbelievably persuasive!💜
Łukasz Piotr BYRDY (Poland) (15:50) Ballade in F minor Op. 52 (17:18) Waltz in A flat major Op. 42 (29:33) Andante Spianato and Grande Polonaise Brillante in E flat major Op. 22 I. Andante Spianato (34:11) II. Grand Polonaise Brilliante (38:46) Michelle CANDOTTI (Italy) (48:37) Ballade in A flat major Op. 47 (50:39) Waltz in A flat major Op. 34 No. 1 (58:10) Polonaise in F sharp minor Op. 44 (1:03:44) Scherzo in B flat minor Op. 31 (1:14:22) Luigi CAROCCIA (Italy) (1:25:22) Polonaise-fantasy in A flat major Op. 61 (1:27:14) Ballade in F major Op. 38 (1:41:12) Polonaise in A flat major Op. 53 (1:49:26) Waltz in E flat major Op. 18 (1:56:55) Galina CHISTIAKOVA (Russia) (2:29:44) Barcarolle in F sharp major op. 60 (2:31:36) Waltz in A flat major Op. 42 (2:42:06) Andante Spianato and Grande Polonaise Brillante in E flat major Op. 22 I. Andante Spianato (2:46:27) II. Grand Polonaise Brilliante (2:51:33) Seong-Jin CHO (South Korea) (3:02:52) Ballade in F major Op. 38 (3:05:07) Waltz in F major Op. 34 No. 3 (3:13:04) Sonata in B flat minor Op. 35 I. Grave - Doppio movimento (3:15:50) II. Scherzo (3:21:12) III. Marche funébre: Lento (3:27:20) IV. Finale: Presto (3:35:24) Polonaise in A flat major Op. 53 (3:37:18) Ivett GYÖNGYÖSI (Hungary) (3:45:20) Ballade in A flat major Op. 47 (3:47:01) Scherzo in C sharp minor Op. 39 (3:55:10) Waltz in A flat major Op. 34 No. 1 (4:02:51) Andante Spianato and Grande Polonaise Brillante in E flat major Op. 22 I. Andante Spianato (4:08:36) II. Grand Polonaise Brilliante (4:13:33)
And this is when that infamous PE start to give CHO very questionable lowest scores possible to eliminate him from the competition. Cho, who clearly got the most loud applause from the audience along with high scores from the rest of judges who gave him a go, YES, to the next round, PE had given him *14* with *NO* for this performance. REALLY, PE???
Yes , Mr; Entremont was right . Mr. Cho plays very well , but he is completely boring . Romanticism is more than playing like a pre-programmed machinery only between mezzopiano and forte .. Listen to Kate Liu , SHE had something to say .
Fritz Maisenbacher How the fuck is Cho boring? I don't understand, he plays the most clearest and he adds his own unique articulation to every piece he plays, his articulation is so unique compared to other contestants
곡과 곡 사이 텀에 조성진 목에 맥박 미친듯이 뛰는거.. 안쓰러움.. 맥박 뛰는거 보고 있으면 얼마나 긴장했는지가 느껴지는데 또 연주는 물흐르듯 자연스러워서 신기함.. 그 엄청난 중압감을 견뎌내고 길이길이 남을 연주를 해줘서 너무 감사하고.. 또 1등해줘서 너무 감사함. 유퀴즈 보니까 20대 후반까지만 해보고 안되면 접을 생각이었다던데 쇼콩 우승을 계기로 조성진 연주를 계속 듣고 볼 수 있어서 행복함.. 진짜 조성진은 인류의 자산이야
@Duy Duong Don't mind him, he's just a troll lol. Cho was the most consistent competitor, and the judges' role is to be as objective as possible. You can't really rank artistry, can you?
조성진님 연주를 좀 더 잘 들으려고 앞에 3시간 연주를 모두 감상했는데 흠... 음... 집중이 안되는 미스터치 지루한 연주들이네요 21이번 콩쿨에 재참여한 분들도 보이는데 앞에 이탈리아 두 분의 선곡도 연주스타일도 개인적으로 상당히 지루하네요 그래도 스테이지2까지 진출한 분들이면 상당한 분들이란건데... 그리고 이어지는 조성진님의 차례 발라드 2번은 그저 빛
Ivett's wrist is fantastically relaxed, which gives her the possibility to form really subtle pianissimi. I wonder if the projection was enough for this huge hall, though. At the very beginning, some notes were quite thin... But what followed was pure MAGIC, and I couldn't care less for the mistakes. I'll definitely look for her upcoming concerts!
