Get started playing Outside Blues Licks!
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- Опубліковано 29 вер 2024
- Hey friends!
In this lesson I'll show you how I use Minor7b5 arpeggios to achieve outside blues licks and tones over Dom7 chords. I'll play an Am7b5 arpeggio over an F7 chord to illustrate my ideas.
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Nice lesson 👍 And, what a tone...sick. can't beat P90's for me 👌
Wow Corey! That sounds so freaking awesome!
Great licks great tone, Very Robben Ford, perfect.
I like the way you make it possible to get something out of it whatever you're level may be, good teaching !
Appreciate that!
lessons like these are so great for opening up new guitar vocabulary, i love it. thanks so much for making these videos!
My pleasure!
Man, awesome! Subscribed, naturally!
Thx man!
very usesful, thanks Corey!
Fantastic, Corey. Thank you.
my pleasure
A bit hard to understand and follow as a French guitar player who does not understand all in American and does not know that much about music theory, but AWESOME ! I would like to know which notes to enhance blues scales and sound better IN A SIMPLE AND LOW WAY!!!!! Kind regards from France 🥰
Hey Corey when are you gonna teach us how to play some of those crazy licks/runs you're playing?
I just realized you have a whole course aha. Are those sort of fast lines taught in it?
The coures, Hip Blues has those ideas. I touch on a few in Complete Blues V2 but, I don't go as outside as this video suggests.
@@coreycongilio So what course would you recommend? I'm probably closer to the advance side between intermediate and advanced. Like I know the positions of the main arpeggios (Maj7, Dom, Min7, m7b5) and I can switch between them over songs but I still can't put phrases together like you were doing at the start of this video.
@@jonbentley8088 I have a coures on TrueFire.com called Hip Blues Outside Lines and my new course Complete Blues Volume 2 will touch on diminished, major/minor/dom7 arpeggios a bit too. Feel free to email me with any other questions. corey@coreycongilio.com
Thx!
Thanks for the musical Excellence, very attractive !!
My pleasure
Lesson starts at 5:39
underrated comment
Some Epic stank face! Great playing and teaching.
You're good.
Yes he is....and so are you, RJ!
Guess that makes you “good” as well RJ? 😂 Monster player commenting on a fellow monster’s UA-cam video...man, UA-cam is wild 🤘🏼 Where was this when I was learning guitar 25 years ago 😩
Robben Ford comes quickly to mind.
Hey Corey, do you do private lessons? Not sure will be practical with time zones but noticed the link on your website is broken
I recently discontinued 1 on 1 lessons. Thanks for asking though!
lesson starts at 4:18
Would you apply this idea to the song "feelin alright" chords C7 and F7? The chord changes are quick, so would you mainly use the Amin7b5?
Yes! That should work!
Hey. Respectfully, is this really just F mixolydian? Serious question - still so much theory to get my head around.
Okay! Here I go…
Just listening to you i find myself making guitar faces.
Haha there ya go!
Where’s the tabs?
Hey David, I'm working on a new TAB delivery but, in the meantime you can email me at corey@coreycongilio.com and I'll send you the arpeggio
i went too far outside now i cant get back in
Hi Corey. If this were in E it would be G#m7b5 then right? So that's G# B D F# right?
These lessons are some of the best I’ve Ever seen on U-Tube Corey. Thank you. Love to play outside
Wow thank you!
Awesome lesson - really interesting concept!
Nice editing too.
A lesson on using arpeggios more musically could be a good one for the not so distant future.
What amp/rig are you using here? That is a great clean tone…. I haven’t found any modelers that can do that…
So I’ll be blown away if you say it’s digital.
Thanks for the lesson
New subs here!!!!
That is a really great lesson, great phrasing and licks! Now... Where do I find that lovely backing track on its own? :D Thanks!!
This really depends on the notes that you highlight,,
As you have the Am7b5 over F7 ..
Which is a Locrian mode ... and the 7th mode of Bb
and that's where F7 is heading ,, being the 5th mode of Bb
so they really all come from Bb.
Bb Ionian
F Mixolydian
A Locrian
all have the same notes .. So it depends more on what you're thinking of, as to what gets highlighted... but you haven't really changed key
Maybe try Eb major over F7
or F Lydian dominant, so you have your major third and flat 7th but a #11 in there
I said it below somewhere in the comments a little over a year ago,, and I'll say it again & again,, Corey really nailed it with this lesson. I make sure to watch this particular lesson time and time again. Thanks for helping expand the vocabulary as mentioned. We got the Rocky Balboa of guitar teachers right here folks !
Love your lessons Corey. I'm just trying to understand the theory as to why you would go to the Am position. Is it the 3rd mode. I found it easier to get these notes mixing major and minor using the F on the 8th fret 5th string. I don't tend to focus on arpeggios to much so maybe that's where I'm going wrong. Cheers
Corey is a great instructor but I think would have helpful to say that the A minor 7th b5 is the locrian mode of the parent scale of Bb major which the F7 belongs to mixolydian of Bb major
“I'm just like you...”, yes, but with ten times the talent :) Thanks Corey, killer tips and video.
Tim Stevens
Hahaha
Thanks Corey! Your Truefire courses are great. I'm always looking for ways to sneak the outside notes into my blues playing for a more "uptown" sound. I'd love to hear your take on the BB King / T Bone Walker roots of that style. That's where my journey has started.
Corey please, which arpeggio di you use at minute 1:19? I love that lick
How do you know which m7b5 chord to play relative to the key you are in? Is it the 5th of the key?
lovely video
When do we play in "F"??? When Chizmo called the tune! :)
It's the same chord
Cm6,Am7-5 ,just no F
Can I use A locrian to get same idea? don’t really use arpeggios much
hello.. I like this very much.... I dont get which way to contact for backing track..:)
@@coreycongilio done..I mean ..sent..:)
I'm a new subscriber and these lessons are great. I've been stuck in a rut for years, so thanks. I found I could add the Bflat and D to the arpeggio - so from the 6th string, 5th fret I have, 1-2-4,1-2-4,1-3-4,1-3-4,2-4,1-2-4. Is this A Locrian? Cheers!
Thanks for subbing, Bill! I'd have to dig a little deeper on that for ya.
Dang, that is some great playing! Tight, rhythmical, great tone, great phrasing and a lot of feeling. Impressive!
Amazing, as always, thanks! Edit: I'd love to be as fluid, maybe a lesson or excercises for fluidity?
Hey! I'm trying to get a bunch of guys to believe they can be a band! So your explanations/demonstrations are right on. But where are the links you keep mentioning? Website link? Download transcript?
In the video description
Loving the stanky blues face!
Don’t know if you’ll read this but I honestly think you’ve everything spot on. Amazing player - amazing teaching style - amazing moustache - hope you get more recognition my man!
Your logic makes sense to me. "Expand my fretboard vocabulary". 👌
wooow, your new videos are insanely good, great blues playing! On the level of Robben Ford here I'd say
It's not outside bit for the chromatic note.
Can you use minor7 flat5 arppegios on other chords like minor 7 or minor chords?
I don’t. I use to for the intended chord and this substitution
Does this sound cool or what??!!
Waiting for that lick to be plotted descending or, alternately, a complementary descending lick
sounds great
Really cool arpeggio shape, I love it! Thanks!
Do you have a direct link for those thinking outside the box blues arpeggios?
Hey thx! I just have the arpeggio that goes with this lesson. You can find it on my website under the Store menu. You’ll see a drop down for Free Tabs and Tracks. Help yourself!
Do I feel Silly! I saw the title and took my guitar in to the garden 🤷
haha, why not?!
Thanks man this was great!
This is so fun man. Thank you!!! I was that guy saying, "well those notes fit the chord aka F9", but playing them as an arpeggio sounds way cooler than just viewing them in the context of a mix mode or scale.
Glad you dug it!
Hi Corey. I'd love you to teach on some of the weird and wonderful modal licks used by Dickey Betts and Duane Allman on the "Live At The Fillmore East" album.
@@coreycongilio I don't mind how you approach it bro. Just show me how! Love your album on Spotify.
You’re playing in F but the KEY is Bb .
Love the ideas and the lesson though
Yeah I hear you and agree that’s the best way to go but I found it confusing when learning theory why that was. You gotta know how to harmonize modes to make sense of it
Hey Corey,
As this video is 1 year old, and your website has change, I'm not sure what guitar course you are referring to!
Where could I find it as I would like to buy it?.
Txs...
24th of February is my birthday... Ah ah!
Hey! This info comes from the course Hip Blues on TrueFire. I’m a February Bday guy too!
@@coreycongilio Hey Corey, just bought the course. Txs. (I'm sorry it's so little business for you...) Take care.
Appreciate it all the same! Enjoy!