By the way, the first pianist is very very good, good enough to be a concert pianist. CHOPIN IS THE GREATEST COMPOSER. IF YOU LISTEN TO HIS MUSIC CAREFULLY, YOU WILL FIND MANY HIDDEN GEMS. THOUGH SAD, BUT LEARN TO ENJOY IT.
+Kim Banya LOL, is there a cold or flu going around? I noticed that some pianists had the keyboard wiped off before they played. Getting sick may diminish their chances significantly.
At age 2 he rwas a pianist, at age 3 she was a composer, at age 4 she was a professional composer and her compositions are distributed by Hal Leonad Music, At age 5 she made her debute as concert pianist, wrote already pieces for symphony and released her first album. At age 6 she won 3 Awards. Watch her when she is just age 8 at a concert where she play Chopin Waltz Op 64 Nr 2. - ( more of her on the playlist) - Chopin Waltz Op 64 No 2 by pianist & composer Emily Bear
I know Cho threw a challenging suggestion as to "how about this Chopin?" to us, who has been snuggling only within so called Chopinesque comfort zone with a typical curiosity for a typically Chopinesque new comer. I myself did not quite get when I heard him for the first time, playing Conterto no 1. I was a bit baffled. However when I heard his entire performances along with competitors', this 21 year older is a serious trouble maker who must be dealt with, to all Chopin lovers. So that much I can understand the criticism but it seems a bit too cheap shot manipulating phrases like "strong nationalistic performance", where I am lost figuring out the meaning. To the saddest disaster to all of us who loves Chopin, Chopin is dead. Therefore we must be sensitive a little when we try to agree via "Chopinesque". To me always the question is "Do I like this Chopin? And the answer should stay subjective. I learned hard way how tiring endeavor without a fruit to influence another soul by arguing subjective issue with objective tool; conversation. So I lowered the bar. If an artist makes mistakes, he/she is not there yet, period, no excuse. Then I have to answer "Yes, I like this Chopin as a Chopin and I hope He agrees too". So Cho, to me, becomes a rising trouble maker to watch from now and on and... Good Luck.
Why? Many contestants chose it time after time over Shigeru Kawai, Fazioli and Steinway. There must have been something about it that made them choose it. Anyway, the Yamaha, Steinway and Shigeru Kawai are all used on this video.
Yamaha makes some of the best pianos in the world. If you think you can hear a difference in quality, especially after recording compression playing it back on your computer speakers, then you are fooling yourself.
Entering a competition like this is like going to a casino. You may win, or you may loose. Everything depends on a particular judge and how he/she gets up that morning. Everyone in the competition is highly qualified. However, judges are humans, they can be extremely biased because the performer didn’t play his/her style. Personal emotions get into it; that is why any competition is never “FAIR”. Kate Liu is a prime example. Just that Martha didn’t like Kate, she put her under the rug. Meanwhile, Garrick Olsson praises Kate to be the best and Kate’s playing made him cry, him and so many others. You tell me.
@@lczq6737 The key beds tend to be quite deep, which allows you to play very lightly across the top and also create a very full and rich sound. It allows for a much broader contrast in timbre compared to most pianos. The pedals are also amazing, you can do 1/4, 1/2, 3/4 and full pedals with relative ease, which allows you to blend sound to various degrees.
I am referring to the performance of Caroccia. Had he been followed the Grand Waltz Op. 18 piece entirely when he did some additionals on it? Or does the piece have an edition that Carrocia had followed to make it so? I noticed it at 2:00:22 to 2:00:27.
+xiao1215 Because Cho wants to stand out because usually no one is playing it at this stage. Chopin's B flat minor sonata is very difficult. And Cho played it very well. The A flat polonaise was near impeccable. There are many of that polonaise and I find his the best so far. He did not rushed and the clarity of every note is impressive. Most of the A flat polonaise I've heard is a blurring of the notes, not Cho. He deserved that roar from the audience at the end.
+Vette gaddia - Yes, it was a strategic gamble on his part. He knew perfectly well that many people would compare his playing of the B flat minor sonata to Yulianna Avdeeva's unbelievable performance 2010.
xiao1215 I am a little bit confused by your question. I don't remember hearing Nowak's playing Chopin's B flat minor sonata opus 35. So I can't compare him with Cho. As for the complete repertoire he has played thus far, I don't think he is in the league of Cho. I think I also made it clear that I think Trifonov should have won over Avdeeva. That is my opinion. That does not make it any more valid than your valuable opinion.
+Vette gaddia - Sorry about the confusion. My second response was referring to Nowak's performance vs. Cho's and it had nothing to do with the B flat minor sonata comparison. Nowak's program was relatively simple compared to Cho's, however I thought Nowak really captured the essence of Chopin.
I know Seong-Jin Cho is a favorite but I don't really care for the way he plays very much. Just seems like the best of the play everything super fast modern way of playing. I much prefer Kate Liu of the 2nd rounders so far.
+Johnny P they seong and kate play it like a piano clinic. more like rubinstein in beauty may improve since they are machines who dont fault. the 2 of them just needs to improve on singing the piano. they have no problems with any of the written score. only a few others don't screw up the expected scary parts.
+Liu Cheang Well, Cho was one of the most singing player in this competition in my opinion. He played the music like an one phrase, like an wave....I also enjoyed Galina's and Ivett's playing in this video other than Cho. But I agreed your opinion about Liu.
チョ・ソンジンの8年前のこの演奏を見たかったです。
まだ幼い顔のソンジンさんが緊張感に張り詰めて挑戦する姿、音楽に精一杯の魂を注いでいる姿、私に勇気を与えてくれます。動画見れて本当に嬉しいです
endless clapping after CHO's playing!
Seong-Jin CHO (South Korea) (3:02:52)
Ballade in F major Op. 38 (3:05:07)
Waltz in F major Op. 34 No. 3 (3:13:04)
Sonata in B flat minor Op. 35
I. Grave - Doppio movimento (3:15:50)
II. Scherzo (3:21:12)
III. Marche funébre: Lento (3:27:20)
IV. Finale: Presto (3:35:24)
Polonaise in A flat major Op. 53 (3:37:18)
This is the comment I was looking for (≧▽≦)
seong jin cho truly Plays magical
이런걸로 비교하는건 좀 궁상스럽긴 하지만 한글을 읽는 우리끼리.. 다른 연주자들의 연주가 끝난뒤의 박수는 격려와 예의상 쳐주는 박수로 대부분 20초를 조금 넘기는 수준으로 끝났다.. 그런데 조성진의 연주가 끝나고 난 뒤에는 진행자가 다음 출연자를 소개할때까지 1분 2초 동안 박수가 지속되었다.. 그리고 환호성이 나온 것도 조성진이 유일했고.. 그리고 나 역시 이 긴 시간동안 연주한 모든 연주자들 중에서 확신과 열정이 가득한 연주를 보여준 것으로는 조성진이 단연 돋보였다고 생각한다..
+tjxpuck 조성진은 이번 라운드에서 다른 연주자들보다 훨씬 더 어려운 프로그램을 선택했고 일류의 실력을 보여줬으니까요. 관객들이 인정하죠.
+tjxpuck
Especially when it comes to polonaise op 53, Cho really mastered it and he plays it the last; this stage and the last in gala. He knows that that is his finish blow.
피아노 소나타 op.35나 op.58은 3rd round 올라가는 연주자들이 반드시 쳐야합니다. 조셩진은 2nd round에 쳤어요. 빨기 구별되는거죠.
마지막 폴로네이즈 영웅이 끝나고 밀려드는 그 감동.. 예술은 언어와 국경을 초월하나 봅니다
맨날연주클립만보다가 풀영상을본건 처음인데 진짜네요ㅜㅜㅜㅜㅜㅜㅜㅜ감격ㅜㅜㅜㅜㅜㅜ
조성진앓이를 다시하는중
보고있는동안 그당시 쇼콩당시
떨렸던 그 느낌이 생생하네요
소나타2번끝난후 충격
정신차리고난후 선물같은 폴로네이즈연주
지금도 기분이좋네요
2022년에도 들으러 왔습니다. 여전히 볼때마다 감동이네요....
I CRIED , SEONGJIN:)
THE LEGEND OF CHOPIN
Seongjin's Sonata is flawless and absolutely dramatic. His music is very dandy and classy. I love it!
Cho's rendition of Sonata is one of the best ever
Seong-Jin Cho's music moves me deeply somehow...