Thank You so Much
You've got some killer guitars, and skill to match!
great solo
If you control the language......you control the "argument".
Every teacher must know it.
C.C. has mastered it.
Thank you for your clear and objective explanation.
Thank you for that!
A year ago this was a no go but today I get it and immediately added it in my mix. Stuff is clicking. Thanks for this!
Awesome!
grazie.
Cool..👍❤
These notes are actually inside...lol
haha yep!
7:10 = Start
this is a good tip - I first got it from Don Mock
Love Don’s teaching.
Grazie...
You scared me away before the 2:00 mark.
coreycongilio great videos keep them coning. Thx!
Corey, thanks man great inspiration for expanding my sound. just wanna go beyond pentatonic. this helps big time!
hey there!! I got many tips from u!! tnxs so much! I'm gonna contact u about the arpejos ok? Regards from Brazil ✌️👏👍☕🎸
I love your teaching and videos! I would just add to this that the core of this is that the notes in Am7b5 are actually just certain notes to emphasize in the F Mixolydian scale (3 5 b7 9). Once I realized that it was very natural to play these arpeggios.
Such a tasty player and such an engaging personality. Love these lessons. I’m learning
a lot.
That was great. Thank you. Great playing. Great concepts
💪💪💪😍😍😍🎵
Great lesson. I find this much easier to visualise and grab as a Cmin with additional A.
Oh my word, m7b5 arpeggios sound amazing over dom7 chords!!!
They can easily be fitted into the dom7 shapes as well
F is a hard key. Kudos to you for doing it and doing it well.
Hey thanks!
I don't usually commit - but I have to say you truly have a gift for teaching ( and of course playing guitar ) -- I am 66 years old , I have made my living playing music for 50+ years first as a bass player till I was 40- and for the last 26 years doing mainly solo guitar gigs around the South ( last year I giged 245 dates, some band but mostly solo ) - your explanations for how to do/play, and why these work are straight forward and to the point as i said you truly have a gift !!!
Agree 100%. Clear, concise explanations. Funky & cool player too.
Ahhhhh some diminished goodness a la Robben Ford. Nice!!
I enjoyed your lesson! I honestly can say that you have an excellent approach to teaching. Thank you!
Altered 3minor is a great color! Thanks!
Iv been watching your videos for over a year now and have learnt so much from you you are amazing my question is I been using a lot of Pentatonix as a base but to make a long story short I've noticed certain times you can play a Minor pentatonic over a major Chord and some times I stop and figure the how that can happen , so if you haven't done a video on this I'd love to see you make one love your lessons and the way you break it down
Hi Corey, amazing concept! I'll apreciate if you teach how to throw this arpeggio over a regular blues to more comprehension of it. I love all your lesson, you're and incredible teacher. I've learn a lot of things with yor videos. I'll apreciate if one day yo teach something that mix more outside arpeggios with regular triads for example. Thanks for teaching us
I like it that you are not trying to teach 5 things at a time. Great virtue and teaching skills! Awsome playing too. Thank you!
Corey: Plays first “outside” lick in the video intro
Me: “🙄 Why is this guy so f****n’ good?!”
I live alone...so you know you can play when you’ve got me asking questions to my invisible roommates 😂
Haha that’s great. Thx!!!
Excellent Corey! Thank you
Wow, Corey! Didnt know you are this great on an electric! THX
Dream jam buddy. Awesome, thanks
Hi Corey, I am new to your vids, (just subscribed) Is it me or when you play faster passages, are you alternate picking, as in picking some notes with the pick and the next not with your fingers? that could be a whole lesson there. I am conflicted on some picking techniques.
I use hybrid picking a lot. That's my go to technique.
You have been a huge inspiration for me to start my own channel!!! I literally JUST started, its definitely harder than it looks. We share a love of SRV, I would love if you could talk about SRV's "jazzier " songs....
Very cool! Love to dive into that stuff!
Great to find you on the web again. One more subscriber!
Why don't we play more blues in F? 🤔 For any piano players in a band, F is a cinch with only 1 flat. Playing in E would be a total B! Too many sharps!
Piano players who play blues are very used to playing in E. It's just the nature of the beast.
Love to learn more of the outside ideas eric gales and josh smith use ⭐️
Great stuff again. Thanks. I would really love to learn the right hand tech.
sounds awesome
Thanks so much! I'll be doing more hybrid picking stuff soon!
Big thanks Corey is awesome.