+Mahtalliel Because Cho had by far the most demanding music in the 2nd round. And he rarely makes a mistake, playing with musicality and confidence. In the 3rd round, I think one of the requirements is to play Chopin's opus 35 or opus 58 sonatas. Since he's already done the opus 35, he probably won't do the opus 58. Or the option to play all 24 preludes? I heard he'll probably play the preludes to show his versatility. Although the opus 58 sonata would be an exclamation mark as a true virtuoso with everything.
+Mahtalliel I have enjoyed every Sonata op 35 so far. Though Cho's Sonata op 35 was the only one made me cry. I can feel the deep sorrow, looking back all the good days, and falling leaves and wind on the grave.... Such a soul touching play.
타 피아니스트들과는 달리, 곡의 끝으로 매우 길게 이어졌던 갈채와 환호성, 내려오는 무대 뒤에서 대기하고 있다 몰려드는 카메라맨들과 취재진들의 웃음 띤 열기가 조성진의 우월한 실력을 알아챈 듯 했다. 매우 만족스럽다.
The audiences knew Seong jin from first round that they tried hard to hold coughing not to disturb the performance.😂 So happy for Seong jin to be immersed in the music and also made the audiences entice in his zone. His chopin sonata no.2 is unbelievably persuasive!💜
Seong-Jin is a magician !!!
+Kiby Huang Search: Movie Soundtracks composed by Emily Bear
+Kiby Huang my favorite so far... incredible! the walz was just mind blowing!
BRAVO! BRAVO! BRAVISSIMO! Seong-Jin Cho!
조성진군, 낯선 이국땅에서 세계적인 피아니스트 들과 경쟁하느라 수고가 많군요. 오늘 연주는 너무 좋았어요. 지난봄보다 많이 성숙 됐구요. 꼭 입상하리라 믿습니다. 힘내세요. 파이팅!!!
그렇게 그는 우승 했습니다.
Seong-Jin Cho
Stage 2 Program
*17th International Chopin Competition*
*Oct 9, 2015, 10 am-2 pm Session*
*8:04**-**8:37** Interview*
3:05:06 Ballade in F Major, Op. 38
3:13:04 Waltz in F Major, Op. 34 No. 3
Sonata in B-Flat Minor, Op. 35
3:15:49 Grave. Doppio movimento
3:21:12 Scherzo. Molto vivace
3:27:20 Marche funèbre
3:35:23 Finale. Presto
3:37:18 Polonaise in A-Flat Major,
Op. 53 *(“Heroic”)*
Marshall Artz oh thanks!
Thanks
Bravo! Seong Jin Cho!
성진초의 장송 소나타!!! ㅜㅠ
그리움과 슬픔, 죽음의존엄,
위로... 청중들도 비슷하게 느낀듯, 눈물닦고 코풀고...ㅋㅋ
성진초는 연주중에 자신이 뭘 느끼는지와 상관없이 많은 감정을 잘 전달함...
신기할정도...👍👍👏👏👏
조성진 소나타2번...대회에서 가장 뛰어난곡으로 생각한다.
저 나이에 할수있는 해석이 아닌 정말 뭐라 설명할수없는 감정들이 나로하여금 눈물을 머금게 한다.특히 3악장은.
와 진짜 쇼팽 발라드 2번은 압도적인듯..현재 내 기준 최고임
3:37:18 is when Heroic Polonaise starts by Cho
Łukasz Piotr BYRDY (Poland) (15:50)
Ballade in F minor Op. 52 (17:18)
Waltz in A flat major Op. 42 (29:33)
Andante Spianato and Grande Polonaise Brillante in E flat major Op. 22
I. Andante Spianato (34:11)
II. Grand Polonaise Brilliante (38:46)
Michelle CANDOTTI (Italy) (48:37)
Ballade in A flat major Op. 47 (50:39)
Waltz in A flat major Op. 34 No. 1 (58:10)
Polonaise in F sharp minor Op. 44 (1:03:44)
Scherzo in B flat minor Op. 31 (1:14:22)
Luigi CAROCCIA (Italy) (1:25:22)
Polonaise-fantasy in A flat major Op. 61 (1:27:14)
Ballade in F major Op. 38 (1:41:12)
Polonaise in A flat major Op. 53 (1:49:26)
Waltz in E flat major Op. 18 (1:56:55)
Galina CHISTIAKOVA (Russia) (2:29:44)
Barcarolle in F sharp major op. 60 (2:31:36)
Waltz in A flat major Op. 42 (2:42:06)
Andante Spianato and Grande Polonaise Brillante in E flat major Op. 22
I. Andante Spianato (2:46:27)
II. Grand Polonaise Brilliante (2:51:33)
Seong-Jin CHO (South Korea) (3:02:52)
Ballade in F major Op. 38 (3:05:07)
Waltz in F major Op. 34 No. 3 (3:13:04)
Sonata in B flat minor Op. 35
I. Grave - Doppio movimento (3:15:50)
II. Scherzo (3:21:12)
III. Marche funébre: Lento (3:27:20)
IV. Finale: Presto (3:35:24)
Polonaise in A flat major Op. 53 (3:37:18)
Ivett GYÖNGYÖSI (Hungary) (3:45:20)
Ballade in A flat major Op. 47 (3:47:01)
Scherzo in C sharp minor Op. 39 (3:55:10)
Waltz in A flat major Op. 34 No. 1 (4:02:51)
Andante Spianato and Grande Polonaise Brillante in E flat major Op. 22
I. Andante Spianato (4:08:36)
II. Grand Polonaise Brilliante (4:13:33)
Thanks
Thank you very much!!
You are amazing for doing this! Thank you!
폴로네이즈를 너무나도 편안하게 연주하는 걸 보면 그냥 클라스가 나온다..👍🏻
쇼팽 콩쿨 이렇게 자세히 보니 더 흥미진진 ♡조성진 최고!!!!
쇼팽은 조성진 정말 갓벽🤘🏻💚❤️
거의 대부분의 심사위원은 이 스테이지 때 부터 그랑프리를 내심 점찍었죠! 근데 동시에 앙트르몽은 이때 부터 1점테러를 시작했죠! 왜 그랬을까요?! 그 캐나다 친구 1등 밀어주기가 힘들 것 같았기 때문은 아닐까 🤔
앙트르몽의 1점테러……조성진 피아니스트의 스승과 사이가 안좋았다는 소문이 있죠
아무리 그래도 1점은 이건 반칙이죠!
앙트르몽 나빵😡😡
와.....진짜 전부 다 말로 할 수가 없지만 소나타도 진짜 환상이네요. 진짜 최고네요. 1악장 마지막 몰아치는 카리스마.. 2악장.. 아 3악장은 눈물이 나네요. 폴로네이즈...아.... 저기 계신 모든 청중들도 다 느낌 온거죠. 환호성 들어보면.
혹 이 영상 스테이지 2인가요
본선 스테이지가 맞다면 여기서도 점수를 매기 나요
@@소망-i2m 네 스테이지2 이고 점수 매겼을 것 같아요!!
네~ 근데
화면에 나온분 한국여자분 같은데
결선무대서는 못봤는데 떨어졌나요
진짜 폴로네이즈 칠때 조성진은 반짝반짝 빛난다.
그냥 리싸이틀 하고 내려오셨네~ ㅎㅎ
And this is when that infamous PE start to give CHO very questionable lowest scores possible to eliminate him from the competition.
Cho, who clearly got the most loud applause from the audience along with high scores from the rest of judges who gave him a go, YES, to the next round,
PE had given him *14* with *NO* for this performance.
REALLY, PE???
Ikr what a bias judge
i would have given him a NO for this performance as well, tbh
Yes , Mr; Entremont was right .
Mr. Cho plays very well , but he is completely boring .
Romanticism is more than playing like a pre-programmed machinery only between mezzopiano and forte ..
Listen to Kate Liu , SHE had something to say .
Fritz Maisenbacher How the fuck is Cho boring? I don't understand, he plays the most clearest and he adds his own unique articulation to every piece he plays, his articulation is so unique compared to other contestants
@@Fritz_Maisenbacher So every other judge and the rest of the audience is just retarded and doesn't know shit according to you.
성진 님 페달 오른쪽 밝아서 의자 뒤로 밀려 나갈정도로 삐뚤어 져도 뛰어난 집중력을 유지하며 존경 에 다다른연주 계속해서 듣게되는군요 건강 챙기시고 토로나 조심 걱정 됩니다
17:10 Łukasz Piotr BYRDY; 49:50 Michelle CANDOTTI; 1:26:40 Luigi CAROCCIA; 2:30:55 Galina CHISTIAKOVA; 3:04:06 Seong-Jin CHO; 3:46:40 Ivett GYÖNGYÖSI.
thanks!!
thanks！
@@クラシックを愛する者 Thank you.
Thank you very much!
Mr. seongjin Cho
왈츠를 저렇게나 완벽하게 치다니!!
곡과 곡 사이 텀에 조성진 목에 맥박 미친듯이 뛰는거.. 안쓰러움.. 맥박 뛰는거 보고 있으면 얼마나 긴장했는지가 느껴지는데 또 연주는 물흐르듯 자연스러워서 신기함.. 그 엄청난 중압감을 견뎌내고 길이길이 남을 연주를 해줘서 너무 감사하고.. 또 1등해줘서 너무 감사함. 유퀴즈 보니까 20대 후반까지만 해보고 안되면 접을 생각이었다던데 쇼콩 우승을 계기로 조성진 연주를 계속 듣고 볼 수 있어서 행복함.. 진짜 조성진은 인류의 자산이야
사람이 저렇게 섬세하게 연주할수 있는건가..
레전드 영웅이 이때 탄생했구만
17회 국제 프레드릭 쇼팽 피아노 대회 .
오~ 프로그램까지 삽입해주신 센스. 이건 어떤 공연물과 비교해도 손색없는 음악 교재네요. 아은이에게 들려줘야지^-^
3:15:45 Seongjin Cho's Sonata No.2
Bravo!
Diese jungen Künstler machen Hoffnung! In jeder Hinsicht...
Künstlerisch ein unglaublich hohes Niveau!
연주가 너무 우아해 ㅜ
아름답고 열정적인 연주에 오늘도 힐링되는 하루~*-* 성진 땡큐!!
완벽한 선곡이었다 ㅠㅠ
Go sung-jin! Full of passion!
CHOpin at 3:05:05
ㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋ
He's the worst pianist out of them all.
@Duy Duong Phillipe Entremont thinks the same! He doesn't define music. His performances are technically good, but musically boring.
@Duy Duong idiot
@Duy Duong Don't mind him, he's just a troll lol. Cho was the most consistent competitor, and the judges' role is to be as objective as possible. You can't really rank artistry, can you?
28:44 toxic gas released into audience
So incredible!!
CHO begins at 3:03
조성진님 연주를 좀 더 잘 들으려고
앞에 3시간 연주를 모두 감상했는데 흠... 음...
집중이 안되는 미스터치 지루한 연주들이네요
21이번 콩쿨에 재참여한 분들도 보이는데
앞에 이탈리아 두 분의 선곡도
연주스타일도 개인적으로
상당히 지루하네요 그래도 스테이지2까지
진출한 분들이면 상당한 분들이란건데...
그리고 이어지는 조성진님의 차례
발라드 2번은 그저 빛
조성진의 연주를 보고나먄 한번도 피아노 안해번 어느 누구라도 피아노에 빠질듯
진짜 흠 잡을 곳 없는 연주 아닌가~~~
훌륭하네요. 조성진.
장송행진곡..멋지다
정말 완벽카다 ㅠㅠ
3:02:52 Seong-Jin Cho
Ivett's wrist is fantastically relaxed, which gives her the possibility to form really subtle pianissimi. I wonder if the projection was enough for this huge hall, though. At the very beginning, some notes were quite thin...
But what followed was pure MAGIC, and I couldn't care less for the mistakes.
I'll definitely look for her upcoming concerts!
특히 폴로네이즈..
조성진씨 폴로네이즈는 정말 압권이네요
조성진 폴로네이즈 op.53은 걍 독보적인거 같네요. 저 곡을 제가 30명이 넘는 버전으로들었지만.. 조성진 버전이 가장 좋아요.
갈라콘서트보다도 좋네요^^ 이 버젼이 최고인듯❤❤❤
강약조절이 넘사....
3:12:22 lol everyone holding in their coughs until he's done. amazing to see that
By the way, the first pianist is very very good, good enough to be a concert pianist.
CHOPIN IS THE GREATEST COMPOSER. IF YOU LISTEN TO HIS MUSIC CAREFULLY, YOU WILL FIND MANY HIDDEN GEMS. THOUGH SAD, BUT LEARN TO ENJOY IT.
아 진짜 국뽕 차오른다!!!
Thank you for uploading this part!
귀한연주 감사합니다~
Excellent
Bravissima Ivett GYÖNGYÖSI! :) :)
3:04:20 Seong-Jin Cho!
+Kim Banya LOL, is there a cold or flu going around? I noticed that some pianists had the keyboard wiped off before they played. Getting sick may diminish their chances significantly.
Vette gaddia. Actually, he did have bad cold dyring the competition yet he won.
Excelente performance de Galina Chistiakova. Definitivamente ella merecía quedar en un mejor lugar
순위에 든 연주자들도 1라운드에서 후달달떨고 성진초도 첫번째 녹턴에서 호달달달 떨더만 2라운드는 다들 적응완료!
Galina is so outstanding and powerful. What she played was very colorful in tone and lyrical in musical lines.
At age 2 he rwas a pianist, at age 3 she was a composer, at age 4 she was a professional composer and her compositions are distributed by Hal Leonad Music, At age 5 she made her debute as concert pianist, wrote already pieces for symphony and released her first album. At age 6 she won 3 Awards. Watch her when she is just age 8 at a concert where she play Chopin Waltz Op 64 Nr 2. - ( more of her on the playlist) - Chopin Waltz Op 64 No 2 by pianist & composer Emily Bear
I know Cho threw a challenging suggestion as to "how about this Chopin?" to us, who has been snuggling only within so called Chopinesque comfort zone with a typical curiosity for a typically Chopinesque new comer. I myself did not quite get when I heard him for the first time, playing Conterto no 1. I was a bit baffled.
However when I heard his entire performances along with competitors', this 21 year older is a serious trouble maker who must be dealt with, to all Chopin lovers.
So that much I can understand the criticism but it seems a bit too cheap shot manipulating phrases like "strong nationalistic performance", where I am lost figuring out the meaning.
To the saddest disaster to all of us who loves Chopin, Chopin is dead.
Therefore we must be sensitive a little when we try to agree via "Chopinesque". To me always the question is "Do I like this Chopin? And the answer should stay subjective.
I learned hard way how tiring endeavor without a fruit to influence another soul by arguing subjective issue with objective tool; conversation.
So I lowered the bar. If an artist makes mistakes, he/she is not there yet, period, no excuse. Then I have to answer "Yes, I like this Chopin as a Chopin and I hope He agrees too".
So Cho, to me, becomes a rising trouble maker to watch from now and on and...
Good Luck.
BRAVOOOOO.🌏.💙...ALL OF YOU!...💐
good!
3:02:00 3:12:00 3:44:18
Really like this video but I don't think Yamaha is the best piano to interpret Chopin. Personal opinion only.
+Cen Peng
You are not the only one, many including myself agrees.
Yamaha is the loser in this event.
Well, it's better quality than the piano Chopin used to compose the pieces
Why? Many contestants chose it time after time over Shigeru Kawai, Fazioli and Steinway. There must have been something about it that made them choose it. Anyway, the Yamaha, Steinway and Shigeru Kawai are all used on this video.
Yamaha makes some of the best pianos in the world. If you think you can hear a difference in quality, especially after recording compression playing it back on your computer speakers, then you are fooling yourself.
영폴천재 영폴천재
스폰서에 한국 기업은 하나도 없네.
박현철 한국은 역시 경마죠!
2:17:54 가주연
오 luigi 화려한 대왈츠 좋다
Who use this for study music?
Who uses this to study music?
Entering a competition like this is like going to a casino. You may win, or you may loose. Everything depends on a particular judge and how he/she gets up that morning.
Everyone in the competition is highly qualified. However, judges are humans, they can be extremely biased because the performer didn’t play his/her style. Personal emotions get into it; that is why any competition is never “FAIR”.
Kate Liu is a prime example. Just that Martha didn’t like Kate, she put her under the rug. Meanwhile, Garrick Olsson praises Kate to be the best and Kate’s playing made him cry, him and so many others.
You tell me.
3:02:53
Why did they change the piano ? The first three got the Yamaha, then one got Shigeru Kawai, and the last two got the Steinway ?
I believe the performers can select the piano of their choice.
@@davidcannon8941 that's cool.
How does Steinway feel like? I really want to try
@@lczq6737 The key beds tend to be quite deep, which allows you to play very lightly across the top and also create a very full and rich sound. It allows for a much broader contrast in timbre compared to most pianos. The pedals are also amazing, you can do 1/4, 1/2, 3/4 and full pedals with relative ease, which allows you to blend sound to various degrees.
@@davidcannon8941 wow. Thanks. I hope I save enough money to get one
That's because they're working on it. It takes time to prepare and post this.:-)
Tôi yêu nó...
28:40 why is everyone coughing all of a sudden haha
They must have been holding it in lol
Coronavirus
@@gervasseslosse9524 No
Who is the interprete of the Waltz Op. 69 No. 2 at 2:06:11 ? It was absolutly delightful.
Ewa Pobłocka (look here: 2:10:52).
Thank you, I did'nt pay attention.
Wow! Gyongyosi the best!
why isn't in hd??
+Jorge Elizondo takes time to process
3:27:21
I am referring to the performance of Caroccia. Had he been followed the Grand Waltz Op. 18 piece entirely when he did some additionals on it? Or does the piece have an edition that Carrocia had followed to make it so?
I noticed it at 2:00:22 to 2:00:27.
Why Seong-Jin Cho played the sonata in stage 2?
+xiao1215 Because Cho wants to stand out because usually no one is playing it at this stage. Chopin's B flat minor sonata is very difficult. And Cho played it very well. The A flat polonaise was near impeccable. There are many of that polonaise and I find his the best so far. He did not rushed and the clarity of every note is impressive. Most of the A flat polonaise I've heard is a blurring of the notes, not Cho. He deserved that roar from the audience at the end.
+Vette gaddia - Yes, it was a strategic gamble on his part. He knew perfectly well that many people would compare his playing of the B flat minor sonata to Yulianna Avdeeva's unbelievable performance 2010.
+xiao1215 - However, would you choose Cho's "flaunt" over Piotr Nowak's pure performance of yesterday?
xiao1215 I am a little bit confused by your question. I don't remember hearing Nowak's playing Chopin's B flat minor sonata opus 35. So I can't compare him with Cho. As for the complete repertoire he has played thus far, I don't think he is in the league of Cho. I think I also made it clear that I think Trifonov should have won over Avdeeva. That is my opinion. That does not make it any more valid than your valuable opinion.
+Vette gaddia - Sorry about the confusion. My second response was referring to Nowak's performance vs. Cho's and it had nothing to do with the B flat minor sonata comparison. Nowak's program was relatively simple compared to Cho's, however I thought Nowak really captured the essence of Chopin.
I don't know who's the best but I'd marry Ivett GYÖNGYÖSI TOMORROW!!!! So beautiful.
So do I.
I really like Birdy's performance.
20:19
3:03:38 i wonder why S-J Cho is cracking his Knuckles (you can hear it crack).. Doesn't he know this is not good for the joints..
Pat but he did well
He might know. but you know, it sometimes helps to flex fingers.
저 왜 궁금한데요 ... 성진이만 왜 소나타 친거죠???? 2라운드 아녜요?
시간 구성만 맞추면 되요 전략임
궁금한게있는데 어떻게 조성진씨랑 다른참가자들이 같은 35분동안 치는곡의 수가 다르죠?
JaeJin H 소나타때문에 그래요. 사실 소나타 한곡에 4악장이라서 사실 연주하는 곡수는 다른연주자랑 비슷하죠.
I know Seong-Jin Cho is a favorite but I don't really care for the way he plays very much. Just seems like the best of the play everything super fast modern way of playing. I much prefer Kate Liu of the 2nd rounders so far.
+Johnny P they seong and kate play it like a piano clinic. more like rubinstein in beauty may improve since they are machines who dont fault. the 2 of them just needs to improve on singing the piano. they have no problems with any of the written score. only a few others don't screw up the expected scary parts.
+Liu Cheang Well, Cho was one of the most singing player in this competition in my opinion. He played the music like an one phrase, like an wave....I also enjoyed Galina's and Ivett's playing in this video other than Cho. But I agreed your opinion about Liu.
I prefer Mang Tomas as the best pianist in the universe
Agreed. He's way overrated.
혹 이 영상 본선 스테이지 2 인가요
정확하게 무엇무엇 치셨나요
스테이지가 맞다면 여기서도 점수를
매기 나요
본선 2차 맞고요,
영상 설명란에 보시면
프로그램 나와 있어요.
점수 매기는 것 맞아요.
another gladiator fight for money.